Anthropic sent a takedown notice to a dev trying to reverse-engineer its coding toolIn the battle between two “agentic” coding tools — Anthropic’s Claude Code and OpenAI’s Codex CLI — the latter appears to be fostering more developer goodwill than the former. That’s at least partly because Anthropic has issued takedown notices to a developer trying to reverse-engineer Claude Code, which is under a more restrictive usage license […]

Traders still offloading TRUMP holdings after dinner announcement — NansenThough the identities of many of the top holders of US President Donald Trump’s memecoin were still unknown, blockchain data showed significant outflows over the past seven days — during which time he announced a dinner and White House tour for certain tokenholders. According to data from blockchain analytics firm Nansen as of April 25, the TRUMP memecoin had seen more than $869 million in outflows in the last seven days compared to roughly $96 million in inflows among the top 500 changes. Some of the changes followed Trump announcing that the top 220 TRUMP holders could apply to meet him at a golf club dinner in Washington, DC, with fewer opportunities for a White House tour.“It’s clear that more people took the opportunity to offload their Trump tokens than new buyers came in,” said Nansen. “There still appears to be some interest — either A) to secure the dinner ticket, or B) to capitalize on price volatility. As a result, a few new wallets have entered the top 250 holders, while some previous holders seem to have taken the opportunity to exit their positions.”Top TRUMP memecoin holders as of April 25. Source: TRUMP tokenLaunched in January before Trump took office, his memecoin, and that of his wife, Melania, have seen criticism from US lawmakers and leaders in the crypto industry for potential conflicts of interest. At the time of publication, the identity of many of the top tokenholders and those who might apply to attend the dinner were unknown.Who is investing in Trump’s memecoin?As of April 25, the top tokenholder had 1,176,803 TRUMP memecoins worth roughly $16 million at the time of publication. The wallet holder, under the username “Sun,” had led to speculation that Tron founder Justin Sun — a Trump supporter and investor in the Trump family-backed crypto firm World Liberty Financial — could be among the dinner attendees. Cointelegraph reached out to Sun’s team for comment but had not received a response at the time of publication.Related: Trump memecoin team denies $300K dinner requirement rumorsOther tokenholders included usernames like “elon” and “doge,” though it was unclear if Tesla CEO Elon Musk, also a Dogecoin (DOGE) advocate, was involved in the project. The team behind the TRUMP token controls 80% of the total supply, resulting in many critics suggesting the Trump or someone in his family could still rug-pull investors.Before the 2024 election, Trump arranged a similar dinner at his Mar-a-Lago property in Florida with supporters who purchased non-fungible tokens depicting his mugshot during his arrest for allegedly attempting to subvert the results of the 2020 election. It’s unclear whether any of the same people who attended the May 2024 event are among the top TRUMP memecoin holders.Magazine: Trump’s crypto ventures raise conflict of interest, insider trading questions

