Spotify tests video-based courses on music production, performance and more in the UKSpotify is officially testing a range of video-based courses within its platform, in partnership with BBC Maestro, PLAYvirtuoso, Skillshare, and Thinkific.
The video courses are now available to purchase for UK users, and can be found alongside their music, podcasts and audiobooks. The content covers a variety of topics categorised into four main themes: “make music, get creative, learn business, and healthy living”.

READ MORE: “Songwriters are generating record-breaking revenues via streaming services”: Spotify releases its annual Loud & Clear Report

Of course, we’re interested in the music lessons on offer. Under the ‘Make Music’ tab, you can currently access content from the likes of Carl Cox on How To Become A Successful DJ, or learn How To Make UK Bass Music with Flava D, plus many more. You can even learn the art of songwriting from Gary Barlow, or understand the foundations of Ableton Live with Poppy “Pops” Roberts. Prices appear to range from £14.99-£49.00 on average, but some are higher.
It seems Spotify is tapping into this market as, according to the brand, roughly half of its Premium subscribers have engaged in education or self-help-themed podcasts before. For this test period, free users and Premium subscribers will be able to trial at least two lessons per course for free before making the decision to purchase further lessons.
“Testing video courses in the UK allows us to explore an exciting opportunity to better serve the needs of our users who have an active interest in learning,” says Babar Zafar, VP Product Development at Spotify.
“Many of our users engage with podcasts and audiobooks on a daily basis for their learning needs, and we believe this highly engaged community will be interested in accessing and purchasing quality content from video course creators. At Spotify, we’re constantly striving to create new offerings for our creators and users, and having built best-in-class personalised music and podcast offerings, we look forward to exploring the potential of video-based learning on Spotify.”
You can check out the lessons now, or find out more via the Spotify Newsroom.
The post Spotify tests video-based courses on music production, performance and more in the UK appeared first on MusicTech.

Music Expo San Francisco 2024 In celebration of their 10th anniversary, Music Expo have announced their first in-person event since the pandemic.

The 14 best websites for free music samples in 2024It’s easy to think that to find good samples, you have to meticulously scour through old records and listen out for that perfect snapshot of audio. Others might claim that only fancy expensive sample packs will solve the problem of, say, getting that perfect EDM kick tone or catchy vocal hook. They’re not entirely wrong, of course, but it’s important to remember that there are plenty of free sample libraries out there. When used in context, these free sample websites can help you create detailed soundscapes and head-bopping grooves.

READ MORE: Best freeware for music-making: Top free apps, DAWs, plug-ins, instruments and more

