Loopcloud’s Flip Sample instantly transforms loops and one-shots into new variations – and it’s a free update for existing usersLoopcloud has launched Flip Sample, a new feature which instantly transforms loops and one-shots into new variations with a single click.
Aiming to “bridge the gap between browsing and producing”, Flip Sample allows users to select from over 1,000 curated patterns and effects, and reshape, sequence and pitch them on the fly.

READ MORE: Calling all DJs! Spotify has added a track mixing tool to playlists

Flip Sample promises “instant creative momentum”, and can transform any sample into something new to spark new inspiration. For example, the feature can take a single bass one-shot into a bassline.
By utilising a powerful tag-based system, Flip Sample selects from over 1,000 curated transformations tailored to the instrument and sample type used.
“Flip Sample elevates Loopcloud from a sample library into a creative production tool by letting users reshape and reimagine their sounds directly within the editor,” writes Loopcloud.
Flip Sample comes as a free update for all existing Loopcloud subscribers. Right now, new annual subscribers can get 50 percent off any annual plan, as well as a free 10-plugin bundle featuring:

Native Instruments Massive
iZotope Nectar Elements
IK Multimedia Tape Machine 80
sonible pure:verb
Excite Audio Bloom Vocal Aether Lite
Lunacy CUBE Mini
Denise God Mode
Tracktion Dawesome LOVE
BLEASS Motion FX
510k SEQUND Lite
Plugin Boutique DriveMod

Prices for said plans start at £35.99/€41.99/$47.99, and the 50% offer ends 6 January, 2026.
For more information, head to Loopcloud.
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SXSW 2026 PanelPicker Voting Ends Soon: Our Favorites FYCSXSW 2026 PanelPicker voting ends this Sunday August 24th. Everyone is eligible to vote whether you are registered yet for SXSW or not. Here's how to vote and a few of our favorite panels and presentations for your consideration.
The post SXSW 2026 PanelPicker Voting Ends Soon: Our Favorites FYC appeared first on Hypebot.

What Is A Ticket Count? Why Do Ticket Counts Matter So Much?What is a ticket count? Simply put they are a regular report of how tickets are selling for a particular show. The head of ticket count platform RealCount breaks it down and explains why ticket counts matter so much.
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“I woke up in the medical tent an hour later and missed the entire show”: Woman speaks out following violent assault at Rüfüs Du Sol showFootage is circulating of a woman being violently assaulted during a recent Rüfüs Du Sol show at the LA Rose Bowl.
The clip – shared by festival news outlet Festive Owl – appears to show a man knocking over and repeatedly punching a woman, who is later shown to be passed out on the floor, with what appears to be blood spattered beside her.

READ MORE: “What if we just flipped the process?”: Matteo Pagamici and Michael Künstle on playing an orchestra like a synthesizer

“This isn’t [our] usual kind of content, but this behaviour is abhorrent anywhere – much less at a show,” Festive Owl writes. “A longtime follower was brutally attacked over an accidentally spilled drink this weekend during Rüfüs Du Sol at the Rose Bowl and needs help identifying this person.”
Shelby Elston, the woman who was attacked, shared a description of what happened prior to the assault. “When we first got to our seats, a drink was accidentally spilled, lightly splashing the man in front of us,” she explains. “We apologised immediately, but he yelled that it was intentional and ran off, leaving his companion behind. We apologised to her and thought it was over.”
“About 30 minutes later, he returned, screamed at us, and threatened violence,” she continues. “I tried to calm the situation and apologised again – and the next thing I remember, I woke up in the medical tent an hour later and missed the entire show.”
“This man punched me in the face, knocking me out and causing significant bleeding, while he continued attacking our group. Another friend tried to protect us, but the attacker fled into the crowd and hasn’t been found.”

