Recording Academy® Producers & Engineers Wing Launches "Mixing for Atmos – What We’ve Learned” WebcastThe Recording Academy® Producers & Engineers Wing® recently hosted the first episode of its new online series dubbed "The Forum," which aims to connect P&E Wing members with exclusive insights on an array of the industry's hottest topics. Titled "Mixing for Atmos® – What We've Learned," the event initially took place on March 28 and attracted more than 180 P&E Wing members who tuned in for the live session, which has now been archived for public viewing and is available here). The two-hour segment, hosted by producer/engineers Glenn Lorbiecki and Jordan Hamlin, was an in-depth exploration with the mixing team of Matt Wallace and Will Kennedy, whose immersive projects include work ranging from Dave Matthews Band, Foreigner and the B-52s to Selena Gomez, Nina Simone, Jason Mraz, and many more. This lauded duo has helped pioneer immersive audio mixing with over 200 Dolby Atmos® projects to their credit. P&E Wing Vice President Maureen Droney introduced the event, welcoming attendees and offering background and info for the session's esteemed hosts.

Discussion began with an overview of the extensive credits garnered by the duo, ranging from classic recordings from their decades-long careers to their adoption of the Atmos mixing ecosystem. "As we made the transition from stereo mixing into Atmos, the learning curve was exponential and much more beyond what we had imagined," recalled Wallace. "And, because there were no kind of rules or guidebooks or guide rails, and no elder statesman we could refer to and say, 'Hey, how do you do this?' We had to make it up as we went along — new software, new technology. I think all of us [the whole industry] were basically thrown in the deep end," he added, noting the invaluable support of the informal "Dolby Atmos Mixers Network" of fellow engineers sharing their own discoveries.

The Recording Academy® Producers & Engineers Wing® recently hosted its first event in the new monthly online series dubbed "The Forum," which aims to connect P&E Wing members with exclusive insights on an array of the industry's hottest topics. The first event, titled "Mixing for Atmos® – What We've Learned," took place on March 28, 2024, and attracted over 180 producers and engineers in attendance. Shown clockwise: Jordan Hamlin, The Forum co-host; Will Kennedy, featured guest; Matt Wallace, featured guest; Maureen Droney, P&E Wing Vice President; and Glenn Lorbiecki, The Forum co-host.

Complete video of this first The Forum series event, "Mixing for Atmos – What We’ve Learned," is available here, with further events to be announced soon.

Universal enters strategic partnership with producer Binetou Sylla and Wèrè Wèrè Music to lead Def Jam Africa across French-speaking AfricaThe partnership will see Paris-based Binetou Sylla lead Def Jam Africa within French-speaking markets on the continent
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Primary Wave strikes multi-million-dollar music rights deal with Neil Finn of Crowded HouseDeal includes his work with Crowded House, as well as his solo material
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Spotify CEO Daniel Ek outlines 3 new ‘core’ opportunities for musicSpotify CEO Daniel Ek discussed three "core trends" for music during the company's Q1 2024 earnings call and said that the streamer is already working on all of them.....
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Leveraging Community-Building Strategies to Cultivate Dedicated Music AudiencesLong before anyone had uttered the term "superfan," smart musicians and their teams understood that a key to sustainable success was building community. Here, we look at how to identify, grow, engage, and service a fan community.....
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Celebrating the 2024 Rock & Roll Hall of Fame InducteesEach year, the Rock & Roll Hall of Fame induction process is a heated debate about who should go in and "Rock & Roll" even means, but the votes have been tallied and here are this year's inductees.

The TEC Awards Bragging Rights Begin HereCall for Entries Now Open!

TEC Finalists will shine bright at The NAMM Show and TEC Awards in 2025. Call for entries is open now through July 12.

And be sure to spread the word far and wide with your industry friends. The bigger the participation, the bigger the honor, the bigger the bragging rights!

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Hipgnosis Song Management rubbishes criticism over its service to Hipgnosis Songs Fund – while warning it and Blackstone will deploy ‘all means necessary’ should HSF attempt to terminate its dealIt basically says... Hey, HSF board – don't even think about firing us. But just in case you do, know that Blackstone will come down on you like a ton of bricks.
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Proper, formerly Utopia, tells shareholders: We need $6.4m from youCompany has called on its shareholders to support a round of funding
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Indie artist Beks bites back after falling victim $4800 Coachella ScamLA-based Australian independent dance-pop artist Beks shares how she says she was scammed by a man who claimed to be a “seven-times Grammy Award-nominated producer and artist developer.”  Beks says. Continue reading
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7 Eco-friendly Music organizations making the world a better placeThis Earth Day, we highlight seven organizations that use the power of music to advocate for the planet, one note at a time. by Randi Zimmerman from Symphonic Blog The. Continue reading
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Congress eyes AM Radio mandates while ignoring compensation for ArtistsWill radio’s free ridee ever end? Chris Castle discusses U.S. Senator Markey’s proposal to equip all vehicles with AM radios, highlighting concerns over its impact on car manufacturing and fair. Continue reading
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How artists like The Ink Spots gained 300k new listeners after featuring in Amazon’s Fallout TV series. #Music #Synchronization #MusicBusiness #Film #TV #Games

After $1.5bn takeover proposal, Hipgnosis Songs Fund’s board tells Blackstone: We’re listening…Bring on a firm offer, HSF's board tells private investment giant
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Green Day Pop Up at the EchoplexPhotos by Greg Schneider

Since the release of their third album, Dookie, in 1994, Green Day have arguably been the most popular punk band on the planet. So if you didn't catch them during the 924 Gilman Street days, the opportunities to see Green Day in venues that aren't enormous have been extremely rare.

As a result, it's been tough for many to view Green Day as a punk band at all, so much as an arena rock outfit. A really fucking good one, armed with a ton of rapid-fire, catchy tunes. But a festival-headlining arena rock outfit all the same. So this Hella Tiny Tour of smaller venues, which already saw them play the House of Blues in Anaheim in March, is priceless because we get to see Green Day in an environment where, to be completely honest, they thrive. It's like they're still in the Kerplunk era, fighting for their lives. The youthful energy is there in mountains -- snotty, joyful and very punk!

These guys connect with their crowd like few others. Peers such as the Offspring are full of on-stage banter, but Billie Joe Armstrong, Mike Dirnt and Tré Cool make it their business to make every single person in the Echoplex feel like they're a bonafide part of the show. Green Day does that even when they're playing an enormodome, as they will this summer when they play the SoFi Stadium with the Smashing Pumpkins, Rancid, and the Linda Lindas. But it hits so much more intensely in a relatively intimate room.

All of these shows -- the Hella Tiny ones and the big gigs that will follow -- are a three-part celebration. Dookie is 30 years old, the American Idiot album is 20 years old, and they have a new album too -- Saviors was released in January.

So at the Echoplex we got both Dookie and American Idiot played in their entirety, plus a handful from Saviors. Each and every song sounded glorious in this environment. Dookie classics including (but not limited to) "Longview" and "Basket Case" allow us to imagine for a moment that we're catching this superb band in the moments before they explode onto the global stages.

The likes of "American Idiot" and "Jesus of Suburbia" prove that, even when the band had achieved insane levels of success, they were at their peak when it came to socially conscious, intelligent and politically aware songwriting.

And the new songs, particularly "The American Dream is Killing Me," are clear evidence that this timeless, apparently ageless band are still filled with fire, energy, and tunes.

"We can't wait to see you this summer," Armstrong says as the band leaves the stage. Ditto, fellas.