Key Songs In The Life Of… Justin TranterThe hit songwriter selects the tracks that have had the biggest influence on their life and career to date
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LAST CHANCE! Get Emergent Drums AI Drum Generator OLD PRICE + 20% OFF!
There are only five days left to get Emergent Drums before the price increases on May 9th, 2023. BPB readers also get an exclusive 20% OFF discount (use coupon code BPBMAY20 at checkout). Audialab will soon release Emergent Drums 2.0, a new version of its groundbreaking AI drum generator plugin. It will introduce new features, but [...]
View post: LAST CHANCE! Get Emergent Drums AI Drum Generator OLD PRICE + 20% OFF!

PolyChrome DSP McRocklin Suite The McRocklin Suite is a selection of amplifiers and effect pedals, tailored together to provide Production Ready Guitar Tones. The suite features four uniquely voiced amplifiers, four... Read More

Cory Wong Compressor pedal from Wampler Wampler's latest pedal has been developed with Grammy-nominated artist Cory Wong, who wanted to combine the company's EGO effect with a boost pedal and add a built-in direct output.

Overloud Releases FREE Hybrid Reverb Library For REMatrix Player
Overloud released Hybrid Free, a collection of hybrid reverb impulse responses for the freeware REmatrix Player plugin. The freeware REmatrix Player convolution plugin already has a substatial set of content available for it. The latest Hybrid Free reverb collection expands it even further with an exciting mashup of real-life and digital reverbs. Hybrid Free is [...]
View post: Overloud Releases FREE Hybrid Reverb Library For REMatrix Player

Tom DeGeorge and DTOUR want to change how indie artists tourTom DeGeorge, the owner of legendary Tampa venue Crowbar, discusses DTOUR, his game-changing touring model for indie artists and venues. by Randi Zimmerman from Symphonic Music Industry 360 is Symphoni’s. Continue reading
The post Tom DeGeorge and DTOUR want to change how indie artists tour appeared first on Hypebot.

Music Investing Goes Mainstream: Why opportunities for Artists and Investors are set to explodeFounder and CEO of Marination Music, Justin Longo, shines light on a new way to add stability to musician incomes as well as build a closer bond between artists and. Continue reading
The post Music Investing Goes Mainstream: Why opportunities for Artists and Investors are set to explode appeared first on Hypebot.

QUICK HITS: Duetti • Gibson • PIXELYNX • Blackbird StudioDuetti, the new music financing platform founded by ex-TIDAL and Apple Music execs Lior Tibon and Chris Nolte has launched with $32M in funding. The Fin-tech platform gives artists at. Continue reading
The post QUICK HITS: Duetti • Gibson • PIXELYNX • Blackbird Studio appeared first on Hypebot.

Carl Tatz Design unveil PFM HD & UHD-1000 Mk II monitors The latest versions of Carl Tatz Design's PhantomFocus monitors promise improved imaging and articulation thanks to some cabinet changes and a new crossover design.

Get A FREE Moogerfooger Plugin With Any Purchase This Month
Plugin Boutique offers the Moogerfooger MF-108S Cluster Flux plugin as a FREE add-on with any purchase until May 31st, 2023. Moogerfooger MF-108S Cluster Flux is the plugin version of Moog’s vintage MF-108 analog multi-effect pedal. It can deliver all sorts of cool modulation effects, including flanging, chorusing, and phasing. The name Moog always makes me [...]
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Royer launch R-121 Anniversary ribbon mic Royer Labs have announced the release of the  R-121 25th Anniversary, a limited edition version of their flagship microphone which sports an eye-catching new finish.