Spitfire Audio RonrocoA signature sound that adds emotion into music, film and games Step into the personal sound world of Gustavo Santaolalla. For media composers seeking truly authentic, evocative textures to score drama, tension, and expansive landscapes, or producers wanting unique acoustic character unavailable elsewhere, this library captures the unique voice of the multi award-winning composer's iconic ronroco. Heard prominently in his iconic scores for The Last of Us, Motorcycle Diaries, Babel, and his seminal solo album Ronroco, this isn't merely a collection of sounds; it's the culmination of a deep, personal connection, meticulously translated into playable form. For Gustavo, the ten-string ronroco (specifically the E-minor tuning he discovered and embraced) became a vessel for expressing identity beyond traditional boundaries. Its voice carries echoes of Andean roots but transcends them, finding its way into cinematic soundscapes and deeply personal compositions. It can whisper with introspection or soar with resonant emotion, capable of both grounding melodies and floating textures. Gustavo himself performed every sample, pouring his distinct, non-traditional fingerpicking style and emotional nuance into each note. He was driven by the desire to capture the ronroco's specific character – the resonance of the wood, the breath between notes, the gentle touch of fingertips. Spitfire explored its full spectrum, its shadows and its light, to craft something that feels genuine, intimate and alive. The distinctive sound of a legendary career Gustavo Santaolalla is a true visionary – a composer, producer, songwriter, and multi-instrumentalist whose evocative soundscapes have left an indelible mark on both film and popular music globally. He achieved the rare feat of winning consecutive Academy Awards for Best Original Score for Ang Lee's poignant Brokeback Mountain (2005) and Alejandro G. Iñárritu's sprawling Babel (2006). His instantly recognisable and deeply atmospheric scores also grace critically acclaimed projects like the video game phenomenon and subsequent hit HBO series The Last of Us, Walter Salles' Motorcycle Diaries, and Iñárritu's debut feature Amores Perros. Beyond his influential film work, Santaolalla is a seventeen-time Latin Grammy Award winner and a pivotal figure in Latin Alternative music, having produced over 100 albums for groundbreaking artists such as Café Tacvba, Julieta Venegas, and Molotov. His own artistic endeavours include the seminal solo album Ronroco and the innovative electro-tango collective Bajofondo. His staggering collection of accolades further includes two BAFTAs, a Golden Globe, and two Grammy Awards, cementing his legacy as a uniquely gifted artist whose signature sonic palette, featuring the soulful ronroco, is revered worldwide. Expertly programmed by Mike Georgiades Renowned for his 'beautifully recorded, meticulously crafted' MG Soft Acoustic Guitar and MG Soft Nylon Guitar libraries, the Ivor Novello-nominated Mike Georgiades is an expert in engineering libraries to replicate all the behaviours and nuances of a real guitar through detailed scripting and careful calibration, achieving ground-breaking realism. Innovative performance tools that authentically approach stringed virtual instruments lay the foundation for the expressive engine here in the Ronroco. A virtuoso guitarist and ronroco player himself, Mike's programming ensures that every single note performed by Gustavo - capturing every delicate articulation, strum and squeak over five distinct velocity layers, becomes a truly responsive and musical tool for your own productions. What's included. Ronroco by Gustavo Santaolalla offers a sophisticated yet intuitive experience across four main pages – Perform, Sequencer, Calibrate, and FX – designed to let you easily harness the instrument's unique character: Perform: Real-time Playability This is your central hub for live playing, seamlessly integrating multiple performance approaches: Expressive Note Playing: Instantly capture Gustavo's feel, playing melodies across the instrument's range, enhanced by a suite of keyswitch-activated articulations. Including realistic pre/post-note slides (up and down), sampled vibrato (plus additional simulated vibrato via Modwheel), and characterful half/whole-step 'twiddles', all performed by Gustavo. Up to seven round robins and four dynamic layers per note allow for incredibly realistic expression, with intelligent string selection that cycles through strings in a manner that's true to Gustavo's real life playing technique. Authentic Slurs & Noises: Perform automatic slurs (hammer-ons/pull-offs) by overlapping notes within playable legato intervals, controlled by velocity sensitivity. Add lifelike detail with dedicated keyswitches for diverse, velocity-sensitive string squeaks, shifts, and slides. Trigger fret noises automatically on sustain pedal release for realistic transitions (can be disabled for manual control). Intuitive Chord & Strum System: Effortlessly create authentic ronroco voicings and rhythms. Easily set chords by holding the 'Set Chord' keyswitch and playing a triad. Choose between 'Auto' voicing (which intelligently interprets major, minor, 7th, and sus chords for authentic ronroco voicings) or 'Manual' for full user control. Perform realistic up/down strums using dedicated keys (yellow keys), including a string hit articulation. Control strum speed and humanization for organic variation. Arpeggio & Tremolo Control: Play individual chord strings arpeggio-style using the String Keys (blue keys) or trigger lush major/minor tremolo chords based on the current selection using the dedicated Tremolo Key. Control the tremolo attack/release envelope and start behavior (strum or fade-in). Performance Effects: Utilise the 'Fix String' keyswitch to lock playing to a specific string, effective for certain slide techniques. Engage open-string switches for specific strings to create fluid, ringing chord changes and textures. Control how chord changes respond (Squeaks, Stops, Sustain). Manage the unique octave-doubled third string manually or automatically. Sequencer: Instant Authentic Rhythm. Craft intricate patterns and rhythmic beds with a powerful, yet easy-to-use sequencing engine: Flexible Sequencing: Utilise a fully customizable 4-bank, 32-step (max) sequencer. Activate/deactivate notes per string for each step. Define articulation (style switches) and strum direction (picked, up, down) per step. Control volume per step relative to playing velocity. Authentic Rhythms: Load presets containing MIDI patterns derived from authentic ronroco rhythms and arpeggiation styles interpreted from Gustavo's playing. The library also carefully recreates playing articulations like upstrokes and downstrokes, crucial for capturing the instrument's true sound, especially on the octave-doubled third string. Creative Control: Set sequence length (Bars), Time Signature, and Rate (step division). Adjust Strum Speed, Humanise Strums (randomness), Humanise Steps (timing), and Swing amount for organic feel. Define chord and sequence release behaviors. DAW Integration: Easily record your performance within the sequencer, including chord changes, and simply drag and drop the resulting MIDI directly into your DAW project. Load and save your own sequence patterns. Calibrate: Tailoring the Feel. Fine-tune the instrument's global settings to suit your needs: Adjust overall Volume, Stereo Width, and the balance between Close and Far microphone positions. Control the level of Fret Noise and whether noises trigger on pedal release. Manage the instrument's Dynamic Range (compression) and shape the note Attack envelope. Optionally blend in the authentic Room Tone from Gustavo's own studio where the ronroco was recorded. Configure String Setup order. The FX Page: Shaping the Atmosphere. Add professional polish and ambience with three integrated effects: Choose from high-quality Convolution Reverb, Algorithmic Reverb, and Delay. Easily activate, bypass, and adjust parameters for each effect module. https://youtu.be/ReCKR_xwQK8 Read More

