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  • 21 UK festivals called off, postponed or cancelled altogether – with over 100 in danger of disappearing without immediate actionAs the 2024 festival season approaches, the UK is witnessing a concerning trend: 21 festivals have either been cancelled, postponed, or scrapped – with many more in danger of disappearing without immediate action.
    The Association of Independent Festivals (AIF), which conducted the research, said that “The timing of this milestone suggests that the number of festival cancellations this year will far outstrip 2023, when a total of 36 festivals were cancelled before they were due to take place.”

    READ MORE: “Right now, the economics of streaming are very broken”: sonu.stream co-founder Laura Jaramillo wants to re-shape streaming

    The report continued: “Without intervention, it’s expected that the UK could see over 100 festivals disappear in 2024 due to rising costs. Without having had a single steady season since the pandemic in which to recover, the country’s festivals are under more financial strain than ever.”
    Affected festivals include Nozstock: The Hidden Valley, which will be cancelled after 26 years this July, as well as Standon Calling, Neighbourhood Weekender, NASS, Doune The Rabbit Hole and Tokyo World.
    Last month, AIF launched the 5% For Festivals campaign which sought for a VAT reduction on festival tickets that would save many event promoters from closure. Temporary support from the UK Government – lowering VAT from 20% to 5% on ticket sales for the next three years – is all that’s needed to give festival promoters the space they need to rebuild, said the AIF.
    AIF CEO John Rostron states: “It’s with grave concern that we again sound the alarm to [the] Government upon passing this critical milestone. UK festivals are disappearing at a worrying rate, and we as a nation are witnessing the erosion of one of our most successful and unique cultural industry sectors.
    “We have done the research: a reduction of VAT to 5% on festival tickets over the next three years is a conservative, targeted and temporary measure that would save almost all of the festival businesses that are likely to fall by the wayside this year and many more over the years to come. We need this intervention now.”

    View this post on Instagram

    A post shared by AIF (@aif_uk)

    Earlier this year, Music Venues Trust reported that 2023 was the worst year for music venue closures in the UK, with a whopping 125 venues closed, 4,000 jobs lost, 14,500 events cancelled and 193,230 gigs scrapped as a result.
    The post 21 UK festivals called off, postponed or cancelled altogether – with over 100 in danger of disappearing without immediate action appeared first on MusicTech.

    With 21 UK festivals cancelled, postponed, or scrapped before 2024’s season, the AIF warns that more could follow without immediate action.

  • Unfortunately, this is what I've been saying...to try to use your own resources as much as possible: #MusicTechnology #musicproduction and #Tools if you can. Of course, there are many things to consider, but I've been using ToneDen for ages...I've already changed all the links even before the announcement. #decentralization

  • #majors trying to catch the #social #Music wave using the existing community built around the company. #Tidal #MusicBusiness

  • Best Spotify alternatives: Music streaming platforms to consider in 2024We’d all love to be vinyl aficionados and Walkman fanatics but, for better or for worse, the most popular way people consume music is on streaming platforms. But which ones are the best?
    The leading streaming platform in 2024, with over 350 million users and 150 million subscribers and counting, is Spotify. And while Spotify does, of course, have brilliant features — a vast, evolving library of music and podcasts, accurate music suggestion tools, Spotify Wrapped and even an AI DJ — its average royalty rate of $0.004 per stream, frequent layoffs, and CEO blunders has caused people to look at what else is on offer.

    READ MORE: The music streaming revolution is here, thanks to these new streaming platforms

    Spotify, it’s important to remember, is just one streaming service, and there are plenty to choose from. Each major platform has differences that set them apart and might tempt you into switching. You might not align with Spotify’s ethics. You might want to connect better with your favourite artists. You might just be bored of consuming music in the same way. Whatever the reason, we’ve examined and compared the differences between alternative streaming platforms for you, and can introduce you to some lesser-known services that offer unique benefits.
    The best Spotify alternatives at a glance:

    Nina
    Bandcamp
    Apple Music
    sonu.stream
    Qobuz
    Tidal
    SoundCloud
    Beatport
    Marine Snow

    Nina – Best platform for artist royalties
    ninaprotocol.com
    Nina is a refreshing open-source music streaming platform and store for devoted lovers of music, donning the bold slogan, ‘100% MUSIC’. In its own words, it’s “the only platform and toolkit for independent music designed to give artists total freedom and ownership of their work”. When artists upload their music to the site, they pay a one-time transaction fee. After this, Nina takes itself out of the picture, offering full control of their output and 100 per cent of royalties, taking no fee itself. It also hosts a ton of intriguing editorial content, if you’re looking to dig deeper into a scene you just stumbled across.
    While the music on Nina was once only purchasable with a Solana wallet, after a rigorous second update in November 2023, traditional forms of payment are now accepted. The v2 update also introduced uploads of multi-track releases and a discovery feed.

