Price analysis 5/15: BTC, ETH, BNB, SOL, XRP, TON, DOGE, ADA, AVAX, SHIBRisky assets, including Bitcoin and altcoins, received a boost following today's CPI report.

Senate study proposes ‘at least’ $32B yearly for AI programsThe AI industry moves faster than the rest of the technology sector, which means it outpaces the federal government by several orders of magnitude.
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Designing A Quality Camera Slider Can Be Remarkably SatisfyingCamera sliders are great creative tools, letting you get smooth controlled shots that can class up any production. [Anthony Kouttron] decided to build one for an engineering class, and he ended up mighty satisfied with what he and his team accomplished.
As an engineering class project, this wasn’t a build done on a whim. Instead, [Anthony] and his fellow students spent plenty of time hashing out what they needed this thing to do, and how it should be built. An Arduino was selected as the brains of the operation, as a capable and accessible microcontroller platform. Stepper motors and a toothed belt drive were used to move the slider in a controllable fashion. The slider’s control interface was an HD44780-based character LCD, along with a thumbstick and two pushbuttons. The slider relied on steel tubes for a frame, which was heavy, but cost-effective and easy to fabricate. Much of the parts were salvaged from legendary e-waste bins on the university grounds.
The final product was stout and practical. It may not have been light, but the steel frame and strong stepper motor meant the slider could easily handle even heavy DSLR cameras. That’s something that lighter builds can struggle with.
Ultimately, it was an excellent learning experience for [Anthony] and his team. As a bonus, he got some great timelapses out of it, too. Video after the break.

Maze at the KIA Forum, L.A.For almost 50 years, Maze ft. Frankie Beverly has been one of the most iconic R&B groups. Before Maze, the band was known as Raw Soul which Beverly started in 1970 and he is the last remaining original member with the group. Original keyboardist Sam Porter and percussionist McKinley “Bug” Williams have both passed.

For Mother’s Day, the KIA Forum in Inglewood, CA hosted a special show with After 7, Anthony Hamilton and Maze ft. Frankie Beverly on their farewell tour. The last time Maze played L.A. was at the Greek Theater in 2019. For years the group closed out the Congo Square stage on the second Sunday of the New Orleans Jazz & Heritage Festival. The majority of the crowd was dressed in all white as the band has for years. Between '77 and '93, the group released nine Gold albums. Although it has been 31 years since the last release, Maze has quite a catalog of hits to perform having over 30 charting singles and two which were number one on the US R&B chart. 

Maze took the stage around 9:30 P.M. and played an hour 15 with a set of classics like “Before I Let Go,” “We Are One,” “Golden Time of Day,” and “Happy Feelings.” Beverly, now 77 still sounds great and the band is incredible. Towards the end of their set, Beverly was presented a proclamation from the city of Inglewood marking May 12th Frankie Beverly day. There are just five shows left with the next one being in New Orleans, LA May 25th which the band has a long history with the city being the first group to sell out the Superdome back in 1982. The final show will be in Philadelphia, PA where the group formed July 6 at the Dell Music Center.

Photo credit - Ashley Osborn / Kia Forum Photos

How AI Large Language Models Work, Explained Without MathLarge Language Models (LLMs ) are everywhere, but how exactly do they work under the hood? [Miguel Grinberg] provides a great explanation of the inner workings of LLMs in simple (but not simplistic) terms that eschews the low-level mathematics of how they work in favor of laying bare what it is they do.
At their heart, LLMs are prediction machines that work on tokens (small groups of letters and punctuation) and are as a result capable of great feats of human-seeming communication. Most technical-minded people understand that LLMs have no idea what they are saying, and this peek at their inner workings will make that abundantly clear.
Be sure to also review an illustrated guide to how image-generating AIs work. And if a peek under the hood of LLMs left you hungry for more low-level details, check out our coverage of training a GPT-2 LLM using pure C code.

Google unveils ‘Music AI Sandbox’ with the help of Wyclef Jean, Justin Tranter and Marc RebilletWith these tools, "you’re able to move at light speed with your creativity," says Wyclef
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Sun Label Group launches under parent company Primary Wave Music, bringing together Sun Records, Gaither Music, Green Hill Music, Rural Rhythm and emeraldwavePaul Sizelove will oversee Sun Label Group as President
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Vavra Is A FREE Emulation Of The Waldorf MicroQ Synthesizer
Vavra, from the developer The Usual Suspects, is a plugin that supports emulations of the Waldorf MircoQ.  I’ll come out and say I have a heavy bias regarding the work being done by The Usual Suspects. Osirus, OsTirus, and Vavra, today’s focus, all feature quite heavily in my productions. There is something about the sounds [...]
View post: Vavra Is A FREE Emulation Of The Waldorf MicroQ Synthesizer

Spotify hit with ‘Cease & Desist’ from US Music Publishers Association: Read the full letterSpotify received a cease-and-desist letter Wednesday from the National Music Publishers Association regarding its use of lyrics in newly launched video functions and a remix feature that enables users to speed up and edit songs to create derivative works.....
The post Spotify hit with ‘Cease & Desist’ from US Music Publishers Association: Read the full letter appeared first on Hypebot.

iZotope launch major updates in RX 11 The latest iteration of iZotope's audio repair suite features innovative machine learning capabilities and tools tailored for music streaming.

