Tourist reveals his “holy trinity of synths”: “I don’t need anything more than these three”More isn’t always better when it comes to gear, and for Grammy-winning singer-songwriter Tourist, his “holy trinity of synths” delivers pretty much everything he needs to make the music he wants.
Speaking to MusicRadar in his new London studio, Tourist shares his love for keeping things simple when it comes to music-making, having recently gotten rid of a bunch of gear he wasn’t using.

READ MORE: Travis Scott lawyers file to dismiss uncleared sample lawsuit

“I’ve just sold a [Sequential] Prophet-6, I’ve just sold a Moog Matriarch, I’ve sold loads of stuff that I just didn’t use, because I think I really love a knob per function,” he says.
“I love the immediacy of that, I love the ability to see the sound in the faders, to know there’s no menus behind anything. Some people love that, and I’m just not of that mind. I try to work really quickly and I want to be able to make sounds without any kind of hesitation.”
As far as his go-to synths are concerned, Tourist names the Roland Juno-106, Minimoog, Sequential Prophet-5 as his “holy trinity of synths” – each one serving a “completely different purpose”.
The synths all “have completely different sounds,” says the musician. “I don’t want any overlap in my synths. They all serve a specific purpose for me. If I need a bass sound, it’s the Moog or the Juno, if I need a mono pad sound, it’s the Moog, if I want a poly pad sound, it’s the Juno or the Prophet. They all feel different, they all have loads of different character.”
“The Juno-106, that was the first ever expensive gear purchase for myself… Then I bought the Minimoog after I finished my first album. That thing I can’t go without now. Then the Prophet-5 I bought probably a year after this,” Tourist continues.
“The Juno is out of action at the moment, it doesn’t work. It’s a battered, bruised thing. My first album was all Juno, my second album was the Juno and the Moog, and all the following albums were a mixture of all three. I never get bored of them. That, to me, is the holy trinity of synths – I don’t need anything more than those three.”
“I’m obviously not doing FM synthesis, or anything like that, and I do have a modular synth, but it’s just a nightmare for me — I spend too much time messing with the synth and not making music.”

The post Tourist reveals his “holy trinity of synths”: “I don’t need anything more than these three” appeared first on MusicTech.

Elon Musk threatens to ban Apple devices from his companies over Apple’s ChatGPT integrationsElon Musk is threatening to ban iPhones from all his companies over the newly announced OpenAI integrations Apple announced at WWDC 2024 on Monday. In a series of posts on X, the Telsa, SpaceX and xAI exec wrote that “if Apple integrates OpenAI at the OS level,” Apple devices would be banned from his businesses […]
© 2024 TechCrunch. All rights reserved. For personal use only.

SEC considers spot Ether ETF application from ProSharesThe commission approved 19b-4 filings from eight asset managers in May, but they won’t begin trading on U.S. exchanges until the SEC signs off on the S-1 registration statements.

Bidirectional Data Transfer Through Mud?We take easy communications for granted these days. It’s no bother to turn on a lightbulb remotely via a radio link or sense the water level in your petunias, but how does a drilling rig sense data from the drill head whilst deep underground, below the sea bed? The answer is with mud pulse telemetry, about which a group of researchers have produced a study, specifically about modelling the signal impairments and strategies for maintaining the data rate and improving the signal quality.
If you’re still confused, mud pulse telemetry (MPT) works by sending a modulated pressure wave vertically through the column of mud inside the drilling tube. It’s essential to obtain real-time data during drilling operations on the exact angle and direction the drill bit is pointing (so it can be corrected) and details of geological formations so decisions can be made promptly. The goal is to reduce drilling time and, therefore, costs and minimize environmental impact — although some would strongly argue about that last point.

One challenge with MPT is that the transmission media can be inconsistent. It may contain rocks and gas, leading to variations in physical properties like density, compressibility, and viscosity throughout the column, which can affect signal transmissibility. The MPT system includes a pressure transducer at the drill head that encodes data about local parameters such as temperature and pressure. The paper also describes other sources of noise that can distort the signal, including vibrations from the drill head and pressure pulses from the drilling mud pumps.

From what we can gather the MPT system is bidirectional, using mechanical means via ‘poppet valves’ to create positive or negative pressure pulses and a rotating slotted disk to generate continuous waves. It’s possible to achieve a data rate of 20 bps from depths of over 6 km. The paper also discusses other data transmission methods as part of the logging-while-drilling (LWD) system, some of which are used alongside MPT in specific circumstances. All of these methods face challenges when transmitting data through this complex medium.
We couldn’t find much on Hackaday about this topic, but we did recall an interesting piece about dealing with oil spills and who could forget this one about fracking?
Thanks to [Derek] for the tip!