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A post shared by The Festive Owl | Official (@festiveowl)

While a police report has been filed, Shelby has been on the hunt for her attacker. She has since shared an official update on Festive Owl’s Instagram post, claiming that she has identified the perpetrator, whom she also names. “The people who knew him personally said they are not surprised he was involved in an incident like this due to him being an aggressive and unhinged individual,” she writes.
“I have been given all of his personal information (including his place of employment), charges will absolutely be filed and a civil lawsuit as well,” she adds. “I’m going to make this man pay for what he did to me and my friends.”
The Australian EDM trio have since acknowledged the assault via an Instagram Story. “Delivering moments for our fans to gather and celebrate safely is what we live for,” the band wrote [via Fox News]. “We have been heart broken to hear of the act of violence that took place during the opening act on Saturday.”
Credit: Rüfüs Du Sol/Fox News
“This type of behaviour is completely unacceptable anywhere and the fact that this happened at one of our shows was devastating to learn about,” they continued. “Local law enforcement are actively investigating the situation. Anyone with information to assist the investigation should please contact Pasadena Police Department.”
The incident has reignited conversations surrounding crowd safety at stadium events.
In the aftermath of the attack, other fans in attendance have come forward sharing how they felt “unsafe” at the gig. “Amazing set, horrible experience,” one fan comments under a Rüfüs Du Sol Instagram post. “The venue was very understaffed and we felt very unsafe. Aisles completely lined shoulder to shoulder with people, no way to get in or out. Absolute nightmare.”
Another fan writes: “I’m sorry but I was hoping for a better experience. Never in my life have a wanted to leave a show that early. Zero crowd control zero respect zero safety. These current crowds make me never want to go out again. Truly a horrible experience. I couldn’t even enjoy the music. I want a refund, to be honest.”

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KaranyiSounds Polyscape NovaPolyscape Nova merges string instruments with modern synthesis techniques. Transform cellos and strings into evolving soundscapes, dynamic pads, and rhythmic textures. From subtle atmospheric layers to powerful hybrid instruments, it brings a unique blend of organic and electronic elements: Blend Strings and Synthesis. Advanced Layer System. Multi-Voice Architecture. Studio-Grade Effects. Read More

Harrison launch free 3D Delay plug-in 3D Delay is described as a professional-grade processor that’s been designed to instantly deliver mix ready results, while Stunning Phaser, Dyno Mite and Spectral Gate bring a selection of powerful new tools to the company’s software line-up. 

“The spirit of rock needs to have a touch of danger about it”: Why former Scorpions guitarist Uli Jon Roth isn’t concerned about AI in rock musicWith the increasing quality of AI-powered music generators, some musicians are rightly worried about what the future holds for the industry. Hell, the Velvet Sundown recently managed to amass hundreds of thousands of listeners before it was revealed it was all an AI hoax.
But should musicians be that concerned? Former Scorpions guitarist Uli Jon Roth has joined the growing chorus of other industry veterans like ABBA’s Björn Ulvaeus who say artificial intelligence doesn’t herald the doomsday hellscape some believe it will.

READ MORE: Calling all DJs! Spotify has added a track mixing tool to playlists

“There’s now the trend of making all the vocals using pitch correctors, to the point where it becomes ridiculous,” Roth tells Metal Roos [via Blabbermouth]. “They’re taking away the essence of human expression and turning the voices into robot voices…
“Because I guess a lot of the younger kids, they’re used to all that because a lot of what we get now on social media or whatever is completely manufactured and absolutely not real.
“And the borders between real and what’s not real are very shifting and it’s coming to the point with AI that you really very often don’t know whether it was machine-made or computer-made, digital, or whether it was actually flesh and blood in front of you.
“That’s actually a very interesting development, I find, and I’m not scared about it. I’m rolling with the punches there. But a lot of people are threatened, and I understand that.”
Roth adds that the emergence of AI is actually in keeping with the “spirit of rock”, which he says “needs to have a touch of danger about it”.
“I’m not really interested in perfection in rock,” he explains. “In fact, it’s almost anathema, because the original rock was not perfect. It came like almost a revolutionary kind of thing. [It] burst onto the scene with a completely new sound, a new attitude, a new way of playing music. And this is what I am always tapping into when I’m playing that kind of music.
“It needs to have that kind of frontier spirit almost. If you take that away, it loses the very essence of it.

In other news, Dustin Ballard, the brains behind AI parody music YouTube channel There I Ruined It, recently gave a TED talk about the ethics of using AI in music creation.
“Is AI music real music? I believe that when it’s in the hands of musicians, it can be,” he explained.
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Softube launch Equalizers plug-in The latest addition to the Softube range aims to offer the best of both worlds by combining their praised vintage EQ emulations with a modern GUI, draggable curves, dynamic bands and more. 

