2000s Emo Music is making a comebackBetween nostalgic veteran listeners and newfound Gen Z fans, 2000s emo bands like My Chemical Romance and the Used are making a comeback. by Karen Fischer of Chartmetric Blog It’s. Continue reading
The post 2000s Emo Music is making a comeback appeared first on Hypebot.

Latin music generated $627m in US recorded music revenues in H1 2023 – up 14.8% YoYLatin music’s share of overall US recorded music revenues reached 7.5% in the first half of 2023, according to RIAA's Mid-Year 2023 Latin Music Report
Source

[PIAS] boss Kenny Gates on Deezer x Universal’s ‘artist-centric’ model: ‘For labels who invest every year, relentlessly, in new talent, this has to be good news.’ Thought the debate had died down? Think again...
Source

Matt Ross-Spang Opens Southern Groove Studios in Memphis, TNGrammy Award-winning producer and engineer Matt Ross-Spang has opened Southern Grooves Studio at Crosstown Concourse in Memphis, TN. Reverb recently featured the studio in their "Show Us Your Space" series, praising, "In the middle of the 20th century, the wonderful mix of soul, country, blues, R&B, and rock 'n' roll that shot out of Memphis studios like Sun and Stax electrified the world. Producer, engineer, and studio owner Matt Ross-Spang—who probably knows as much about this Memphis Sound as anyone still living can know—is giving it new life in the 21st century."

Ross-Spang has worked at the most iconic studios in Memphis, Muscle Shoals, and Nashville — Sun, Sam Phillips, Fame, RCA — producing, engineering, and mixing music by artists like Elvis Presley, Lou Reed, Al Green, John Prine, Jason Isbell, Lori McKenna, Margo Price, S.G. Goodman, Drive-By Truckers, Mountain Goats, Cut Worms, Iron & Wine, and more. He has won two Grammy Awards, for engineering Isbell’s 2015 album Something More Than Free and again for its follow-up, 2017’s The Nashville Sound. Out this year alone, he produced Peter One's Come Back To Me, Lucero's Should've Learned by Now, St. Paul & the Broken Bones' Angels In Science Fiction, Blind Boys of Alabama's Echoes of the South, and Old Crow Medicine Show's Jubilee, in addition to engineering Jason Isbell & the 400 Unit's Weathervanes and mixing Morgan Wade's Psychopath.

On designing his new studio, Ross-Spang offers, "When I decided to build this studio I wanted to combine the spirit behind some of my favorite historical studios and my love of mid-century modern design. The studio follows the tried and true method of avoiding parallel surfaces, even utilizing an undulated ceiling - a preference of Sam Phillips. Like many of the great early 60s studios, I went with a tile floor for a livelier sound. The acoustic treatment (wood and burlap) is similar to what you’d find in Studios in the 70s, especially in Memphis and Muscle Shoals. We designed the studio around Crosstown's distinctive structural columns. They are 3 feet thick and at 17 feet intervals. The columns add unique acoustic and visual properties to the room.   I live in a time capsule Mid-century Modern home built in 1957. I used some of its wood paneling and ceiling beams as inspiration in my studio for the live room and iso booth. The furniture was hand-picked to match the studio’s aesthetic. I wanted a custom chair rail around the live room and had it sized for microphones, drinks, and even guitar pedals to add stylish shelving and comfort to the room without clutter. Most importantly the studio, although brand new, feels like it’s been around for decades."

