Three unreleased Brian Eno tracks will feature in upcoming Eno documentaryThe official soundtrack to Eno, an upcoming documentary that follows the illustrious career of ambient pioneer Brian Eno, has been announced.

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The OST will be released along with the film on 19 April, and will be made available to buy as a physical LP in June. Today, an unreleased track that features on the soundtrack, Lighthouse #429, has been made available to listen to below:

Eno, a career-spanning documentary directed by Gary Hustwit, also nods to the musician’s distinctive generative music production process by having its own generative element in its development.
It’s been created using bespoke generative software that dynamically sequences scenes, creates transitions, and manipulates visual and auditory elements in real-time. Drawing from a vast archive of interviews, footage, and music from Brian Eno’s career, the software constructs a unique narrative trajectory for each screening, so the film adapts and evolves instead of offering one static, predetermined narrative.
The official soundtrack for the film, created by Brian Eno himself, is made up of 17 tracks that span Eno’s illustrious career, from his early solo works to his acclaimed collaborations and recent compositions. Notably, the soundtrack includes three previously unreleased recordings, offering fans a glimpse into Eno’s unreleased catalogue.
Credit: Gary Hustwit
Director Gary Hustwit says in a press release: “Much of Brian’s career has been about enabling creativity in himself and others, through his role as a producer but also through his collaborations on projects like the Oblique Strategies cards or the music app Bloom. I think of Eno as an art film about creativity, with the output of Brian’s 50-year career as its raw material. What I’m trying to do is to create a cinematic experience that’s as innovative as Brian’s approach to music and art.”
The UK premiere of Eno is scheduled for 20 April 2024 at the Barbican cinema in London, followed by a post-film conversation with Brian Eno, Gary Hustwit, and Brendan Dawes. Exclusive access to tickets is available for those who pre-order the official soundtrack.
Find out more on Brian Eno’s website.
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TOP POSTS: Last week’s most-read posts on HypebotCatch up on what everybody's talking about with last week’s most-read posts. We’ve got topics ranging from Bandsintown and Spotify partnering, new stats that show just how hard it is for artists to break through, and more...
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Reflex Acoustics Releases FREE AutomaticLite Automatic Compressor Plugin
Reflex Acoustics released the AutomaticLite automatic compressor, and it is available for free download via the company’s website.  The plugin is available in VST3 for PC, as well as VST3 and AU for Mac. The developer plans to add AAX support soon.  AutomaticLite is a simplified, free version of Reflex Acoustics’ AutomaticDynamic comp, which costs [...]
View post: Reflex Acoustics Releases FREE AutomaticLite Automatic Compressor Plugin

MESA/Boogie Reference Signature Collection from IK Multimedia The latest bundle of Tone Models to join the TONEX collection captures five popular MESA/Boogie amps played through two different cabinets.

Sony Music sues Whitney Houston biopic producers over alleged unpaid song licensesSony Music says the producers of 'Whitney Houston: I Wanna Dance With Somebody' never paid for using Houston's music in the bopic
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Newfangled Audio’s Recirculate may be the last delay plugin you ever need$99 (currently $49 introductory price), newfangledaudio.com
Newfangled Audio, the forward-thinking developer distributed by Eventide, is always cooking up something unique. Past plugins include Generate, a synthesizer with chaos oscillators, and EQuivocate, an EQ that uses filters modelled on the human ear. For their latest, Recirculate, Newfangled is tackling delay.

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You’d be forgiven for expecting something wild and woolly, like a delay that models signal disruptions in an analogue telephone relay. Not this time. Recirculate is a feedback echo that aims to be the best delay out there. It does this by combining a high-quality, pristine sound with an intuitive user interface and throwing in some novel yet incredibly useful extras that reveal themselves as you dive deeper.
With so many delays on the market, does Recirculate have what it takes to make it into your plugins folder?