Robot Gets a DIY Pneumatic Gripper Upgrade[Tazer] built a small desktop-sized robotic arm, and it was more or less functional. However, he wanted to improve its ability to pick things up, and attaching a pneumatic gripper seemed like the perfect way to achieve that. Thus began the build!
The concept of [Tazer]’s pneumatic gripper is simple enough. When the pliable silicone gripper is filled with air, the back half is free to expand, while the inner section is limited in its expansion thanks to fabric included in the structure. This causes the gripper to deform in such a way that it folds around as it fills with air, which lets it pick up objects. [Tazer] designed the gripper so that that could be cast in silicone using 3D printed molds. It’s paired with a 3D printed manifold which delivers air to open and close the gripper as needed. Mounted on the end of [Tazer]’s robotic arm, it’s capable of lifting small objects quite well.
It’s a fun build, particularly for the lovely sounds of silicone parts being ripped out of their 3D printed molds. Proper ASMR grade stuff, here. We’ve also seen some other great work on pneumatic robot grippers over the years.

From Warner’s Crumbl copyright lawsuit to the EU’s Downtown deal probe… it’s MBW’s Weekly Round-UpThe biggest stories from the past week – all in one place…
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93% of UK music fans support £1 ticket levy on large events to help fund grassroots venuesA new survey has revealed that 93 per cent of music fans in the UK would back a £1 ticket levy on large scale events and arena shows to support grassroots music venues amid ongoing closures.
The survey, conducted by Music Fans’ Voice, collected responses from 8,000 music fans across varying genres (with rock being the most popular type of music the group attend gigs for), aged 18 and above.

READ MORE: Over 60% of emerging producers and DJs feel “the electronic music industry is a closed club”, with social media presence prevailing over skill