Of the studio's custom equipment, he adds, "As the studio was taking shape I realized that I needed to synchronize the equipment and functionalities seamlessly with the studio's aesthetic. As a student of music history, I’ve always loved how classic studios like Abbey Road and Decca would custom-build their equipment and needs. You can look back at old studio photos and know exactly what studio it was by just pictures of the acoustic treatment or even the gobos. This is somewhat lost in modern studios and I wanted to bring it back. Ken Capton and I designed brand-new gobos from the ground up. They are stackable with removable panels (a lively hard side or a “dead” treated side). The Top half of the gobo is even designed to be the same height as the chair rail in the live room for us with amplifiers. We even designed custom casters for the Hammond B3 to be portable and visually appealing. Greg Pace and I designed my favorite piece: a modern Cue System to fit my studio's needs and looks. The boxes were hand-built and painted pistachio green. They feature our own 2 channel design and are all analog. They are screwed into some sleek space-age end tables. Each table was modified with the connectors and cabling!"

In celebration of adding the final touches to Southern Grooves, Ross-Spang is hosting a private Grand Opening Shindig for industry and press at the studio tomorrow, September 28, starting at 5:30pm CT. Attending press can RSVP HERE. Can't make it? Find more photos of the space and equipment HERE.

NIVA calls out Live Nation for its ‘calculated attempt’ to divert artists from independent venues[UPDATED] NIVA (National Association of Independent Venues) is pushing back against Live Nation’s announcement that its clubs will give $1,500 in cash gas and travel stipends to each headliner and support. Continue reading
The post NIVA calls out Live Nation for its ‘calculated attempt’ to divert artists from independent venues appeared first on Hypebot.

The truth behind why you aren’t getting more streams [Randall Foster]Just because your music isn’t getting attention does not mean it doesn’t deserve it. This post from Symphonic’s Chief Creative Officer covers what needs to improve your music streams. By.. Continue reading
The post The truth behind why you aren’t getting more streams [Randall Foster] appeared first on Hypebot.

Worthless NFTS, Growing a Fanbase & more: Hypebot’s Bruce Houghton joins the Music Biz Weekly PodcastI’m always honored and excited when invited to be on an episode of the long-running Music Biz Weekly Podcast, so when Micahel asked if I’d join again (Jay was at. Continue reading
The post Worthless NFTS, Growing a Fanbase & more: Hypebot’s Bruce Houghton joins the Music Biz Weekly Podcast appeared first on Hypebot.

Guy and Ian Charbonneau Record Eric Clapton's "Crossroads Festival" 2023Father and son recording engineers Guy and Ian Charbonneau recorded audio for Eric Clapton’s 2023 “Crossroads Festival” in downtown Los Angeles on September 23-24 at Crypto Center, utilizing the renowned Le Mobile recording truck. Guy recorded Side A of the main revolving stage aboard Le Mobile and Ian recorded Side B using the M&B Audio truck.

Pictured are (L-R) Ian and Guy Charbonneau with Le Mobile truck.

Performers this year included Eric Clapton, Sheryl Crow, Marcus King, H.E.R., Taj Mahal, John Mayer Trio, John McLaughlin, Keb’ Mo’, Santana, Stephen Stills, Molly Tuttle, ZZ Top and many others. In addition to Le Mobile and M&B activity, Ian’s new company The Recording Project recorded the two foreground C and D satellite stages with his custom remote recording system. While the revolving stage full bands were setting up, short solo performances took place with Sheryl Crow, Eric Gales and Gary Clark Jr. In addition to recording the entire event, mixing was also done for live pay-per-view broadcast streaming in support of the Crossroads Centre Antigua Addiction Recovery Center. 

Having worked for 30+ years with his father Guy and Le Mobile remote recording truck, Ian recently founded The Recording Project and created his unique fly-pack portable recording system, which can be loaded into a few cases and checked as baggage on any airline. With his new mobile system, Ian has already recorded concerts with Imagine Dragons, Melissa Etheridge, Macklemore, Dua Lipa, Khalid, and Jack Harlow, to name a few.

Pictured is Ian Charbonneau with his remote mobile fly-pack recording system.

Ian explains, “My new system consists of a DirectOut Technologies, MC Prodigy modular audio converter loaded with 64-channels of high quality MicHD preamps packaged in a custom rack with all inputs on the back side. It allows for 48 or 96K recording. The converter / preamp connects via Fiber cable to (2) Avid Madi Pro Tools system for redundancy.”

