From stablecoins to incumbents, VCs map crypto value in 2025Venture partners such as Pantera, Hash3 and Variant look back on a year of regulatory shifts and uneven markets, outlining crypto’s biggest winners and losers in 2025.

Happy New Year 2026 🎄
I have read the recent post on Hypebot and I can't say I agree with all written and I don't know the person, but there are surely some interesting points regarding #AI which majors would like to implement for keeping their stable profits. Frankly I can't believe they care about unknown creators/artists and their income, even the authorship model is completely reversed and there are not many real good sales channels for our music. IT investors and AI companies started the #MusicIndustry revolution, it is good for #MusicBusiness and it is not. Be totally fair - ask yourself - who are the global biggest rightsholders nowadays?
Same as investors they want their money return ✌ It is quite understandable...However...

Creators and listeners, I want to honestly wish all of us in the community the breakthrough with our music (and multimedia products) showing up the real value of made creations! 🎶
#PublMe #Community #Network 💫🌌

Jacob Varghese of Noctil Shares His 2026 Music PredictionsHypebot's Future Predictions series is back. Join us as we ask the music industry's expert analysts what they think might unfold in the world of music in 2026.
The post Jacob Varghese of Noctil Shares His 2026 Music Predictions appeared first on Hypebot.

After bitter vote, Aave founder pitches a bigger future for DeFi lending giantFollowing a rejected governance vote, Stani Kulechov laid out a plan to expand beyond DeFi lending and reshape how tokenholders capture value.

Dear community members!

❗ Due to recent announcement from #ReadyPlayerMe (the partner for avatars creation), that their services will become unavailable starting January 31, 2026, we have to inform that we will discontinue this feature very soon.

However, please stay tuned as more new features will come next.

🌌💫 #TheMusicverse #PublMe

Sonica is a New Music Platform Putting Artists Back in ControlNo hidden fees, no commissions, no algorithms, no AI — Sonica is the latest startup offering artists ethics-aligned streaming with 100% ownership of revenues and rights.
The post Sonica is a New Music Platform Putting Artists Back in Control appeared first on Hypebot.

Great, but #PublMe https://publme.com platform is since 2021 ✌

Suno has acquired Songkick: What it means for ArtistsControversial AI music platform Suno acquired Songkick as part of its new deal with Warner Music Group. But why would an AI music creation tool want to own a struggling concert listing service?
The post Suno has acquired Songkick: What it means for Artists appeared first on Hypebot.

Soyuz are the great mics, sound and look both good #musicproduction

Because it's only GENERATIVE thing #AI for #Production and #Music not a "magic button". Need to consider both: rights and quality

“Music producers are rejecting AI”: Study reveals over 80% of producers are against AI-generated songsThere have been few topics at the forefront of producers’ minds in 2025 quite like artificial intelligence. Hell, it’s been the conversation of the entire world this year, pretty much. But for all its hype, how much are musicians and producers actually leaning on AI in their work?
According to a new global study conducted by sample clearing platform Tracklib, on the whole, music producers are “rejecting” AI, with only 6% using generative tools regularly in their work.

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The study – dubbed Music Producers & AI 2025 – examines “how producers think about, adopt, and pay for AI tools in their creative workflow”, and saw responses from 1,734 producers, representing the global producer market of “20 million” people, according to Tracklib.
The results show a pervading distrust or dislike of AI in music production, with only 17% actively in favour of the technology, 45% neutral and a massive 38% actively against it.
While AI music production tools are now widespread, the study notes that adoption of these tools remains somewhat limited; of the 32% of producers who say they use AI tools, most of these are with assistive use cases such as stem separation, EQ and mastering. 
Only 6% of producers admit to using fully generative tools like prompt-based song creation, and a massive 82% are against full song generation using text prompts.
Despite the increasing prevalence of AI artists on streaming platforms like Spotify – take the Velvet Sundown, for example, or Xania Monet – 78% of those surveyed said fully AI-generated music should not be allowed on streaming platforms. But if such tracks remain listed, 81% want these platforms to clearly label music that has been produced partially or wholly using AI. And 83% support mandatory disclosure of AI use by producers themselves.
“Producers clearly separate assistive AI from generative AI,” says Andreaas Liffgarden, Head of Catalog & Chairman of Tracklib. “Stem splitting, EQ, and workflow accelerators are widely accepted. But when it comes to full-song generation, the attitudes shift sharply towards scepticism, concerns about artistry and copyright.”
Despite the results of the study showing a lean towards AI scepticism, AI in music continues to boom. Earlier this week, it was revealed that Suno, one of the biggest AI song generation platforms, had secured $250 million in its latest funding round, meaning it’s now valued at 2.45 billion.
Read the full global study on AI usage in music production at Tracklib.
The post “Music producers are rejecting AI”: Study reveals over 80% of producers are against AI-generated songs appeared first on MusicTech.

AI music generator Suno raises $250M in latest funding roundAI music generation platform Suno has just raised $250 million in a Series C funding round at a $2.45 billion post-money valuation, the company reports.
The funding round – led by Menlo Ventures with participation from NVentures (Nvidia’s venture capital arm), as well as Hallwood Media, Lightspeed and Matrix – will accelerate the development of Suno’s “full-stack music ecosystem, model, workstation, artist tools and community”.