The main caveat with these libraries and samples is that you will have to check licensing agreements on some of the sounds before you include it in a track you’re planning to release. Some of the material you find may not be available for commercial use or will require you to credit the original creator of the sample. Now, with that being said, let’s go through 14 of our favourite sites that we think are worth checking out.
BandLab Sounds
Credit: BandLab Sounds
BandLab Sounds gives producers access to a huge library of royalty-free samples and loops to create with – all downloadable and ready to use in any DAW, not just on BandLab.
The service was launched by social music-making platform BandLab and features over 10,000 sounds – conjured up by an array of top artists, professional sound designers. There are even packs from MusicTech as well. Samples come as uncompressed WAVs and are downloadable via web or mobile.
Sounds can be downloaded as entire pack or as individual samples. There’s also an auditioning tool built-in to the web-based platform. Each sound is also royalty-free,  meaning you’re able to freely use them in your tracks and commercial works.
Learn more about BandLab Sounds at bandlab.com
[Editor’s note: BandLab is owned by BandLab Technologies, which also owns MusicTech.com.]
Samples From Mars
Image: Samples From Mars
Samples From Mars specialises in bringing sounds from classic hardware machines into the hands of software producers. They’re not just cleanly recorded sounds – they’re also run through more analogue hardware, such as an API console recording to tape, so you’re also getting genuine analogue warmth into your tracks. The 808 From Mars pack, for example, features clean, coloured and saturated versions of each kick tone and length, and the Vinyl Drums From Mars features royalty-free vinyl one-hits. This notable pack was created by recording drums on an acoustic kit, pressing the results to vinyl, then sampling the record, and degrading it making for dusty hits, and character.
Samples From Mars loves discovering obscure, vintage and great sounding synths from yesteryear and making them accessible to music-makers of today. The recent Dr Bohm Digital Drums and OB From Mars packs are enough evidence for that.
Browse the collection of Samples From Mars’ free samples here.
Legowelt
Image: Legowelt.org
If you aren’t familiar with Legowelt, your favourite producer probably is. His career spans over twenty years, more than a handful of aliases and, fortunately for us, an extensive sample library that he uploads to his website for free download. He’s taken the liberty of meticulously recording his collection of rare, vintage or quirky synths and drum machines, offering hundreds of one-shot samples, pad sounds and loops for each instrument.
If you ever wanted the sounds of a genuine Roland Juno 106 without going out and buying one, Legowelt has 250 samples from his, including big basses, mysterious pads, chords, haunting strings, sequences, arpeggios, drums and more. All files come in a .zip folder and the sounds are all in 16bit WAV format. Regardless of genre or taste, you truly need to browse the site and play around with some of the instruments here.
Get Legowelt’s free sample packs here
Goldbaby
Image: goldbaby.co.nz
Having downloaded quite a few of Goldbaby’s packs ourselves in the past, we can truly vouch for its “passion for vintage drum machines, synthesizers, vinyl, tape and music technology”, as stated on the homepage of its website. The Goldbaby studio is packed to the brim with synths, drum machines, mixers and recording gear, meaning a lot of the sounds you get are touched by analogue warmth. Goldbaby has worked with major music technology brands in the past including Ableton, FXpansion, iZotope, Native Instruments and PreSonus, so you know these sounds are sublime.
Goldbaby’s free section has an eclectic selection of drum machines, synths and some small tasters of buyable packs. Many of the sounds in these packs are sent through tape machines or valve equipment, such as the Valve SK1 Drums, which comprises vintage Casio SK1 samples processed through SPL and Thermionic Culture valve gear. There’s no sign-up process to get the free samples from Goldbaby, although it’s always worth signing up to the newsletter so you know when a new sample pack has dropped.
Goldbaby’s Free Stuff area is available here
Output Arcade

Output, once only a producer of plugins, embarked on a new journey in 2023 with its Arcade sample-based instrument. This playable sample library, much like Spitfire Audio’s LABS, lets you play and tweak sounds from a vast library of samples that are all royalty-free. There are 60+ product lines, 4,400+ samplers, 1,300+ chromatic instruments, and 64,000+ samples to get stuck into, all free to use when you create an account with Output.
Find out more on Output. 
Noiiz
Image: Noiiz.com
A free membership to Noiiz gives you access to its entire catalogue of Free Packs, with as many downloads as you like. Signing up for a free membership is as simple as entering your email address and making a password. The free area isn’t a stingy selection either, with over 500 packs to download, each containing around 10 sounds – no lengthy maths equations needed here to outline how many sounds are available to you. The packs include sounds for jazz, trap, d’n’b, neo-soul and much more, it’s definitely worth checking out if you’re after some new inspiration.
Noiiz also has a subscription-based service, starting at $10/mo, in which you are given access to a plethora of new sample libraries. This includes packs from professional creators and artists, such as Hashfinger, Samplephonics, Machinedrum, Letherette and more. You’ll also have access to the Noiiz plug-in, which works in a similar fashion to BandLab Assistant, with a swift drag-and-drop mechanic to load sounds into your sessions.
You can download sounds from Noiiz’s Free Packs area here.
Citizen DJ

Perhaps a surprising addition to this list is the database of free samples that the U.S Library of Congress has built. Citizen DJ is a resource that lets you browse audio recordings from over a hundred years ago, presented in a colourful interface with tools that allow for the instant browsing and auditioning of sounds. It comprises soundtracks from movies, public service announcements, spoken word pieces, classic recordings and more from the Free Music Archive.
Once you’ve selected a sample, the site presents you with a sequencer that lets you slice up a sample and partner it with a drum track of your choice. Drum tracks are built with sounds from classic drum machines and patterns, which you can sequence in your own way. You can download individual samples or get them as sample packs containing thousands of clips. The project was created for hip-hop producers and DJs by Brian Foo, a Library of Congress Innovator-in-Residence, who was inspired by the aesthetic of hip-hop records such as Fear of a Black Planet by Public Enemy.
Browse and play the Citizen DJ tool at citizen-dj.labs.loc.gov
BBC Sound Effects Library

