The Blues Foundation Salutes The 2025 Keeping The Blues Alive Recipients During International Blues Challenge WeekThe Blues Foundation launches its 40th year by saluting the 2025 Keeping The Blues Alive (KBA) honorees during International Blues Challenge week, Tuesday, January 7 through Saturday, January 11. This year's KBA recipients are The Rhythm Room; Blues Blast Magazine; Charlie Hussey; Big Ed's Blues Jam; Little Steven's Blues School; Cincy Blues Society; Jefferson Street Sound Museum; and Ryszard Gloger.Keeping The Blues Alive Awards are chosen annually by a select panel of blues professionals, honoring those who have played crucial roles in advancing the art and commerce of blues. This year’s esteemed honorees will be recognized for their achievements at the Keeping the Blues Alive Awards brunch, taking place Friday, January 10 at 10:30AM, at the Hyatt Centric Hotel on Beale Street. Tickets are $80. and available on the blues.org website.The KBA ceremony is part of the Blues Foundation’s 40th Annual International Blues Challenge. This year's IBC Week kicks off Tuesday, January 7, 2025, with International Showcase performances on historic Beale Street, concluding with the Finals at Memphis’ Orpheum Theatre Saturday, January 11. Over a thousand musicians will converge in Memphis from across the globe, competing with their blues peers for the honor of winning — along with prizes and bookings — the International Blues Challenge, the world’s largest and most renowned blues music competition. Showcases, jams, panels, workshops, and master classes take place throughout Beale Street; spontaneous live music jams continue into the early-morning hours after the IBC performances conclude each evening, including unannounced appearances by well-known artists.This year marks the 33rd anniversary of the Rhythm Room, a cornerstone of the blues community in Phoenix, Arizona. Over the past three decades, the Rhythm Room has hosted thousands of performances by blues artists and has become a vital hub for the genre. In a city as large as Phoenix—the fifth largest in the U.S.—it remains the only venue offering weekly blues performances, making its role indispensable to the local music scene.Owned and operated by blues musician and advocate Bob Corritore, the Rhythm Room has faced numerous challenges in its mission to keep blues music alive in the Southwest. At a time when many blues venues are shutting their doors, Bob’s dedication and personal sacrifices have ensured that the Rhythm Room remains a sanctuary for blues fans and musicians alike.The Rhythm Room’s importance extends beyond its role as a live music venue. It attracts blues enthusiasts from across the country, providing local audiences with opportunities to see national and international blues acts, not just local talent. Moreover, the venue offers a unique benefit to musicians: many performers who play at the Rhythm Room are invited to stay an extra day to record in Bob Corritore’s world-class recording studio. These sessions often result in music that is distributed at no cost to the artists, providing additional income and exposure. This model of support is unparalleled among music venues globally.In addition to its contributions to blues music, the Rhythm Room is a steadfast supporter of the broader blues community. It has hosted the Phoenix Blues Society’s International Blues Challenge competition and has been a longtime advocate for the Blues Foundation’s HART Fund, organizing an annual benefit where all proceeds from ticket sales go directly to the fund’s mission of helping blues musicians in need.While the Rhythm Room welcomes artists across various genres, its unwavering commitment to blues music is what sets it apart. Few venues can claim such a strong and enduring dedication to preserving and promoting the blues. Through its exceptional efforts, the Rhythm Room has solidified its place as an essential institution for the blues community and beyond.The post The Blues Foundation Salutes The 2025 Keeping The Blues Alive Recipients During International Blues Challenge Week first appeared on Music Connection Magazine.