How Merch Companies Help Artists ThriveThis week, Ari is joined by Tersha Willis, CEO of terrible* group, to discuss the role of merch in an artist’s income model.

Axart Labs releases AutoBeat 2, an AI-powered MIDI beat generator for macOS and Windows
Axart Labs has released AutoBeat 2 (€29.95), an AI-powered MIDI beat generator plugin for macOS (AU/VST3) and Windows (VST3). AutoBeat 2 is a creative tool built around a 12-track step sequencer and an on-device AI engine. The plugin’s key strength is its ability to instantly generate beats in a wide range of styles, from hip-hop [...]
View post: Axart Labs releases AutoBeat 2, an AI-powered MIDI beat generator for macOS and Windows

Calling all DJs! Spotify has added a track mixing tool to playlistsDJs can now flex their talent for the ones and twos with Spotify’s new Mix feature. This recent update, which is currently only available to “eligible Premium users,” allows subscribers to add custom transitions between tracks in playlists they create.
READ MORE: Spotify says it will delete the accounts of users who fail age verification checks
The function has an auto mode to let the app decide what kind of transition best suits the two tracks involved. But users can also adjust elements such as volume, EQ, and effect curves. Spotify will even display waveforms, the key, and tempo to inform these decisions. Plus, users can collaborate on transitions by sharing their playlists with other premium users.
For a middle ground between auto and complete customisation, Spotify has provided preset transitions like fade and rise. And if a user would prefer to revert the playlist back to the pre-Mix days, all they have to do is hit the “Mix” button to toggle the transitions on and off.
“Spotify users around the world have soundtracked their everyday moments by creating nearly 9 billion playlists. Now, Premium users can take their creativity to the next level with the ability to add and customise transitions between tracks,” Spotify says in a statement. “The feature, now in beta, gives users even more control—allowing music lovers and playlist experts alike to easily create unique playlists. Seamlessly transition between tracks, customise how they flow together, and enhance your mix with features like volume, EQ, and effect curves.”
In the same statement, Spotify provided some basic tips for users on how to get started mixing. Some examples are:
“Match tempos and keys: For the most natural-sounding transitions, choose songs with similar tempos and Camelot keys. When you tap “Mix,” we’ll automatically show the key and BPM (beats per minute) for each track, so you can easily scan and reorder to help your playlist flow more smoothly.
Start with transition-friendly genres: Mixing works best with music produced for seamless transitions. Dance genres like house and techno tend to blend more smoothly.
Consider the energy: Think about the mood and energy you want your playlist to have. Plan your song order to gradually build up or wind down the energy, guiding listeners through an emotional journey.”
Check out more music technology news. 
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Cherry Audio revives the Bob Moog-designed Crumar Spirit as a $59 soft synthCherry Audio has just added a new vintage synth emulation to its ever-growing library of synth plugins, this time based on the esoteric Crumar Spirit.
READ MORE: Behringer’s BM-11M is a clone of the Moog MF-101 analogue filter pedal
The original was originally designed in 1983 by Italian brand Crumar, plus Bob Moog of Moog Synthesizers, Tom Rhea, a pioneer of analogue synth design, and Jim Scott, a former engineer at Moog.
Cherry Audio collaborated with the Crumar brand to design the software version as the closest possible replica they could make while also expanding the features of the original. The release also arrives amidst the Cherry Audio Bob Moog Appreciation Month.
The Crumar Spirit plugin has increased the hardware’s polyphony to 16 voices, further enhanced by cyclical voice modes that can adjust each note individually.
There is a new modulation option: the Matrix Z. Adding to the pre-existing Mod X and Shaper Y, this third function is a four-slot modulation matrix that has 25 sources and 45 destinations.

