Bill Ackman massively scales back expectations for the IPO of his Pershing Square USA, from $25bn to $2bnAckman confirms that IPO will be priced at less than a tenth of original $25 billion target
Source

As Spotify readies $18 per month ‘deluxe’ tier, do consumers care about high quality audio?Luminate study sheds light on what consumers really want from streaming
Source

Music Votes: Major Industry Partners Join CoalitionMusic Votes, the groundbreaking coalition of music voting and activism nonprofits, has announced a wave of major industry partners ranging from ASM Global to Wasserman and Bandsintown to the National Independent Talent Organization (NITO) pledging to support its three steps to solve obstacles to voting: voter registration, ensuring the correct voter ID, and voter turnout.
The post Music Votes: Major Industry Partners Join Coalition appeared first on Hypebot.

Streaming Data for Musicians: Unlocking Success in the Digital AgeExplore the most important streaming data for musicians and what they need to understand for success in the digital age. This guide highlights key metrics and provides insights on leveraging. Continue reading
The post Streaming Data for Musicians: Unlocking Success in the Digital Age appeared first on Hypebot.

Frequency Factor: Rethinking Your Engagement StrategyUnfortunately, even daily fan engagement might not be enough to connect with your audience effectively. Here's how to better understand how often to reach out to improve audience relationships.
The post Frequency Factor: Rethinking Your Engagement Strategy appeared first on Hypebot.

Live Review of Aigel in Los AngelesThe Echoplex  Los Angeles, CA

Web: instagram.com/aigelband

Contact: susan@susanvonseggern.com

The Players: Aygel Gaysina, vocals, mixer; Llya Baramiya, mixer

Material: Aigel is a DJ duo that creates rave music, with mostly dark, trance-type beats that mesmerize and captivate the listener into submission. That said, submission was not needed on this warm, summer evening as the audience, willfully and willingly, accepted the thundering bass loops that filled the Echoplex. Gaysina sang and pranced around the stage with gleeful abandon and Baramiya did his magic finger-work on his mixer. Sometimes happy tunes, and sometimes not-so-happy dark tunes, the music had the audience jumping and dancing to every beat.

Musicianship: Gaysina has an impressive voice with an equally impressive vocal range, and can work the mixer like the expert that she is. Baramiya had a separate mixer going as he improvised many musical notes and tones. Setting off the looper along with so many other bells, sounds and whistles, he was the impetus that kept the train rolling. He worked so well within the tunes that he gave them that extra push that made everyone want to dance, bump and grind. Together they made the whole night gel in impressive style.

Performance: They hail from Russia, but music is the great unifier, a universal language.  Therefore, the fact that the lyrics are in Russian is no great obstacle for the listener. Claiming that her English was not too good, Gaysina kept the whole audience entranced for the whole night. We might not be able to understand every single word that she sings but, ultimately, the audience liked what she was doing. The Echoplex crew were also on point with smoke and exceptional lighting. 

Summary: Gaysina and Baramiya are consummate music lovers and it shows with the enthusiasm and effort they put out on stage. All over Europe in early June, their recent tour took them to Helsinki, Berlin, Warsaw, Belgrade, and Istanbul, just to mention a few. And just so we wouldn’t feel left out, they managed to grace the States with their presence, hitting New York and Chicago, and then ending the tour with mid-June dates in San Franciso and finally Los Angeles. See you next year.The post Live Review of Aigel in Los Angeles first appeared on Music Connection Magazine.

Gloria Gaynor sues music producer for alleged copyright infringement, breach of contractGaynor alleges that producer named in lawsuit is falsely claiming to own the rights to a number of her works
Source

Apple Music has added Radio Monitoring: Track Your Radio PlaysApple Music has added radio monitoring. Activity on 40,000 global radio stations can now be tracked within the free Apple Music For Artists portal.
The post Apple Music has added Radio Monitoring: Track Your Radio Plays appeared first on Hypebot.

‘Artists like Drake and Travis Scott push me to go to my limits every time I make music for them.’From a small village in Switzerland to the top of the charts alongside Drake and Jack Harlow, OZ tracks his journey and tells his story...
Source

Has the Music Festival bubble burst?Has the music festival bubble burst? Explore the factors that contributed to the dramatic rise in music festival cancellations.
The post Has the Music Festival bubble burst? appeared first on Hypebot.

