Nintendo confirms live-action Zelda movie is in the worksZelda fans already got a stellar new game with “Tears of the Kingdom” this year, but Nintendo just dropped another exciting nugget of news: the gaming giant is working on a live-action movie based on the Legend of Zelda franchise. Shigeru Miyamoto, creator of the thirty-seven-year-old franchise, announced the news this evening. “I have been […]
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Berklee Celebrates "BMI Day"On Monday, November 6, BMI (Broadcast Music, Inc.) celebrated the 25th annual "BMI Day" at Berklee College of Music with award–winning composer and producer Trevor Gureckis and BMI’s Vice President, Creative, Film, TV, and Visual Media Tracy McKnight. At the event, McKnight and chair of Screen Scoring Sean McMahon co-presented this year’s BMI Film Scoring Scholarship to student composer Melquiades Álvarez Cobos, currently in his seventh semester at Berklee.The first BMI Film Scoring Scholarship was presented in 1998 by composer Michael Kamen. It is awarded each year to a student selected by the Screen Scoring Department based on the student’s musical ability, financial need, and potential for career success."The Screen Scoring Department’s relationship with BMI is one of the most important relationships we have, and BMI Day is always a highlight for our department on campus,” said McMahon, department chair. “We are so grateful for all that BMI has done for Berklee’s screen scoring students for almost 25 years, and appreciate Tracy’s presence on campus to present the annual BMI award to Melquiades Álvarez Cobos, a promising, up-and-coming composer.”“BMI takes great pride in its longstanding relationship with Berklee College of Music and fostering the next generation of composers,” said McKnight. “We recognize the importance of access to quality education and resources in developing their careers and the BMI Film Scoring Scholarship underscores our commitment to investing in the future of student composers and to celebrate their achievements, their growth, and their contributions to the world of visual media.”“I am so incredibly grateful to be the recipient of the BMI award this year and all the opportunities that come with it,” said Álvarez Cobos. “These past couple of years have been truly stormy and difficult to overcome on a personal level, so I wanted to thank my mentors and teachers who have believed in me regardless—your support and guidance have meant the world to me. With this award, I am very excited to pursue my dream of further developing my skills in film and media scoring through production, orchestration, and composition work in Los Angeles.”Photo (L-R) Berklee’s Ron Savage and Sean McMahon, composer Trevor Gureckis, scholarship recipient Melquiades Álvarez Cobos, BMI’s Tracy McKnight, Berklee’s David Bogen and Jeffrey Sawada gather for a photo during the annual ‘BMI Day’ at Berklee College of Music on November 6, in Boston, Massachusetts. Photo credit: Kelly Davidson.

ABOUT BMI:Celebrating over 80 years of service to songwriters, composers, music publishers and businesses, Broadcast Music, Inc.® (BMI®) is a global leader in music rights management, serving as an advocate for the value of music. BMI represents the public performance rights in over 22.4 million musical works created and owned by more than 1.4 million songwriters, composers, and music publishers. The Company negotiates music license agreements and distributes the fees it generates as royalties to its affiliated writers and publishers when their songs are performed in public. In 1939, BMI created a groundbreaking open-door policy becoming the only performing rights organization to welcome and represent the creators of blues, jazz, country, and American roots music. Today, the musical compositions in BMI’s repertoire, from chart toppers to perennial favorites, span all genres of music and are consistently among the most-performed hits of the year. For additional information and the latest BMI news, visit bmi.com, follow us on X and Instagram @BMI or stay connected through Broadcast Music, Inc.‘s Facebook page. Sign up for BMI’s The Weekly and receive our e-newsletter every week to stay up to date on all things music.

Expect new IRS crypto surveillance to come with a surge in confiscationThe Justice Department is claiming that it's "critical" for it to have the power to seize cryptocurrency from Americans — even if a judge never signs off.

Chiqui-Audio Chiqui-Audio - Serum Presets Pack Chiqui-Audio - Serum Presets Pack is a pack of 800 presets, 254 wavetables and 124 noises made for amateur and experienced music producers who are looking for versatile presets for Serum... Read More

Chiqui-Audio Chiqui-Audio - Serum Seqs & Arps Presets Chiqui-Audio - Serum Seqs & Arps Presets is a pack of 100 presets, 250 wavetables and 124 noises made for amateur and experienced music producers who are looking for versatile presets... Read More

Reservoir Media’s revenues grew 15% YoY to $38.4m in calendar Q3Reservoir Media raises guidance after 15% surge in revenue
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In Session Audio’s Fruit Shake For Kontakt Player Is FREE For A Limited Time
In Session Audio offers the Fruit Shake percussion sample library for NI Kontakt Player as a free download for a limited time. Fruit Shake is an organic percussion (shaker) library from In Session Audio, and you can download it for free until November 21, 2023. If some of you are experiencing a feeling of déjà [...]
View post: In Session Audio’s Fruit Shake For Kontakt Player Is FREE For A Limited Time

