New York kills ticket resale restrictionsVotes on bills that would put modest restrictions on New York State ticket resellers have been delayed until at least next year. Instead, a one-year extension of the existing ticketing laws until June 30, 2026 was introduced on Sunday night.
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Why Music Fans Are Traveling for Connection, Not Just ConcertsToday’s ticket buyers aren’t just going to concerts, they are looking for deeper experiences. Learn why music fans are travelling and how artists are transforming shows into unforgettable journeys of connection and community.
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Quite obviously electronic music shows become immersive, it is not as easy to model and to tune as it seems though

Gallery: Music Business Worldwide x Luminate’s Music Leaders’ Dinner at SXSW LondonLuminate CEO Rob Jonas and MBW founder/publisher Tim Ingham jointly hosted the dinner
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Music Business News Last Week: AI Scams, Short-lived hits, MoreHere’s a look at what’s buzzing in music business news last week from a new Leadership Music class, to why songs are burning out faster, how P-pop groups like BINI and SB19 are making waves worldwide, and more...
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DIY and Independent Musician News Last WeekHere’s a must-read collection of independent musician news, featuring TikTok’s new artist tools, a simple guide to music copyrights and royalties, and much more...
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From the majors’ reported AI music licensing talks to Goldman Sachs’ new report… it’s MBW’s Weekly Round-UpThe five biggest stories to hit our headlines over the past seven days
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Live Music News: NIVA, EVA, Top Drawer, Concert Stuff & MoreIn the latest live music news, the National Independent Venue Association (NIVA) has announced Jim James, frontman for My Morning Jacket, and legendary producer Jimmy Jam will keynote NIVA '25.
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How to use Physical Music Sales, Merch to build a Loyal FanbaseIn a digital-first industry, physical music sales and merch offer something streaming never can: a real, lasting connection with fans. Learn how to turn every sale into a meaningful moment that builds loyalty, buzz, and a fanbase that sticks around.
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Hollywood Independent Music Awards DeadlineAre you feeling hyper-positive about your music? Consider for a moment how great it would feel to hoist aloft a Hollywood Independent Music Award in a moment of victory, a baying crowd chanting your name Rocky-esque. The world at your feet.Well, you'd better get a move on because the deadline for submissions is fast approaching. "HIMA is accepting SONG, ALBUM, PUBLISHER and RECORD LABEL submissions through June 15th," they said this week in a statement. "Reviews are ongoing and a select few early nominations will be posted in a few days. Early selections are for the benefit of nominees located outside of California, allowing time to make travel arrangements."June 15 is deadline day, and all of the submission links can be found here.So make it happen. Back yourself and get submitting.The post Hollywood Independent Music Awards Deadline first appeared on Music Connection Magazine.

Concord’s film and TV division acquires legendary studio RKORKO was behind numerous classic films such as 'King Kong,' 'It's A Wonderful Life' and 'Citizen Kane'
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AI futures: Culture warsAI is transforming culture, entertainment, business, and society at a pace unprecedented in the digital era. Unlike previous tech, AI is evolving at the speed of computing, not the speed of the human brain. While some disillusionment with AI will inevitably follow, it is likely to be shallow and short lived. Meanwhile, entertainment business and culture will have been turned upside down. 

Building on MIDiA’s already-extensive body of AI analysis, we have just released our biggest and most comprehensive report yet. The report provides an exhaustive view of where AI is at right now, where it is heading, and how entertainment companies need to respond and adapt. With more than a hundred companies and brands referenced, nearly 30 pages of analysis, new data, workflow analyses, and scenario mapping, if you are in entertainment or the creator economy, this report is a must read. The report is immediately available to MIDiA clients.

Here are a few highlights…

The early buzz around AI has focused on what it can make rather than what it can do. The simple fact is, it is easier to gauge the potentially transformational impact of something by seeing or hearing what it does than by thinking about how it might change processes and workflows. Yet, it is the latter that we should pay most attention to – and this is where AI’s most important work will be done.

