Sam Altman says ChatGPT will soon allow erotica for adult usersOpenAI says it will soon roll back some of ChatGPT's safeguards, and even allow the chatbot to engage in erotica for adult users.

Standalone CNC Tube Cutter/Notcher Does it With PlasmaTubes! Not only is the internet a series of them, many projects in the physical world are, too. If you’re building anything from a bicycle to a race cart to and aeroplane, you might find yourself notching and welding metal tubes together. That notching part can be a real time-suck. [Jornt] from HOMEMADE MADNESS (it’s so mad you have to shout the channel name, apparently) thought so when he came up with this 3-axis CNC tube notcher.
If you haven’t worked with chrome-molly or other metal tubing, you may be forgiven for wondering what the big deal is, but it’s pretty simple: to get a solid weld, you need the tubes to meet. Round tubes don’t really want to do that, as a general rule. Imagine the simple case of a T-junction: the base of the T will only meet the crosspiece in a couple of discreet points. To get a solid joint, you have to cut the profile of the crosspiece from the end of the base. Easy enough for a single T, but for all the joins in all the angles of a space-frame? Yeah, some technological assistance would not go amiss.
Which is where [Jornt]’s project comes in. A cheap plasma cutter sits on one axis, to cut the tubes as they move under it. The second axis spins the tube, which is firmly gripped by urethane casters with a neat cam arrangement. The third axis slides the tube back and forth, allowing arbitarily long frame members to be cut, despite the very compact build of the actual machine. It also allows multiple frame members to be cut from a single long length of tubing, reducing setup time and speeding up the overall workflow.
The project is unfortunately not open source– instead [Jornt] is selling plans, which is something we’re seeing more and more of these days. (Some might say that open source hardware is dead, but that’s overstating things.) It sucks, but we understand that hackers do need money to eat, and the warm fuzzy feeling you get with a GPL license doesn’t contain many calories. Luckily [Jornt] has put plenty of info into his build video; if you watch the whole thing, you’ll have a good idea of the whole design. You will quite possibly walk away with enough of an idea to re-engineer the device for yourself, but [Jornt] is probably assuming you value your time enough that if you want the machine, you’ll still pay for the plans.
This isn’t the first tubing cutter we’ve featured, though the last build was built into a C (It wasn’t open-source either; maybe it’s a metalworking thing.)NC table, rather than being stand-alone on the bench like this one.
Thanks to [Shotgun Moose] for the tip! Unlike tubing, you can just toss your projects into the line, no complex notching needed.

GullDSP CirculateDetails Circulate is an audio effect which uses banks of allpass filters to create phase smearing effects. The allpass filters, while leaving the frequency spectrum untouched, cause selective phase shifts around the chosen center frequency. These offsets present themselves as hollow and metallic short reverberation-like effects, useful for adding a dynamic metallic character to sounds. The effect is most pronounced on transient material, such as bass stabs, drum hits and plucks. Demonstration Video YouTube Audio Demo Features: Sample accurate parameters and automation. Suitable for fast and complex automation and control via DAW modulators (for example, Ableton LFOs). Up to 64 stages of allpass filtering with variable Q (Resonance). Center frequency can be controlled in Hz, or by selecting a MIDI note as the center. Optional positive or negative feedback through the filter bank to create spectral effects. Similar to a steep phaser. Parameters: Center - Center frequency of the allpass filter(s) in Hz. Pitch - Sets the center frequency as semitone. Det - Allows smooth offset (+/- 1 Octave) of the center frequency from the selected MIDI note. Focus - The Q factor, or 'Resonance' of the allpass filters. Lower Q values spread the phase smearing over a wider range, higher values focus the smearing tighter around the center. Depth - Sets the number of allpass filters in the filter bank, up to a maximum of 64. Stacking filters leads to more phase shift 'centers' at regular spacings. Feed - Feedback is introduced into the filter bank, this *will* lead to frequency spectrum changes, through cancelling or boosting affected frequencies. Acknowledgements: This project is built using the Steinberg VST 3 SDK(Steinberg.net). VST is a trademark of Steinberg Media Technologies GmbH. Read More

Saumil Mehta joins Ticketmaster as Global President to lead ‘AI transformation’ at the Live Nation-owned companyMehta will report directly to Live Nation CEO Michael Rapino.
Source

Free Drops for Splice INSTRUMENT
Find the full list of current and past Free Drops for Splice INSTRUMENT—grab these presets during the drop window and they’re yours to keep forever.