    Artist royalty payout rate: artists/labels receive 100% of royalties
    Subscription price: None
    Audio fidelity: MP3, WAV
    Key features:

    Open-source platform
    Earn 100% of royalties
    Flexible control over parameters
    Discovery feed
    Playlisting and editorial features

    Find out more on Nina Protocol.
    Bandcamp – Best for underground music discovery
    Bandcamp application on a smartphone. Image: Guillaume Payen/SOPA Images/LightRocket via Getty Images
    It sounds obvious, and some might say old-school, but trust us: if you love music and can afford to do so, buy it. It’s singlehandedly the biggest way to support artists in 2024.
    Bandcamp is an online music store and haven for independent artists, partly thanks to its Bandcamp Friday scheme, where artists, once a month, receive 100 per cent of royalties for their music. It’s not just a site for buying music, though: you can stream tracks online or from its app (by default, you can only stream a song in full up to three times unless you’ve bought it). The radio shows are also excellent — we only wish there were more of them.
    Bandcamp also has a keen focus on new music discovery, with a fantastic regularly updated editorial section highlighting new, exciting music. The home page even includes a real-time carousel showing what releases are being purchased globally, potentially inspiring you to find music you would have never heard of.

    Artist royalty payout rate: On average, 82% of each purchase goes to the artist/label
    Subscription price: None
    Audio fidelity: MP3, WAV, AIFF
    Key features:

    Artist-focussed, DIY user experience
    100% of revenue goes to artist/label on Bandcamp Fridays
    New music discovery features
    Quality editorial section

    Find out more at Bandcamp.
    Apple Music – Best for spatial audio and radio shows

    Right up there as one of the most-used music streaming services in 2024, Apple Music, though not perfect, is a strong alternative to Spotify, thanks to its royalty rate – $0.01 compared to Spotify’s $0.003 – $0.005 – and better audio quality. It prides itself on lossless audio and spatial audio, supported by Dolby Atmos, even teaming up with Boiler Room to offer exclusive immersive live DJ sets. Many users also praise Apple Music for its intuitive playlisting and library-organising features.
    At $11 per month, you get a vast catalogue of music that rivals all other major platforms. You also get access to all of Apple Music’s exclusive — and often excellent — podcasts and radio shows, such as The Zane Lowe Show and Tim Sweeney’s Beats In Space.

    Artist royalty payout rate: $0.01 per stream
    Subscription price: None
    Audio fidelity: AAC (256 kbps), ALAC up to 24-bit/192 kHz, Spatial audio with Dolby Atmos
    Key features:

    Exclusive Apple content
    Better royalty rate than Spotify
    Lossless and immersive audio
    100m+ songs
    Ad-free

    Find out more on Apple Music.
    sonu.stream – Best for Web3 users
    sonu.stream. Image: sonu.stream
    Co-founded by Laura Jaramillo and producer TOKiMONSTA, sonu.stream uses Web3 technology, utilising blockchain to ensure fair compensation for its artists. Like Marine Snow, sonu.stream‘s not fully released to the world, but we recently spoke to its founders, who gave us a bit more information about the upcoming streaming service.
    In our chat, Jaramillo emphasised the platform’s unique Web3 model, saying, “It allows you to create a strong foundation that decentralizes the permission for AI-generated music…People are disappointed in these giants and they see sonu.stream as an opportunity for change.”
    Features:

    Artist royalty payout rate: N/A
    Subscription prices: N/A
    Audio fidelity: N/A
    Standout features:

    Web3-powered streaming
    sonu auctions
    Protocol-generated rewards
    No ownership transfer of music rights; artists retain full control
    Biweekly streaming royalties payout

    Find out more on sonu.stream.
    Qobuz – Best for community
    A user using Qobuz on a desktop
    Qobuz is a serious contender to Spotify if you’re a passionate music fan seeking the feel of a record store when finding new music. It’s a premium music streaming service – leaning more into jazz and classical territories – that prides itself on high-fidelity audio listening, exclusive editorial content, and Qobuz Club. The latter is a social media-style platform where users can discuss and share music.
    It’s not just a music streaming website – Qobuz is also a store with purchasable or downloadable high-res digital files available alongside online listening.

