Trent Reznor and Atticus Ross to score soundtrack for Naughty Dog’s new video game franchiseNine Inch Nails’ Trent Reznor and Atticus Ross are scoring the soundtrack for Naughty Dog’s brand new video game franchise, Intergalactic: The Heretic Prophet, which is currently in development for PlayStation 5.
Reznor and Ross have been composing for a range of films over recent years. So far, the duo have composed music for movies such as Challengers, Queer, and the new Tron film which will release in 2025. Reznor has worked on a number of games in the past, including Call of Duty: Black Ops II, and Ross has formerly composed for the FIFA franchise.

READ MORE: Trent Reznor: “The terrible payout of streaming services has mortally wounded a whole tier of artists”

In a blog post from Neil Druckmann, Studio Head at Naughty Dog (the same studio which delivered games such as The Last Of Us and Uncharted) he states, “Our incredible voyage into the cosmos also needs an equally incredible soundtrack. As tremendous fans of their work, I’m excited to announce our collaboration with Trent Reznor and Atticus Ross who’ll be scoring Intergalactic! The guys are cooking, and the trailer is just a small tease of their work for the game.”
The game marks the studio’s first new franchise in over a decade, and follows protagonist, Jordan A. Mun, “a dangerous bounty hunter who ends up stranded on Sempiria – a distant planet whose communication with the outside universe went dark hundreds of years ago… Jordan will have to use all her skills and wits if she hopes to be the first person in over 600 years to leave its orbit.”
You can check out the first trailer below:

In a recent interview with IndieWire, Reznor opened up on his film score work alongside Ross, and explained how the pair are flourishing within its industry as opposed to the music world.
“What we’re looking for [from film] is the collaborative experience with interesting people. We haven’t gotten that from the music world necessarily, for our own choice. You mentioned disillusionment with the music world? Yes. The culture of the music world sucks,” he said.
“That’s another conversation, but what technology has done to disrupt the music business in terms of not only how people listen to music but the value they place on it is defeating. I’m not saying that as an old man yelling at clouds, but as a music lover who grew up where music was the main thing. Music [now] feels largely relegated to something that happens in the background or while you’re doing something else. That’s a long, bitter story.”
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