How to make money from cover songs on YouTubePosting cover songs is not for every artist. However, if you’re still struggling to get noticed it’s a great way to kick off your career and even start making money.. Continue reading
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Mixing desk used on The Beatles’ Abbey Road set to be auctionedA mixing desk used during the recording of The Beatles’ Abbey Road album will be auctioned off this December. The EMI TG12345 Mk I was used at Abbey Road Studios from 1968 to 1971.
The story of how the mixing desk arrived at this point is a peculiar one too – it was deconstructed after its studio life and parts were given to a school in London. Eventually, these were thrown out.

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Thankfully, the discarded parts were rescued by the school’s tape machine maintenance engineer, as Music Radar reports. But the reason why he decided to save it is perhaps the most amusing element of the mixing desk’s history.
Unaware of its value, the engineer saved it as he “liked the look of the knobs.” According to Abbey Road, he eventually swapped the parts for an ADAT recorder.
The desk is a solid state transistor-based console, which hosts limiters and compressors on each channel. The missing parts were given by songwriter Terri Britten to sound engineer Mike Hedges, who had the rest of the console stored away. Now ready for auction, it is said to be around 70 percent original and in fully working order.
After the fab four split up in April 1970, it was used across varying solo projects from the members – John Lennon’s Instant Karma, George Harrison’s All Things Must Pass, Ringo Starr’s Sentimental Journey and also on some tracks of Paul McCartney’s self-titled album.
The auction is being handled by Bonhams in London, and it will kick off on 14 December. It is estimated to sell for a seven-figure sum, and will be on public preview at Bonhams Knightsbridge from 8-14 December.

Claire Tole-Moir, Head of Bonhams Popular Culture department, says, “Abbey Road was unlike any of The Beatles’ previous albums. This TG console allowed the Beatles to realise their creative ambitions for what would be their final album recorded together.”
She later adds, “This console is an incredibly important piece of Beatles history, and of music history overall – and Bonhams is honoured to bring it to auction.”
The sale will also include a collection of artefacts relating to The Beatles and Abbey Road. Find out more at Bonhams.
The post Mixing desk used on The Beatles’ Abbey Road set to be auctioned appeared first on MusicTech.

Spotify to cease operations in Uruguay following law requiring “equitable renumeration” for artistsSpotify’s services will no longer be available in Uruguay after the country passed a law requiring “equitable remuneration” for artists.
In a statement by a Spotify spokesperson on Monday (20 November) [per Music Business Worldwide], it was confirmed that the company would “phase out” its platform in Uruguay from January 1, 2024, and cease operations fully by February.

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“Changes that could force Spotify to pay twice for the same music would make our business of connecting artists and fans unsustainable, and regrettably leaves us no choice but to stop being available in Uruguay,” the spokesperson said.
Per Mixmag, The bill in question, Rendición de Cuentas, was approved by the Uruguayan parliament earlier this year, and introduces a requirement for “fair and equitable remuneration” of artists by streaming platforms.
Spotify cites the new law’s ambiguity as a primary reason behind its cessation of operations in Uruguay.
“Without clarity on the changes to music copyright laws included in the 2023 Rendición de Cuentas law – confirming that any additional costs are the responsibility of rights holders – Spotify will unfortunately begin to phase out its service in Uruguay effective January 1, 2024, and fully cease service by February,” the company says.
“Spotify already pays nearly 70% of every dollar it generates from music to the record labels and publishers that own the rights for music, and represent and pay artists and songwriters,” it continued.
“Any additional payments would make our business untenable. We are proud to be their largest revenue driver, having contributed more than $40B to date. And because of streaming, the music industry in Uruguay has grown 20% in 2022 alone.”
Earlier this month, it was reported that Spotify’s royalty payout threshold would be set at 1,000 streams. Tracks now need to get 1,000 streams in 12 months – just over 80 streams per month – in order to begin earning streaming revenue.
The post Spotify to cease operations in Uruguay following law requiring “equitable renumeration” for artists appeared first on MusicTech.

