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  • Overcome Writer’s Block With FREE Creative Strategies Plugin By SampleScience
    SampleScience releases Creative Strategies, a freeware VST plugin that can help you overcome writer’s block when producing and mixing your songs. Writer’s block is an absolute drag, and we’ve all truthfully been there. There is nothing quite as harrowing as sitting in front of your DAW, empty screen in place, and you want to create [...]
    View post: Overcome Writer’s Block With FREE Creative Strategies Plugin By SampleScience

    SampleScience releases Creative Strategies, a freeware VST plugin that can help you overcome writer’s block when producing and mixing your songs. Writer’s block is an absolute drag, and we’ve all truthfully been there. There is nothing quite as harrowing as sitting in front of your DAW, empty screen in place, and you want to createRead More

  • Does your track ever feel too static or lack depth? Here are 3 ways to create interesting soundscapes. Published at Splice Blog.
    At https://vlcam.com I really like to make effects sound 3d-like to work good for a track.
    #musicproduction #Producer #VLCAM #independent #Artist #Effects #3d

    Add depth and movement to your tracks with these three sound design tips for creating interesting soundscapes and textures.

  • Musicians are brands. Musicians as artistic agencies, how that grows overall music revenues by Music X.
    #Musicians #independent #Music #trends #Agency #PublMe

    And: Ad-supported music streaming is broken; You are Grimes Now; The Web3 Creator Playbook; Unlocking participatory media; Only 5% of music producers are women; Spawning and opting out of AI datasets

  • AI can’t replace human writersIn the must-watch final season of “Succession,” Kendall Roy enters a conference room with his siblings. As the scene opens, he takes a seat and declares: “Who will be the successor? Me.”
    Of course, that scene didn’t appear on HBO’s hit show, but it’s a good illustration of generative AI’s level of sophistication compared to the real thing. Yet as the Writers Guild of America goes on strike in pursuit of livable working conditions and better streaming residuals, the networks won’t budge on writers’ demands to regulate the use of AI in writers’ rooms.
    “Our proposal is that we not be required to adapt something that’s output by AI, and that the output of an AI not be considered writers’ work,” comedy writer Adam Conover told TechCrunch. “That doesn’t entirely exclude that technology from the production process, but it does mean that our working conditions wouldn’t be undermined by AI.”
    But the Alliance of Motion Picture and Television Producers (AMPTP) refused to engage with that proposal, instead offering a yearly meeting to discuss “advances in technology.”
    “When we first put [the proposal] in, we thought we were covering our bases — you know, some of our members are worried about this, the area is moving quickly, we should get ahead of it,” Conover said. “We didn’t think it’d be a contentious issue because the fact of the matter is, the current state of the text-generation technology is completely incapable of writing any work that could be used in a production.”
    The text-generating algorithms behind tools like ChatGPT are not built to entertain us. Instead, they analyze patterns in massive datasets to respond to requests by determining what is most likely the desired output. So, ChatGPT knows that “Succession” is about an aging media magnate’s children fighting for control of his company, but it is unlikely to come up with any dialogue more nuanced than, “Who will be the successor? Me.”
    According to Ben Zhao, a University of Chicago professor and faculty lead of art anti-mimicry tool Glaze, AI advancements can be used as an excuse for corporations to devalue human labor.
    “It’s to the advantage of the studios and bigger corporations to basically over-claim ChatGPT’s abilities, so they can, in negotiations at least, undermine and minimize the role of human creatives,” Zhao told TechCrunch. “I’m not sure how many people at these larger companies actually believe what they’re saying.”
    Conover emphasized that some parts of a writer’s job are less obvious than literal scriptwriting but equally difficult to replicate with AI.
    “It’s going and meeting with the set decoration department that says, ‘Hey, we can’t actually build this prop that you’re envisioning, could you do this instead?’ and then you talk to them and go back and rewrite,” he said. “This is a human enterprise that involves working with other people, and that simply cannot be done by an AI.”
    Comedian Yedoye Travis sees how AI could be useful in a writers’ room.
    “What we do in writers’ rooms is ultimately bouncing ideas around,” he told TechCrunch. “Even if it’s not good per se, an AI can throw together a script in however many minutes, compared to a week for human writers, and then it’s easier to edit than to write.”
    But even if there may be some promise for how humans can leverage this technology, he worries that studios see it merely as a way to demand more from writers over a shorter period of time.
    “It says to me that they’re only concerned with things being made,” Travis said. “They’re not concerned with people being paid for things being made.”
    Writers are also advocating to regulate the use of AI in entertainment because it remains a legal grey area.
    “It’s not clear that the work that it outputs is copyrightable, and a movie studio is not going to spend $50 to $100 million shooting a script that they don’t know that they own the copyright to,” Conover said. “So we figured this would be an easy give for [the AMPTP], but they completely stonewalled on it.”
    As the Writers Guild of America strikes for the first time since its historic 100-day action in 2007, Conover said he thinks the debate over AI technology is a “red herring.” With generative AI in such a rudimentary stage, writers are more immediately concerned with dismal streaming residuals and understaffed writing teams. Yet studios’ pushback on the union’s AI-related requests only further reinforces the core issue: The people who power Hollywood aren’t being paid their fair share.
    “I’m not worried about the technology,” Conover said. “I’m worried about the companies using technology, that is not in fact very good, to undermine our working conditions.”

    Glaze protects art from prying AIs

    Science fiction publishers are being flooded with AI-generated stories

    AI can’t replace human writers by Amanda Silberling originally published on TechCrunch

    AI is not sophisticated enough to replace trained TV writers. Yet as the Writers Guild strikes, networks won't budge on demands not to use AI.

