Discord data breach affects at least 70,000 usersThe platform said in a press release that hackers breached a third-party vendor that Discord uses for age-related appeals.

Jack Dorsey urges tax-free status for ‘everyday’ Bitcoin paymentsJack Dorsey’s payments company, Square, also announced the integration of Bitcoin payment services for businesses on Wednesday.

LR Baggs Announces Exclusive Dan Tyminski Video SeriesOn Thursday, LR Baggs announced "the launch of an exclusive video series with 14-time GRAMMY® Award winner Dan Tyminski. The series highlights Tyminski’s transformative experience with the groundbreaking HiFi Duet pickup system, capturing his unmistakable sound with unparalleled clarity, balance, and depth. Best known for his iconic voice and masterful guitar work, Tyminski shares how the HiFi Duet has reshaped his live performances."

“I’m currently running the HiFi Duet in both guitars I’m playing out," Tyminski says. "In the past, I would never use a pickup because it never suited the way I needed to sound. I’d rather my guitar have been a little quieter and sound great than be loud, harsh, and bad. But audiences have grown, the demand has grown, and these new Duets have changed the way we’re able to do things now. I can play louder than ever and still feel the breadth of my instrument. It’s been a pretty amazing crossover for me—to go into a wired sound and still hear acoustics.”

"The series begins with an in-depth interview exploring the HiFi Duet’s capabilities and Tyminski’s journey with the system. The following episodes will showcase powerful performances of his favorites, featuring both his Gallagher and Johnny Gray guitars outfitted with the HiFi Duet and running through the Venue DI for a pure acoustic experience."

The post LR Baggs Announces Exclusive Dan Tyminski Video Series first appeared on Music Connection Magazine.

Drake lawsuit against UMG over Kendrick Lamar’s ‘Not Like Us’ dismissed by US courtA US federal court has dismissed Drake’s defamation lawsuit against Universal Music Group, ruling that Kendrick Lamar’s diss track Not Like Us constitutes protected opinion rather than actionable defamation. Judge Jeannette Vargas of the Southern District of New York granted UMG’s motion to dismiss all claims on Thursday (October 9), finding that accusations made about Drake … Continued
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SBL Plugins LLC Big Talk ButtonBig Talk Button brings classic console-style talkback to your DAW - no subscription required. No More Mute-Button Mambo... You're in a session and you need to give direction. So you stop recording, unmute your mic, give your note, mute again, restart recording... and your voiceover talent is already going and you missed the start of the take. Your podcast guest is confused and annoyed by slapback. Your remote musician is wondering if they should keep playing or if your connection dropped. Just Convenient Communication Big Talk Button is a thoughtful, intuitive talkback plugin for real-time direction and coaching, allowing you and your clients, talent, and guests to focus on performance, not problems. Keep the conversation going, stay engaged with your musicians, and give feedback to VO talent on the spot. No awkward "We can't hear you/Sorry, I was muted" - or worse: someone hearing a comment they weren't supposed to. Just simple communication so you can create, collaborate, and capture the moments that matter. Choose Your Trigger •Mouse •Keyboard •MIDI Controller. Four modes of operation: •Toggle •Latch •Auto •Rev-Auto. Plus... •Global Keyboard Trigger - acts as button trigger even when you're in another app •Menu Bar Push-to-Talk-Button Status Indicator •Dims mono, stereo & multi-mono channels including 5.1 and up •User-defined Output Level. It's currently Mac-only, is Silicon-compatible, and works in any DAW that can take AAX/VST3/AU plugins. There's a 7-day fully functional free trial. Buy it once, own it forever. Read More