    Artist royalty payout rate: $0.04 per stream
    Subscription prices:

    Studio plan: £10.83/month
    Sublime plan: £14.99/month

    Audio fidelity: Lossless, FLAC (24-Bit up to 192 kHz)
    Key features:

    High-quality audio
    100m tracks available
    Exclusive editorial content
    Passionate community on Qobuz Club

    Learn more on Qobuz.
    Tidal – Best for exclusive music

    In 2015, Jay-Z splashed $56m on a Norwegian streaming service, rebranded it, and launched it as an “artist-owned” streaming service called Tidal. Nine years later, Tidal has had an interesting journey but has managed to establish a core user fanbase and attract artists with its satisfyingly high royalty payout rate.
    Some of the biggest rap and R&B artists today, such as Ye, for example, choose to release their music exclusively on this streaming service. Beyoncé released her phenomenal LEMONADE album on Tidal and Rihanna, Jay-Z and Drake have also released albums exclusively onto the platform.
    The exclusivity of Tidal is not just what attracts both artists and listeners to the streaming service. Tidal’s royalty rate is $0.0125 to $0.015 per stream which, compared to Spotify’s average of $0.004, is a steep improvement. Plus, Tidal builds a tight-knit community through engaging editorial content, from conversations with new artists about upcoming releases to reviews of gigs or look-backs on important music that has shaped music and its culture.

    Artist royalty payout rate: $0.0125 to $0.015 per stream
    Subscription price:

    HiFi: £10.99/month
    HiFi Plus: £19.99/month

    Audio fidelity: Up to 24-bit, 192 kHz
    Key features:

    Exclusive music
    High-quality audio
    Curated editorial content
    Artist-centric approach

    Find out more on Tidal.
    SoundCloud – Best for up-and-coming artists and sharing your music

    SoundCloud, which launched in 2007, started out as a music-sharing platform, later developing into its own streaming service. The platform lets you easily upload, promote, and share your music and DJ mixes, so you can reach global audiences directly and engage with them through comments and a message inbox. Because of this, SoundCloud has built up a dedicated community of listeners, producers, and – most notably – rappers, having birthed a sub-genre of rap called SoundCloud rap in and around 2016.
    Compared to Spotify, SoundCloud offers more flexibility for independent artists to showcase their work and engage with fans without the need for label support. Since 2021, SoundCloud has featured a fan-powered royalty system, where artists are paid based on the actual listening habits of their fans, rather than overall listens being pooled up with major artists.

    Artist royalty payout rate: $0.0025 to $0.004 per stream (if artists sign up to SoundCloud For Artists)
    Subscription price:

    Free (with ads)
    SoundCloud Go: £5.99/month (no ads)
    SoundCloud Go+: £9.99/month (no ads)

    Audio fidelity:

    SoundCloud Go: 128kpbs MP3
    SoundCloud Go+: 256kbps AAC

    Key features:

    Fan-powered royalties
    Upload DJ mixes (3 hours max.)
    Engagement with fans
    Direct artist-to-listener model

    Find out more on SoundCloud.
    Beatport – Best for DJs

    Beatport, founded in 2004, is a digital music store focused solely on electronic music. Beatport’s EDM-centred library is vast and varied, home to everything from drum ‘n’ bass to house, garage, techno, right through to trap, amapiano and more, offering niche sub-genes from each.
    In 2019, Beatport expanded into streaming with the launch of Beatport LINK. It provides subscribers access to all of Beatport’s catalogue tracks and DJ mixes for streaming through web browsers or on your phone. Beatport LINK is integrated into modern DJ decks, such as the Pioneer CDJ-3000, giving you access to Beatport’s library directly from the decks without the need for a USB stick or, thanks to its offline streaming capabilities, Wi-Fi.
    In 2021, Beatport launched its own iOS app, later expanding into Android. This condenses all of Beatport’s catalogue into a mobile-friendly format, letting you stream music, browse artist-curated playlists, and create unlimited playlists. The app is a handy solution for DJs who want to discover and be inspired by new music on the move, instead of sitting at a desk.

