"How are you doing with this insane pace of the music industry?..
There is so much flux. A couple weeks ago MIDiA Research’s Mark Mulligan told us if you are following the rise of daily music releases from 60,000 per day to 120,000 per day, it’s time to get ready for the reality of 1 million tracks per day! What photographers faced with the release of the iPhone and the rise of Instagram, music is finally facing. The appetite for music has never been stronger and the tools for new music creators have never been cheaper and more plentiful, including a way to reach a massive audience. Mark says the post-streaming era is already here and it brings together the creator economy, super fandom, and AI." Well said Dmitri Vietze ( #MusicTectonics ).
#MusicIndustry #MusicBusiness #MusicTechnology

Raised fees are “shattering” Discogs’ community, sellers sayRising fees are “shattering” Discogs’ vinyl community, The Verge is reporting.
In recent years, Discogs has been huge among vinyl collectors and music fans, the platform giving them the chance to buy even the most obscure records and look up information about numerous artists and releases too.

READ MORE: Early Indian electronic music found on tapes in a university cupboard released in a compilation

“Some people just buy records for the album art hanging on the wall,” says Doug Martin, who’s been selling on Discogs since 2020, in comparison to Discogs users. “These were real fans listening to real music who cared about the format and the medium. That’s what attracted me in the beginning.”
But while Discogs has been a huge part of the internet for music aficionados, many sellers are unhappy with rising fees and restrictions, and the slightly outdated feel of the site.
One seller from Connecticut tells The Verge, “I’ve made my living with this company for the past decade. It’s just the frustration that you have no control over what they’re doing, and it doesn’t even make any sense.
“They’re under the impression that they’re the only game in town. The fees were relatively low, but now that they’re higher, there doesn’t seem to be a reason to use that anymore.”Indeed, one seller based in Europe says that he does 80% of his business on Discogs, and makes around €20,000 a month on the site. However, his sales have halved over the past year, and he’s in the process of ditching the site and building his own.
Issues first began when Discogs raised its fee from 8% to 9% in May, and began charging the same fee on shipping costs too – making international transactions, often popular on the site, more difficult.
Discogs suggested that sellers use a tool it had created to raise the prices of all of their products by the same percentage, or offer free shipping. Doug Martin, another Discogs seller, says of their communication with sellers, “It’s like, ‘I said what I said, and we’re done.’ Well, you’re really not, because we all have to live with this and so do you.”

The post Raised fees are “shattering” Discogs’ community, sellers say appeared first on MusicTech.

Songtradr says it will ‘work towards a fair and equitable outcome’ for Bandcamp workforce, following layoffs at Bandcamp made by former owner Epic GamesOne of the biggest music industry stories of the year arrived last week with the news that Songtradr is to acquire Bandcamp from Epic Games. The announcement arrived a year and a half after Epic (the maker of the hit video game Fortnite, and Unreal Engine) itself acquired Bandcamp – an online music store and direct-to-fan … Continued
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Spotify prompt-driven AI playlists risk devaluing many artists, genresSpotify is testing AI-generated playlists based on custom prompts. The streamer successfully launched its AI-powered DJ feature last year. Code pointing to prompt-driven AI playlists was discovered within the Spotify. Continue reading
The post Spotify prompt-driven AI playlists risk devaluing many artists, genres appeared first on Hypebot.

YouTube Shorts sponsors Manager of the Year category at A&R AwardsShort-form video platform backs management showdown at UK industry's elite awards night
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"If a number of popular "artists" today would follow even a handful of these, I think that the music of today would be much much better!" - one posted comment in 2012.
Advice to Young Musicians, by Robert Schumann.
#Artist #Musicians #Music #Education

Songtradr acquires Bandcamp from Fortnite maker Epic GamesNews arrives a year and a half after Epic Games acquired Bandcamp
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Electric Keys Is A FREE Rhodes Piano For Kontakt Player
Fracture Sounds release Electric Keys, a FREE Rhodes Mk1 library for Kontakt Player. Electric Keys is the first release by Fracture Sounds from the Blueprint series, a collection of free sample libraries for Kontakt Player. It is one of the better free libraries for Kontakt we’ve seen in recent times. It’s always great to see [...]
View post: Electric Keys Is A FREE Rhodes Piano For Kontakt Player

AI legislation could unintentionally affect cover bands.
#AI #Music #Technology #Artist

FMC - Film Music Contest 2023 This years Film Music Contest is now underway, with composers of film, television and video game music invited to register submit their original compositions.