For 50 years, Guy Charbonneau’s Le Mobile has been recognized as one of the heavyweights in the remote mobile recording industry. At the heart of Le Mobile is a legendary, impeccably maintained, Neve 8058 console.

For more info about The Recording Project visit: therecordingproject.com/about.html

LOS ANGELES, CALIFORNIA - SEPTEMBER 23: Eric Clapton performs onstage during Day 1 of Eric Clapton's Crossroads Guitar Festival at Crypto.com Arena on September 23, 2023 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for Crossroads Guitar Festival)

Live Nation scraps artist merch fees at its US club venues as part of new ‘On the Road Again’ programLive Nation will also pay artists an extra $1,500 per show to cover fuel and travel expenses
Source

Live Nation clubs drop merch fees, add $1500 cash in On The Road Again initiativeLive Nation today launched “On The Road Again,” a Willie Nelson-inspired intiative designed to help developing artists with the increasingly high cost of touring. All Live Nation-owned and operated clubs. Continue reading
The post Live Nation clubs drop merch fees, add $1500 cash in On The Road Again initiative appeared first on Hypebot.

Primary Wave strikes ‘multi-million-dollar’ catalog deal with estate of iconic songwriter P.F. SloanPrimary Wave acquire Sloan’s publishing and writer’s share in his works, as well his master royalty income
Source

How music marketers can adapt to 3-second attention spansConsumers, including once loyal fans, are getting harder and harder to reach due to the rise in short-form content, but there are still ways to grab their attention. Let’s dive. Continue reading
The post How music marketers can adapt to 3-second attention spans appeared first on Hypebot.

AI legislation could unintentionally affect cover bands.
#AI #Music #Technology #Artist

What happens when a musician dies? How to protect your music nowIt’s better to be safe than sorry, so make sure your music rights and assets are all set to go in the right places so your music can live on. Continue reading
The post What happens when a musician dies? How to protect your music now appeared first on Hypebot.

Out Take: Matt NovackMatt Novack

Composer

Web: mattnovack.com

Contact: kate.twilley@impact24pr.com

Most Recent: Miracle Workers: End Times

Composer Matt Novack, who wrote the music for TBS’ Miracle Workers: End Times, which premiered this summer, says this most recent project was a challenge in experimenting with synths to match the show’s ‘80s, VHS-movie aesthetic with the use of junkyard sorts of instruments working in conjunction with the synths. 

Novack’s credits also include the cult comedy series Children’s Hospital and Neftlix’s A Murderville Holiday Special, as well as work for podcasts and video games like Assassin’s Creed Valhalla. With such a variety of genres and types of projects he’s worked on, including co-composing credits, Novack says he’s not sure if he has a distinct composing voice. “That’s something I think about a lot. I don’t know if I have a voice and could quantify it. There are things I know instinctively that I want to do musically with particular scenes, but I’m always trying to grow as a composer.” 

Novack said the comedy series Miracle Workers pushed him as a composer. “I’d used synths before, but never had the opportunity to dive deep with particular synth sounds and writing,” he says. “It was so much fun to get out of my comfort zone and learn new things. It reminded me of working on Children’s Hospital, which involved writing for so many parodies in different styles. That experience was a boot camp for a young composer.” 

With a degree in film scoring from USC, and an early-career gig as a composer’s assistant to Steven Stern, Novack took his own advice to aspiring composers: get a formal education and apprentice under a composer for real-world experience. 

“From a technical standpoint, aspiring composers should get to know different digital audio workstations (DAWs) like it’s your instrument, and learn how to write music in these programs and produce it,” Novack says. “And when you’re cold-emailing composers, producers, directors, etc., do your research on whomever you’re contacting. No one wants to read a generic email, and it’s obvious if you send one. If they’re a composer, check out their scores. If they’re a director, research their films.”