The BBC has made its vast collection of sound effects downloadable for free in WAV format. A library of 16,016 recordings is accessible to all users under the terms of the RemArc license. Importantly, the licence means you won’t be able to use the sounds in a commercial project. However, it could be an ideal resource for honing your skills as a sound designer, building a portfolio or for education.
The library boasts sounds from the 1920s onwards, with samples including FA Cup Final Wembley 1966, Khatmandu: Busy street with heavy traffic and bizarre samples such as Inside a human or animal body. The sounds are split into categories that range from World War II to St. Paul’s Cathedral, to Washing Machine and Volcano. You can also use a search bar to quickly locate specific samples, with each sound given a description, duration time and built-in player to listen to the sound before you download it.
Access the BBC Sound Effects library at bbcsfx.acropolis.org.uk
NASA Audio Collection
Image: William J. Sawchuck/Getty Images
Samples From Mars is a brilliant resource for free sounds, but if you’re really looking for samples from Mars – or any other parts of space for that matter – the NASA Audio Collection on the Internet Archive might be your best bet.
In this collection, you’ll find an exponentially vast collection of recordings from the NASA archives, from space shuttle take-offs to interactions between the crew and Mission Control Centre, as well as vintage interviews with astronauts. To give you an idea of the size of these folders, there are nearly 200 recordings from the Apollo 11 mission alone, and loads more clips from other Apollo missions.
The Sounds Resource

There’s nothing like the lo-fi crunch of a vintage video game sample, whether it’s music, the zap of a laser gun, or the thud of a character’s boot on an 8-bit floor. Video game sounds can often provide a fruitful basis for unique sound design.
The ever-mysterious Burial, for example, has recontextualised everything from Dark Souls to Metal Gear Solid, from Fable to Silent Hill, Street Fighter sounds – “Hadouuuken”, “PERFECT” – is a highly-sampled video game in hip-hop and grime, having featured on the likes of MF DOOM and Kanye West tracks. And, of course, Aphex Twin sampled Space Invaders on his track Mt Saint Michel + Saint Michaels Mount.
The Sounds Resource is a huge, easy-to-use website featuring a phenomenal collection of video game sounds. It doesn’t hold back either. For example, the Mortal Kombat: Komplete Edition folder contains 96,268 samples. We suggest clearing some disk space for this one.
Soundcamp

You can find tens of thousands of free samples on Soundcamp, split into drums, percussion, instruments, tracks, sound effects and soundscapes. Doubling as a music production blog, Soundcamp gives you a Camelot Wheel – created initially by Mark Davis as a tool for DJs – which lets you pick out samples in a specific key. This is ideal if you’re looking for a bass line in the same key as your track, for example.
Upon selecting a tag like Jazz Snare Drum, or a musical key, you’ll be presented with related sounds each housed in a player. This lets you play the sample on a loop and set the volume, with details below on the file itself, such as bit depth and sample rate. From the player, you can select whether you want the file as a WAV, MPG or OGG and then instantly download it to your computer.
Browse for free samples at soundcamp.org
Freesound
Image: Freesound.org
For found sound, Freesound is a goldmine. Functioning as a collaborative database of audio samples recorded and uploaded by fellow users, Freesound is exactly as described – free. It’s pretty much as easy as typing in the desired sound into the search bar and see what the database has to offer. With rating systems, waveform previews, tags, download count and other filters, you hopefully won’t be spending hours flicking through clips to find the kind of thing you’re looking for.
The site is excellent for gathering Foley sounds, soundscapes, one-shot samples and other interesting pieces of audio that you may not have direct access to. The catch is that not everything will be cleanly recorded, or recorded how you’d necessarily like, but it’s a great resource to find material and get creative. Be mindful of the licensing on Freesound as well, as some of the users may wish to be credited if you use their sound in a composition.
Have a browse through Freesound’s community sample database here.
Looperman

As with Freesound, Looperman is a resource built by the music technology community, with users uploading their own sounds for use by musicians, producers, sound designers and DJs. Its users have uploaded hundreds of thousands of loops, acapellas, spoken word pieces and sounds, all available for free. Because it’s all uploaded by users, just like Freesound, it may not be pristinely recorded, but you can certainly find some inspiration with a bit of digging.
Navigating Looperman is pretty straightforward. The menu bar along the top will let you choose from Loops & Samples and Acapellas, along with Software, Tracks and more if you’re on the hunt for some more free material. You can then use the search bar to locate samples by category, genre, keywords, key and more. Alternatively, just head straight down and browse through the samples that are presented to you, ordered by the most recent upload.
Browse Looperman’s samples at looperman.com
Free To Use Sounds