  • 5 tips to get more engagement on social media for musicians.
    #Promotion #Social #Musicians #Tips

  • Soundly Place It Is A FREE Plugin That Emulates Different Speakers And Rooms.
    #Tools #plugin #free

  • SkyDust 3D is a new and first spatial synthesizer plugin. It allows to play a note and get instant 3D sound in any immersive format.
    Interesting to test it.
    #musicproduction #spatialaudio #3d #SoundParticles #plugin

    SkyDust 3D is the first commercial spatial synthesizer plugin in the world, which allows you to play a note and get instant 3D sound in any immersive format. Fantastic for stereo, exceptional in 3D.

  • Clubhouse needs to fix things, and today it cut more than half of staffClubhouse, a once skyrocketing social audio app built by Paul Davison and Rohan Seth, has laid off more than half of its staff. The startup’s co-founders made the decision in response to customer habits changing in a post-COVID world and remote work complexities, according to a blog post.
    Those who were impacted will receive severance and continued healthcare coverage for the next few months. A spokesperson for Clubhouse declined to comment on the number of people impacted by today’s workforce reduction or the number of employees who remain at the company. Last October, Davison told TechCrunch that Clubhouse had close to 100 employees.
    Layoffs come under a year since the company last laid off a portion of staff as part of another restructuring. The company then told TechCrunch that “a few individuals have decided to pursue new opportunities and a handful of roles were eliminated as part of streamlining our team. We are continuing to recruit for roles in engineering, product and design.”
    The social app, backed with more than $100 million in venture capital and once valued at $4 billion by investors including Andreessen Horowitz, Tiger Global and Elad Gill, took a different tone in today’s larger layoff.
    “As the world has opened up post-Covid, it’s become harder for many people to find their friends on Clubhouse and to fit long conversations into their daily lives. To find its role in the world, the product needs to evolve,” the co-founders wrote in a blog post. They went on to write that the business has tried to change with its current team size but has been unable to due to the size of the team. “It’s difficult for us to communicate the strategy to cross-functional teams when it’s evolving by 1% each day, or to make quick changes when each surface is owned by a different product squad. Being remote has made this especially challenging for us.”
    Unlike many entrepreneurs, the co-founders did not cite the economy when announcing the layoffs. Instead, Clubhouse seems to be responding to complexities that arise from overhearing and a remote work environment, both in running a business internally, and building something people want externally.
    “Our belief is that as the world opens up, a couple things will happen: there will be more of an acute need to have a place where you can go and be among friends and meet their friends and have great conversations. I also think that an audio product is designed to be hands-free, designed so that you can multitask…I think the trends we’re building toward are permanent,” Davison shared on stage last year at TC Disrupt, offering a window into his product philosophy around social audio and remote work.
    On stage he also responded to the ongoing critique and scrutiny around Clubhouse’s fall from hype. “The nice thing about having done this a few times before is that you tend not to get caught up in your own hype. When things are going like gangbusters, you sort of say that’s gonna come down when, when things are hard, you say we’re going to figure this out.”
    Going forward, Clubhouse’s smaller team will be focused on building “Clubhouse 2.0.”
    “As remote living, empty scrolling and Zoom meetings become more common, this is truer than ever. We have a clear vision for what Clubhouse 2.0 looks like and we believe that with a smaller, leaner team we will be able to iterate faster on the details, build the right product and honor our teammates who helped us get here,” today’s blog post says. TechCrunch reached out to a number of Clubhouse’s investors and many expressed not yet knowing what the remaining team there is cooking up. Last year, Davison mentioned the movement of Clubhouse activity away from “live podcast” and broadcasting behavior and into private rooms, intimidate internal conversations.
    The business still has time to offer further answers. Clubhouse did confirm that it has “years of runway left” and now has more as a result of today’s layoffs. The company is not enacting a hiring freeze as of yet, a spokesperson said.

    The impact of hype with Clubhouse’s Paul Davison

    Those with knowledge about Clubhouse can reach Natasha Mascarenhas on Twitter @nmasc_ or on Signal at +1 925 271 0912. Anonymity requests will be respected.  
    Clubhouse needs to fix things, and today it cut more than half of staff by Natasha Mascarenhas originally published on TechCrunch

    The social app is backed with more than $100 million in venture capital and once valued at $4 billion, built by Paul Davison and Rohan Seth.

  • Spotify shares its secret sauce: 3 layers of AI-driven algorithmsSpotify’s AI-driven algorithms have drawn praise for their accuracy and concern over their potential for bias. With 500 million active monthly users, how its algorithms work has massive implications for. Continue reading
    The post Spotify shares its secret sauce: 3 layers of AI-driven algorithms appeared first on Hypebot.

    Spotify’s AI-driven algorithms have drawn praise for their accuracy and concern over their potential for bias. With 500 million active monthly users, how its algorithms work has massive implications for. Continue reading

  • Hello Zagreb and Tekuno startup on NEAR.
    #crypto #NEAR #Blockchain #NFTs #Web3

    NEAR Foundation is thrilled to announce that Tekuno, one of the most innovative NEAR Balkans Hub projects, recently teamed up with Mastercard to serve up an incredibly unique real-life NFT…

  • Free 3D panner for Mac (Transpanner).
    #free #spatialaudio #plugin

  • Snap, which now has 750m monthly users, expands augmented reality partnership with Live NationPlatform will offer custom-built, immersive AR tools at 16 festivals
    Source

  • Music therapy.
    #music #Listening

  • Music funding, grants opportunities list and application tips posted in DittoMusic blog.
    #Musicians #independent #artists #MusicBusiness

    After a cash boost for your musical project? Get funding support and apply for music funding and grant opportunities to help you create music in 2023.