The featured image is courtesy of Dynamic Graphics, Inc.

Spotify co-founder Martin Lorentzon sells $81m of company’s sharesMusic streaming company Spotify has seen a 310% runup in its share price over the past 18 months
Source

2024 Business Card Challenge: Who Do You Love?When you hand your new acquaintance one of your cards, there’s a chance you might feel an instant connection. But what if you could know almost instantly whether they felt the same way? With the Dr. Love card, you can erase all doubt.
As you may have guessed, the card uses Galvanic Skin Response. That’s the fancy term for the fact that your skin’s electrical properties change when you sweat, making it easier for electricity to pass through it. There are two sensors, one on each short end of the card where you would both naturally touch it upon exchange. Except this time, if you want to test the waters, you’ll have to wait 10-15 seconds while Dr. Love assesses your chemistry.
The doctor in this case is an RP2040-LCD-0.96, which is what it sounds like — a Raspberry Pi Pico with a small LCD attached. For the sensors, [Un Kyu Lee] simply used 8mm-wide strips of nickel. If you want to build your own, be sure to check out the build guide and watch the video after the break for a demonstration of Dr. Love in action.

Awesome Country at Railbird Festival in Lexington, KYPictured: Marcus King

The Infield at Red Mile in Lexington, KY was flooded with an estimate of 45,000 music-lovers for the fourth Railbird Festival. Despite Mother Nature’s indecision, no amount of rain could stop the outpouring of passion that fans brought to the barricades, bars, and boutiques. This year's Railbird was headlined by Noah Kahan and Chris Stapleton, with incredible performances by Hozier, Turnpike Troubadours, Elle King, Lord Huron, Counting Crows, and many more. 

Railbird is curated to celebrate the unique spirit of Kentucky, featuring bourbon experiences, local eats, and that classic bluegrass-state sound. But, what is a “railbird?” According to the festival website, “traditionally, a Railbird is a horse racing enthusiast known for sticking close to the action, hanging on the rail as each contender comes barreling down the track.” Since 2023, the weekend has been hosted on the racetrack that hosts the Kentucky Futurity, one of the three jewels in Trotting’s Triple Crown. Thus, the name is a fitting homage to the history of the grounds.

Britney Spencer

When the gates opened at noon on Saturday, eager festival-goers sprinted to the barricades to claim their spots for the day. Railbirds, if you will. Brittney Spencer took to the Elkhorn stage at 1pm sharp to show off her thundering voice. Brother Smith kicked off the Burl stage to a raucous crowd with their Americana sound. Over at the main Limestone stage, Ryan Beatty eased fans into the day with a low-key, but high-quality, set. Currently on tour with Noah Kahan, Beatty allowed his smooth vocals to enchant the audience. 

Kaitlin Butts and Abby Hamilton roused crowds with their Saturday afternoon performances, proving that women-in-country are here to shake things up. Butts’ unabashed feminine flair was a visual treat. Her whole band was dressed to match, in sparkles, pink hearts, and red western-wear. Over at Limestone, Flatland Cavalry rocked our worlds, performing their song “Wool,” featured in The Hunger Games: The Ballad of Songbirds & Snakes, as well as their hit “A Life Where We Work Out.”

Katie Pruitt gave a stunning set over at Burl while Trampled By Turtles brought us up to string-heaven. Their mandolin, guitar, fiddle, cello, bass, and banjo all came together in a concoction of bluegrass goodness. Who needs a drummer when you have a cellist who can use one foot to make a beat? Josiah and the Bonnevilles took to the stage for their largest crowd yet. “I have dreamt of this day for a long time and thought I was prepared,” he said in an Instagram post, “but I had to fight from bursting into tears up there tonight. This has got to be the most people I’ve ever played for by a long shot.” 

Wynonna Judd

South Carolina legend Marcus King highlighted his insane guitar mastery with a set at Limestone. In moving through the crowd and overhearing conversation, it seems that everyone was in agreement: this guy can shred. King’s bluesy-rock performance featured songs from his latest album Mood Swings. Next up was the lovely Wynonna Judd. Taking to the stage with flaming red hair and rhinestones decorating her apparel, she is a force to be reckoned with. Nobody was immune to the power of Wynonna and her beloved tracks. 

