OpenAI reportedly developing new generative music toolSuch a tool could be used to add music to existing videos, or to add guitar accompaniment to an existing vocal track, sources said.

The Crow Hill Company releases Harmonium, the latest addition to the FREE Vaults series
From the Crow Hill Company comes Harmonium, their latest addition to the free Vaults series. The Vaults series from The Crow Hill Company has already delivered some wonderful free instruments in its relatively short existence. Lo-Fi Strings and Bridge Guitar are two great examples from earlier this year. Harmonium is the latest addition, and, like [...]
View post: The Crow Hill Company releases Harmonium, the latest addition to the FREE Vaults series

FuturBeats releases AI-powered FuturBeats Trap plugin for instant song inspiration
FuturBeats has released FuturBeats Trap, a free AI-assisted VST/AU/Standalone plugin for macOS and Windows that helps producers generate and arrange beats in seconds. The plugin delivers eight loop stems that are musically compatible and ready to drag directly into your DAW or desktop. A built-in feature called EXPAND takes those loops further by automatically generating [...]
View post: FuturBeats releases AI-powered FuturBeats Trap plugin for instant song inspiration

Sesame, the conversational AI startup from Oculus founders, raises $250M and launches betaFormer Oculus CEO Brendan Iribe’s new startup, Sesame, is building AI-powered smartglasses with natural, humanlike voice interaction. Backed by Sequoia and Spark, the company also launched an invite-only iOS beta to preview its conversational AI.

AudioThing Things Fold is FREE on BPB (10,000 Licenses Available)
AudioThing and Bedroom Producers Blog are giving away 10,000 free licenses of Things Fold, a versatile wavefolder plugin for macOS, Windows, and Linux. Usually priced at €19, Things Fold has been around for a couple of years, but this special offer gives BPB readers a chance to grab it for free. We have 10,000 free [...]
View post: AudioThing Things Fold is FREE on BPB (10,000 Licenses Available)

Pro Sound Effects launches CORE 7, a sound library for creators featuring over 1.3 million sounds and contributions from Oscar-winning artistsIf there’s a sound you can imagine, Pro Sound Effects’ new CORE 7 library probably has it.
The Brooklyn-based company has unveiled the latest evolution of its flagship sound effects bundle, packing 1.3 million sounds across more than 650 categories, including 112,000 new recordings added in 2025.

READ MORE: KV331 Audio’s new SynthMaster 3 Player is made for those who prefer tweaking presets over designing sounds from scratch

For sound professionals working across film, television, games, and immersive media, CORE 7 is designed to be the one-stop sonic toolkit that keeps up with fast-changing production demands. The new edition adds 13 fresh libraries and high-profile collaborations with Oscar-winning sound designers Mark Mangini (Dune), Richard King, Alan Howarth, Dave Whitehead, alongside renowned nature recordist Chris Watson.
“CORE 7 reflects our commitment to giving creative professionals the tools they need to deliver world-class audio faster and more efficiently,” says Douglas Price, the founder and CEO of Pro Sound Effects. “By expanding our library with over 112,000 new sounds this year… we’re ensuring our users stay ahead of the creative and technical demands of today’s media landscape.”
Beyond its sheer size, CORE 7 stands out for its workflow optimisations. Every sound is meticulously tagged with Universal Category System (UCS) metadata, delivering faster, more accurate search results and saving valuable time – whether you’re accessing via the cloud or locally. Licensing is made simple too, with the promise of “lifetime, royalty-free, commercial usage”, saving you from any legal headaches.
CORE 7 is available via monthly and annual subscriptions, or as a lifetime license for those who prefer to own their library outright. Meanwhile, individual sounds can be searched, previewed, and purchased à la carte for $5 each, making Hollywood-grade audio accessible to creators of all budgets.
From now till 23 October, the bundle is available at up to 83% off its total value.