READ MORE: How I turned my DAW into an improv partner while producing my jazz album

The latest funding round follows a series of moves by Suno aimed at “redefining what’s possible in music creation”. In September, the company launches the “first-ever” generative audio workstation, Suno Studio, which pairs professional-grade multi-track editing with AI stem generation.
In the leadup to the launch of Suno Studio, the platform acquired WavTool, the first browser-based DAW. The move saw Suno adopting WavTool’s browser-based functionality, allowing it to repurpose the technology for its Suno Studio DAW.
“We’re seeing the future of music take shape in real time,” says Mikey Shulman, Co-Founder and CEO of Suno. “In just two years, we’ve seen millions of people make their ideas a reality through Suno, from first-time creators to top songwriters and producers integrating the tool into their daily workflows. This funding allows us to keep expanding what’s possible, empowering more artists to experiment, collaborate, and build on their creativity. We’re proud to be at the forefront of this historic moment for music.”
“Suno is the world’s #1 music creation app, making music accessible to everyone. Mikey and the team have built something people genuinely love using and millions of fans are on the platform every day, creating original songs and sharing them with friends,” says Amy Martin, Partner, Menlo Ventures.
You can read more about Suno’s latest funding round in a blog post entitled ‘The Future of Music is Already Here’.
The post AI music generator Suno raises $250M in latest funding round appeared first on MusicTech.

Arturia KeyStep Mk2 packs generative tools and deep sequencing powerArturia has announced the KeyStep mk2, the latest version of its acclaimed compact controller and sequencer, claiming that it’s “more creative, more connected, and more immediate than ever”.
Arriving nearly a decade after the original KeyStep’s debut, the Mk2 takes everything musicians loved about the first generation and expands it with new generative tools, a clearer OLED display, extended connectivity, and a more powerful sequencer and arpeggiator.

READ MORE: Modular, AI-powered Sound Blaster Re:Imagine lets you build your dream audio hub — and it’s already 10x past its Kickstarter goal

Described by Arturia as the “ultimate compact controller and sequencer for DAWless workflows or hybrid setups”, the KeyStep Mk2 caters to two main users: synth and modular musicians who need keys and connectivity in a compact format, as well as bedroom producers looking for powerful and creative functionality that fits their workspace.
Key features like the 32-note Slimkey keyboard, pitch bend and modulation strips remain, while the all-new Mutate button introduces a dash of unpredictability. With just a single touch, users can instantly transform sequences or arpeggios – from subtle tweaks to bold variations – perfect for getting through those creative blocks or for exploring fresh ideas.
Credit: Arturia
The sequencer has also been significantly upgraded, offering eight times more memory, unquantised recording, Bend & Mod automation, Undo, step editing, and pattern chaining. Meanwhile, the expanded arpeggiator boasts 16 modes, 9 pattern variations, octave control, and a new Arp Length Reset for deeper rhythmic expression.
Musicians can also stay perfectly in key with scale locking, and record or play chords with expressive voicings, as in the high-end KeyLab 3 controller.
On the hardware side, Arturia has modernised the KeyStep’s design with USB-C connectivity, a dedicated power switch, and a clickable encoder that, along with the OLED display, allows for faster parameter access without relying on the MIDI Control Center.
Designed for hardware-first control, the KeyStep Mk2 can patch into modular rigs, trigger drum machines, and sequence synths old and new. With DIN MIDI I/O, assignable CV outs, and pedal support, it’s ready to command virtually any setup – live, in the studio, or on the move.
The Arturia KeyStep Mk2 is priced at $139/€129, and is available now.
Learn more at Arturia.
The post Arturia KeyStep Mk2 packs generative tools and deep sequencing power appeared first on MusicTech.

Modular, AI-powered Sound Blaster Re:Imagine lets you build your dream audio hub — and it’s already 10x past its Kickstarter goalCreative Technology is bringing back the Sound Blaster name – but not as a sound card. The company has launched a new Kickstarter for Sound Blaster Re:Imagine, a modular audio hub that merges retro-inspired design with modern creator workflows.

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At its core, the Sound Blaster Re:Imagine is designed to connect just about everything. PCs, gaming consoles, tablets, microphones, headphones, speakers, even instruments – all route through a single hub, where any input can be sent to any output with a simple tap.
What makes Re:Imagine stand out, though, is its magnetic modular design. The base unit can be customised with magnetically attached modules – think sliders, knobs, quick keys, or even smart displays – so you can rebuild your setup on the fly. Each control is also fully programmable, allowing users to create macros for everything from muting a call to triggering a software code compile or activating any Matter-enabled smart home device.
Credit: Creative Technology
Under the hood, Re:Imagine runs on an octa-core ARM processor with 8GB of RAM and 16GB of flash storage (expandable via microSD). It supports Wi-Fi and Bluetooth, and can operate either as a standalone Linux-based system or as a PC-tethered audio hub. Audio is handled by a studio-grade 32-bit/384kHz DAC and amplifier, with enough power to drive anything from professional headphones to full-sized desktop speakers.
And in true Sound Blaster fashion, there’s a playful side too. The Re:Imagine comes with AI-powered versions of Dr. Sbaitso and the Sound Blaster Parrot, plus a built-in AI DJ that generates music based on your chosen theme, along with retro DOS-style games and visualisers.
“The original Sound Blaster changed the way millions experienced sound,” says Darran Nathan, VP of Operations & Products at Creative Technology. “With Sound Blaster Re:Imagine, we set out to reimagine what a Sound Blaster can be: not just a sound card, but a modular hub, a control deck, and a creative playground with endless possibilities. We are making the Sound Blaster relevant again, for today’s generation, in today’s multi-device world.”
The Sound Blaster Re:Imagine is available now on Kickstarter, with early backer pricing starting at $329 for the horizontal base unit and four included modules (3-inch smart screen, 4-button pad, dual slider and knob).
The post Modular, AI-powered Sound Blaster Re:Imagine lets you build your dream audio hub — and it’s already 10x past its Kickstarter goal appeared first on MusicTech.

In principle, what needed to be proven, if you think about it logically, is that “only ‘partially’ created AI music can be registered in PRO” was decided in the US and Canada by ASCAP, BMI, SOCAN #Music #MusicIndustry #Authors #Producers #AI