UMG AI Strategy Shifts from Reaction to InnovationUniversal Music Group (UMG) CEO Sir Lucian Grainge shared a memo outlining how the world’s largest record label is approaching artificial intelligence (AI) in music. His open letter blends optimism with caution, showing how UMG hopes to lead in generative AI while defending the rights of artists and songwriters.
The post UMG AI Strategy Shifts from Reaction to Innovation appeared first on Hypebot.

Behind the Scenes of Touring: Booking Artist Interviews and Media AccessIn a new episode of the Music Biz Weekly Podcast, Michael Brandvold and Jay Gilbert dive into one of the biggest hurdles for music journalists and artist teams - booking artist interviews during a tour.
The post Behind the Scenes of Touring: Booking Artist Interviews and Media Access appeared first on Hypebot.

At just $99, the Akai MPK Mini IV looks to “set a new standard” for portable music creationAkai Professional has unveiled the MPK Mini IV, a new compact MIDI keyboard controller which aims to “set a new standard for portable music creation”.
The unit arrives five years on from its predecessor, the MPK Mini Mk3, and is touted as the “most substantial redesign” in the history of the MPK Mini series.
Chief among the updates is the addition of pitch and modulation wheels – which replace the four-way joystick found on the previous model – while there’s also a revamped keybed and an even more responsive velocity-sensitive RGB backlit set of MPC pads.

READ MORE: “Get a release-ready mix in minutes”: Producer Tim Exile unveils intuitive Finalist mixing tool

Additionally, the MPK MINI IV comes with Studio Instrument Collection, an all-new comprehensive software instrument with over 1,000 “professionally crafted” presets from Akai Professional, Moog and AIR.
A single download promises to have users up and running within 15 minutes, with one-to-one parameter mapping which provides “seamless control over every sonic detail”.
Akai is hoping the straight-forward plug-in-and-go appeal of the MPK Mini IV will appeal to a new generation of content creators, producers and streamers.

“The MPK Mini IV embodies our commitment to empowering creators of all skill levels with professional-grade tools,” says Andy Mac, Creative Global Marketing and Artist Relations Manager at Akai Professional. 
“We’ve completely reimagined what’s possible in a compact controller – delivering tactile, expressive controls; instant access to premium sounds; and true portability at an accessible price point. It’s designed to inspire creativity from the moment you plug it in.”
Other features include an enhanced interface and workflow – with a full-colour screen for real-time visual feedback, and expanded transport section mapped to DAW controls, and enhanced arpeggiator and Scale and Chord Modes – and updated connectivity, now with a five-prong MIDI output jack for integration with external gear, and USB-C compatibility.
Credit: Akai Professional
The MPK Mini IV also has pre-programmed DAW scripts for compatibility with Ableton Live, Logic Pro, FL Studio, Bitwig and Cubase.
The MPK Mini IV is available now, priced at $99.
Learn more at Akai Professional.
The post At just $99, the Akai MPK Mini IV looks to “set a new standard” for portable music creation appeared first on MusicTech.

Safari Pedals Retro Rhino Reverb Plugin is FREE for a Limited Time
Safari Pedals is offering its Rhino Reverb plugin (list price $49) for free with the code SanjaySafariMadnessRhino for a limited time.  Rhino Reverb is a retro-inspired verb for macOS (macOSX 10.15 or later) and Windows (Windows 8 or later, 64-bit only). The formats are macOS (VST3, AU, AAX) and Windows (VST3, AAX).  To get your [...]
View post: Safari Pedals Retro Rhino Reverb Plugin is FREE for a Limited Time

Xilentch releases FREE XMTape&Clip mastering tape and clipper plugin
XMTape&Clip is the latest addition to Xilentch’s XM plugin series, which includes the promising XMLimiter that we checked out back in August. I missed XMLimiter the first time around, and as Tomislav pointed out in his article, the plugin was rough around the edges, which isn’t uncommon for a new developer (especially with freeware/donationware). However, [...]
View post: Xilentch releases FREE XMTape&Clip mastering tape and clipper plugin

“Get a release-ready mix in minutes”: Producer Tim Exile unveils intuitive Finalist mixing toolEver wanted to dip your toe into the world of mixing? Well, Finalist might be perfect tool for you. The brand new plugin makes the mixing process intuitive and fun – simply drop in your stems, pick a preset, tweak to your liking and you’re good to go.
Built by former Native Instruments collaborator Tim Exile, Finalist promises to provide a “release-ready mix in minutes”. The plugin serves as a playground for both budding artists and seasoned engineers alike, boasting 40 presents and a vow to never introduce costly subscriptions to unlock further assets and tools.