Free To Use Sounds has a heartwarming story. The website was started by field recording fanatics, American Libby Green and German-born Marcel Gnauk. After meeting in Nice in 2015, the two travellers decided to embrace their shared love of capturing the sounds of places they visited around the world. In 2017, the couple decided to begin sharing their recordings online, and have since travelled through 26 countries, recording and uploading high-quality sounds from each.
The site consists of carefully-created field recordings you’d struggle to find elsewhere. Looking for Cambodian Women Sifting Gravel at a Construction Site? Or, what about Fireplace Cave Hotel Cappadocia? Oh boy, it’s in there. While not all their recordings are free, the ones that are are still superb. Plus, many of their samples can be purchased on Bandcamp, which means no grimacing while clicking on a dodgy-looking ‘download’ button to get your hands on Kitten Purring Sleeping, which, of course, is an essential download.
Browse Free To Use Sounds at freetousesounds.com
For more guides to music technology, click here.
The post The 14 best websites for free music samples in 2024 appeared first on MusicTech.

How Our Music Affects the EarthSuperstars flying private jets are in the spotlight thanks to those who closely monitor environmental footprints, but less time is devoted to considering how the music industry as a whole plays a role in impacting the environment.

ARTIST TO ARTIST: THE BIG STUDIO DIFFERENCEBy Kevin Flournoy

Pictured (L-R) in Studio B at United Recording are producer, pianist, songwriter Kevin Flournoy; recording engineer David Rideau; steel drummer and percussionist Leon Alexander, Jr.; and singer/songwriter Amanda Cole. Photo by David Goggin.

Young emerging artists who grew up in the era of GarageBand, Ableton and all manner of home studio rigs probably can’t fathom a time when every commercially released recording was produced in a professional studio with all the attendant bells and whistles. Guess what? The best and most polished tracks in most genres still are! Veteran composer, keyboardist, producer and artist Kevin Flournoy says that no matter one’s budget, every budding indie artist should experience the difference between recording at home and tracking live in a pro studio.  

As a pop, R&B and contemporary jazz producer, I work with a lot of talented indie vocalists who are always looking for an edge to stand out from other artists. I’m reminded of a conversation I had over lunch in Beverly Hills a few years back with a Toronto based female artist I was about to record with and her friend Kevin Teasley, Owner of TONIC who’s a multi-talented producer, , audio mixer and music director for top artists like J Lo. The subject of the best type of recording environments came up and I mentioned something that I always tell the up-and-coming singers and producers I work with. Just because they can go to Guitar Center, buy a relatively inexpensive rig and software and become their own producer doesn’t mean they should. Some tell me that they’re on a budget – but even if they had the money, they wouldn’t opt for or need to work in a big studio.

I consider that limited thinking on their part. I tell them, “You owe it to yourself to learn something about recording in a real studio.” I’ll ask them who their musical heroes are, and they’ll invariably mention superstars like Beyonce whose magic working with many producers happens in one of those facilities. When they respond that they have limited funds compared to  top selling artists, I challenge them: “Okay, then just record part of a single song at a big studio to learn what it actually sounds like.”  

As someone who has recorded in hundreds of different environments on budgets of every size, I can attest to the great difference in quality and sound when we’re recording in a real studio. I’ll admit that some artists in the rap/hip-hop arena can be successful with good sounding tracks done in a home studio, but I can assure you that none of the great country songs coming out of Nashville – whether from legendary artists or newcomers – are doing it in the garage, so to speak. Because the lunch conversation was with a vocalist who had been successful as a club performer but was just starting to record her own music, I told her she should compare how her vocals come out in a home recording environment vs. a bigger studio.

