Moog’s new Labyrinth semi-modular synth is a fresh take on the classic ‘West Coast’ soundMoog has announced the release of Labyrinth, a semi-modular analogue synthesizer that boasts a new voice architecture with unique oscillators, a different filter topology, wavefolding, and parallel processing.

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Designed to take you through an “endless journey of sonic rabbit holes”, the synth features dual intertwining generative sequencers to help inspire new compositional ideas. With parallel analogue signal paths, the unit shines when adding colour to the static backdrop of a drum pattern or bassline.
As part of Moog’s semi-modular family, Labyrinth stands out as a unique tool for auditory exploration. The instrument is inspired by “classic percussion synthesizers and modern generative techniques”, and combines a newly designed voltage-controlled wavefolder with a state-variable filter, allowing for both additive and subtractive synthesis.
The dual sequencers, inspired by shift register sequences commonly found in Eurorack systems, offer intuitive and flexible control over melodic and rhythmic patterns. Users also get two decay-only envelopes, which can be used to shape both melodic and rhythmic content.
Arriving in a compact 60HP format like the Mother 32, DFAM, Subharmonicon and Spectravox, Labyrinth can function as a standalone unit or as part of a larger Eurorack setup. The device’s patch bay facilities (32 patch point patchbay with 12 outputs and 20 inputs) also enables extensive modulation and connectivity with other modular gear.
“Labyrinth is designed to be an engine of sonic exploration,” says Rick Carl, Moog’s System Architect and Lead Hardware Engineer on Labyrinth. “It allows users to create evolving sequences and rich timbres. It’s like having a compositional companion that navigates through a labyrinth of sound, constantly reconfiguring and surprising you with new sonic landscapes.”
Priced at $599, Labyrinth is now available worldwide.
Check out the Labyrinth in action below.

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