Beats and stems
Delays are all about the echoes; Recirculate gives you detailed control over these taps. At the centre of the plugin is the Stem Display, a horizontal bar that intuitively presents the delay taps as stems poking up and down from the centre bar. The display shows you both left and right channels, with each stem’s length indicating its volume in terms of feedback. You can snap stems to a grid by whole, dotted or triplet notes, or let them run free in milliseconds (and sync to DAW tempo as well). You’re free to tweak the various controls below the graphic or you can grab the stems and work directly with them.
Below the display are various sections, including a mixer with dry and wet sliders plus separate (and linkable) feedback sliders for left and right channels. Move any of these and changes are reflected in the display. Likewise in the Delay Beats section, which handily has separate beat/time divisions for the first echo and subsequent repeats. You can link them together as in a traditional echo, but by giving us the freedom to use these separately, Newfangled has created a powerful and experimental tool.

Strange behaviour
You should already be beginning to see the possibilities involved with Recirculate but they’re about to increase. Recirculate has four different modes, or what Newfangled calls ‘Behaviors’, with each one having its own unique parameter controls.
Standard is as you’d expect, a traditional (and clean) delay, with a chorus circuit in the Soundstage section. Pitch Warp recalls digital delays of the 1980s, with audible pitch changes occurring when you alter the delay time. Accordingly, there’s a modulation button in the Soundstage section to capitalise on this. Granular turns Recirculate into a granular delay, with Spray and Size controls to adjust grain size and randomisation. Finally, Ping Pong pushes left and right channels out into the stereo field and includes a modulation option.
All of these modes are extremely useful and, when combined with the other sections, go a long way towards extending the usefulness of Recirculate.
Newfangled Audio Recirculate
Dynamic transients
While many recent delay plugins have dynamics elements like ducking as standard (this one does too), Recirculate adds a few extra parameters that are exciting to see. The first is the Transient control, which lets you emphasise (or de-emphasise) the echo transients, all the way from essentially a click through to a smeared sustain.
Also useful is the compression control. This is to add in the kind of compression you might get in tape delays or other, older hardware circuits. It’s a small thing but dialling in a little compression can make things sound more natural.
There’s even a Gate function to force repeats to only sound when the wet signal is present. Use it alongside the Ducking control for unusual effects.
Newfangled Audio Recirculate
It’s got character
Sound-shaping possibilities continue with the filter section. With its multiple filter shapes including slope, notch and resonant peak, it’s capable of much more than just shelving.
Recirculate tends towards the pristine. If you want it to emulate something darker and dirtier like a tape or bucket brigade analogue echo, use the Drive and Noise parameters. Each includes a drop-down menu with a variety of settings, allowing you to go from mix-ready frequency bands to pokey, synth-like resonant peaks.
Finally, the Soundstage section is where you add your final effects, including stereo spread and reverb. There’s even the option to push the effects into the dry signal.

Improve recirculation
Recirculate is a fantastic delay. Kudos to Newfangled Audio for taking on a tried-and-true (and honestly a little tired) type of effect plugin and injecting new life into it. It’s an excellent all-around delay, whether your needs be bread-and-butter slapback echo or something much wilder. It’s intuitive and easy to understand yet never at the expense of complexity – it can get as deep as you want to dive. It also sounds fantastic.
Recirculate offers pretty much everything we could ask for in a delay. If we had to ask for more, a limiter to control the volume would be handy, since dub effects with lots of drive and feedback can get hairy quickly. But it’s easy enough to slap a limiter into the effects chain after Recirculate.
If you’re in the market for a delay, Recirculate could be just what you’ve been going around in circles waiting for.
Key features

Windows and MacOS (VST/VST3/AU/AAX)
Feedback echo
Four unique delay behaviours including granular
Detailed control over taps
Independent left and right parameters
Comprehensive filter section
Novel dynamics section
Drive and noise circuits to rough the sound up
Effects section including chorus and reverb

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Acustica launch Grey Pro compressor suite Acustica's latest plug-in suite promises to accurately emulate the sound of three different American-made hardware VCA compressors.

Family tragedy for former YouTube CEO Susan WojcickiIt’s every parent’s worst nightmare. Earlier this week, the 19-year-old son of former YouTube CEO Susan Wojcicki, was found dead at UC Berkeley of an apparent drug overdose, according to his grandmother, Esther Wojcicki. The  news broke widely yesterday, though Wojcicki posted the news to Facebook several days ago, writing: “Tragedy hit my family yesterday. […]
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Organic Instruments release Glockenspiel The latest release for Organic Instruments’ Elemental Player software instrument platform captures a toy glockenspiel,

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5 production tips from Mad Keys (free template included)
Veteran producer, artist, and instrumentalist Mad Keys sat down with us to share his top five tips for music production.

