OOPS! 100,000 tracks a day are NOT uploaded to Spotify, Apple & Amazon MusicLate last year, the heads of UMG and Sony Music told the world that 100,000 tracks a day were being uploaded to music streaming services and that this glut of. Continue reading
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Everyone Loses: the problem with fixing music streaming [Mark Mulliligan]The debate around new royalty regimes has been around for some time, but momentum is picking up. When the CEO of the world’s biggest record label weighs in, then you. Continue reading
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5 ways to maximize touring revenueTouring is a great way for musicians to make money, but there’s a lot of money that has to be spent before getting on the road. Here are some ways. Continue reading
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Cool electronic press kit (EPK) guide.
#Musicians #Music #Promotion #Social

Colemine Records’ Terry Cole Trusts TASCAMWith a passion for everything related to records, Terry Cole not only operates a recording studio; he also operates a record store. As the owner/operator of Colemine Records, music production takes a front and center position. When he is not in the studio, chances are he can be found at Plaid Room Records, a record store that he co-owns. As Cole describes his arrangement, “I love making records and working with artists to create great records. As for creating music, he is a passionate TASCAM user with a combination of old and new—analog and digital.

Describing his arrangement, Cole says, “I oversee all projects at Colemine Records, which can involve anything from simply developing a marketing plan to seeing a project from the ground up, including production, art development, and release.” To accomplish this, Cole is an avid fan of the TASCAM 388 Studio 8, an integrated analog recorder/mixer that uses a quarter-inch open reel tape format. He also has TASCAM digital interfaces: a TASCAM US-2x2 2-in/2-out audio/MIDI Interface with HDDA Mic Preamps and a TASCAM US-16x08 USB audio / MIDI Interface, which is a 16-input audio device. A TASCAM Model 32 2-track, ¼-inch open reel recorder and a TASCAM 424mkiii Portastudio complete the picture.

The TASCAM Model 32 2-track, ¼-inch open reel recorder completes the analog side of music production for Cole. “The Model 32 serves as a finished mix recorder,” Cole explained. “I use this recorder to add a final bit of glue—or analog warmth—to the mix. Digital has a lot of benefits in terms of production, but it frequently lacks the ‘warmth’ that analog brings to the equation. As I mentioned earlier, I make sure the first thing our signals hit are either the 388 or 424 for just that purpose. I like to add some tape compression right from the jump, as it just sounds more natural.”

Shifting over to the digital side of production, Cole discussed his use of the TASCAM US-2x2 and US-16x08 digital interfaces. “I use the US-2x2 on my office computer to rip LPs when I’m approving tests or for use on Zoom calls as a microphone interface,” he said. “It’s also my interface of choice anytime I need to get a mic line into my office computer. I also have two US-16x08 interfaces: one is in a portable rig that I built as a mobile recording setup, while the other is my primary audio interface to our computer in the studio. The US-16x08 enables me to manage a lot of signals easily and the mic preamps are clean and quiet while delivering a lot of headroom.”

Before turning his attention back to the business of the day, Cole offered these parting thoughts regarding his TASCAM experience, “TASCAM gear is rugged, tactile, and adds an instant vibe that is sometimes hard to put my finger on. Overall, TASCAM is a key element in adding character to our recordings, and we couldn’t be doing what we’re doing without it. It’s that important.”

To learn more about Terry Cole and Colemine Records, visit www.coleminerecords.com

It’s time to stop romanticising the music business ‘radical’The following op/ed comes from long-time music industry journalist Eamonn Forde
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Believe generated €1bn in Digital Music Sales last yearDMS is the revenue generated from digital store partners and social media platforms before royalty payment to artists and labels
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Union Of Musicians petition calls for better pay for SXSW performersMore than 400 artists and two musician trade groups have called on SXSW to increase the compensation artists receive when performing at the SXSW festival. After the pandemic, SXSW was. Continue reading
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Believe, Tunecore hit $1.07B in digital music sales last year aloneBelieve, and its group of companies facilitated €1B/$1.07B in digital music sales for D.I.Y. artists, independent artists, and record labels in 2022. The company’s portfolio includes TuneCore, Nuclear Blast, Naïve,. Continue reading
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Harry Styles co-writer Kid Harpoon shares 5 simple keys to successThe Harry Styles co-writer and co-producer details why working hard, listening hard, and putting the music first is always a good policy. from Spotify For Artists Kid Harpoon (aka Tom Hull). Continue reading
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Music Investment for the Masses with Scott Cohen, founder of JKBXIn this week’s episode, former WMG executive, Scott Cohen joins Dmitri Vietze to explore the future of music investment. Learn more about JKBX, the fractionalized music royalties startup providing a regulated marketplace for users to buy and sell royalties. Explore how the music industry has evolved over the past 50 years. Join industry veteran and entrepreneur Scott Cohen as he looks to the future of AI integration and the redefinition of the artist. How will the “crypto winter” pave the way for true value in the web3 space? What’s next for the music industry? Find out on this week’s episode.

Listen to the full episode here on this page, or wherever you pod your favorite casts.

Listen wherever you pod your casts:Let us know what you think! Tweet ,@MusicTectonics, find us on ,Facebook and ,Instagram, or connect with podcast host Dmitri Vietze on ,LinkedIn, ,Twitter, and ,Facebook.

The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Weekly episodes include interviews with music tech movers & shakers, deep dives into seismic shifts, and more.

Gibson Unveils Keb’ Mo’ J-45 CollaborationGibson has announced the third artist model made in collaboration with multi-talented guitarist, singer, songwriter, and five-time GRAMMY-Award winner, Keb’ Mo’. The new Gibson Keb’ Mo’ “3.0” 12-Fret J-45 is available at Authorized Gibson dealers and on Gibson.com.

“This J-45 guitar is a great acoustic workhorse which offers a richer, brighter, sound that delivers tight bass tones that record beautifully with a microphone, or a pick-up,” says Keb’ Mo’. “The Gibson team has worked hard to make this guitar great and I’m out on the road now playing it every night. This is a quality guitar from Gibson, a brand you can trust.”

The new Keb’ Mo’ J-45 is the follow-up to Keb’s popular original L-00 signature guitars, and it offers a rich, bright tone and full, tight bass which is ideal for a wide variety of musical compositions and playing styles. The guitar features a thermally aged Sitka spruce top, mahogany back and sides, and a 25” scale mahogany neck with a rosewood fretboard, custom Keb’ Mo’ profile, and open-back Grover tuners. The neck joins the body at the 12th fret, giving this guitar the rounder, more full-bodied tone, and exceptional playing comfort that only a 12-fret neck can provide. Equipped with L.R. Baggs electronics, it’s studio and stage-ready, the moment you take it out of the included hardshell case.

Keb’ Mo’: KEBMO.COM | TWITTER | INSTAGRAM | FACEBOOK | YOUTUBE

Gibson: GIBSON.COM | TWITTER | INSTAGRAM | FACEBOOK | GIBSON TV

Scott Cohen-led startup JKBX partners with electronic market maker GTS to take music rights investing ‘to the masses’Platform to securitize and fractionalize royalty streams
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South Korea’s Kakao buys 9.05% stake in K-Pop giant SM Entertainment worth $172.8mCapital raised through the deal will fund new multi-label system, SM 3.0
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The pandemic revealed an alternative path forward for women in musicBy almost every measure, the marginalization and harassment that women in the music industry experience is not improving, but the pandemic revealed a different path forward for artists and other. Continue reading
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