Get Native Instruments Super 8 FREE With A Loopcloud Subscription
Loopcloud offers the Native Instruments Super 8 virtual instrument as a free gift with any subscription until December 4, 2023. A two-month subscription currently costs $2. Do you fancy retro synths? I personally can’t get enough of just the old, reliable subtractive synth. Loopcloud offers an enticing freebie for users looking to subscribe to the [...]
View post: Get Native Instruments Super 8 FREE With A Loopcloud Subscription

Country star Kane Brown sells ‘select publishing assets’ to HarbourViewInvestment firm led by Sherrese Clarke Soares announces its latest acquisition
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Native Instruments emulates ’80s analogue mastering hardware with new digital channel strip pluginNative Instruments has launched the Brainworx bx_console AMEK 200, a new digital channel strip for mixing and mastering that delivers the “transparency, precision and detail” of the 1980s mastering-grade analogue hardware.
“Meticulously modelled” on some of what NI calls the “most desirable analogue studio hardware of all time” – including the AMEK EQ 200, AMEK Mastering Compressor, and the Gate/Expander feature from the bx_console AMEK 9099 – bx_console AMEK 200 combines sounds and features that would be “impossible to produce” as a hardware unit in the real world.

READ MORE: Attention producers: Logic Pro now comes with a Mastering Assistant built right in

Diving deeper into features, with the channel strip’s AMEK EQ 200 section, users can recreate the sound of a “legendary parametric equaliser from the early 1980s.
Elsewhere, its AMEK Mastering Compressor offers “stunningly transparent dynamic control”, and users can even mimic the component tolerances found in real analogue hardware thanks to TMT – Brainworx’s patent-registered Tolerance Modelling Technology.
With these features wrapped in a CPU-efficient channel strip plugin, NI calls it a “dream come true for audio professionals who love the colour and character of vintage analogue hardware.
bx_console AMEK 200 is on sale at an introductory price of $299 through 7 December, at which point it will rise to $399. As part of this introductory offer, customers will also receive the AMEK EQ 250 – of $349 value – for free.
To learn more and purchase, head to Plugin Alliance.
The post Native Instruments emulates ’80s analogue mastering hardware with new digital channel strip plugin appeared first on MusicTech.

The Chemical Brothers live review: Trailblazing electronic duo’s rave spectacle lights up London’s O2 ArenaPioneering electronic duo The Chemical Brothers brought the ultimate rave to London’s O2 Arena on Saturday evening.
Performing in the capital as part of their UK tour, the venue was well and truly packed by the time Ed Simons and Tom Rowlands took to the massive stage at 9pm.
READ MORE: PC Music’s Pop Crypt at London’s HERE was an unforgettable spectacle
Hot on the heels of a DJ set from MusicTech producer of the year award winner TSHA, who warmed the room up with an hour of house and tech groovers, the Manchester pair wasted no time in transforming the vast space into a hedonistic club.
Kickstarting their career-spanning two-hour show, the one-two of Go/Do It Again had the mixed-age crowd singing along while throwing their best shapes.
This was a theme that ran throughout the 23-song setlist, as newer tracks from recent album For That Beautiful Feeling (many of which exploded to life) were seamlessly paired with older favourites. This structure served to showcase the interconnectedness of the Chems’ sonic universe and its many elements.
Chemical Brothers Live @ The O2 Arena. Image: Ray Baseley
No Reason, which was accompanied by an army of neon drumming dancers, blended perfectly into 1999 classic Hey Boy Hey Girl – despite the two-decade-plus separation between both tracks, they worked surprisingly well back-to-back. Similarly, the ominous Eve Of Destruction weaved effortlessly into the psychedelic rabbit hole of Feel Like I Am Dreaming.
While the stage set up itself was actually quite simple (aside from a moment halfway where the duo looked out on the huge crowd and took in the moment, the duo loomed over their technical equipment), it was the beaming light show and trippy, sci-fi-leaning visuals that really took the experience to another dimension.
During the euphoric Live Again, pink strobes scanned the crowd while tunnelling on-screen soundwaves reflected a post-lockdown rewiring of the brain. Soon after, the hypnotic Wide Open erupted with thousands of tiny birds breaking free. Later, the troupe of animated breakdancing acrobats looked so 3D and lifelike it was as if they were about to somersault over the crowd. And that’s before mentioning the now-iconic giant walking robots who descended during 1995 acid workout Three Little Birdies Down Beats.
From start to finish, this was a spectacular assault on all the senses (particularly the piercing lasers of MAH) and proof of The Chemical Brothers’ place atop the electronic throne. More than that, it was an exhilarating embodiment of just how transcendent dance music can be when the right people are in control.
 