New rules in Europe to curb Big Tech’s market power start to applyGAFAM giants will have marked their calendars today as the Digital Markets Act (DMA), the European Union’s plan to curb the market power of Big Tech, now technically applies, after entering into force last November.
The next major milestone is a few months out, in early fall, when the Commission will confirm which of the usual suspect tech giants will be subject to the bloc’s shiny new ex ante competition regulation regime. But tech giants are facing a busy summer to prepare their regional compliance strategies.
Quick recap: The DMA applies a fixed set of obligations to so-called Internet “gatekeepers” who meet specific, cumulative criteria: Firstly they must operate at least one “core platform service” (these include online search engines, social networking services, app stores, certain messaging services, virtual assistants, web browsers, operating systems and online intermediation services).
Secondly they must be of a large enough size and entrenched market position to fall under the regime. This means reporting annual revenue in the European Economic Area that hit or exceeded €7.5 billion in each of the last three financial years; or else having an average market capitalisation “or equivalent fair market value” that amounted to at least €75BN in the last financial year, as well as providing a core platform service in at least three EU Member States.
Gatekeepers must also be an “important gateway for business users towards final consumers”, as the Commission puts it — which the DMA considers to be the case if the company in question operates a core platform service with 45M+ monthly active end users in the EU and more than 10,000 yearly active EU business users in the last financial year.
Lastly, an entrenched and durable position is presumed if the company met the other criteria in each of the last three financial years. Although the Commission may also apply a subset of DMA rules to companies it suspects will soon become gatekeepers.
Certain big names will very obviously hit the DMA threshold (Apple, Amazon, Google, Meta and Microsoft seem entirely safe bets for being deemed gatekeepers). But we’ll have to wait a few months to see if the full list contains any surprises.
And on that front, European music streaming giant Spotify clearly isn’t expecting to be one of them…  but, er, let’s see!

This is big. Totally agree with @vestager that the internet was never built to be controlled by a small number of dominant players. Effective enforcement is critical because we've watched Apple try to skirt the rules around the world. Here's our take – https://t.co/PnzglOaafZ. https://t.co/QL61DIonn7
— Daniel Ek (@eldsjal) May 2, 2023

“Now that the DMA applies, potential gatekeepers that meet the quantitative thresholds established have until July 3 to notify their core platform services to the Commission. The Commission will then have 45 working days (until September 6, 2023) to decide whether the company meets the thresholds and to designate gatekeepers. Following their designation, gatekeepers will have six months (i.e. until March 6, 2024) to comply with the requirements in the DMA,” the Commission writes in a press release.
If you’re feeling a sense of deja vu, that’s probably because EU lawmakers recently designated 19 very large online platforms (VLOPs) that are subject to the DMA’s sister regulation, the Digital Services Act (DSA), which reboots the bloc’s ecommerce governance regime.