Performances by up and coming singer-songwriter Sam Barber and the renowned Counting Crows kept spirits high despite the weather taking a foul turn. Oklahoma’s pride, the Turnpike Troubadours, brought a honky-tonk swag with their set, featuring hit songs “Gin, Smoke, Lies,” and “Long Hot Summer Days.”

Noah Kahan

Day one’s grand finale was a headlining set by none other than New England’s sweetheart, Noah Kahan. After spending all day clinging to the barricade through downpours and daylight, his fans couldn’t have been more elated to see him take the stage. He opened with hit song “Dial Drunk” and touched on a few songs from Stick Season before inviting Adam Duritz (of Counting Crows) to sing “A Long December.” Noah explained that this moment was special for him, as he isn’t sure if he’d be where he was today without the artistry of Duritz. Kahan threw in some oldies (“False Confidence”) and an unreleased work (“The Great Divide”). All the while, he entertained the crowd with his boy-next-door humor and showered them with gratitude.

Perhaps the highlight of the set was when Kahan invited Hozier, “one of the greatest artists of our generation,” on stage to sing “Northern Attitude.” Fans shrieked at the sight and sound before them… a meeting of two giants, and a preview of night two. Kahan wrapped up his set with “The View Between Villages,” “Stick Season,” and an encore of “Young Blood.” 

Sunday started off with an immaculate sunshine. As gates opened and fans once again raced to the rails, we took to the vendors to see the tastes that Railbird had to offer. Highlights include: Nathan’s Taqueria, who were serving up some fresh Mexican street corn, beside Old Kentucky Kettle Corn, who gave us a sweet way to start the day. The Bourbon Hideout was hopping with folks looking to try some true Kentucky bourbon. 

Brent Cobb, cousin of renowned producer Daver Cobb, kicked off the afternoon with a country set on the Elkhorn stage. Cincinnati’s pride, Buffalo Wabs & The Price Hill Hustle, shared their stuff to a crowd of thrilled fans. Country rocker Kip Moore commanded the Limestone stage with high-energy beats and was met with enthusiasm early in the day, much to his surprise. “I didn’t know what to expect,” he explained. Moore wasn’t sure that people would care to hand over their attention to the day’s earlier acts, but Kentuckians proved that they know how to get a party started. The Infamous Stringdusters and Stephen Wilson Jr. encapsulated the spirit of the festival with their boot-stompin’ sets.

Allison Russell

Allison Russell flaunted the power of her American roots voice alongside her band of talented women. The good vibes kept rolling at Elkhorn stage with Johnnyswim performing through a downpour of rain that only invigorated them to give every ounce of energy. Dwight Yoakam and his Stetson cowboy hat braved the rain to take crowds on a journey through his accomplished country career. Elle King brought her own rock n’ roll twist to country performing her hit “Ex’s & Oh’s.”

Tanner Usrey’s rugged country grit and Nolan Taylor’s backroad-boy charm showcased the new wave of raw country inspired music coming out of today’s younger generations. Following their acts, the Red Clay Strays drew a massive crowd to the Burl stage, leaving the tent area bursting at the seams. Their pull was vast, bringing in a giant audience when with two other stages in full swing. Truly, the energy in the air was electric. Hailey Whitters wrapped up the Burl stage with a bang.

Lord Huron’s set started with an ominous telephone waiting in the middle of the stage. Sure enough, as the band made their way on to the stage, the call was answered by lead singer Ben Schneider. The group is most famously known for their hit song “The Night We Met,” which showcases their moody, yearning vibe. However, they did a complete turn around with bright songs like “Meet Me in the Woods.” 

Fans who’d clung to the rail all day finally got their reward when Hozier arrived on the Elkhorn stage. Still soaking wet from the rain, all of their worries seemed to evaporate when the first notes of “Eat Your Young” emerged from the speakers. Allison Russell was called back on stage to perform a duet version of “Work Song.” People lined every square inch of the viewing area just to get a glimpse of Hozier. Even the restroom area was filled with fans peeking over heads and between rails to witness the talent before them. 

Chris Stapleton

At last, the legendary Chris Stapleton made his dramatic entrance to the Limestone stage to “White Horse” and then “Parachute.” He graced the stage in the midst of his 2024 “All American Road Show,” which is selling out stadiums across the United States. Nearly the entire festival grounds came to a standstill to take in Stapleton’s performance that drew tens of thousands to the Red Mile… a testament to the might of his pure talent. Despite the focus on bourbon all weekend, Stapleton, of course, sent the crowd home with his biggest hit, “Tennessee Whiskey.” 