Vinyl vs. Digital Music: A Battle for Superior QualityVinyl vs. Digital Music: find out which format reigns supreme in sound quality, durability, and overall listening pleasure and how that might change your release strategy.
The post Vinyl vs. Digital Music: A Battle for Superior Quality appeared first on Hypebot.

New Music Critique: Changing TymzContact: changingtymzinfo@gmail.com

Web: changingtymz.com

Seeking: Label, Press

Style: Hard Rock, Metal

It’s not so much that they don’t make metal like this anymore, but you certainly have to dig around to find it. Joann E. Wolfe’s vocals are strong and insisting, recalling the likes of German Warlock queen Doro Pesch. Powerful and teutonic. Meanwhile, the musicians back her elegantly and expertly.

The lead guitar is present and makes itself known, without feeling the need to jump in with two feet Steve Vai-style. Prog-metal bands such as Queensrÿche, Crimson Glory and Dream Theater are obvious references, but Changing Tymz have their own thing going on. The post New Music Critique: Changing Tymz first appeared on Music Connection Magazine.

Signing Story with Rockers CursiveDate Signed: March 25, 2024

Label: Run for Cover

Type of Music: Rock

Management: Paul Clegg - Cursive

Booking: Eric Dimenstein - Ground Control

Legal: Matthew Kaplan

Publicity: Amanda Pitts, Christina Cambria - Chromatic PR

Web: cursivearmy.com

Try this (Signing) Story on for size:  Two college kids from Omaha enroll in a business class requiring them to complete a commercially minded project before the semester ends. The longtime friends, engineer Mike Mogis and friend Justin Oberst, are so pleased with the results of the project that they decide to continue with it outside academia. In its first year in operation, 1993, Saddle Creek Records (originally called Lumberjack) unveiled its first release: the self-titled solo debut by the then-unknown, 13-year-old younger brother of Justin: Conor Oberst.

As Cursive bassist Matt Maginn told New Noise in an interview in mid-June, Saddle Creek “started as a collective, and then after a while, it became sole ownership for one person (co-founder and now President Robb Nansel), and we lost some of our love for (the label). We still love Saddle Creek—past, employees, all that stuff—but once everyone realized there really wasn't a collective anymore, they just all gave up and walked away.”

Turns out Cursive’s Plan B for how to release their next album didn’t pan out either, as 15 Passenger went into the ether.

“The label gave us enthusiasm again, and that spiraled into, “Let’s use (Run for Cover) to put out our own record, since we have this outlet now,” Maginn recalled. “We just didn’t have enough time to dedicate to our on label.”

Thus, for their 10th album overall and first in five years, Cursive didn’t opt to release Devourer through 15 Passenger or Saddle Creek, but rather Run for Cover Records. Incidentally, a 17-year-old founded that Boston-based label in 2004 at college. Sound familiar? 

Of course, the similarities between Saddle Creek and Run for Cover weren’t the only reasons Cursive opted to release Devourer, due September 13. Cursive had many suitors, according to Maginn, not to mention that one of the band’s trusted friends put the two parties in touch in February.

“Between their roster, friendliness toward artists, and creativity—and the easy hangs we had over Zoom—it seemed like the right move,” he said of Cursive signing to Run for Cover. “They have great digital marketing strategies and are fan-friendly too.”

Under the terms of the deal, Cursive maintain ownership of their music and also have a 50/50 profit split with their new home. Run for Cover also repaid Cursive what they spent from their own personal savings to make Devourer.

“We’ve been a DIY band our whole lives, and (Run for Cover) understands that and is cool with whatever we deliver to them,” Maginn concluded. “That label is doing it right.”The post Signing Story with Rockers Cursive first appeared on Music Connection Magazine.

Getting It Done: The Week in D.I.Y & Indie Music NewsIn this week’s indie music news, our tips and advice for independent, do-it-yourselfers covered album release tips from Jack White, Spotify Countdown pages, a YouTube subscriber hack, and more. D.I.Y. Continue reading
The post Getting It Done: The Week in D.I.Y & Indie Music News appeared first on Hypebot.

REWIND: The new music industry week in reviewKeep up with the latest talk of the town with the new music industry week in review. With middle-class musicians rising, a new report that shows good things for indie. Continue reading
The post REWIND: The new music industry week in review appeared first on Hypebot.