Sonica is a New Music Platform Putting Artists Back in ControlNo hidden fees, no commissions, no algorithms, no AI — Sonica is the latest startup offering artists ethics-aligned streaming with 100% ownership of revenues and rights.
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Great, but #PublMe https://publme.com platform is since 2021 ✌

Suno has acquired Songkick: What it means for ArtistsControversial AI music platform Suno acquired Songkick as part of its new deal with Warner Music Group. But why would an AI music creation tool want to own a struggling concert listing service?
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Soyuz are the great mics, sound and look both good #musicproduction

Because it's only GENERATIVE thing #AI for #Production and #Music not a "magic button". Need to consider both: rights and quality

“Music producers are rejecting AI”: Study reveals over 80% of producers are against AI-generated songsThere have been few topics at the forefront of producers’ minds in 2025 quite like artificial intelligence. Hell, it’s been the conversation of the entire world this year, pretty much. But for all its hype, how much are musicians and producers actually leaning on AI in their work?
According to a new global study conducted by sample clearing platform Tracklib, on the whole, music producers are “rejecting” AI, with only 6% using generative tools regularly in their work.

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The study – dubbed Music Producers & AI 2025 – examines “how producers think about, adopt, and pay for AI tools in their creative workflow”, and saw responses from 1,734 producers, representing the global producer market of “20 million” people, according to Tracklib.
The results show a pervading distrust or dislike of AI in music production, with only 17% actively in favour of the technology, 45% neutral and a massive 38% actively against it.
While AI music production tools are now widespread, the study notes that adoption of these tools remains somewhat limited; of the 32% of producers who say they use AI tools, most of these are with assistive use cases such as stem separation, EQ and mastering. 
Only 6% of producers admit to using fully generative tools like prompt-based song creation, and a massive 82% are against full song generation using text prompts.
Despite the increasing prevalence of AI artists on streaming platforms like Spotify – take the Velvet Sundown, for example, or Xania Monet – 78% of those surveyed said fully AI-generated music should not be allowed on streaming platforms. But if such tracks remain listed, 81% want these platforms to clearly label music that has been produced partially or wholly using AI. And 83% support mandatory disclosure of AI use by producers themselves.
“Producers clearly separate assistive AI from generative AI,” says Andreaas Liffgarden, Head of Catalog & Chairman of Tracklib. “Stem splitting, EQ, and workflow accelerators are widely accepted. But when it comes to full-song generation, the attitudes shift sharply towards scepticism, concerns about artistry and copyright.”
Despite the results of the study showing a lean towards AI scepticism, AI in music continues to boom. Earlier this week, it was revealed that Suno, one of the biggest AI song generation platforms, had secured $250 million in its latest funding round, meaning it’s now valued at 2.45 billion.
Read the full global study on AI usage in music production at Tracklib.
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AI music generator Suno raises $250M in latest funding roundAI music generation platform Suno has just raised $250 million in a Series C funding round at a $2.45 billion post-money valuation, the company reports.
The funding round – led by Menlo Ventures with participation from NVentures (Nvidia’s venture capital arm), as well as Hallwood Media, Lightspeed and Matrix – will accelerate the development of Suno’s “full-stack music ecosystem, model, workstation, artist tools and community”.

READ MORE: How I turned my DAW into an improv partner while producing my jazz album