99 per cent of participants agreed that live music is an important part of UK culture, and 30 per cent said they visit a grassroots venue monthly. As for larger venues, these are attended less regularly, with 27 per cent saying they visit an arena less than once a year. A large number of respondents also said they “never” attend nightclubs.
58 per cent of fans said they have witnessed the closure of a locally important music venue or nightclub since 2020, and the same percentage of participants also said that more local events would enable them to attend more gigs, with transportation costs preventing people from attending venues.
For those who said they have been attending less live music events compared to a year ago, the high cost of tickets was the main reason why, with 64 respondents citing this as an issue. The general cost of living and frustrations with dynamic pricing on tickets also fall closely behind as reasons why fans are not able to attend as many gigs as they once did. Only 11 per cent of those who have experienced a ticket price surge due to the dynamic pricing model agreed that the concept of surge pricing was effectively communicated to them beforehand.
Last year it was revealed that the UK government was planning to look into the “transparency” of dynamic ticket pricing. It was also later revealed it was planning to tackle ticket touts by potentially introducing a price cap on resale websites.
You can view the full report via Music Fans’ Voice.
The post 93% of UK music fans support £1 ticket levy on large events to help fund grassroots venues appeared first on MusicTech.

NoiseWorks Audio’s DynAssist gains Pro Tools ARA integration The latest update for DynAssist provides ARA support for Pro Tools, offering tighter integration and allowing users to apply intelligent dynamics processing without the need for real-time playback.

This new mini synth from this.is.NOISE inc. promises to always be in key, and even comes with a virtual petA new mini synthesiser from this.is.NOISE inc., a boutique Canadian hardware company, promises to always be in key, and its OLED screen even features a built-in virtual pet.
The synth, called Gamma, is ready to be played “without the need for prior musical training”, as its seven chords and notes are mapped to a selectable diatonic scale so everything always sounds good together. And yes, you read that correctly – you can own a virtual pet right within Gamma, just like that Tamagotchi you let die back in the late 90s, and it will even evolve as you play.

READ MORE: “Designed not to deliver perfect results, but to encourage exploration”: Sampleson’s Predictor plugin generates new notes and voicings from any MIDI file

The mini synth offers 14 low-profile keys for triggering notes and chords, two thumbsticks for real-time modulation, and four knobs for “precise” control over sound parameters. The thumbsticks offer on-the-fly access to octaves and effects – these include reverb, delay, detune, glide, tremolo, vibrato, and advanced chord variations like sus, 7th, and 9th chords.
Overall, it has 10 oscillators and four waveforms, plus an ADSR envelope, low and high pass filters, a key selection encoder for jumping between major and minor scales, and an on-board speaker. As for connectivity, it offers MIDI Out, an audio out/headphone jack, and rechargeable USB-C power.
Get a closer look below:

Gamma is currently in its final stages of development and will be available for pre-orders from 1 May. No pricing details appear available as of yet, but if you sign up for email alerts, you’ll get a $50 discount code emailed to you upon launch day.
In other gear news and on the soft synth side of things, Arturia has released V Collection 11, the latest instalment of its revered suite of plugins that emulate classic analogue synths and acoustic instruments. Along with a handful of new emulations, V Collection 11 also introduces new additions to Arturia’s Augmented series and a new synth, Pure LoFi.
You can sign up to receive notifications when Gamma launches via the this.is.NOISE inc. website. 
The post This new mini synth from this.is.NOISE inc. promises to always be in key, and even comes with a virtual pet appeared first on MusicTech.

Guide to Meta Ads to Market Music on Facebook and InstagramWant to turn listeners into loyal fans? This step-by-step Guide to Meta Ads to Market Music on Facebook and Instagram includes how to grow an audience, boost streams, and make every dollar count.
The post Guide to Meta Ads to Market Music on Facebook and Instagram appeared first on Hypebot.

“Immersive audio is the new standard”: Neumann’s RIME plugin might be a game changer for producers working with multi-speaker immersive audioNeumann may have just changed the game for producers and mixing engineers working with immersive audio. The company’s new plugin, RIME – which stands for Reference Immersive Monitoring Environment – allows users to monitor and tweak immersive audio formats using a pair of headphones.
If you’re unable to get into the studio, RIME is able to emulate a multichannel speaker setup. Designed to work exclusively with Neumann headphones, the plugin converts multichannel formats to binaural audio. In theory, it makes it easier for producers to monitor Dolby Atmos, for example, if they’re working on the go.

