At $5 per month, is Apple’s Logic Pro 2 for iPad the best DAW for tablets?£5/$5 per month or £50/$50 per year
1-month free trial available
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Almost exactly a year ago, Apple released Logic Pro for iPad, alongside Final Cut Pro for the same device, in a bid to convince you that iPadOS has the potential to replace your computer.
In our review, we lauded the remarkable achievement of adapting such a complex application to a touch interface. Here was a product that answered critics who complained that a lack of Pro apps kept the iPad from being considered a serious platform for audio.

READ MORE: The best DAWs for music producers in all genres, styles and workflows

Those expecting a radical overhaul from version 1 won’t find it — this is mostly an iterative upgrade in the same way that Apple develops the desktop version of Logic Pro. But the pricing model – a monthly or yearly subscription – means that the upgrade isn’t technically free because you pay to use the app on a rolling basis.
You might find yourself in one of two positions; wondering whether to keep subscribing, or contemplating Logic as a new user. The question that arises either way is: is it worth it?
Much core functionality remains the same as version 1, including that Logic will run on a wide range of iPads with the A12 Bionic chip or better. As you’d expect, a newer M-powered model feels slicker and handles higher track counts but performance on older devices is more than respectable. One way in which the more recent models do have an edge is that most have increased internal storage — important for tracking 24-bit audio at higher sample rates and downloading instrument content.
Tracks on Logic Pro 2 for iPad
Logic can use your iPad mics and speakers but you’ll want to connect a dedicated audio interface that supports iOS, like models from Focusrite, Steinberg and IK Multimedia to name a few. Bluetooth and networked MIDI are supported so there are plenty of options for getting signals in and out, if you have the correct kit.
User interface and design remain extremely impressive, making excellent use of the space available and of touch input.
As we noted, version 2 is really about additions rather than changes, so let’s look at the big ones.
There are new Session Player instruments as found in Logic Pro 11 for Mac. Joining the Drummer are Bass and Keyboard Player instruments which work in a similar way with controls to change the melodies, timing and patterns generated by the instruments. Since they are pitch-based (unlike Drummer), Logic has a Global Chord track which is used to make these parts and others like Apple Loops follow chord changes over time. The two new players are tied to the new Studio Bass and Piano plugins which can also be used on their own as regular instruments, and require a few gigabytes of downloadable library content.
Drummer on Logic Pro 2 for iPad
Logic has had audio and MIDI loops in its library for many years but the Players are much more organic, generating entirely human-sounding piano and bass parts that can be modified, and variations created without messing around editing MIDI. The extent to which you use them will depend on your approach to songwriting but they’re certainly capable of providing inspiration, backing, ideas or indeed entire songs for you should you choose. New downloadable lessons that can show you how to use them are also on tap — a nice touch.
Elsewhere, Logic Pro for iPad gets the same Stem Splitter as the desktop version, which can separate out mixed tracks into vocals, bass, drums and ‘other’ for remixing, sampling or editing. Stem separation techniques are being explored by an increasing number of developers and it works well here. It’s nice not to have to go back to the desktop to do it, and as a process it will likely get more advanced in time. Even with a relatively simple four-component capability like this you can easily extract a vocal or a beat from a mixed track and the results are impressive. There’s sometimes a small amount of bleed from other parts but this can happen on other systems too, and is barely noticeable except when the track is soloed.
A new ChromaGlow plugin joins Logic’s impressive effects lineup — a useful way to warm up and add saturation to tracks. You’re now able to route MIDI internally, like from an effect to a software instrument, giving greater flexibility. And real-time bouncing of external instruments is now supported, so externally-triggered sounds can be included when bouncing a project in place.
In our original review we questioned why a company as wealthy as Apple has gone down the subscription route with Logic for iPad. In the year since, the answer to this question has become clearer: Apple has been pushing ‘software as a service’ more actively to the point it is now its second biggest earner behind iPhone sales – far bigger than its Mac or iPad profits. So that’s your Apple Music subscription, iCloud storage, and now, apps like Logic Pro for iPad too.
Inserts on Logic Pro 2 for iPad
Those who dislike subscriptions won’t be playing tiny violins for Apple but it’s a model that is increasingly employed by developers as market conditions change. If you only need to replace your iPad every five years, Apple wants to make some money out of you in the meantime. Honestly, Logic for iPad is such an impressive and capable app that $5 a month (or $50 annually) isn’t a huge ask.
It’s not the only game in town when it comes to iPad DAWs, but Logic remains the most comprehensive and powerful DAW in its class. FL Studio for iPad is fun and more lightweight, while Cubasis is a serious contender but lacks the sheer depth of tools and features Logic has. BandLab is a free DAW with some superb songwriting tools and collaborative features, but Logic really is the benchmark for pro-level mixing tasks on an iPad.
Combining desktop-class tools and workflows with an innovative, approachable design, additions such as new Session Player instruments and stem separation bolster its capabilities and bring it even closer to the functionality of the Mac version, with which it can exchange projects via iCloud.
Ultimately, Logic for iPad is powerful enough that you really can use it for end-to-end music production, entirely on its own.
Audio Edit on Logic Pro 2 for iPad
Key features