Getting It Done: The Week in D.I.Y. & Indie MusicThis week, our tips and advice for the independent, do-it-yourselfer covered how much musicians should charge for physical sales, a new AI manager, and more...
The post Getting It Done: The Week in D.I.Y. & Indie Music appeared first on Hypebot.

REWIND: The New Music Industry’s Week in ReviewLast week was a busy week by any definition, and the music industry was no exception, with Bandsintown and Spotify (finally) partnering to boost concert discovery, a new report revealing. Continue reading
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Wavetick: New online music marketplace Wavetick provides a quick and easy way to purchase or sell copyright-free beats, whilst providing clear, flexible terms and offering a competitive commission fee.

Introducing the PROEL DIVA LOUDSPEAKER SERIESCutting-Edge Active Loudspeakers Redefining Performance and Versatility

Los Angeles, February 12, 2024 – Proel, a leading Italian manufacturer of professional and consumer audio solutions, is proud to unveil its latest breakthrough in sound technology: the DIVA active loudspeaker series. Launching in 12” (DIVA 12A) and 15” (DIVA15A) active powered models, the DIVA loudspeaker series is designed for unparalleled performance and adaptability, these digitally processed loudspeakers feature advanced connectivity options and a host of intuitive features to meet the demands of modern audio professionals.

Crafted for Exceptional Sound Quality and Durability

The DIVA12A and DIVA15A boast a remarkable combination of power and precision, housed within lightweight yet incredibly durable polypropylene cabinets. Powered by a robust 1000W CLASS-D amplifier with SMPS, these systems deliver high headroom and accurate dynamic control for maximum undistorted output power.

Advanced Processing for Superior Sound

Equipped with a sophisticated pre-amp section featuring a high-performance DSP engine and linear phase FIR filters, the DIVA12A and DIVA15A ensure a smooth response and high-definition sound reproduction. With an intuitive user interface featuring an LCD color display and single-knob control, users can effortlessly select from five available EQ presets (MUSIC, LIVE, DJ, MONITOR, SPEECH), allowing for seamless adaptation to any application.

Versatile Connectivity Options

These groundbreaking loudspeakers offer unparalleled flexibility with multiple inputs and BLUETOOTH connectivity. With a built-in 3-channel mixer and two WIRELESS USB inputs compatible with PROEL U24 microphone systems, the DIVA12A and DIVA15A can be utilized in various applications without the need for external equipment. The BLUETOOTH interface enables mono or stereo streaming, providing added convenience and versatility.

Key Features:

2-way active processed loudspeaker system

High-definition compression driver with titanium diaphragm

Wide-coverage 90° x 60° constant directivity horn

Long-excursion woofer for deep bass response

Built-in 3-channel mixer with MIC/LINE inputs and EQ controls

High-definition DSP with 24-bit converters and FIR filters

5 DSP presets for optimal sound tuning

BLUETOOTH audio interface with STEREO LINK

Color LCD display for easy DSP editing

Lightweight, compact, and ultra-durable PP cabinet

Ergonomic handles for effortless transportation

Slanted shape for optional use as a stage monitor

Four M10 flying points for versatile mounting options

"The PROEL DIVA12A and DIVA15A represent a new standard in active loudspeaker technology," said Antonio Ferranti, President at Proel North America. "With their unparalleled sound quality, versatile connectivity options, and intuitive user interface, these systems empower audio professionals to deliver exceptional performances in any setting."

Availability:

The PROEL DIVA12A and DIVA15A active loudspeaker systems were unveiled at the NAMM Show on January 25, 2024, and are available now through authorized Proel North America dealers throughout the USA and Canada.

For more information, visit proelnorthamerica.com/diva.

About Proel North America: 

Proel North America, headquartered in Los Angeles, California, is the exclusive distributor of the Proel family of Italian engineered musical instruments, pro audio, recording gear and music accessories brands to the USA and Canada.

Proel, founded and headquartered in Italy since 1991, designs, engineers, and manufactures world-class musical instruments, pro audio, recording gear and music accessories that are faithful to the highest expectations of musicians.

For more information about Proel North America, visit proelnorthamerica.com.