Warner strikes partnership with Small World Records, founded by Ghanaian music entrepreneur SmallGod"SmallGod is a brilliant tastemaker, marketeer and visionary," said Max Lousada, CEO of Recorded Music at WMG
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‘The music industry makes the ticket-buying process hard. I’d like to see us focus on the user experience.’MBW's Inspiring Women series meets AEG Presents Chief Digital Officer, Brooke Kain
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“Do less. Use the first take. Use minimal effects”: NY-based hot house talent Toribio imparts wisdomRooted in Dominican heritage and influenced by luminaries like Theo Parrish and Masters at Work, stalwart New Yorker Toribio is fast becoming one of the city’s most respected dance music exports. It’s all thanks to his work ethic, infectious persona and raw, vintage-sounding style. Known in the scene as “Papi,” his BDA parties draw diverse crowds across New York City. As a resident DJ at Black Flamingo and a regular in NYC’s burgeoning club scene, Toribio’s magnetic energy resonates globally, too.

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Toribio’s – real name Cesar’s – latest EP, Tongue In Cheeks, sees the producer and DJ get stuck into his collection of versatile synths from the likes of Moog, Roland – he even owns a Fender Rhodes. This release features a ton of sounds from the Novation Bass Station, though, he says, which provides both basslines and main melodies. They’re centred around Latin-influenced drum patterns sequenced through his MPC. We find out more about this process and why, in his mind, less is more.
Tongue In Cheeks EP by TORIBIO
Tell us about the scene in New York.
New York has always been vibrant. There is a lot of newer talent that seems to be bubbling up at the moment. Whether it be in the house, techno, club, noise, jazz, RnB, experimental, or other electronic scenes. So many talented people are walking among us and it’s nice to have this perspective I’ve come into. I feel I’ve reached a certain level of recognition and found my place here (it only took a little over a decade).
Toribio in his studio
Is there anyone in New York you’d love to collaborate with? If so, who and why?
There are a lot. Q-Tip, Louie Vega, DJ Spinna, Saso, Pedrito Martinez, Yebba, Robert Glasper, Kenny Garrett, Erykah Badu, Esperanza Spalding, Georgia Ann Muldrow, No name, James Murphy and Tokischa when she’s here. All of these people have made music that speaks to my musical DNA and I’d like to add to it.
Tell us a bit about the studio.
I’m on the border of the Bushwick/Ridgewood neighbourhood of Brooklyn/Queens. I’ve been in this particular spot for about four years now. I moved from a known building called the Sweat Shop where a bunch of bands rehearse and some other people have studios. It was mad noisy there so I had to get out of there.
Toribio in his studio
Through a former studio mate, we found a refurbished garage that was used as an office before for a construction company. I’ve kept everything the same outside so it still looks like a construction company works from there (and in a way the work is always under construction). It’s nice because there is no bleed through the walls because it’s in between two apt buildings.
It’s just a place for me to work and create. I have my DJ setup, I listen to records, I practice, and I rehearse my band. It’s my own little space.
Toribio DJing in his studio
Which DAW do you use and why?
I use Ableton Live. I used to use Logic and Reason and a bit of Pro Tools but ever since I started using Ableton I stopped using the others and forgot how to use them, honestly. Being able to use loops and record intuitively and instantly helps me not lose momentum.
What is your favourite piece of gear and why?
My favourite piece of gear is my MPC Live because it’s so intuitive and is such a strong machine on its own. I can do a lot with just my MPC and one synth.
Toribio holding his MPC Live
What synth or effect can be heard the most on the Tongue In Cheeks EP?
Funnily enough, I don’t use it as much anymore but I used the Novation Bass Station all over the EP. That and the SH-101.
Where’s the sample from in No Pare and what did you do to it?
The sample comes from a very important song called El Tiburon by Proyecto Uno. This was a huge hit in the early 90s on a global scale. It’s the epitome track of a genre called Merenhouse or Merengue/house. So many people have tried to remix and sample the song but Proyecto Uno and their publisher wouldn’t approve because they weren’t feeling it. They heard how I flipped it and gave us full approval.
Toribio and a bongo drum in his studio
I sampled the break part where they chant “No Pare Sigue Sigue, No Pare Sigue Sigue” which is the point of the song where they say “Don’t stop, keep it going!” I used that and completely flipped it on its head with my dark electro drums and synths and hard drum programming.
The synth line in Cimarron Palace sounds like one synth is providing the melody and the bassline. How did you get the most of your synth here?
I programmed that line into the SH-101 and recorded one whole take from beginning to end, then I built the track around the improvised movements that I did with the synth. I will program drums and arrange the track around that first take.
Toribio’s studio
Do you have any frustrations with your current setup and why?
Yes, I do! I think I need a smaller mixer than this big Allen & Heath 24-channel one. I have two interfaces daisy chained and they aren’t perfectly synched so it causes lagging issues.
What is your top piece of production advice?
Do less. Use the first take. Try to use minimal effects but use them well.
What is the one piece of advice you would give someone starting out building a studio?
Know your current equipment inside out before you move on to something else or buy another piece.
Check out Toribio’s music via Bandcamp.
The post “Do less. Use the first take. Use minimal effects”: NY-based hot house talent Toribio imparts wisdom appeared first on MusicTech.