I told her that there were some high-end studios here in Hollywood like East West Studios and Westlake Recording Studio who understand limited finances and will let new artists work a few hours at a discount. If you’re up for the comparison challenge, you should find a way to develop a relationship with the person running the studio you have in mind. Enquire about what day the studio might have open in the future and allow your schedule to be flexible for that session time. See what kind of deal you can arrange based on your willingness to be flexible. Pick the tune you love the best. Make a decision on what tracks you’d like to overdub in the big studio environment. I would recommend recording your vocal tracks or add a live drummer to the mix. If you are successful in getting those few hours, you will notice an immediate upgrade from anything you can achieve at home. Singing in your bedroom or bathroom studio is fine, but you won’t have the power that can come from using a $20K vintage mic – or a veteran engineer whose experience and keen ears can make a huge difference.   

Once you’ve recorded your vocals at the studio, go home and do some toggling. The lingo I use for this process of comparison is “AB,” i.e. comparing version A to version B. So please AB what you tracked earlier using your private setup and the new high-end recordings. You will hear the difference.

While the original conversation I had about this process was with a vocalist, the AB test works just as well with different instruments because of the array of mics generally available at a studio. One of the best examples is capturing live drums. It’s difficult to get a premium sound in an untreated or halfway treated home setting. Many of the commercial studios I work in have a lot of mics to choose from that can collectively capture the perfect sound. What’s the point of investing thousands of dollars on a high-end drum set when you’re just going to record them at home with cheaper microphones? I call this simple education - please educate yourself about the difference in sonic quality. High-end and some mid-grade studios have both vintage and new mics like the Telefunken ELA M 251 and the Neumann U 87 Ai. If you decide to work at a smaller studio that doesn’t have that kind of selection, you can always rent a mic and bring it to your session.

As a keyboardist, I’ve done the AB test between track recordings of the acoustic piano sound I can create on my Yamaha keyboard at home vs. a well miked grand piano at the high-end studio. The difference is quite clear and I’ll always choose the grand piano when I can, but with a caveat. While it’s ideal for pop, R&B and especially jazz, you can’t use a grand piano with nice mics for a genre like reggae, which is defined by its charming raggedy keyboard sound. That aside, I always prefer real keyboards like the Fender Rhodes if they’re available over, an electric keyboard sound from a synthesizer. Using a high-end mic to track a real Rhodes as opposed to creating it on a keyboard will help the sound sit in the mix better.

For a lot of indie artists working on a small budget, my advice here may be a bit overwhelming. So I suggest you take some small steps. Just pick one part of the song, a certain segment or maybe one of the vocal or instrument tracks and book a few hours at a major studio at a reasonable negotiated rate. That’s all you need to do AB and learn the difference. Believe me, you will thank yourself!

About Kevin Flournoy: For over 30 years, the multi-talented keyboardist, composer and producer has been a powerhouse behind the scenes force for some of pop, R&B and contemporary jazz’s most iconic performers. Starting with saxophonist Ronnie Laws, The Emotions and Teena Marie in the 90s, he has written, performed or recorded with Chaka Khan, Babyface, The Pointer Sisters, Dionne Warwick, Gladys Knight, Jeffrey Osborne, Jennifer Hudson, Howard Hewitt, Jamie Foxx, The Jazz Crusaders and contemporary jazz greats Boney James, Norman Brown, Kirk Whalum and Harvey Mason. In the 2000s, Flournoy toured with Donny Osmond for six years. His latest release as an artist, the urban jazz single “Smooth It Over” is a collaboration with Ronnie Laws.

Website: www.KevinFlournoy.com

Instagram www.instagram.com/kevin.flo 

YouTube Channel www.youtube.com/c/KevinFlournoy100 

TikTok www.tiktok.com/@kevin.flournoy 

Facebook www.facebook.com/kevin.flournoy1 

A music production roundtable with SEIDS, Alina Smith, BAER, and Kate Wild
Veteran vocal producers SEIDS, Alina Smith, BAER, and Kate Wild came together to share their unique perspectives on music production.