Learn more at Pro Sound Effects.
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Video details
Video title:
Я бегу
Artist(s):
Pchelsh
Genres:
Pop, Electronica
Release Date:
29-09-2025
https://www.youtube.com/watch?v=X_RXP2QRvo8
#newmusicvideo #VEVO #Music #LifeCycleLtd #artist #pop #electronic

Audient opens its first USA Showroom in Los Angeles, with gear demos and hands-on workshops to comeAudient has finally opened its first showroom on American soil, bringing its high quality British audio equipment straight to the people of Los Angeles, California.
Set up in Burbank’s CenterStaging’s rehearsal studio and artist relations compound, the showroom will allow US citizens a hands-on Audient experience. Packed with the company’s full range of equipment, it will be a chance for visitors to freely experiment with everything from the ASP4816-HE mixing console to Audient Oria’s Dolby Atmos-minded immersive audio interface and monitor controller.

READ MORE: Spotify to crackdown on AI “slop” in bid to protect artists

Audient has also ensured that the showroom was designed to emulate a studio environment; the space is fully functional and acoustically treated to allow the public to experience gear in realistic studio conditions. Its an attention to detail that seems simple, but makes all the difference if you want a sense of how fresh tech will feel in your studio.
The showroom will also host a slew of demonstrations and exclusive workshops to showcase each piece of gear’s full potential. There’s also plenty of Audient specialists on site to provide support and answer any specific engineering, production or technical queries.
“Opening our own dedicated space in LA is a milestone for Audient here in the US,” Tim Jones, U.S. Market Representative for Audient, says. “As a working engineer myself, I know how hard it can be to make decisions on pro audio gear without getting some quality hands-on time with it.”
“I’m excited to connect directly with fellow creatives and help them discover how Audient can support their workflow and elevate their sound, all within a space purpose-built for critical listening,” he concludes.
Audient’s expansion out to the USA has been made possible thanks to the company’s partnership with Korg USA. “Our partnership with Audient has always been built on a shared belief in providing creators with tools that inspire and perform at the highest level,” Joe Castronovo, President & CEO of Korg USA, explains.
“The opening of Audient’s first U.S. showroom represents an important step in expanding that vision, giving artists, producers, and engineers the opportunity to experience Audient’s products in a professional studio environment while benefiting from the expertise and support of both of our teams,” he adds.
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“No one’s better than him at that”: Bartees Strange on where Jack Antonoff excels as a producerBartees Strange recently spoke to NME following his set at Reading Festival this past weekend, where he opened up about his relationship with super producer and Bleachers frontman, Jack Antonoff:
“I produce a lot of records now, and I think the biggest thing is you become who you’re working with and you help them take a few extra steps they wouldn’t normally take,” Strange says. “The way you do that is by building trust. In the beginning, they’re only gonna listen to you so much, but by the end, they should trust you with everything. No one’s better than him at that.”
READ MORE: “He didn’t turn a knob. He didn’t give any technical advice”: System Of A Down guitarist on the magic of super producer Rick Rubin
Beyond his ability to build relationships with his collaborators, Strange went on to laud Antonoff for his work ethic and taste:
“I think it’s because he kind of approaches records like a plumber. He’s not a precious guy. He’ll pull up there early; he’s working hard. Everything’s set up. We can throw it at the wall. No idea is bad,” Strange says. “He’s not a tremendously talented player, so when he plays, it disarms the situation. He’s not a freaky guitar player or drummer. He’s just good at getting the ideas out. So after he plays, you’re like, ‘Oh, I can play that better, ’ and then it becomes a conversation. It’s very low-stakes, and it becomes really beautiful stuff because he has great taste. That guy’s great.”
Antonoff only came on to Strange’s third album Horror, the one that predicated his set at the legendary music festival, when it was in the final stages. However, Strange is quick to note that Antonoff “added a lot.”
“He helped me take it from 80 to 100 per cent, for sure. There were some songs that completely came alive once he got involved. He’s really good, man. I really like him,” Strange says. “All the structures and stuff stayed the same, and a lot of all the lyrics, but for example ‘Too Much’, he just kind of made that song sound like it was from outer space. [He added] all these weird ship noises and the synths, swells and dynamics were all things that he was able to build around the framework of my production.”
Watch the full interview with Strange on NME
 