The latest funding round follows a series of moves by Suno aimed at “redefining what’s possible in music creation”. In September, the company launches the “first-ever” generative audio workstation, Suno Studio, which pairs professional-grade multi-track editing with AI stem generation.
In the leadup to the launch of Suno Studio, the platform acquired WavTool, the first browser-based DAW. The move saw Suno adopting WavTool’s browser-based functionality, allowing it to repurpose the technology for its Suno Studio DAW.
“We’re seeing the future of music take shape in real time,” says Mikey Shulman, Co-Founder and CEO of Suno. “In just two years, we’ve seen millions of people make their ideas a reality through Suno, from first-time creators to top songwriters and producers integrating the tool into their daily workflows. This funding allows us to keep expanding what’s possible, empowering more artists to experiment, collaborate, and build on their creativity. We’re proud to be at the forefront of this historic moment for music.”
“Suno is the world’s #1 music creation app, making music accessible to everyone. Mikey and the team have built something people genuinely love using and millions of fans are on the platform every day, creating original songs and sharing them with friends,” says Amy Martin, Partner, Menlo Ventures.
You can read more about Suno’s latest funding round in a blog post entitled ‘The Future of Music is Already Here’.
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Arturia KeyStep Mk2 packs generative tools and deep sequencing powerArturia has announced the KeyStep mk2, the latest version of its acclaimed compact controller and sequencer, claiming that it’s “more creative, more connected, and more immediate than ever”.
Arriving nearly a decade after the original KeyStep’s debut, the Mk2 takes everything musicians loved about the first generation and expands it with new generative tools, a clearer OLED display, extended connectivity, and a more powerful sequencer and arpeggiator.

READ MORE: Modular, AI-powered Sound Blaster Re:Imagine lets you build your dream audio hub — and it’s already 10x past its Kickstarter goal

Described by Arturia as the “ultimate compact controller and sequencer for DAWless workflows or hybrid setups”, the KeyStep Mk2 caters to two main users: synth and modular musicians who need keys and connectivity in a compact format, as well as bedroom producers looking for powerful and creative functionality that fits their workspace.
Key features like the 32-note Slimkey keyboard, pitch bend and modulation strips remain, while the all-new Mutate button introduces a dash of unpredictability. With just a single touch, users can instantly transform sequences or arpeggios – from subtle tweaks to bold variations – perfect for getting through those creative blocks or for exploring fresh ideas.
Credit: Arturia
The sequencer has also been significantly upgraded, offering eight times more memory, unquantised recording, Bend & Mod automation, Undo, step editing, and pattern chaining. Meanwhile, the expanded arpeggiator boasts 16 modes, 9 pattern variations, octave control, and a new Arp Length Reset for deeper rhythmic expression.
Musicians can also stay perfectly in key with scale locking, and record or play chords with expressive voicings, as in the high-end KeyLab 3 controller.
On the hardware side, Arturia has modernised the KeyStep’s design with USB-C connectivity, a dedicated power switch, and a clickable encoder that, along with the OLED display, allows for faster parameter access without relying on the MIDI Control Center.
Designed for hardware-first control, the KeyStep Mk2 can patch into modular rigs, trigger drum machines, and sequence synths old and new. With DIN MIDI I/O, assignable CV outs, and pedal support, it’s ready to command virtually any setup – live, in the studio, or on the move.
The Arturia KeyStep Mk2 is priced at $139/€129, and is available now.
Learn more at Arturia.
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Modular, AI-powered Sound Blaster Re:Imagine lets you build your dream audio hub — and it’s already 10x past its Kickstarter goalCreative Technology is bringing back the Sound Blaster name – but not as a sound card. The company has launched a new Kickstarter for Sound Blaster Re:Imagine, a modular audio hub that merges retro-inspired design with modern creator workflows.