Complete audio/MIDI recording and editing environment
For iPads with A12 Bionic chip or later
Up to 32-bit, 96kHz recording
Library of loops, effects and instruments
Multiple touch-based performance options
Session Player instruments to generate parts
Stem Splitter
Live Loop mode
Project exchange to desktop version
Downloadable content and lessons

The post At $5 per month, is Apple’s Logic Pro 2 for iPad the best DAW for tablets? appeared first on MusicTech.

How To Play A Piano Montuno on Any SongPlaying piano montunos can transform any song, giving it that infectious Latin groove that makes everyone want to move. Today, we’ll take a jazz standard like “Satin Doll” and turn it into a piano montuno. By the end of this lesson, you’ll know how to create a montuno pattern from any chord progression and apply these concepts to any montuno pattern you want.

Step 1: Choose Your Montuno Pattern

First, we need to decide on the montuno pattern we’re going to use. Here’s a classic 2-3 clave montuno pattern:

Key Tip: Choose the correct pattern for the clave you’re using. The downbeats go in the 2 part of the clave, and the upbeats on the 3 part. A 4-measure pattern works best for most forms.

Step 2: Decide on the Compound Line

Next, we need to decide on the compound line for our montuno. Compound lines emerge from different layers when you play patterns. For example, in a previous video, we used Billy Joel’s “Summer, Highland Falls” to illustrate this concept.

Piano montunos have two layers:

Outside Layer: Creates the montuno line, usually a guide-tone line.

Inside Layer: Provides the harmonic context.

For example, in an Em7 to A7 progression, we can play:

Notice how the line D to C# acts as a guide tone for the Em7 to A7 progression.

Guide Tones: These are the 3rd and 7th of the chord.

Em7: G (3rd) and D (7th)

A7: G (7th) and C# (3rd)

In an Em7 to A7 progression, the D moves to C#, and the G stays fixed, turning from the 3rd of Em7 to the 7th of A7.

Step 3: Create the Inner Layer

The inner layer provides harmonic context. For Em7, you can play G and B, completing the chord since E is already in the bass. For A7, you can play G and A or G and E. A more effective inner line for A7 is G and B, the same as Em7, because it reinforces the guide tones.

Now, choose the other note for the inner harmonic line:

Options: Chord-tone (E or A) or tensions (9th B or 13th F#)

The 9th (B) works great and is easy to play as it’s the same note as on Em7.

Simplified Approach: The left hand often mirrors the bottom notes of the right hand. This straightforward approach opens up the sound of your arrangement.