Live Music Society adds $710,000 in grants to 24 small US music venuesThe nonprofit Live Music Society has awarded $710,000 in much-needed Music Action Grants to 24 small independent U.S. music venues.....
The post Live Music Society adds $710,000 in grants to 24 small US music venues appeared first on Hypebot.

Superbooth 2024: Befaco’s Oneiroi digital synth creates scarily good drone-like soundscapesSuperbooth 2024: Barcelona-based brand Befaco has introduced a new module called Oneiroi – a live performance-oriented, multi-functional and self-contained digital synth, focused on ambient pads and drone-like soundscapes.
Ideal for those looking to make sinister and scarily cool compositions, the Oneiroi gets its name from dark-winged creatures that each night emerge from their cave to deliver dreams and nightmares, according to Greek Mythology.

READ MORE: Moog introduces the Spectravox semi-modular analogue spectral processor for “unparalleled control over tonal shaping”

It features a full stereo signal path: Stereo input, three oscillators, four effects, and a looper. It also includes LFO self-modulation and a randomiser. Its stereo input has three switchable gain levels and a two-colour LED for monitoring.
As for its three oscillators, these are sine, a stereo supersaw with detune control (inspired by the Roland JP-8000), and a 2048-sample dynamic wavetable oscillator that uses the looper buffer, with offset control.
There’s a single v/oct input for the three oscillators and unison control. Its filtering unit has four different types: low-pass, band-pass, high-pass, and comb filter. The filter can also be freely positioned along the effects chain.
The five-second looper has continuous speed control (from 2x in reverse direction, to 2x in forward direction) and a pre- and post-looping selector. There’s also a two-tap echo with controls over time and density, plus Reverb with macro control for size, filtering, and direction.
Check out more below:

Oneiroi is based on Rebel Technology’s OWL platform, and is being presented at Superbooth this year. You’ll find Befaco at booth Z170 from 16-18 May. Oneiroi currently has an estimated target release for early summer, and has an estimated price of 400€ (not including tax).
Find out more at Befaco.
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New Penalties for Artificial Streaming: What Musicians Need to KnowRecent changes at Spotify, Apple Music and other digital service providers introduce new penalties for artificial streaming. Find out how to navigate these changes and protect your music.....
The post New Penalties for Artificial Streaming: What Musicians Need to Know appeared first on Hypebot.

Lauten Audio launch the Tom Mic Employing a newly designed supercardioid capsule and offering up to 28dB of off-axis rejection, the Tom Mic has been designed to deliver crisp-sounding results while keeping cymbal bleed to a minimum. 

Arturia’s new PolyBrute 12 boasts a FullTouch MPE keyboard and double the polyphonySuperbooth 2024: In the ever-evolving world of synthesizers, Arturia has once again pushed the boundaries of sonic creativity with its latest release, the PolyBrute 12.
Boasting an expanded 12-voice architecture and the inclusion of a FullTouch MPE keyboard, Arturia’s latest flagship analogue polysynth promises to “bring you direct and tactile connection with your sound like never before”.

READ MORE: Moog introduces the Spectravox semi-modular analogue spectral processor for “unparalleled control over tonal shaping”

As mentioned, at the heart of the PolyBrute 12 lies a 61-key polyphonic aftertouch keybed featuring Arturia’s patented FullTouch technology. Users get three distinct modes: Classic Monophonic aftertouch, Polyphonic aftertouch, and FullTouch.
Particularly noteworthy is the FullTouch mode, which triggers modulation at the slightest touch, allowing for aftertouch expression across the entire key movement range. Whether you’re playing softly or with intensity, the PolyBrute 12 responds intuitively to your touch, offering a level of expressivity that was previously unattainable.
Like its predecessor, the new PolyBrute comes with a touch- and pressure-sensitive Morphée controller to the left of the keybed and a ribbon controller directly above. The 12-voice architecture of PolyBrute 12 combined with its analogue oscillators, filters, advanced matrix and integrated FX, meanwhile, allow for an infinite spectrum of sonic colour to be explored.
Image: Arturia
You can choose between 480 dynamic presets, including exclusive patches from acclaimed sound designers across the world. The synth also features a 96-point digital patchbay for intuitive control over the modulation system: users can easily route any of their modulation sources and controllers to influence dozens of PolyBrute’s 12 parameters at once.
Furthermore, seamless integration with DAWs is facilitated by PolyBrute Connect, which allows for real-time parameter control and easy patch management. Organise your favourite sounds with an intuitive drag-and-drop interface, and easily import new presets & sound banks.
As far as aesthetics go, the new PolyBrute 12 is said to be “crafted with the finest materials” – featuring a walnut wood and an aluminium exterior, and a handsome cream colourway to complete the look.
Priced at $4449/ €3999, the PolyBrute 12 is now available to order.
Check out the synth in action below.

Learn more at Arturia.
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