READ MORE: Shure’s MV7i USB mic might be your go-to audio interface for mobile recording

RIME is easy to use, as it places your track within a single reference room that you can see on your screen. You can then see where each speaker is in the room, and experiment with audio levels emitted from each corner of the immersive set up.
The studio room captures the genuine ambience and feel of a real, purpose-built studio room. Neumann engineers captured the sound with an immersive setup of Neumann KH loudspeakers and subwoofers, which were then fine-tuned using MA 1 automatic monitor alignment. The three-dimensional sound field was captured with a KU 100 binaural head microphone, which was then ran through Neumann’s MT 48 audio interface.
Credit: Neumann
According to Neumann, this setup should ensure “pristine sound quality throughout the entire signal chain”.
The plugin also supports OSC compatible head tracker devices, meaning it is able to respond to a listener’s head movements during playback. As Neumann explains, the technology doesn’t just benefit producers and audio professionals – it also allows casual listeners to enjoy a surround-sound listening experience.
“RIME is not a simulation but captures an optimal control room in ultimate quality” Product Manager Jorma Marquardt explains. “RIME sounds real, because it is real!”
Credit: Neumann
“Immersive audio is the new standard,” he continues. “Streaming services favour content that can be enjoyed in spatial audio formats such as Dolby Atmos or Sony 360 Reality. More and more DAWs now offer immersive audio capabilities. Engineers, producers, and musicians alike are eager to explore these new possibilities. Reliable monitoring is essential for this.”
“With RIME, we’re offering an integrated solution that meets these evolving needs. It provides a more cost-effective and mobile alternative to loudspeaker-based monitoring solutions. Our NDH headphones have the same carefully balanced sound as our studio KH studio monitors, making it easy to switch between the two. With RIME this unique benefit extends to immersive monitoring as well.”
RIME is available now for £85, with the option of a 14-day free trial. It is compatible with all major DAWs on Mac and PC.

The post “Immersive audio is the new standard”: Neumann’s RIME plugin might be a game changer for producers working with multi-speaker immersive audio appeared first on MusicTech.

Top Tours Chart powered by BandsintownHypebot now publishes an exclusive Top Tours Chart of the most popular tours and tour announcements powered by Bandsintown. The Top Tours Chart is based on data from 95 million registered music fans and across its growing tour date distribution network that includes Spotify, Google, Apple, Shazam and more.
The post Top Tours Chart powered by Bandsintown appeared first on Hypebot.

ToneLib releases TL BaxEQ, a FREE classic Baxandall EQ Plugin
ToneLib is back with another freebie after updating popular plugins TL NoiseReducer and TL TubeWarmth late in 2024. The developer’s latest freebie is TL BaxEQ, which pays homage to the late Peter J Baxandall. Peter J. Baxandall developed the Baxandall EQ over seven decades ago, and although successful, he never quite received the credit he [...]
View post: ToneLib releases TL BaxEQ, a FREE classic Baxandall EQ Plugin

Billy McFarland’s Fyre Festival brand is up for sale, as he describes the brand as “one of the most powerful attention engines in the world”Billy McFarland has announced that he is selling the Fyre Festival brand, as he describes it as “one of the most powerful attention engines in the world”.
McFarland was convicted of fraud over the original 2017 Fyre Festival, where attendees arrived to find all the talent cancelled, and promises of glamorous accommodation and catering were non-existent. The festival became the subject of the 2019 Netflix documentary, Fyre: The Greatest Party That Never Happened.

READ MORE: Electronic music dethrones indie on TikTok for the first time in app’s history: “Dance music has become more accessible and big in the commercial sphere”