Applying the Concepts: “Satin Doll” Example

Here’s how we applied these concepts to “Satin Doll”:

First Measures: The b7 of Dm moves to the 3 of G7 (C to B). Inner harmony uses F and A for both chords. The same technique is applied in measures 3 and 4 with Em7 to A7.

End of Measure 2: Notes anticipate the Em7 in the next measure, acting as pickup notes.

Turnaround: Break the montuno with interesting voicings or tensions like #9 chords.

Line Cliches: Use them to create movement in static chords (e.g., 7-6-5 over Fmaj7).

Conclusion: Practice and Create Your Montuno

These techniques are foolproof for creating that classic montuno sound.So, what are you waiting for? Start practicing your montuno patterns and let’s see your creativity in action!

Remember that the pdf with all the exercises and concepts is available to all “exclusive access” members on the mDecks Music Youtube Channel.

If you enjoy this content remember there’s a library of more than 200 music lessons and piano tutorials in our mDecks Music Journal

Learn More on mDecks.com

Musical IQ Test: What’s Your Musical IQ?

Scan or click on the image (or here) to take the test

About the mDecks Musical IQ Test

In this test we will evaluate your abilities in 10 essential music topics:Meter • Timing • Shuffle vs. Even • Beat Perception • Tempo • Tempo Variation • Melody • Range • In-Tune • Harmony

You don’t need to know anything about music or music theory. Anyone can take this test and have a blast!

Remember, this is an interactive test. If you want to answer the questions while you watch the video, use the QR code at the top of the page (or click on it). This will load the interactive test on your device. We recommend using headphones for this test.

• The questions are synced to the video’s playing time and will be automatically highlighted.• You can pause or rewind the video if you want.• Pausing the video also pauses the sync, letting you scroll back to answer any previous questions.• You may watch the video on a different device and just answer the questions on the webpage.• Once you’ve answered a question, it will be disabled, so you can’t change your answers.• An explanation will appear immediately after you answer the question.• Concentration is key! Many people achieve worse results simply due to lack of concentration.

Each topic has three multiple-choice questions, with three choices: A, B, or C. You’ll get instant feedback as you answer each question, including an explanation for each choice. The three questions for each topic will gradually get harder.

Each topic is worth 30 points, for a maximum Musical IQ of 300. Fifty percent of people score around 150.

At the end of the test, you’ll receive a complete report with your Musical IQ results and a picture of your Musical Brain.

Take the Musical IQ Test

Bitcoin exchange reserve metric hits 3-year lowLow exchange balances indicate low selling pressure and could trigger a supply shock as institutional investors continue to accumulate Bitcoin.

C12, a French quantum computing startup founded by twin brothers, raises $19.4 millionC12 is announcing that it recently raised an €18 million funding round ($19.4 million at today’s exchange rate). Originally founded in 2020 as a spin-off from the Physics Laboratory of the École Normale Supérieure, the company has been working on a unique process to create quantum computers based on carbon nanotubes. While the concept of […]
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A Simple Laser Harp MIDI InstrumentCraig Lindley is a technical author and a prolific maker of things. This simple project was his first attempt to create a laser harp MIDI device. While on vacation, Craig saw a laser harp with only three strings and decided to improve upon it by expanding it to ten strings. The principle of operation is straightforward: ten cheap diode laser modules aim a beam towards an LDR, which changes resistance if the light level changes when the beam is interrupted.
The controller is a simple piece of perf board, with a Wemos D1 mini ESP32 module flanked by some passives, a barrel socket for power, and the usual DIN connector for connecting the MIDI instrument. Using the ESP32 is a smart choice, removing all the need for configuration and user indication from the physical domain and pushing it onto a rarely-needed webpage. After a false start, attempting to use a triangular frame arrangement, [Craig] settled upon a simple linear arrangement of beams held within a laser-cut wooden box frame. Since these laser modules are quite small, some aluminium rod was machined to make some simple housings to push them into, making them easier to mount in the frame and keeping them nicely aligned with their corresponding LDR.
Sadly, the magnetic attachment method [Craig] used to keep the LDRs in place and aligned with the laser didn’t work as expected, so it was necessary to reach for the hot glue. We’ve all done that!
An interesting addition was using an M5 stack Unit-Synth module for those times when a proper MIDI synthesiser was unavailable. Making this luggable was smart, as people are always fascinated with laser harps. That simple internal synth makes travelling to shows and events a little easier.
Laser harps are nothing new here; we have covered plenty over the years. Like this nice build, which is more a piece of art than an instrument, one which looks just like a real harp and sounds like one, too, due to the use of the Karplus-Strong algorithm to mimic string vibrations.