    Artist royalty payout rate: $0.10 per stream
    Subscription price:

    Essential: $9.99/month
    Advanced: $15.99/month

    Audio fidelity: MP3, WAV, AIFF
    Standout features:

    Extensive dance music catalogue
    DJ-friendly features (key, tempo, advanced filters etc.)
    Stream via desktop or on smart phones
    Stream tracks directly to DJ decks via Beatport LINK
    No need for Wi-Fi when DJing with offline streaming

    Find out more on Beatport.
    One to watch: Marine Snow

    Marine Snow is a streaming service that has been in the works for over three years and is set to officially launch very soon. We’ve been speaking to its lead creator, ex-Spotify employee Tony Lashley, about what the upcoming streaming platform will provide for artists. It certainly sounds like, if it takes off, it could change the streaming landscape.
    One of the main exciting features of Marine Snow is its unique artist-focused take on usual streaming models. Marine Snow offers artists an upfront payment equal to 500,000 Spotify streams, and gives subscribers the option of a subscription-as-investment – if you choose to pay more than the minimum subscription rate, you’ll gain a stake in the platform. Marine Snow also rotates tracks exclusively for 90 days, guaranteeing each contributing artist a fixed share of revenue regardless of stream numbers.
    In a recent interview with MusicTech, Lashley explained the platform’s shift towards artist empowerment: “You can only help artists as much as you can capture money or attention from consumers…you have to create new forms of value if you want to succeed.
    “An artist can think they’ve written a really good song, and it can get 10,000 plays and it’s still a really good song, no matter how many plays it gets.”
    Features:

    Artist royalty payout rate: N/A
    Subscription prices: N/A
    Audio fidelity: N/A
    Key features:

    Upfront payment to artists
    Gamified music discovery
    90-day track rotation
    Subscription-as-investment model

    Read more on Marine Snow.
    The post Best Spotify alternatives: Music streaming platforms to consider in 2024 appeared first on MusicTech.

    Jumping ship from Spotify? We’ve rounded up the best alternatives, from Bandcamp to Qobuz, that offer something a little different.

  • How to style your #RSS feed.

    How to make your RSS feed look nice and provide useful information at the same time.

  • Fanlink.to server is down...after biglink.to and other domains. Does it mean EventBrite is closing the ToneDen.io completely?

  • TikTok’s parent ByteDance has locked down AI-music patents in the US – as its researchers develop a model trained on 257,000 hours of songsTikTok's AI music ambitions are bigger than you think...
    Source

  • How to maximize a music release’s potential for success [VIDEO].
    #Music #Promotion #Video #Release #artists

  • This weekend, trailblazing UK producer James Blake addressed this, too: “If we want quality music somebody is gonna have to pay for it. Streaming services don’t pay properly, labels want a bigger cut than ever and just sit and wait for you to go viral, TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists. The brainwashing worked and now people think music is free.”
    “And by the way,” Blake continued, “since it’s cheaper to produce fast, synthetic music to drop on streaming every week to capitalize on the strengths of the model, watch how the model is preparing you for AI-generated music that pays musicians nothing at all.” #MusicIndustry #MusicBusiness #Spotify #majorlabels

  • "Spatial audio transports you to the heart of the experience, whether it's a concert hall, a movie scene, or a virtual world, creating immersive moments that resonate deeply. For content creators, it's a boundless canvas for innovative storytelling and artistic expression. Our mission is simple: democratize spatial audio, making it accessible to all." #SoundParticles https://soundparticles.com/products/soundparticles/overview?a=PZLO7

    A CGI-like software for Sound Design, capable of using particle systems to generate thousands of sounds in a virtual 3D world

  • "Bitcoin doesn’t need to become the most popular medium-of-exchange asset in order to drive more economic value in the future. Bitcoin is likely 10x better than gold in terms of portability, divisibility, transparency, predictability, security, etc." #crypto #Blockchain #BTC

    To investors, Satoshi Nakamoto published the bitcoin whitepaper on October 31, 2008. The paper was titled “Bitcoin: A Peer-to-Peer Electronic Cash System.” In the abstract, Nakamoto writes this as his first sentence: “A purely peer-to-peer version of electronic cash would allow online payments to be sent directly from one party to another without going through a financial institution.”

  • #Roblox revealed that it had 71.5m daily active users at the end of 2023, up 22% year on year - although it's losses are growing as well

    Roblox published its latest financial results yesterday, revealing that it's still growing in terms of active users.