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‘KPop Demon Hunters’ sing-along re-release tops US cinema, with up to $20M in box office salesThe film outpaced Warner Bros.’ horror film "Weapons," which was reportedly expected to claim the weekend title with $15.6 million.
Source

Meta partners with Midjourney on AI image and video modelsMeta's Chief AI Officer said that the company is partnering with Midjourney to license its AI image and video model technology.

This plug-and-play MIDI guitar from Jamstik is its “most affordable yet, without compromising on performance”Jamstik, the maker of real electric guitars that also function as MIDI controllers, has launched a brand-new, streamlined model at a lower price point.
The Jamstik Core has been designed for musicians, producers, and educators “who want plug-and-play versatility at a breakthrough price”, allowing musicians to control virtual instruments, synths, notation apps, and hardware gear directly from the instrument.

READ MORE: How to make better mixes in your bedroom studio

Players can record both analogue and MIDI simultaneously with Jamstik Core; use it to control virtual instruments in a DAW, or connect to analogue synths and gear via TRS-MIDI. It hosts onboard processing, USB-C connectivity, a 3.5mm TRS-MIDI output, plus an onboard MIDI mode-switch to toggle between settings.
Diving further into its features, the guitar itself is a 3/4 sized, solid-body electric guitar with 22-frets and a standard 25.5” scale length. It houses a single humbucker, a volume control, and a 1/4” guitar output for connecting with amps, interfaces, and effects pedals.
It’s also fitted with a unique Hexaphonic MIDI pickup that captures each string’s signal and feeds data directly to Jamstik’s onboard processors. Take a closer look in the video below:

The guitar has been launched via a Kickstarter page, which has already surpassed its fundraising goal. Pre-orders are being accepted on the platform now, with early supporters able to secure one for the limited-time price of $479.99.
The Jamstik Core can be shipped globally, and all backers receive access to Jamstik’s cross-platform companion software. Colour options include Midnight Black, Glacier White, Sky Blue, Lilac Purple, Forest Green, and Red Coral. Left-handed models will be available in Midnight Black and Glacier White.
“We’ve always believed that technology should make music more accessible – not more complicated or expensive,” says Ed Cannon, CEO. “With the Jamstik Core, we’re delivering our most affordable MIDI guitar yet, without compromising on performance or playability.”
Jonathan Keller, Senior Embedded Systems Engineer at Jamstik’s parent company, Zivix, adds: “We’ve taken everything musicians love about our higher-end MIDI guitars and streamlined it into a sleek, plug-and-play package. The Jamstik Core offers a level of tracking precision and software integration that simply hasn’t been available in this price range until now.”
To find out more or pre-order now, head over to the Jamstik Core Kickstarter page. You can also find out more about the brand via the official Jamstik website.
The post This plug-and-play MIDI guitar from Jamstik is its “most affordable yet, without compromising on performance” appeared first on MusicTech.

“It’s more than just a machine”: Paul van Dyk’s Roland TR-808 goes on display at the Synthesizer Museum BerlinElectronic music pioneer Paul van Dyk has put his Roland TR-808 drum machine on display at the Synthesizer Museum Berlin, where it will remain for the next year.
One of his most prized pieces of gear, and one that is synonymous with electronic music culture, van Dyk used the 808 on multiple tracks, including his well-loved debut track, For An Angel, which was first released in 1994 and later remixed in 1998.