TikTok parent ByteDance to spend $2.1bn to develop AI hub in MalaysiaMalaysia is becoming a beacon for AI-related investment
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2024 Business Card Challenge: PCB Business Cards for EverybodyPCB business cards for electronics engineers might be very much old news in our circles, but they are still cool, not seen too much in the wild, and frankly inaccessible to those in other industries. For their entry into the 2024 Business Card Challenge, [Dima Shlenkevitch] is helping a little to alleviate this by providing a set of design examples and worked costs with suppliers.
Original green is still the cheapest option.
[Dima] lists key features every PCB business card should include, such as the expected thickness, restrictions for placing NFC components, and some aesthetics tips. Make sure to choose a supplier that allows you to remove their order number from the manufactured PCB, or it will look out of place.
Ordering PCBs with these specifications to keep costs reasonable requires effort, so [Dima] offers some example designs along with the results. If you want to have pretty gold lettering and graphics, you will need ENiG plating, increasing the price. Non-standard solder mask colors can also raise the price.
Will this help with the practical aspects of driving the PCB design software and actually placing the order? Obviously not, but the information provided gives you a leg up on some of the decisions so you don’t go down an expensive rabbit hole.

Meta’s new generative AI model can take chords or beats and turn them into songsThe company will make the model available to other developers to build tools from it
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Guitar Center and Gibson to present livestream acoustic guitar workshop with Orianthi WHO: Guitar Center is teaming with Gibson and virtuoso guitarist Orianthi for an exclusive acoustic guitar workshop at GC’s Hollywood store.

WHAT: Gibson and Guitar Center are partnering for an exclusive acoustic guitar workshop with Orianthi on Saturday, June 22, at 2 p.m. PDT. “An Afternoon with Orianthi and Her Gibson Acoustics” will feature the acclaimed guitarist demonstrating her cherished instruments, along with a Q&A and instrument signing. Online viewers can livestream the event here.

Orianthi is a guitarist, singer, songwriter who has sold millions of records and has performed with Michael Jackson, Alice Cooper, Christina Aguilera, Steve Vai and many more.

WHEN: Saturday, June 22, 2024, 2 p.m. PDT

WHERE: Guitar Center Hollywood7425 Sunset BlvdLos Angeles, CA 90046

The post Guitar Center and Gibson to present livestream acoustic guitar workshop with Orianthi  first appeared on Music Connection Magazine.

Antares introduce Vocal De-Esser  Antares' new de-esser promises to quickly and effectively tackle sibilance thanks to a machine learning-based process that has been trained on the human voice.

Eftilo releases Mogano, a FREE overdrive plugin for macOS and Windows
Eftilo is a relatively new venture, and Mogano is the second release, following the debut plugin, Scirocco. More importantly, Mogano is the developer’s first freebie, and it’s available to download now. Jacopo, the one-man band behind Eftilo, says, “I believe that everyone should have access to high-quality audio plugins, regardless of their budget.” So, we [...]
View post: Eftilo releases Mogano, a FREE overdrive plugin for macOS and Windows

Antares’s new Vocal De-Esser utilises AI to remove undesirable sibilance “without compromising vocal characteristics”Antares, the company behind Auto-Tune, has launched a brand new Vocal De-Esser plugin to remove undesirable “ess” sounds from the voice, for a smoother listening experience.
The tool works with a little assistance from AI, using a custom-trained model that utilises machine learning to detect and control sibilance in the voice. Antares says it will still retain vocal character and tone when doing so.