Bankrupt EV startup Arrival sold its assets to CanooBankrupt commercial EV startup Arrival has sold some of its assets, including advanced manufacturing equipment to Canoo, another struggling startup trying to build and sell electric vehicles. The acquisition, which was touted as a cost-saving measure that will reduce capital expenditures by 20%, comes as Canoo struggles to move beyond prototypes toward commercial production. Canoo […]
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AxxSolder 3.0 Now Takes USB Power DeliveryIf you’re big into the soldering iron scene, you’ve probably heard of the AxxSolder project. Now, it’s been updated with a whole host of nifty new features. It’s AxxSolder 3.0!
If you’re not intimately familiar with AxxSolder, it’s an open-source iron design based around the popular JBC soldering iron tips. Relying on the STM32G431CBT6 to run the show, it comes in two versions—a lightweight portable design, and a desktop version based around the JBC ADS soldering iron stand. So far, so familiar.
The new 3.0 version adds new functionality, however. Where the previous model ran off any old DC power source from 9 to 26 volts, the new version can run off a USB Power Delivery supply. Thus, you can grab any old USB-PD device, like a laptop charger, and run your iron off that.
The new version also uses a larger color TFT screen with some buttons added on as an improved user interface. Thermal performance is improved, and it’s additionally capable of measuring the current draw by the tip, so you can monitor the performance of the iron in great detail.
We’ve featured the AxxSolder project previously, too, along with some other great soldering iron projects. If you reckon you’ve just designed the hottest new soldering tool yourself, let us know about it!

Warner has 13 days to launch a bid for Believe, as French company agrees to let WMG peruse its ‘data room’This is the latest twist in an ongoing corporate saga
Source

Tencent Music users are ‘willing to pay’ for music produced with the company’s AI tools… and 3 other things we learned on TME’s latest earnings callKey takeaways from Tencent Music Entertainment's latest earnings call
Source

Submissions open for the MIDI Innovation Awards 2024 Submissions for this year’s MIDI Innovation Awards are now open, with applicants invited to submit their entries into each of the event’s five categories.

The Cryotron Remembered[Sean Haas] is a “dangerous freelance historian,” and his recent talk at the Vintage Computer Festival in Southern California covers the cryotron — a strange detour on the road to computers circa 1956. The NSA wanted a computer to break codes, but in 1956, there wasn’t much to pick from, especially since they wanted a very fast computer.
As you might expect from the name, a cryotron depends on superconductivity. The original device was a tantalum wire wrapped with a niobium wire coil. When the device is soaked in liquid helium, both wires become superconducting. The tantalum wire can carry way more current in that state unless the niobium coil generates a magnetic field, which kills the wire’s superconductivity. On the plus side, you have a relay-like switch that works with no moving parts. On the negative side, you need liquid helium.

General Electric produced one of the first integrated circuits containing a thin film cryotron, which was flat. While the switching was fast, it wasn’t as fast as it could be, so marrying the cryotron with a Josephson junction improved the device to where it could switch at less than 800 picoseconds. That isn’t all that remarkable today, but that was a technical feat in the 1950s and 1960s.
If you enjoy [Sean’s] talk, you might want to read the original paper from 1955 from [Dudley Buck]. We’ve looked back at the device before (and you can still find the broken link). Turns out you can do a lot with a Josephson junction.

Meet the Vongon Replay, the polyphonic synth “designed to embody vintage character while utilising modernity and versatility of form”Boutique pedal brand Vongon has launched its first synthesiser, the Vongon Replay – a polyphonic synth, sequencer and arpeggiator wrapped up in one sleek unit.
It offers a six-voice virtual analogue sound engine, and is inspired by keyboard synths of the early 1980s such as the Roland Juno and Korg Polysix.

READ MORE: Forever 89’s debut product is here: Visco, a sample-modelling drum machine

Replay is Vongon’s fourth product launch, following on from its Paragraphs resonant lowpass filter and waveform generator, the Ultrasheer stereo pitch vibrato/reverb, plus the Polyphrase stereo echo effect unit which has an infinite feedback loop.
Credit: Vongon
Replay has a super minimalist and modern look, with a Monochrome aluminium enclosure. It has four oscillator waveforms and seven low-frequency oscillator waveforms, and hosts 22 sound controls.
It features a  2½-octave keyboard of consisting of genuine Cherry MX keys. and you can integrate it straight into your setup with full MIDI I/O via 3.5mm jacks and USB connectivity. It’s also compatible with a standard effect pedal power supply, so you can connect it with your pedal board for live performances or studio sessions.
Users can also access the Replay web interface for managing presets, accessing extended parameters and for downloading the latest firmware updates.
Get a closer look in the video below:

In other synth news, Moog Music is moving out of its current home in Asheville, but it’s not straying too far. Last week, it was revealed that it will be moving from Broadway Street in Asheville, where the brand has lived since 2011, over to the Asheville Citizen-Times building along O’Henry Avenue.
Here, it will continue to carry out work on product design, development, and engineering. It’s also expanding its manufacturing facility in Weaverville, a city just north of Asheville.
The Vongon Replay is available now for $899.00.
Find out more over at Vongon.
The post Meet the Vongon Replay, the polyphonic synth “designed to embody vintage character while utilising modernity and versatility of form” appeared first on MusicTech.

