Watch French DJ Michael Canitrot close out the Notre-Dame Cathedral reopening ceremony with a mighty audio-visual performanceFrench DJ and Producer Michael Canitrot closed out the reopening ceremony for Paris’ Notre-Dame Cathedral with a vast audio-visual performance at the weekend.
The performance combined Canitrot’s latest electronic compositions, digital art and light design, to celebrate the “magnificence of Notre-Dame in a new light”. The Cathedral was closed after a major fire which occurred back in April 2019.

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Millions of people watched the show on French TV channel mondovision, with the event organised to help people rediscover the cathedral’s architecture and spread a message of inspiration.
Canitrot is passionate about heritage which he reflects in his Monumental Tour concept. For this, he fuses electronic music and heritage together to offer immersive experiences. He has previously put on shows at the Abbey of Mont-Saint-Michel, at the top of the Eiffel Tower for Gustave Eiffel’s centenary, and most recently in front of the Basilica del Pilar in Zaragoza, where he drew a crowd of over 45,000.
“I drew inspiration, both musically and visually, from elements unique to the cathedral: the sound of the bells, the artworks inside, the voices of the Maîtrise Notre-Dame choir, and the classical style,” he comments of his latest spectacle. “I want to convey a universal message, so that everyone can connect with my music and feel inspired to say, ‘I want to come back and visit Notre-Dame.’”

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A post shared by MICHAEL CANITROT (@michaelcanitrot)

As part of the ceremony, Jean-Michel Jarre created an immersive VR performance which he shared online. You can check it out below.
Paris also hosted a number of other mighty musical performances this year as it hosted the 2024 Olympics. Jarre headlined its closing ceremony, which also showcased performances from the likes of Phoenix, Air, and Kavinsky. Kavinsky’s track Nightcall  broke the record for the most Shazam’d song in a single day following his set.

Find out more about Michael Canitrot’s Monumental Tour.
The post Watch French DJ Michael Canitrot close out the Notre-Dame Cathedral reopening ceremony with a mighty audio-visual performance appeared first on MusicTech.

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NITO elects new officers for Indie Agent and Manager trade groupThe National Independent Talent Organization - NITO elects new officers.
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FREE Seaquake Techno Rumble plugin can cure your kick drums
Codwaves’ Seaquake Techno Rumble is a free tool to help bring your kicks to the next level.  The plugin is available for macOS and Windows in VST and AU formats. Seaquake Techno Rumble is designed to elevate your kicks by adding rumble with serious depth and resonance.  Codwaves names techno producers as the main target [...]
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Hamstead Soundworks announce the Redwing pedal Hamstead Soundworks' latest guitar effects pedal has been developed in a collaboration with Daniel Steinhardt and Mick Taylor of That Pedal Show (TPS).

Erica Synths Steampipe: features, release date, price and all the details you need to knowAfter introducing it earlier this year at Superbooth, Erica Synths has officially launched the Steampipe, a synth which mimics wind instruments.
Dubbed an “eight-voice polyphonic synthesizer like no other”, the Steampipe is the result of a collaboration with Dutch company 112dB.com, and uses physical modelling to “mimic the rich, organic overtones of wind and string instruments”.

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It’s an interesting prospect. Here’s everything you need to know:
Features
Eschewing conventional oscillators, the Steampipe is designed to recreate the sound of a range of wind instruments, but can also mimic strings, pipe organs and more. Erica Synths says it can also “conjure sonic imagery ranging from wisps of clouds to fairground band organs to industrial horns of the railroad”. That paints quite the picture, so let’s dive deeper into some specs.

As previously mentioned, the Steampipe features eight-voice polyphony, and is powered by a physical modelling engine with 32 adjustable parameters. There’s also five assignable LFOs with delay and sync, an extensive modulation matrix, 192 user preset memory slots and if you want to get straight down to business, 64 factory presets.
You can also plug in a MIDI keyboard via a DIN5 MIDI input and MIDI Thru/out, and all parameters are MIDI CC controllable.
Credit: Erica Synths
In terms of form factor, the Steampipe weighs a modest 3kg, and measures up at 45.5cm x 27cm x 7cm.
What Erica Synths says about the Steampipe
“Due to detailed controls over multiple physical modeling parameters, the Steampipe is capable of generating very organic emulations of real instruments, but it goes well beyond the pitch and dynamic ranges conventional instruments can produce – for instance, imagine how a flute or clarinet would sound in C1 or C7,” the company says.
What creators are saying about the Erica Synths Steampipe

“As a physical modelling synth, this is the most hands-on one I’ve ever used,” says YouTuber loopop. “The fact that it gives you so many direct on-panel touch points into the exciter and resonator, lets you truly dig in and experiment in ways that just aren’t possible in synths where physical modelling is yet another engine among many others and you only get to control a handful of parameters in the menu somewhere…”
“The second pro, in my opinion – and you can easily include this pro as a con, is just how unpredictable and surprising this synth is. The feedback loop is very different from how traditional synths work, and Steampipe is a refreshing change from how other synths sound.”
Release date and pricing
Credit: Erica Synths
The Erica Synths Steampipe will be available from 17 December priced at €990, with orders expected to ship from 7 January 2025.
For more information, head to Erica Synths.
The post Erica Synths Steampipe: features, release date, price and all the details you need to know appeared first on MusicTech.