READ MORE: Forever 89’s Visco is an innovative sample-modelling drum machine but still needs some work

The Vocal De-Esser features an easy-to-navigate interface, allowing for quick and easy operation. It includes two specific Sibilant Controls for managing S, Sh, Z and T, Ch, K vocal sounds.
There’s also a Solo button for monitoring sibilance alone, a Link button for connecting the two sibilant controls, and an Assist button for activating the AI function. Its Custom AI model has been trained on a real, human voice.
Take a closer look below:

This isn’t the first product of Antares’ to utilise machine learning. Back in March, the brand released its Auto-Tune Vocal Compressor, marking the first time that machine learning technology has been incorporated into a dual-stage vocal compressor plugin.
Antares also unveiled the latest version of its popular autotune software, Auto-Tune Pro 11, last April. Building upon two decades, the latest iteration introduced new tools such as integration with its new Harmony Engine, two new Auto and Graph modes, and MIDI mapping.
Currently, Antares’ Vocal De-Esser is free for Auto-Tune Unlimited subscribers at $24.99 per month, or $174.99 per year (equivalent to $14.58 per month if paid annually). You can also purchase the tool with a perpetual licence at $99, and this includes one free month of Auto-Tune Unlimited.
Find out more over at Antares.
The post Antares’s new Vocal De-Esser utilises AI to remove undesirable sibilance “without compromising vocal characteristics” appeared first on MusicTech.

This DJ has a price list for overplayed song requests, and Mr Brightside will cost you a grandA business savvy DJ based in Colchester has introduced a price list for overplayed song requests, with The Killers’ Mr. Brightside set to cost you a whopping £1,000.
Want a song playing ASAP because you’ll be leaving soon? It’s someone’s birthday? Well, if Colin Gingell-Good – aka DJ PressPlay – is behind the decks, it may well cost you a pretty penny.

READ MORE: Brain injury survivor says learning to DJ has “reawakened his brain”

In an interview with the Daily Gazette, Gingell-Good says, “Some people don’t understand why we DJs do this, and that we are playing songs to keep the vibe going… The list is a tongue-in-cheek joke, the majority of people take it as a joke and can laugh about it.”
He adds, “It is more for those people who do not take no for an answer and to keep from having discussions as to why I won’t play a song.” The 51-year-old is a resident DJ at music venue Coda, and has been in the industry for 17 years.
Elsewhere on his price list, Kings Of Leon’s Sex On Fire costs £100 per spin, with Wonderwall from Oasis coming in at £500. In general, any song that does not fit the night is £100. However, good tracks that fit the vibe of the evening, or the option to just leave the music in the hands of the DJ is entirely free. Who’d have thought?
The signs appear to be a good deterrent so far, as since he introduced them he’s had no requests for the popular Killers track, which Brits cannot seem to get enough of after a few rounds of drinks.
“I’ve never played Mr Brightside, I just think it’s over-played. I don’t hate The Killers, but I just think there are so many better songs out there,” he tells The Gazette. “Since I’ve put the signs up, I had not one person requesting it, so it seems to work.”
Find out more about DJ PressPlay.
The post This DJ has a price list for overplayed song requests, and Mr Brightside will cost you a grand appeared first on MusicTech.

Marveille’s secret to millions of Spotify streams: Unreleased tracksDiscover how Marveille’s strategic use of unfinished songs led to millions of Spotify streams.  by Chris Robley of Reverbnation Blog The music career of 16-year-old songwriter Marveille is skyrocketing right now.  All thanks to. Continue reading
The post Marveille’s secret to millions of Spotify streams: Unreleased tracks appeared first on Hypebot.