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5 of zZounds’ best early Black Friday deals on headphones, synths, MIDI controllers and moreWhen you purchase through links on our site, we may earn an affiliate commission. For more information on how this works click here.
It’s nearly Friday. But not just any Friday – Black Friday. That means that brands, starting this week and leading, for many, right up until Christmas, are taking the prices of their products down a notch. A yearly ritual, Black Friday in the world of music tech is an exciting window to get your hands on a mouth-watering steal. Whether it’s a reverb or a rotary mixer, a synth or a speaker – now is the time to purchase that piece of kit lingering on your wishlist.

READ MORE: Black Friday deals 2023: Best early deals for music producers, DJs, beatmakers and musicians

And where better to find a Black Friday offer than on zZounds. zZounds is a fantastic, US-based burgeoning retailer that sells everything from acoustic instruments to modular gear and pedals. It’s no surprise then, with so many brilliant music-based products in its catalogue, that it’s dishing out a wealth of saucy offers on mixers, controllers, headphones and more. Here are five for you to gawk at.
Five of zZounds’ best early Black Friday deals at a glance:

Native Instruments Maschine Plus Production Workstation – save $200
TASCAM Model 12 Mixer, USB Audio Interface and Multitrack Recorder – save $100
Yamaha HS8 Active Studio Monitor – save $99
AIAIAI TMA-2 DJ XE Headphones – save $41
Rane ONE Professional DJ Controller – save $40

Native Instruments Maschine Plus Production Workstation – save $200

Want to make music without having to look at a screen all day long? The Maschine+ is a standalone music production device, which means you essentially can make music on it without a DAW. It combines a powerful hardware controller with a built-in computer, offering a range of sampling, sequencing, and sound manipulation tools, making it a versatile all-in-one music production solution.

Reduced price: $999
Find this deal at zZounds

TASCAM Model 12 Mixer, USB Audio Interface and Multitrack Recorder – save $100

The Model 12 by TASCAM is a popular compact mixer tailored for loads of people – music producers, multimedia creators, songwriters, performers… the list goes on! It includes TASCAM’s renowned multi-track recorder, USB audio/MIDI interface, DAW control options, and specialised podcasting features such as mix-minus and smartphone inputs.

Reduced price: $599
Find this deal at zZounds

Yamaha HS8 Active Studio Monitor – save $99

The Yamaha HS8 Active Studio Monitor is a professional-grade speaker designed for audio monitoring and mixing in studios. However, they can be used at home too. Delivering accurate and clear sound reproduction, it features an 8-inch cone woofer and 1-inch dome tweeter, providing a flat frequency response ideal for music production, mixing, and mastering. Whether you’re a pro or a beginner, HS8s are a safe bet.

Reduced price: $299
Find this deal at zZounds

AIAIAI TMA-2 DJ XE Headphones – save $41

One of the finest DJ headphone releases of 2023, the TMA-2 DJ XE Modular DJ headphones by AIAIAI offer balanced sound and high isolation with PU leather earpads, weighing just 168g. Featuring 40mm bio-cellulose diaphragms for reduced distortion, they excel in loud environments. They’re good for the environment, too, thanks to their interchangeable components, which also mean you can customise your headphones to suit your unique sound, comfort and style needs.

Reduced price: $98
Find this deal at zZounds

Rane ONE Professional DJ Controller – save $40

The Rane ONE, a high-end Serato DJ controller, caters to turntablists thanks to its 7.2″ motorised platters, a Mag Four crossfader, and a dedicated loop section. Embracing RANE’s performance layout, this professional DJ solution prioritises DJing fundamentals while broadening access for more experimental DJs. It also has customisable torque settings for a traditional vinyl experience, even if you are playing MP3 YouTube rips.

Reduced price: $1,299
Find this deal at zZounds

For more Black Friday deals, head to MusicTech.
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