RYK Modular unveil the Envy Machine The prototype quad-channel modulation module that RYK were showing off at SynthFest 2024 has now been named and officially launched. 

Apple’s Vision Pro might add support for PlayStation VR controllersApple is looking to make its Vision Pro mixed reality device more attractive to gamers and game developers, according to a new report from Bloomberg’s Mark Gurman. The Vision Pro has been pitched as more of a productivity and media consumption device than something aimed at gamers, due in part to relying on eye and […]
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Pedaling your Mobile Web Server Across the GlobeWe tinkerers often have ideas we know are crazy, and we make them up in the most bizarre places, too. For example, just imagine hosting a website while pedaling across the world—who would (not) want that? Meet [Jelle Reith], a tinkerer on an epic cycling adventure, whose bicycle doubles as a mobile web server. [Jelle]’s project, jelle.bike, will from the 6th of December on showcase what he’s seeing in real time, powered by ingenuity and his hub dynamo. If you read this far, you’ll probably guess: this hack is done by a Dutchman. You couldn’t be more right.
At the heart of [Jelle]’s setup is a Raspberry Pi 4 in a watertight enclosure. The tiny powerhouse runs off energy generated by a Forumslader V3, a clever AC-to-DC converter optimized for bike dynamos. The Pi gets internet access via [Jelle]’s phone hotspot, but hosting a site over cellular networks isn’t as simple as it sounds. With no static IP available, [Jelle] routes web traffic through a VPS using an SSH tunnel. This crafty solution—expanded upon by Jeff Geerling—ensures seamless access to the site, even overcoming IPv6 quirks.
The system’s efficiency and modularity exemplify maker spirit: harnessing everyday tools to achieve the extraordinary. For more details, including a parts list and schematics, check out [Jelle]’s Hackaday.io project page.

New Tullomer Filament Claims to Beat PEEKRecently a company called Z-Polymers introduced its new Tullomer FDM filament that comes with a lofty bullet list of purported properties that should give materials like steel, aluminium, and various polymers a run for their money. Even better is that it is compatible with far lower specification FDM printers than e.g. PEEK. Intrigued, the folks over at All3DP figured that they should get some hands-on information on this filament and what’s it like to print with in one of the officially sanctioned Bambu Lab printers: these being the X1C & X1CE with manufacturer-provided profiles.
The world of engineering-grade FDM filaments has existed for decades, with for example PEEK (polyether ether ketone) having been around since the early 1980s, but these require much higher temperatures for the extruder (360+℃) and chamber (~90℃) than Tullomer, which is much closer (300℃, 50℃) to a typical high-performance filament like ABS, while also omitting the typical post-process annealing of PEEK. This assumes that Tullomer can match those claimed specifications, of course.
One of the current users of Tullomer is Erdos Miller, an engineering firm with a focus on the gas and oil industry. They’re using it for printing parts (calibration tooling) that used to be printed in filaments like carbon fiber-reinforced nylon (CF-PA) or PEEK, but they’re now looking at using Tullomer for replacing CF-PA and machined PEEK parts elsewhere too.
It’s still early days for this new polymer, of course, and we don’t have a lot of information beyond the rather sparse datasheet, but if you already have a capable printer, a single 1 kg spool of Tullomer is a mere $500, which is often much less or about the same as PEEK spools, without the requirement for a rather beefy industrial-strength FDM printer.

Omnisphere Snowfall by The Very Loud Indeed Co. The Very Loud Indeed Co. have announced the launch of their latest sound set for Spectrasonics’ hugely popular Omnisphere software synthesizer.

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The £25,000 Tom Evans Pre-Amp Repair and a Copyright StrikeWe were recently notified by a reader that [Tom Evans] had filed a copyright claim against [Mark]’s repair video on his Mend it Mark YouTube channel, taking down said repair video as well as [Mark]’s delightful commentary. In a new video, [Mark] comments on this takedown and the implications. The biggest question is what exactly was copyrighted in the original video, which was tough because YouTube refused to pass on [Mark]’s questions or provide further details.
In this new video the entire repair is summarized once again using props instead of the actual pre-amp, which you can still catch a glimpse of in our earlier coverage of the repair. To summarize, there was one bad tantalum capacitor that caused issues for one channel, and the insides of this twenty-five thousand quid pre-amp looks like an artistic interpretation of a Jenga tower using PCBs. We hope that this new video does stay safe from further copyright strikes from an oddly vengeful manufacturer after said manufacturer event sent the defective unit to [Mark] for a repair challenge.
Since this purportedly ‘audiophile-level’ pre-amplifier uses no special circuits or filtering – just carefully matched opamps – this is one of those copyright strike cases that leave you scratching your head.