Watch: Jon Bon Jovi makes unexpected appearance on stage with Armin Van Buuren at Miami’s Ultra Music FestivalJon Bon Jovi made a surprise appearance during Armin Van Buuren’s set at Ultra Music Festival in Miami last weekend for a remix of Bon Jovi’s 1992 track, Keep The Faith.
Van Buuren’s set took place on the mainstage, and saw the rock artist take to the stage just after 30 minutes into the performance to provide further vocals for the remix.

READ MORE: Armin van Buuren says Avicii’s death made him prioritise mental health: “When I started DJing, this was never a topic”

Ultra took place across the weekend (22-24 March), and hosted sets from huge names in electronic music such as Calvin Harris, Afrojack, Chase And Status, David Guetta, Peggy Gou and many more.
Introducing Bon Jovi to the crowd, Van Buuren called, “Ultra are you ready for something special? I remember being a little kid and buying this guy’s album. Please welcome to the stage, the legend, Mr Jon Bon Jovi.”
Watch the moment below from the 38 minute mark:

In a statement on the surprise guest appearance, Van Buuren said (via Billboard), “It’s an incredible honour to remix this track and to share the stage with Jon Bon Jovi, as I’ve been a massive fan for years.
“This track is different from anything I’ve ever released before, and no better place to first share it with you all than on the Ultra mainstage.” Bon Jovi himself has no further live dates planned as he is recovering from a previous vocal cord surgery.
Last year, Van Buuren broke two world records during one DJ set. In August, he played a set at the top of the Burj Khalifa building in Dubai – known as the world’s tallest building – and set the record for the highest performance atop the tallest building on the planet, and for the largest LED screen employed for a show. The 40-minute DJ set took place on a balcony near the top of the 328-metre-tall building.
View all of Armin Van Buuren’s upcoming live dates.
The post Watch: Jon Bon Jovi makes unexpected appearance on stage with Armin Van Buuren at Miami’s Ultra Music Festival appeared first on MusicTech.

Sonus faber and IsoAcoustics collaborate on new $750,000 Suprema sound systemItalian speaker manufacturer Sonus faber has partnered with IsoAcoustics on a new ultra-high-end speaker system, Suprema – and it comes with a truly eye-watering price tag: $750,000.
Suprema promises to deliver a supreme, ‘unsurpassed’ sonic experience. The full-range system consists of two ten-driver columns in the signature Sonus faber lute shape, originally introduced with Guarneri in 1993. Two subwoofers complete the design.

READ MORE: PreSonus Eris Pro 8 packs a big, articulate sound for main monitoring and immersive masterpieces

Sonus faber have also elevated their system by working with IsoAcoustics. To avoid any interferences impacting the quality of its 16-40 kHz range, IsoAcoustics worked on an innovative, integrated suspension system for Suprema.
The multi-level suspension system between the cabinet and baseplate in the towers and subwoofers means no resonance from supporting structures. IsoAcoustics patented GAIA-Capsule isolators are designed to decouple devices, meaning they do not make contact and keep the pure sonic vibrations contained and untainted.
The system also features IsoAcoustics’ GAIA-Capsule technology. The acoustic isolation means the sound is not negatively impacted by foreign frequencies, ultimately removing the threat of smeared or blurred sound.

“We used to have a decoupling system outside of the main body, but that solution with exposed springs or elastomers was always a compromise for us,” IsoAcoustic’s Chief Design Officer Livio Cucuzza explains. “With Suprema we wanted to keep the design cleaner and more integrated. We had the opportunity to develop a system with IsoAcoustics that is part of the main structure.”
“IsoAcoustics achieve this great performance in the mid-high frequencies where everything becomes clearer without losing dynamics on bass,” Livio explains. “IsoAcoustics is more precise, more refined, and everything in the soundstage is more clearly localized. We are really happy with the results.”
The release of the Suprema system also marks Sonus faber’s 40th anniversary. It comes in a customisable range of wood and leather finishes.
For more info, head to Sonus faber.
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