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The exhibit not only celebrates van Dyk’s long-standing influence on electronic music, but also pays tribute to the instrument that helped shape the genre through its use in countless legendary records. The exhibit announcement lands just after Roland’s 808 day, celebrated every 8 August in honour of its mighty legacy.
Paul van Dyk comments: “This Roland 808 has been with me since the early days; it’s more than just a machine, it’s a part of my musical journey. From For An Angel to countless other tracks, its beat helped shape my sound. I’m proud to lend it to Synthesizer Museum Berlin, where it can inspire the next generation of producers just like it inspired me.”

In honour of the recent 808 day, Roland has launched some generous deals on its plugins – with the spotlight on its TR-808 software, available now till 31 August as a perpetual license for just $49, or a third of its usual price of $149. All Roland plugins remain on sale over at Plugin Boutique.
Paul van Dyk’s Roland TR-808 will remain on display for one whole year – find out more about the Synthesizer Museum Berlin. 
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Eventide Offers CrushStation Distortion Plugin FREE for a Limited Time
Eventide is giving away its CrushStation distortion plugin for free for a limited time (usually priced at $99, currently on sale for $19). CrushStation is Eventide’s all-in-one distortion workstation, capable of everything from subtle saturation to complete sonic destruction. It’s based on the distortion algorithms from the company’s H9 Harmonizer pedal, but with extra tone-shaping [...]
View post: Eventide Offers CrushStation Distortion Plugin FREE for a Limited Time

The 1982 Commodore 64 is back – and it’s just as you remember itPlenty of plugins have attempted to recapture the timeless 8-bit sound of the Commodore 64’s SID chip – but now music fans can experience the retro magic of the Commodore 64 all over again.
While YouTuber Christian Simpson (AKA Retro Recipes) originally purchased the Commodore licence to create yet another emulation the nostalgic home computer, he’s gone a step further. Simpson has entirely revived the C64 computer, complete with its era-defining MOS Technology 6581 Sound Interface Device.

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Newly marketed as a “digital detox brand”, the Commodore website explains: “Let’s be honest – today’s tech too often feels toxic, bloated, addictive. We wake to algorithmic noise, endless notifications, and devices that demand more than they give. Somewhere along the way, the magic disappeared.”
To bring back the joy of video gaming tech, the company is now “rooted in retro values and nostalgia” and “grounded in digital minimalism”. The revival of the Commodore 64 stays true to this notion of “minimalism”, recreating the 1982 original with minimal tweaks to keep things simple and authentic.

The rebirth of the C64 now features a more modern processor, boasting an AMD Xilinx Artix-7, as well as an amped up 128MB of DDR2 RAM. There’s also an understandable increase on the 1982 original’s 64KB of flash memory, amping it up to 16MB.
A new HDMI output has also been added for modern convenience, as well as USB ports A and C for the connection of keyboards and other modern controllers. It can also be hooked up to your Wi-Fi.
However, the C64 is otherwise a complete replica of the original computer. The programmable FPGA circuit is fully compatible with the original peripherals, cartridges and floppy disks, meaning any vintage ‘80s C64 games and components can still be utilised with the 2025 edition.
In fact, Commodore have quoted a 99% compatibility across the C64’s 10,000+ game library. It even comes with a USB stick containing 50 retro games and demos to start you off – including a brand new Jupiter Lander game.

Back in the ‘80s, the SID chip’s three-voice synthesis and four waveform capabilities were ground-breaking. While that sounds limited by modern standards, its polyphonic potential birthed plenty of iconic video game soundtracks.
For those keen to get your hands on some retro nostalgia, the C64 is available in a classic Basic design, as well as Starlight and Ultimate Founders Edition versions. The Ultimate Founders Edition is limited to a rather fitting 6,400, which is inspired by Commodore’s own Golden Anniversary Edition, which boasts an amber-tinted design and gold-plated keys.
The C64 is available to order now. The Basic model is $299, while the Starlight C64 costs $349. The limitedFounders Edition will set you back by $499. Shipping kick off in October.

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