Europe names 19 platforms that must report algorithmic risks under DSA

It’s likely some of the same companies which have already been named VLOPs under the DSA will also be designated gatekeepers under the DMA — meaning they will accrue additional “specific obligations”, on top of the algorithmic transparency requirements demanded by the DSA.
The DMA’s operational “dos and don’ts” are distinctly targeted at ensuring digital markets stay “open and contestable” by enforcing a fixed set of behavioral conditions on gatekeepers that are intended to curb familiar anti-competitive actions.
Examples of DMA obligations include limits on how gatekeeping platforms can use third party data along with requirements they provide third parties with data on usage their apps generate; bans on self-preferencing and on indelible default apps or settings being forced on consumers; interoperability requirements, including for gatekeeping messenger services; requirements that app stores do not block sideloading nor require developers to use their own services (e.g. payment systems); and a ban on tracking users for targeted ads without consent, among other conditions.
The bulk of the list speaks to the Commission’s experience in past Big Tech antitrust cases, such as several EU enforcements against Google. However there were some later additions, by co-legislators in the Parliament and Council, such as messaging interoperability (which caught many by surprise), as well as limits on tracking ads.
Some similar types of conditions have already been enforced on some tech giants in certain EU markets, using existing competition powers. Such as the Netherlands — which last year forced Apple to allow developers of dating apps to choose to use alternative payment systems.
While Germany has been ahead of the ex ante curve domestically, after it updated its own competition regime back at the start of 2021 — and already has some enforcements on a number of tech giants it has designated as having “paramount significance” for competition locally (such as Google).
Enforcement of EU data protection law is also finally cutting into Meta’s ability to force behavioral ads on users. So we’ve had a taster of bigger things to come when the DMA is firing on all cylinders.
The big change here is that the conditions apply up-front — so the idea is to proactively regulate digital giants that have the power to set rules on others that need to access their core platform services and force them to be supportive of competition and sensitive to consumer needs (rather than just favoring themselves); instead of antitrust regulators having to spend years investigating and amassing evidence of abuses to make cases against bad behavior before it can be stopped, typically long after the harm has been entrenched, as has been the case in most of Europe under classical (ex post) competition rules.
That said, the pan-EU regulation will take some time to spin up. And there are continuing concerns about resourcing and how prepared the Commission is to screw its courage to the sticking place and take on such a hefty oversight role leaning on some of the most powerful platforms in the world.
Time will tell how much pushback the DMA gets from tech giants accustomed to (mostly) operating how they like and/or lobbying like the damned when lawmakers suggest making changes that might get in the way of their money-minting machines. It also remains to be seen how willing the Commission is to stick to its guns and robustly enforce a new digital world order (especially as looming EU elections will reconfigure the bloc’s political power structures next year, including by bringing in new leaders who may not be as committed to the approach as those that drafted the DMA).
We for sure won’t seen any enforcements on gatekeepers until next Spring — since those designated in September will have six months to get their house in order. But we may see some operational changes in preparation for the new rules. And possibly whole new business models emerging down the line as, for example, consentless ad tracking becomes less and less viable for major social media giants. Lots of legal action to test the boundaries and mettle of the DMA also looks inevitable. So the next few years in Europe are set to be filled with interesting new power struggles.
Over in the UK, which left the bloc following the Brexit referendum vote, the government also recently signalled it will move forward with an ex ante reboot of its own to tackle anti-competitive tech giants. The approach being suggested there is for bespoke (tailored) conditions, per platform, on those with “strategic market significance”, rather than fixed obligations for all in-scope giants.

Europe says yes to messaging interoperability as it agrees on major new regime for Big Tech

European parliament backs ‘historic’ reboot to EU’s digital rulebook

New rules in Europe to curb Big Tech’s market power start to apply by Natasha Lomas originally published on TechCrunch

Donate to Holocaust Composers FundThis week, the Hugo Kauder Society will hold a campaign: "The Great Give". It's a 36-hour online event on May 3-4 to support important causes and nonprofits. This takes place

May 3rd 8-9pm EST – May 4th at 1-2am London OR

May 3rd & 4th 2-3am EST – 7-8am London

Every donation counts toward the matching fund awards they are vying for, and will assure they continue to unearth, digitize and present new works to the public.

The Society was created in 2002 as a response to composers whose access to the public was denied by the Third Reich. Hugo Kauder was one of these composers, forced to leave his beloved Vienna to continue his career. He fled to New York in order to resume teaching and writing, completing over 300 compositions. Many of these remain unpublished. The society spends its time finding ways to get his music made available to the public. In November 2022 a concert was presented at:

Carnegie Hall https://www.jns.org/jewish-composer-hugo-kauder-remembered-at-carnegie-hall/

Please check out the website http://www.hugokauder.org/

Donations can be made here https://www.thegreatgive.org/p2p/307998/alex-bourdelon

US congressmen chide presidential advisers over crypto stances in economic reportThe legislators objected to a chapter of the president’s annual report that they believe diminished the role of Congress and could damage the economy with its hostility to digital assets.

Make your drum samples unique with Steinberg’s Backbone
We walk through all of the major sections and features of Steinberg's Backbone, showing you how to add new layers, sculpt your sounds, and more.