A follow-up to the event, named Fyre Festival 2, was planned to run from 30 May to 2 June this year, but was cancelled just over a week ago, with claims that it would be rescheduled. Shortly after, it was reported that Shawn Rech, co-founder of streaming service TruBlu, had acquired some Fyre IP – including two trademarks – potentially allowing him to start up a new streaming service.
Now, in a new statement directly from McFarland, he says the Fyre brand is more widely available for purchase — including its “trademarks, IP, digital assets, media reach, and cultural capital”. He says, “When my team and I launched Fyre Festival 2, it was about two things: finishing what I started and making things right. Over the past two years, we’ve poured everything into bringing Fyre back with honesty, transparency, relentless effort, and creativity. We’ve taken the long road to rebuilding trust. We rebuilt momentum. And we proved one thing without a doubt: Fyre is one of the most powerful attention engines in the world.
“Since 2017, Fyre has dominated headlines, documentaries, and conversations as one of the world’s most talked-about music festivals. We knew that Fyre was big, but we didn’t realise just how massive the wave would become. That wave has brought us here: to a point where we know it’s time to call for assistance. This brand is bigger than any one person and bigger than what I’m able to lead on my own.”
McFarland goes on to add that “there is a clear path for operators and entrepreneurs with strong domain expertise to build Fyre into a global force in entertainment, media, fashion, CPG, and more”: “For example, in the two years since we’ve relaunched Fyre Festival, Hollywood and entertainment executives have already licenced the brand to develop properties specifically in theatre, music streaming, and Free Ad-Supported TV.”
He also claims that following the postponement of Fyre Fest 2, which was due to happen in Mexico, the brand has been approached by several Caribbean destinations “eager” to host the event. You can read the full statement below:

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Interested buyers can learn more and fill out a brand offer form via the Fyre Festival website.
The post Billy McFarland’s Fyre Festival brand is up for sale, as he describes the brand as “one of the most powerful attention engines in the world” appeared first on MusicTech.

Splice’s final instalment of Oliver’s “Power Tools Decades” sample pack series is inspired by hit producers of the noughtiesSplice has officially released the final instalment of Oliver’s Power Tools Decades sample pack series, and this time he’s taken inspiration from the 2000s.
Power Tools Decades was launched by Splice and Vaughn Oliver (of production duo Oliver, a name which Vaughn still works under) in August of 2023 with the release of Power Tools Decades – 80’s. It featured 257 samples of synthetic drums, and was followed by a 90’s inspired pack (launched May 2024), which focussed on “modernising the raw grooves and energy of a decade that took hip-hop, house, and jungle into the mainstream”.

READ MORE: “Your favourite producer’s sounds are made here”: Vaughn Oliver shows off his synths and studio

According to Splice, this new pack channels “the groove and bounce of early 2000s drum programming”, and plucks inspiration from iconic producers like The Neptunes and Timbaland. Putting his own spin on things, Oliver layers “classic rhythms with modern processing, making them hit harder and sound more dynamic”.
Power Tools Decades – 00’s includes 177 drum loops, 10 clap loops, 62 full drum loops, 39 stripped drum loops, 10 high-hat loops, 32 percussion loops, seven shaker loops, 17 top loops, 124 one-shot samples, 20 Claps, 18 hi-hats, 29 kicks, 21 percussions, nine rims, and nine snaps.
“The 2000s had such a distinct rhythm and swagger. I wanted to capture that – but make it hit even harder with today’s tools,” comments Oliver. “For this pack, I leaned into live percussion and foley recording to give it that extra dimension and energy.
“I’m always so blown away with what producers and artists have made with my sounds and loops. I’m very grateful that I’m able to help and inspire other musicians, even in a small way,” he concludes.

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Kenny Ochoa, SVP of Content at Splice, adds: “After six chart-topping sample packs, Oliver has cemented his place as a cornerstone of Splice’s global producer community. His ability to consistently deliver pristine, punchy sounds has set the bar for quality in the sample game, defining some of the biggest records of the last decade. These sounds aren’t just about capturing nostalgia – they’re giving producers the tools to push sound forward.”
This sample pack concludes the Power Tools Decades trilogy, but Oliver is already working on another project for Splice called “Power Tools Presents”, for which he is planning to spotlight his favourite sound designers and collaborators. No further details on this project have yet been revealed.
Power Tools Decades – 00’s is available to download now via Splice.
The post Splice’s final instalment of Oliver’s “Power Tools Decades” sample pack series is inspired by hit producers of the noughties appeared first on MusicTech.

MPG Awards 2025: The Winners The MPG have released a full list of this year’s MPG Awards winners following a sold-out ceremony at The Troxy in London, UK.