READ MORE: iZotope Ozone 12’s AI assistant is cool, but the Stem EQ is the real star

In terms of ability, Finalist can handle up to 32 stems and comes fitted with around 40 presets, which can then then be adjusted by four categories (Drum, Bass, Backing and Lead). It’s simple, easy work that provides killer results.
The presets available are split into five collections. There’s the Essential collection, with a more broader range, as well as an EDM-ready Hype collection, down-tempo pop-suited Balance collection and the perfect ambient collection that is Soft.
The FX collection also comes in as the more experimental set of presets, with presents Chewed, Ripped, Oops, Fuzz and Wrong all offering their own unique sonic textures. But there’s plenty to dig into – each collection boasts its own unique flavour, from analogue warmth emulation, to transient-shaping and way, way more to explore.
Alongside the four Drum, Bass, Backing and Lead categories, users can also experiment with Strength and Gain knobs to alter their sound. There are also module locks to guarantee you don’t accidentally mess around with a certain preset once you’re happy with it.

In a video premiering the plugin, Tim Exile himself shows how simple it all is. “Just drop in your stems, categorise them, the plugin analyses them, then it takes you to a simple, fun interface,” he explains. The video then runs through a whole host of tracks, showcasing how each one receives an instant sonic facelift.
However, do not worry; the plugin’s ability to ‘analyse’ is not powered by AI. “It’s not just a black box you give up all your creative control to – but it is smart,” he explains. “It listens to 300 data points about your audio and maps those onto its bespoke mixing engine via its presets… in all honesty, it even surprises me how well it works!”
Finalist supports both MacOS 11-15 and Windows 10-11, and can be used via Native Instruments’ free Reaktor Player.
In terms of cost, the plugin sits at just £99, with a 10% introductory discount until the end of October.
For more information, head to Tim Exile’s official website.

The post “Get a release-ready mix in minutes”: Producer Tim Exile unveils intuitive Finalist mixing tool appeared first on MusicTech.

Lauten Audio launch the Kick Mic Joining the Tom Mic and Snare Mic, and sharing their refreshingly logical naming convention, the Kick Mic promises to deliver instant attack, clarity and defined low-end power while avoiding common pitfalls such as bleed and low-frequency build-up. 

Seth Troxler is paying €10 an hour to those who will help salvage his record collection – which was damaged in an Ibiza floodDJ and producer Seth Troxler is offering €10 per hour to those willing to help him salvage his record collection, which was heavily damaged during a recent storm in Ibiza.
In an Instagram Story – reshared by I’ve Got It On Vinyl – Troxler reveals that of his astonishing 12,000-strong record collection, around 6,000 were submerged underwater.

READ MORE: How to get better Google Search results: follow MusicTech on Google News and make us a Preferred Source

“I need help from some people in Ibiza,” he says. “Most of my record collection was basically nearly destroyed in the flood.
“I was just with my wife and some people trying to clean them and save stuff, but it’s just too emotional… it’s fucking me up.”
“If you love records and would love to clean an incredible collection and try to save some really beautiful covers, please reach out to me,” he added, urging Ibiza locals to help.
Per Resident Advisor, Seth Troxler currently splits his time between Ibiza and Zurich, and has spent over a decade as a resident DJ at DC-10.
An “extreme” weather alert was issued on 30 September by Ibiza authorities, before the island was hit by severe flooding and torrential rain by Storm Gabrielle.
More recently, Storm Alice caused similar problems, sparking travel chaos as the airport was flooded, with at least 24 flights cancelled in recent days, per The Independent.

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The post Seth Troxler is paying €10 an hour to those who will help salvage his record collection – which was damaged in an Ibiza flood appeared first on MusicTech.

The Crow Hill Company release Rhythm Machine Vaults Rhythm Machine is said to capture the character of the hardware that inspired it, while expanding on the original design with the addition of some built-in effects.

Grindr’s owners may take it private after a financial squeezeGrindr's majority owners are scrambling to take the LGBTQ+ dating app private after a stock decline triggered a personal financial crisis, according to a report from Semafor.