The post The Chemical Brothers live review: Trailblazing electronic duo’s rave spectacle lights up London’s O2 Arena appeared first on MusicTech.

TikTok shuts $1B creator fund as Instagram creator subscriptions hit 1M, YouTube Shorts expands monetizationHow creators earn on TikTok is shifting again with the closure of its original $1 billion creator fund shutting down on December 16th in the US, UK, Germany, and France,. Continue reading
The post TikTok shuts $1B creator fund as Instagram creator subscriptions hit 1M, YouTube Shorts expands monetization appeared first on Hypebot.

Just 8 days left to get ready for Spotify Wrapped: A Musician’s GuideSpotify’s Wrapped year-end recaps are a great way to reconnect and celebrate with fans, but only if you are ready. Fortunately this year Spotify created a guide to help. With. Continue reading
The post Just 8 days left to get ready for Spotify Wrapped: A Musician’s Guide appeared first on Hypebot.

Attention producers: Logic Pro now comes with a Mastering Assistant built right inApple has unveiled a series of updates for Logic Pro on Mac and iPad including, most notably, a Mastering Assistant, which offers creators a “quick and easy way to add that final professional polish for a release-ready mix”.
As the tech giant explains, once a mix is complete, Mastering Assistant can instantly analyse the audio and make “expert refinements to the sound, adjusting elements such as the dynamics, frequency balance, timbre and loudness.

 READ MORE: Will Apple’s “scary fast” M3 chips boost speeds for music producers?

Catering to different workflows, too, Mastering Assistant can also be used as a starting point, after which users can fine-tune each setting with intuitive controls.
Apple stops short of claiming Mastering Assistant could rival other mastering tools like LANDR, for example, but the addition of a mastering tool built right into Logic Pro is a pretty big deal for just about anyone making music using the DAW.
In other updates, Logic Pro Mac users now have access to Sample Alchemy and Beat Breaker, which arrived on Logic Pro for iPad earlier this year.
For the uninitiated, Sample Alchemy allows users to transform a single audio sample into a playable instrument using granular, additive and spectral synthesis. Additionally, producers can now create a wide range of unique sound beds, pads, effects and rhythms.
Credit: Apple
Beat Breaker, meanwhile, is a multi-effect plugin, which users can utilise to “radically reshape and reshuffle audio in real time, slicing audio, rearranging it, and adding scratching effects”.
“By altering the speed, direction, volume and number of repeats for each slice, musicians can effortlessly define complex patterns that can be changed on the fly,” Apple says.
Credit: Apple
Other changes to the Mac version of Logic Pro include Slip and Rotate tools, enabling users to move content within audio and software instrument regions without altering the region boundaries.
There are also two new sound packs: the Hybrid Textures sound pack, which includes a collection of 70 patches, as well as over 80 Apple Loops featuring Sample Alchemy, and the Vox Melodics sound pack, which contains a diverse collection of over 475 lyrical phrases, hooks, layered harmonies, FX, and one-shots.
Moving onto changes to the iPad version of Logic Pro, a new Quick Sampler plugin allows users to quickly create sampler instruments and drum kits by directly recording audio with the iPad’s built-in microphone or connected audio input, allowing for on-the-fly instrument creation.
Elsewhere, Split View and Stage Manager both bring greater flexibility to workflows. Split View allows users to open two different apps simultaneously – or two windows from the same app – by splitting the screen into resizable views. This will no doubt be handy to creators transferring Voice Memo ideas into Logic Pro, for example.
Stage Manager, on the other hand, allows users to resize windows, see multiple overlapping windows in a single view, tap to switch between apps, and more.
Notably, Logic Pro for iPad now features the popular in-app Lessons hub, which provides instructions to get the most out of Mastering Assistant, Sample Alchemy, Beat Breaker, beat making, automation, sound packs, and Play Surfaces.
Credit: Apple
And finally, to both iPad and Mac versions of Logic Pro comes 32-bit float recording, which helps artists minimise the digital clipping that often occurs when recording more dynamic instruments or performances.
Logic Pro 10.8 is available now for $199, or as a free update for existing Logic Pro users. Logic Pro for iPad 1.1 is also available as a free update for existing users, and can be purchased via the App Store for $4.99 per month or $49 per year.
For more info, head to Apple.
The post Attention producers: Logic Pro now comes with a Mastering Assistant built right in appeared first on MusicTech.

How to safely ship Vinyl Records to FansFind out how to ship fragile vinyl records to faraway fans, including what courier to go through, the best packaging, and much more… by Lauren Davish from the Disc Makers. Continue reading
The post How to safely ship Vinyl Records to Fans appeared first on Hypebot.