In all, Railbird Festival was a smash hit. Though it may have just finished, we are already looking forward to Railbird 2025 and can’t wait to see what surprises they have in store. To learn more, visit https://www.railbirdfest.com. The post Awesome Country at Railbird Festival in Lexington, KY first appeared on Music Connection Magazine.

TuneCore has paid out over $4 billion to self-releasing artists to dateTuneCore has paid out around $1 billion since December 2022
Source

Fiedler Audio Mastering Console application Mastering Console combines the capabilities of Fiedler's Dolby Atmos Composer software with dedicated tools aimed at mastering and loudness measurement.

TuneCore payouts to Artists pass $4 BillionD.I.Y. digital music distributor TuneCore announced that artists have earned more than $4 billion since its founding in 2006......
The post TuneCore payouts to Artists pass $4 Billion appeared first on Hypebot.

How to optimize Spotify marketing tools: Enhance your audience engagementUnlock the secrets to improving your Spotify engagement by making the most of the features in the Spotify For Artists app, including how to turn data into deeper connections and boost your music career.....
The post How to optimize Spotify marketing tools: Enhance your audience engagement appeared first on Hypebot.

Why you should NEVER use the ‘Poor Man’s Copyright’Discover the essential steps to secure proper copyright and safeguard your creative assets. First, let's understand why the "poor man's copyright" is obsolete and offers no real legal protection for your work.....
The post Why you should NEVER use the ‘Poor Man’s Copyright’ appeared first on Hypebot.

SOS READERS ADS - All Change! New Features: Photos, Links, Bookmarks, Bold, Italic, Unlimited Words and more! SOS READERS ADS has moved and gained lots of new features/functions — it is now a dedicated subforum within the popular SOS Forum: sosm.ag/readersads

Synchro Arts VocAlign 6 has arrived The latest version of Synchro Arts’ vocal-production plug-in has arrived, boasting an improved interface, group processing, improved sync points and more.

Spotify claims it’s enabling musicians to make a living: “More than 25,000 European artists are now generating over €5,000”Spotify has released its European Loud & Clear data report, in which it captures artist royalty payments from across the European Union for the first time since its inception. The platform shares these findings in order to showcase “the current streaming economy, the players, and the process from the region at large”.
Spotify is currently the only streaming provider to share data on artist remuneration. This new report follows on from the global edition of Loud & Clear, which was released last March, offering a closer look into streaming markets such as that of France, Italy, and Germany.

READ MORE: Sony Music CEO wants free streaming users to start paying – would it ever work, though?

Most notably, the streaming mega giant says that in 2023, more than 15,000 European artists generated over €10,000, and more than 25,000 generated over €5,000, “enabling artists to live off their art”.
Elsewhere in its key findings, it also celebrates reaching new record payouts, sharing that European artists generated almost €1.5 billion on Spotify last year, an increase of 16 percent year-on-year, and more than 3x from 2017.
44 percent of all royalties generated in the EU were from EU artists in 2023, the highest level since these data records began. Additionally, more than half of all royalties generated by EU artists were by those who perform in a non-English language (55 percent).
European artists were also discovered by new listeners approximately 28 billion times on Spotify globally, with 50,000 EU artists added to editorial playlists during 2023.
Federica Tremolada, Spotify’s General Manager of Europe, states, “At Spotify, we believe artists across the globe deserve transparency about the economics of music streaming. That is why we are thrilled to introduce Spotify’s European Loud and Clear data for the first time, after our global and local reports in some markets across Europe. Showcasing how streaming empowers European artists to transcend geographical boundaries and build global fanbases is a key part of our mission.”
Tremolada continues, “Every year, Spotify has paid out more and more money in streaming royalties, resulting in record revenues and growth for rights holders on behalf of artists and songwriters – and in the last year alone, we paid out almost €1.5 billion to European artists, with more than 15,000 EU artists generated over €10,000 in revenue. We’re excited to see European artists continue to grow their revenue and visibility across the world.”
View Spotify’s global Loud & Clear round up, or uncover more of its market-specific data.
The post Spotify claims it’s enabling musicians to make a living: “More than 25,000 European artists are now generating over €5,000” appeared first on MusicTech.