AI will reshape entertainment from three directions:

Creators using AI

Consumers using AI

Companies using AI

AI alone will not drive change and disruption to entertainment – it needs consumers, creators, and companies to use it. While the first wave of AI hype focused on creation, creators’ primary needs lie in their wider workflows, and the AI vendor landscape is evolving to meet this wide array of needs. The following are key workflow focuses:

●  Inspiration (e.g., Songstarter, CoSo, vidIQ) 

●  Creative co-pilot (e.g., CoPilot, Descript, CoProducer)

●  End-to-end creation (e.g., LTX Studio, Mubert)

●  Final touches (e.g., LANDR, Captions AI, Resound.fm)

●  Workflow(e.g., Podcastle, COSMOS, Dream Screen)

●  Career (e.g., MNGRS.AI, Replo, Albert)

While creators are leaning into workflow tools, consumers are engaging en masse with utility and creation tools. While much of this leans towards functional creation (writing cover letters, writing college papers, etc.) AI is also presenting wider creative opportunities to consumers, and this behaviour will grow. Rather than a blurred line between creator and audience, the overlap is more like a segment of a Venn diagram. AI will result in more consumers creating – not just for the results, but because creation will become a form of entertainment in its own right. 

Entertainment companies are adopting AI at pace too, integrating it across their workflows, from sourcing content through to royalties and reporting. The most interesting area to keep an eye on is entertainment companies using AI to stamp their visual or sonic identity on their releases and output and using AI to identify talent before it is talent. In other words, the top of the funnel is going to start outside the funnel!

It is becoming clear that, unless specific lanes are built for it, AI will encroach upon everything. There is a growing body of thinking about how to compete against AI, but the harsh reality is AI can compete with everything where it can exist, and we are going to reach a point where it is hard to distinguish between “AI” and “non-AI” content. It is the platforms, therefore, that must actively build walls around AI.

This is just a high level overview of the report. There are lots (and I mean, lots) of interesting reads about AI at the moment – but, this is not only an interesting read, it is a necessary read! 

If you are not yet a MIDiA client and would like find out more about the report, email businessdevelopment@midiaresearch.com 

Why DIY Live Music Spaces are more important than everEven as streaming dominates music and the music industry, grassroots and DIY live music spaces remain the heart of real music culture. Learn how they build community and launch careers even in an increasingly algorithm-driven world.
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46 Industry Pros named to Leadership Music Class of 202646 industry professionals have been named to the Leadership Music Class of 2026. The 8 month program begins in October and offers an immersive exploration of the music business, fostering cross-sector understanding. Continue reading
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Live Review of Teen MortgageZebulon Los Angeles, CA Contact: ryanc@biz3.net Web: instagram.com/teen_mortgagePlayers: James Guile, vocals, guitar; Ed Barakauskas, drums A new sound has emerged amongst the latest wave of punk bands in the last 10 or so years. A surfy indie-influenced power-pop take on garage punk seems to be exactly the right mix of angst to get the younger generations two-stepping. Bands like Bad Nerves, Wine Lips, Stiff Richards, and Together Pangea have gone on to support legendary touring acts such as Weezer and The Darkness as well as play festivals like Punk Rock Bowling and Riot Fest. Emulating this same sound is D.C.-based duo Teen Mortgage. They were only on the Zebulon stage a mere 10 seconds before a pit erupted, painting the walls of the small venue with the flying bodies of sweaty teenagers. Despite minor sound issues in the beginning, the theme of anti-authoritarianism shone through. Gritty yet catchy punk songs were accompanied by early 2000s Thrasher skate videos playing in the background. Younger generations love to bask in nostalgia when it’s mixed with existential nihilism, and the audiovisual clash on display at the show highlighted just that.The politically charged nature of the lyrics contributed to said nihilism as several people screamed their hearts out to lyrics about greed and fascism. The night took a rather humorous turn as the band enacted a small intermission for water, accompanying the moment with the iconic Wii Shop Channel theme music played in the background. Shortly after, the passion reached an all-time high as several members of the audience attempted to stage dive (rather unsuccessfully). While the set was short by usual show standards, fans still got an opportunity to hear hits like “Oligarchy” and “Tunin In” as well as soon-to-be classics from the new record like “Ride” and “Control.” Teen Mortgage clearly prides itself on being a band that wears their influences on their sleeve, literally. Vocalist/Guitarist James Guile was rocking a B-52s shirt, while drummer Ed Barakauskas could be seen in a Type O Negative shirt. Later, when the band was mingling with the audience members after the show, Ed would go on to cite his shirt when we asked for a quote, stating “I don’t do well when put on the spot, but I can tell you that World Coming Down is the best Type O Negative album.” As we watch the state of semi-mainstream punk shift over time, Teen Mortgage will definitely be a band to look out for.The post Live Review of Teen Mortgage first appeared on Music Connection Magazine.