How the vinyl industry weathered pandemic disruptions to emerge stronger than everCOVID-19 hit the vinyl industry as a perfect storm. Making a recording, even at the best of times, demands an intricate and specialised production process. The pandemic introduced shortages of key materials and skyrocketing manufacturing costs that pushed lead times for new vinyl pressings to as long as 12 months.

READ MORE: Tycho’s $160,000 studio collection is flying off Reverb’s shelves

Stores shuttered. Global shipping delays kept existing stock off shelves. And, as the disruptions of 2020 stretched into 2022, stakeholders across the industry were left with the uneasy but not unfamiliar feeling that maybe the medium of vinyl truly might not recover this time.
However, if there’s one thing we should have learned over the last few decades, it’s that vinyl doesn’t go down easy. In 2023, the industry has not only weathered the tempest but has seemingly emerged stronger than ever, thanks to a dramatic expansion of production capacity at existing facilities and new pressing plants opening up around the world.
“The current lead times are a lot healthier,” says Anouk Rijnders, project manager of Artone Studio in The Netherlands. “When you have a new album recorded, you don’t want to have to wait a year to get it released. A turnaround time of 12 weeks is much better for the industry.”
DeWolff at Record Industry. Image: Jaap Kroon
Similarly, while some local record stores were forced to close permanently, many more pivoted to online sales. It proved effective in connecting with customers during the lockdowns and pushing through the pandemic slump, says Larry Jaffee co-founder of the annual Making Vinyl conference and author of Record Store Day: The Most Improbable Comeback of the 21st Century.
“The latest sales numbers suggest that consumer demand for vinyl remains strong,” says Jaffee. “New brick-and-mortar outlets have opened on both sides of the Atlantic Ocean since life has returned to normalcy.”
Esher Vollebregt, manager for Record Store Day in the Netherlands, sees a similarly encouraging trend: “Stores are doing really well and not many locations had to shut down. The total number of shops in the Netherlands has remained very stable over the years and vinyl sales are still growing. Fun fact: of the five or six new stores that opened after the pandemic peak, two are run by young girls – 20-year-old Sophie from Artistic Records and 14-year-old Quinty from Q-Records.”
That young people are interested in retaining these local hubs is an important victory for the industry. While online sales may offer convenience for customers, and a financial lifeline for businesses, the unique role that physical record stores hold is hard to replace.
Record Industry vinyl pressing plant. Image: Jaap Kroon
From crate-digging culture to community connection, these spaces are about more than making a purchase. “Record stores are places to get in touch with new music in an accessible way,” says Vollegregt. “They are the main physical meeting point for vinyl enthusiasts and the vinyl culture.”
Record stores are essential in maintaining existing vinyl communities on a local level. But large-scale in-person events have emerged as the best way to excite the wider public and introduce younger generations to the medium.
Jeffrey Smith, VP of marketing at Discogs, says events like the upcoming Haarlem Vinyl Festival in the Netherlands are pivotal in sustaining the culture and growing connections within the diverse communities who celebrate the medium.
“These events provide a space for collectors, fans, artists, sellers, and historians to celebrate their shared passion for music and vinyl,” says Smith. “In essence, they are the beating heart of the vinyl community, igniting connections, nurturing growth, and preserving the enduring appeal of vinyl records for generations to come.”
Featuring an open-air record fair, live performances, listening sessions, and a conference program, Rijinders says multi-day events like the Haarlem Vinyl Festival function as a generational bridge – where people can not only celebrate the medium but exchange knowledge.
Vinyl against the sunlight in the Netherlands
“The great thing about an event like this is that many people, young and old, can get together,” she says. “They can hear new music, share collections and stories, but perhaps also learn things; how to set up their system or the history of classic albums.”
The importance of connecting vinyl to Millennial and Gen-Z demographics is hard to overstate. For the medium to continue its renewed relevance, passion has to be passed down to the next generation. Here, there are many promising signs.
“There’s no better example than Taylor Swift selling nearly one million units of Midnights,” says Jaffee. “Seven of the top 10 US best-selling albums on vinyl in 2022 were artists popular with Gen Z and millennials. That included Harry Styles, Olivia Rodrigo, Kendrick Lamar, and Tyler, the Creator.”
Moving forward, Jaffee says he hopes this trend continues, with labels increasing vinyl releases for current artists with big streaming numbers. However, he also sees opportunities to revisit older albums that missed out on a vinyl release.