2025 Component Abuse Challenge: The Sweet Sound of a Choking TransformerThe Component Abuse Challenge is dragging all sorts of old, half-forgotten hacks out of the woodwork, but this has got to be the most vintage: [KenS] started using a transformer as a variable choke on his speakers 55 years ago.
The hack is pretty bone-dead simple. A choke is an inductor in an audio (or any other) circuit designed to, well, choke off higher-than-desired frequencies. We featured a deep dive a few years back if you’re interested. An inductor is a coil of wire, usually (but not necessarily) wound around a core of iron or ferrite. A transformer? Well, that’s also a coil of wire around a core… plus an extra coil of wire. So when [KenS], back in his salad days, had a tweeter that a was a little too tweety, and no proper choke, he grabbed a transformer instead.
This is where inspiration hit: sure, if you leave the second winding open, the transformer acts like a standard choke. What happens if you short that second winding? Well, you dampen the response of the first winding, and it stops choking, to the point that it acts more like a straight wire. What happens if you don’t short the second winding, but don’t leave it wide open? [KenS] stuck a potentiometer on there, and found it made a handy-dandy variable choke with which to perfectly tune the tone response of his speakers. Changing the resistance changes the rate at which high frequencies are choked off, allowing [KenS] to get the perfect frequency response with which to rock out to Simon & Garfunkel, The Carpenters and The Guess Who. (According to the Billboard Top 100 for 1970, those are who you’d be listening to if you had conventional tastes.)
While we can’t say the transformer is really being tortured in this unusual mode, it’s certainly not how it was designed, so would qualify for the “Junk Box Substitutions” category of the Component Abuse Challenge. If you’ve made similar substitutions you’d like to share, don’t wait another 55 years to write them up– the contest closes November 11th.
Transformer image: Hannes Grobe, CC BY-SA 4.0.

KV331 Audio’s new SynthMaster 3 Player is made for those who prefer tweaking presets over designing sounds from scratchKV331 Audio has launched a stripped-down version of its flagship modular software synth, SynthMaster 3.
This simplified rendition, SynthMaster 3 Player, is tailored towards users who prefer tweaking existing presets over designing sounds from scratch. It comes with all the factory presets of SynthMaster One, SynthMaster 2, and SynthMaster 3, and there’s a free version of the new Player available too.

READ MORE: Cherry Audio releases Korg-inspired Trident Mk III synth plugin

SynthMaster 3 Player lets users edit layer voice, zone, fx, arpeggiator and sequencer parameters, and load presets into new layers to create multi-layer patches or drum kits. It comes with 4,450 factory presets created by a team of sound designers including Arksun, Aiyn Zahev, Bluffmunkey, Brian Transeau, BigTone, Cipryan Bot, Davide Puxeddu, Demis Hellen, Electronisounds, and many more.
The Player also provides two different types of views to edit layer parameters: Track View, which is used for editing keyboard zones, velocity zones, voicing, unison, arpeggiator and sequencer parameters of multiple layers, and Mix View, used for editing insert FX and FX send parameters of multiple layers.

Each layer in SynthMaster 3 Player has a separate arpeggiator and sequencer, as well as its own MIDI output channel so that users can route the MIDI generated by the Arpeggiator / Sequencer to different tracks in their DAW. An intuitive preset browser also offers advanced search features, so you can filter presets by Product, Author, Bank, Instrument Type, Attributes, Styles, Preset name, Release Date or your favourites.
The free version of SynthMaster 3 Player comes with 500 presets curated from SynthMaster One, SynthMaster 2, and SynthMaster 3 factory libraries. The standard version is available now for an introductory price of $29 until 31 October (rising to $49), but if you already own a licence for SynthMaster One, 2, or SynthMaster Player, you can get it for a reduced fee.
To find out more or purchase a licence now, head over to the KV331 Audio website.
The post KV331 Audio’s new SynthMaster 3 Player is made for those who prefer tweaking presets over designing sounds from scratch appeared first on MusicTech.

Musicians, Get Ready For Spotify 2025 Wrapped: Here’s HowWith the release of Spotify 2025 Wrapped just weeks away, the countdown is on for every musician to be part of this rare global cultural moment. Fortunately, Spotify makes it easy with a guide to help musicians get ready for Spotify Wrapped.
The post Musicians, Get Ready For Spotify 2025 Wrapped: Here’s How appeared first on Hypebot.

Women’s Audio Mission Announces WAMCon 2025 (Discount Code!)Women’s Audio Mission is a nonprofit dedicated to advancing women and gender-expansive individuals in music production and the recording arts.
The post Women’s Audio Mission Announces WAMCon 2025 (Discount Code!) appeared first on Hypebot.

Steinberg hardware products are being re-branded as Yamaha and will “receive a dedicated focus”Steinberg has announced that its hardware products are to be re-branded as Yamaha, as part of a restructuring of both companies’ product development systems.
The first hardware products jointly developed by Yamaha and Steinberg were launched in 2008 – notably the MR816 audio interfaces and CC121 Cubase controller – and as a result, a range of Steinberg-branded audio interfaces and controllers have since been manufactured by Yamaha. Now, with this hardware product re-brand, the companies aim to provide users with a “refined, integrated product experience” that brings software and hardware under one roof.