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At its core, the Sound Blaster Re:Imagine is designed to connect just about everything. PCs, gaming consoles, tablets, microphones, headphones, speakers, even instruments – all route through a single hub, where any input can be sent to any output with a simple tap.
What makes Re:Imagine stand out, though, is its magnetic modular design. The base unit can be customised with magnetically attached modules – think sliders, knobs, quick keys, or even smart displays – so you can rebuild your setup on the fly. Each control is also fully programmable, allowing users to create macros for everything from muting a call to triggering a software code compile or activating any Matter-enabled smart home device.
Credit: Creative Technology
Under the hood, Re:Imagine runs on an octa-core ARM processor with 8GB of RAM and 16GB of flash storage (expandable via microSD). It supports Wi-Fi and Bluetooth, and can operate either as a standalone Linux-based system or as a PC-tethered audio hub. Audio is handled by a studio-grade 32-bit/384kHz DAC and amplifier, with enough power to drive anything from professional headphones to full-sized desktop speakers.
And in true Sound Blaster fashion, there’s a playful side too. The Re:Imagine comes with AI-powered versions of Dr. Sbaitso and the Sound Blaster Parrot, plus a built-in AI DJ that generates music based on your chosen theme, along with retro DOS-style games and visualisers.
“The original Sound Blaster changed the way millions experienced sound,” says Darran Nathan, VP of Operations & Products at Creative Technology. “With Sound Blaster Re:Imagine, we set out to reimagine what a Sound Blaster can be: not just a sound card, but a modular hub, a control deck, and a creative playground with endless possibilities. We are making the Sound Blaster relevant again, for today’s generation, in today’s multi-device world.”
The Sound Blaster Re:Imagine is available now on Kickstarter, with early backer pricing starting at $329 for the horizontal base unit and four included modules (3-inch smart screen, 4-button pad, dual slider and knob).
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In principle, what needed to be proven, if you think about it logically, is that “only ‘partially’ created AI music can be registered in PRO” was decided in the US and Canada by ASCAP, BMI, SOCAN #Music #MusicIndustry #Authors #Producers #AI

OpenAI, valued at $500bn, reportedly working on generative AI music toolThe move would bring OpenAI into an increasingly crowded field of AI music generation platforms
Source

And UDIO now partners with UMG #music #majorlabels #AI #artists

Universal accused Udio of “unimaginable scales” of copyright infringement. That lawsuit’s just been settled – here’s what we knowUniversal Music Group has settled its widely publicised lawsuit against Udio, which last year accused the AI music generation platform of “unimaginable scales” of copyright infringement.
So what exactly has led to the two battling companies reaching an amicable settlement?
Well, it was speculated back in June that major labels, including UMG, were in talks with Udio – as well as Suno, another platform UMG sued in 2024 over alleged copyright infringement – to discuss potential licensing deals that would bring in fees and also include a small equity stake in the companies.

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Now, UMG and Udio have not only settled their differences, but announced plans to collaborate on a new music creation, consumption and streaming experience. Here’s what we know:
In a new statement shared publicly by UMG, it announced that both itself and Udio have laid out “industry-first strategic agreements”. The company says that in addition to the “compensatory legal settlement”, new licence agreements for recorded music and publishing will “provide further revenue opportunities for UMG artists and songwriters.”
“The new platform, which will be launched in 2026, will be powered by new cutting-edge generative AI technology that will be trained on authorised and licensed music,” reads the statement. “The new subscription service will transform the user engagement experience, creating a licensed and protected environment to customise, stream, and share music responsibly on the Udio platform.”
UMG is also the first company to enter into AI-related agreements with YouTube, TikTok, Meta, KDDI, KLAY Vision, BandLab, Soundlabs and Pro-Rata, among others. It also shares that Udio’s existing product will remain available to users during the transition period with “creations controlled within a walled garden and the service amended in multiple ways”.

Andrew Sanchez, Co-Founder & CEO of Udio, comments: “We couldn’t be more thrilled about this collaboration and the opportunity to work alongside UMG to redefine how AI empowers artists and fans.
“This moment brings to life everything we’ve been building toward – uniting AI and the music industry in a way that truly champions artists. Together, we’re building the technological and business landscape that will fundamentally expand what’s possible in music creation and engagement.”
Sir Lucian Grainge, Chairman and CEO of UMG, adds: “These new agreements with Udio demonstrate our commitment to do what’s right by our artists and songwriters, whether that means embracing new technologies, developing new business models, diversifying revenue streams or beyond.  We look forward to working with Andrew who shares our belief that together, we can foster a healthy commercial AI ecosystem in which artists, songwriters, music companies and technology companies can all flourish and create incredible experiences for fans.”
Find out more about Udio, and read the full statement from Universal Music Group.
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No reviews on your new album? #Marketing #Music

Why no one is reviewing your album or new releaseWhy is no one reviewing your album or new release? Music PR veteran Ariel Hyatt of Cyber PR looks at how streaming, new media economics and increased competition have changed how music should be marketed.
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