“Albums from 1990s artists, released during the CD era’s heyday, are still not available on vinyl,” Jaffee points out. “Let’s not forget the first decade of the vinyl comeback was driven by baby boomers like me who missed spinning on a turntable the beloved albums of our collective youth.”
In a similar manner, Jaffee continues, vinyl releases of classic Gen X and Millennial anthems could drive future growth for the industry by offering an entry point for middle-aged listeners who want a more tangible connection to the albums they’ve loved for years.
Vinyl shot against backdrop in the Netherlands
There are plenty of positive signs and future opportunities for vinyl – but there are still challenges to overcome. Both Jaffee and Rijnders point to the recent surge in production capacity as having potentially negative consequences. “There’s actually too much capacity at the moment,” Rijnders says. “This might lead to lower prices and perhaps even a price war between the smaller pressing plants.”
“The industry appears to be a victim of its success,” agrees Jaffee. “Vinyl record manufacturers must not make the same mistake that CD replicators did in the 1990s and embark in a cutthroat price war to win new business because it’s not sustainable.”
The process of manufacturing vinyl is far from streamlined. There is currently only one company – based in Japan – producing the lacquer needed to make a ‘master’ disc for vinyl pressings. Such bottlenecks in the supply chain leave the industry vulnerable to future disruptions.
Similarly, the machinery needed by pressing plants grows increasingly rare and specialised and there is a growing need to update both the industry’s tools and its materials. “It’s all vintage equipment,” says Jaffee. “Speaking of which, the vinyl industry continues to – and needs to – do its part to help reduce its carbon footprint amid the global warming reality, by developing non-toxic materials that go into the actual composition of a record.”
Overcoming these hurdles offers benefits not only for collectors, store owners, and manufacturers, but for artists as well. Given how financially precarious streaming is for the majority of artists, a thriving vinyl industry may offer an essential alternative source of income.
DeWolff signing their vinyl jacket at Record Industry. Image: Jaap Kroon
“Musicians make far more money from sales of their records than they’ll ever see from streaming royalties,” says Jaffee. “This is even more true for those artists who take records on the road to sell at gigs. They will earn far more profit – as much as a 50 per cent margin per record – when compared to the royalty stake from traditional vinyl sales.”
At the same time, Jaffee acknowledges that vinyl pressing remains a costly proposition when dealing in smaller quantities – something that is likely to be prohibitive for smaller or independent artists.
Decades after its supposed demise, the story of vinyl is one of remarkable resilience. A cat with nine lives, a phoenix from the ashes, Bruce Willis in Die Hard – not one of them can match the staying power of the humble LP.
The entire catalogue of recorded music is readily available at bargain bin prices, and yet people still gravitate to vinyl because it offers something that digital streaming platforms have been unable to replicate.
The vibe of a listening bar, the sense of accomplishment that comes with finding a rare gem, the feeling of owning a music collection rather than renting it via subscription, the personal connections offered by stores and events – these are much-needed counterpoints to the increasingly abstract and passive listening experience offered online.
Vinyl is the musical medium that just won’t quit – and we, in turn, can’t quit vinyl.
The post How the vinyl industry weathered pandemic disruptions to emerge stronger than ever appeared first on MusicTech.

NFTs could be used to "print" the ownership to a blockchain but not for selling art itself. For instance, it's like a public proof certificate of something: i.e. - ownership, qualification, copyright, etc.. But it seems it all went the wrong way again. And now it's the turn of AI, hopefully it will bring the positive results. We'll see...
#NFT #Blockchain #decentralization #MusicIndustry #Art #Music

Hello to Ableton Live but by Avid 😎 called Pro Tools Sketch.
#musicproduction #Tools #DAW #Musicians #Producers

"The future is uncertain and the system we operate in is complex. We know this, and yet we don’t tend to act productively towards that knowledge. So much in our industry is focused on short-term goals – from breaking new artists to getting that VC bag. However, it’s actually not platforms, labels, or start-ups who shape markets – it’s artists. They are the first movers, it’s their creative expressions that help founders find their niche and platforms find product-market-fit."
#MusicIndustry #artists

I've listened to several random tracks at https://masterchannel.ai/ and I wouldn't say masters sound better than mixes...
#AI #Mastering