The options on the hardware synth’s three-mode arpeggiator have also been expanded to include swing, chance, and feel, allowing for a more unique sound in arpeggio patterns.
“Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analogue tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colourful sounds you have ever heard from a virtual analogue software synthesizer,” writes Cherry Audio.
Alongside the launch, Cherry Audio is offering numerous deals and add-ons to make the $59 list price of Spirit even more enticing. The Spectres Preset Pack is available for an extra $9.99. It includes over 100 more presets that explore the widest range of possibilities from the virtual instrument.
Furthermore, until September 1, Spirit can be included in Cherry Audio’s Build Your Own Bundle deal. The Pick 3 bundle is $99 (regularly $129), and the Pick 6 bundle is $149 (regularly $169).
Head to Cherry Audio to learn more.
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Aphex Twin’s expanded edition of ‘Surfing On Sine Waves’ is for the serious Richard D James fansWarp Records has announced the expanded edition of Aphex Twin’s Surfing On Sine Waves
The updated version of the 1993 album — the only album that Aphex Twin released under his alias Polygon Window — will be available September 26. This reissue will feature the 11 songs on the original LP, combined with three songs from its companion EP, Quoth, totalling 14 tracks.
Surfing On Sine Waves was a part of Warp’s infamous Artificial Intelligence series, which spawned the oft-mocked term ‘Intelligent Dance Music’ or IDM. Surfing On Sine Waves was the second album in the series. It went #2 on the UK dance charts, and it was the sole album Aphex Twin, real name Richard D. James, released as Polygon Window. The name Polygon Window came from another track James produced under a third pseudonym, The Dice Man.
The expanded edition will come in several packages. There are two 3LP sets, one classic Black vinyl. The other is clear vinyl. The CD comes with a gatefold-style 4-panel outer wallet, and there is a cassette version with a printed inlay in the clear cassette box. Warp will also sell new merch with the expanded edition.
This is the second reissue of Surfing On Sine Waves, with the first coming out in 2002 as Warp made a larger appeal to the United States audience. Alongside that version, Pitchfork wrote of the record in a laudatory 8.1/10 review:
“Though not quite an essential James release, Surfing On Sine Waves remains an excellent album from a fascinating and important period in electronic music.”
Surfing On Sine Waves (Expanded Edition) Tracklist:
01. Polygon Window
02. Audax Powder
03. Quoth
04. If It Really Is Me
05. Supremacy II
06. UT1 – dot
07. Untitled
08. Quixote
09. Quino – phec
10. Portreath Harbour
11. Redruth School
12. Iketa
13. Quoth (Wooden Thump Mix)
14. Bike Pump Meets Bucket
For more information, head to Warp
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Behringer’s BM-11M is a clone of the Moog MF-101 analogue filter pedalBehringer has launched the BM-11M, a low-pass filter pedal based on the Moog MF-101 Moogerfooger Lowpass Filter pedal from 1998. This new product is analogue, like the original, and also features a similarly simple design built around its main function: the lowpass filter. It’s
The BM-11M uses a ladder filter with a dedicated resonance knob, and a switch allows users to easily shift between 2-pole (12dB) and 4-pole (24dB). The top of the interface is a drive circuit, and the bottom third is set aside for the envelope. Use this to control the dynamics of the filter, switching between smooth and fast, and adjust the amount and mix knobs to give precise colouring.

There are several input and output options in the BM-11M for both analogue and digital signals. A direct mono audio in and out are available, along with specific expression/CV ports for the cutoff, mix, and resonance. A 5-pin MIDI input and USB-C allow for digital control of the filter in all compatible DAWs.
“With its vintage-inspired preamp section and classic analogue circuitry, the BM-11M delivers the warm, powerful tones heard on countless records,” Behringer writes of the new product. “Designed for synth users, guitarists, producers, and sonic explorers alike, the BM-11M also features expansive I/O, CV control, MIDI, and USB-C – unlocking endless creative possibilities.”
The MF-101 was designed as a direct descendant of Moog analogue synthesisers. This version had the same two main functions: an all-analogue 2-pole or 4-pole lowpass filter and an envelope follower. Today, finding a real one will run a price of up to $1,500. For a cheaper option, Moog has the MF-101S, its digital version of the MF-101. But the BM-11M provides the tactile user experience and analogue sound quality.
The BM-11M is available for preorder for £119/$129, although the shipping date is currently unconfirmed.
For more information, head to Behringer.com.
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New crypto advocacy group debuts at Wyoming summitThe American Innovation Project’s board includes executives from the Solana Policy Institute, Blockchain Association, Paradigm, Digital Currency Group and Coinbase.