READ MORE: Steinberg’s new SpectraLayers 12 has “a strong focus on the needs of the post-production industry”

In recent years, Steinberg’s UR, UR-C and UR-RT series have provided audio interfaces that range from compact versions aimed at mobile production, to multi-channel studio versions with digital I/O. With the launch of the IXO series in 2024, Steinberg-branded hardware took ultra-portable audio interfaces to a new level, marking a suitable milestone from which Yamaha can take the development and sales of hardware products forward.
With that said, Steinberg will now be focusing exclusively on software development and sales. The new structure will allow both companies to focus on their respective expertise, while continuing to work closely together as group businesses, according to a press release shared with MusicTech.
As part of the transition, the Steinberg-branded IXO12, IXO22, UR22C, and UR44C audio interfaces will be reintroduced under the Yamaha brand as the UR12MK3, UR22MK3, URX22C, and URX44C respectively. Other Steinberg-branded audio interfaces will gradually be phased out.
“This transition is a very positive evolution for the product line. By moving our range of audio interfaces to Yamaha, we are ensuring that they receive a dedicated focus and allow both companies to play to their core strengths,” says Clyde Sendke, managing director at Steinberg.
“It will also ensure there is greater clarity for both our customers and the industry, regarding the respective product lines. Steinberg’s reputation for groundbreaking audio software is second to none and it makes absolute sense for this to be given our exclusive attention.”
Yamaha and Steinberg will both continue to provide product support for the foreseeable future. Find out more about Steinberg and Yamaha via their respective websites.
The post Steinberg hardware products are being re-branded as Yamaha and will “receive a dedicated focus” appeared first on MusicTech.

TC Electronic M100 returns TC Electronics' M100 multi-effects unit is back, and this time around, it comes equipped with MIDI connectivity.

Harrison to launch D510ua interface card With its latest expansion card fitted, Harrison's D510r can function as a USB audio interface with up to 10 analogue inputs, 14 analogue outputs and 16 channels of bi-directional ADAT I/O.

NoiseWorks offers TranSplit transient shaper for FREE for a Limited Time
NoiseWorks Audio is once again giving away TranSplit, its innovative transient and body balancing plugin, completely free for a limited time. The plugin normally costs €49, but you can grab it right now at no charge from the NoiseWorks website. If you’ve missed it the first time around (it was briefly free back in June 2023), [...]
View post: NoiseWorks offers TranSplit transient shaper for FREE for a Limited Time

The Waterboys Shimmer at The BellwetherMike Scott, main man with British/Irish folky rockers The Waterboys, may be one of the most underrated songwriters on the planet. Like a Scottish Marshall Crenshaw, he's had a couple of hits but he's kinda criminally known for them by the wider world, when in fact his entire body of work deserves serious attention. He should be studied, and perhaps one day he will be.

At the Bellwether, Scott and his band were incredible. Essentially, they performed a handful of crowd faves, then the recent Life, Death and Dennis Hopper album in its entirety, then more classics.

Scott has surrounded himself with wonderful musicians, with the one American in the band -- Memphis keys man Brother Paul Brown -- the wild performer in the ranks. His keytar, which Scott refers to as the "white thing," is both glorious and hilarious.

Within the first batch of songs, we got the gorgeous "Glastonbury Song," as well as the "woo-hoo-hoo" sing-along of "Fisherman Blues" (the band's best song, in our opinion).

The Life, Death and Dennis Hopper portion of the set started with a video of country icon Steve Earle singing the Scott/Earle co-written "Kansas." From there, the live rendition of the album took us on quite the journey, Scott the narrator. He clearly adores visionaries, of which Hopper is definitely one. Earle too.

"Hopper's On Top (Genius)" is a celebration of that, and by the time the album ended with the beautiful and dramatic "The Passing of Hopper," we felt like we knew the legendary actor a little better. Or at least, a little deeper.

For the final portion of the set, we were back to Scott's arsenal. "Don't Bang the Drum," "Spirit," and "The Pan Within" are all from 1985's classic The is the Sea album, and they were given new life here.

Naturally, The Waterboys pulled out "The Whole of the Moon" as an encore, before finishing with a cover of Prince's "Purple Rain" (there's Scott's love of visionaries again).

Underrated Scott may be. But not by the crowd that gathered at The Bellwether on a Friday night.

Edit this setlist | More The Waterboys setlists
The post The Waterboys Shimmer at The Bellwether first appeared on Music Connection Magazine.

Ethereum Foundation announces 'Privacy Cluster' teamThe team of 47 professionals from the blockchain industry will help research and develop privacy features for the Ethereum layer-1 network.