Community Space Reactions

  • Getting It Done: The Week in D.I.Y. & Indie MusicLast week, our tips and advice for the independent, do-it-yourselfers out there covered how to get your first festival gig, eight tips for improving merch sales, and more…
    The post Getting It Done: The Week in D.I.Y. & Indie Music appeared first on Hypebot.

    Last week, our tips and advice for the independent, do-it-yourselfers out there covered how to get your first festival gig, eight tips for improving merch sales, and more…

  • REWIND: The new music industry’s week in reviewA busy week by any definition, the music industry was no exception, with royalty reports fromSoundExchange, Beatdapp beating fraud, and more…
    The post REWIND: The new music industry’s week in review appeared first on Hypebot.

    A busy week by any definition, the music industry was no exception, with royalty reports fromSoundExchange, Beatdapp beating fraud, and more…

  • Signing Story: Carpool Date Signed: October 2023 

    Label: SideOneDummy Records 

    Band Members: Chris Colasanto, guitar, vocals; Tommy Eckerson, guitar; Milo Duhn, bass, vocals; Alec Westover, drums, vocals 

    Type of Music: Punk 

    Management: Dan Doyle and Trevor Chesler - 918 Management 

    Booking: Jason Parent - Sound Talent Group 

    Legal: Henderson Cole 

    Publicity: Daniel Cooper - Lucky Bird Media, daniel@luckybirdmedia.com 

    Web: carpoolny.band 

    Label Manager/A&R: Phil Bender-Simon 

    Says Chris “Stoph” Colasanto of Carpool’s signing with SideOneDummy Records, “I’ve been buying shit from SideOne since I was 11 years old. It’s a very full-circle, wild moment to be on that label now.” The band has also signed with Sound Talent Group. 

    With phenomenal friends and family supporting them, Colasanto says “Rochester's the number one city on Earth. They picked us up and put us on their shoulders, so it means a lot.” Releasing their 2018 EP independently (re-released with Old Press Records, now part of Acrobat) they performed in-studio at Audiotree in 2020 for wider promotion. Summer 2023 brought a tour supporting Cliffdiver (also on the SideOneDummy roster). Cliffdiver and manager Dan Doyle pushed for them to be heard. 

    “I could go on forever about how much I love our team,” says Colasanto. “They’re great people. Referring to Doyle as a “true Western New York cat—cordial, kind, and cooperative,” Doyle ran a venue where 

     Carpool played frequently and the band invited him to join them on tour. Manager Trevor Chesler is a “nose to the grindstone, locked and loaded, man on his game,” and Colasanto describes label manager Phil Bender- Simon as “one of the realest people I've ever met in the industry, an absolute blessing and a dream come true. It’s a pure, genuine interaction every time.” 

    The shift in momentum is already obvious. “Marketing, press, rollout— everything is official,” emphasizes Colasanto. “The song [“Can We Just Get High?”] is streaming better than any other song we have released. SideOne [gave] us an avenue to be ourselves and do our own thing, while pushing and marketing so people can latch on.” 

    Bender-Simon shares that Carpool have great energy and felt like close friends immediately. “Their music has been stuck in my head for three years. It’s that incredible wide-eyed feeling when you hear something truly great.” 

    The signing included an advance and one-album commitment, with an option for two more. Album My Life In Subtitles is scheduled for release in March. – Andrea Beenham The post Signing Story: Carpool first appeared on Music Connection Magazine.

  • From Spotify’s ‘superfan clubs’ to Apple Music’s spatial audio royalty boost… it’s MBW’s Weekly Round-UpThe five biggest stories to hit our headlines over the past seven days…
    Source

  • The Future of Superfans: Four industry experts weigh inExecutives from Fandiem, Linktree, Another Management Company, and a Senior Analyst at MIDiA weigh in on what’s driving the music industry’s latest obsession with superfans, what it means for artists,. Continue reading
    The post The Future of Superfans: Four industry experts weigh in appeared first on Hypebot.

    Executives from Fandiem, Linktree, Another Management Company, and a Senior Analyst at MIDiA weigh in on what’s driving the music industry’s latest obsession with superfans, what it means for artists,. Continue reading

  • 4 proven strategies to turn Casual Fans into Superfans“Streaming platforms like Spotify are essential for artist discovery, but to cultivate lasting superfans, you must extend beyond streaming,” writes the smart team at Single. “Superfans crave exclusive content, unique experiences, and. Continue reading
    The post 4 proven strategies to turn Casual Fans into Superfans appeared first on Hypebot.

    “Streaming platforms like Spotify are essential for artist discovery, but to cultivate lasting superfans, you must extend beyond streaming,” writes the smart team at Single. “Superfans crave exclusive content, unique experiences, and. Continue reading

  • The best ways to serve and even spoil your SuperfansThis week’s Hypebot Flashback Friday post resurfaces a guide to keeping a community of superfans loyal and happy. In it, musician, teacher, and artist advocate Ben Weinman explains how to. Continue reading
    The post The best ways to serve and even spoil your Superfans appeared first on Hypebot.

    This week’s Hypebot Flashback Friday post resurfaces a guide to keeping a community of superfans loyal and happy. In it, musician, teacher, and artist advocate Ben Weinman explains how to. Continue reading

  • Warner Music Group launches new Brazil HQ and creative hub in Rio de JaneiroThe new hub houses the operations of Warner Music Brazil, Warner Chappell Music Brazil, and ADA Brazil
    Source

    The new hub houses the operations of Warner Music Brazil, Warner Chappell Music Brazil…

  • The Legal Beat: Blackpink Members Go Solo South Korean K-pop super-group Blackpink announced that they were re-signing with their record label as a group, but not as solo artists. 

    Blackpink members Jennie, Jisoo, Rose, and Lisa will pursue their solo careers after they decided not to renew their individual contracts with their record label, YG Entertainment. YG issued the following statement: 

    “Blackpink recently renewed their contracts with YG for their group activities, and we have agreed not to proceed with additional contracts for [the members] individual activities... We will do our utmost to support Blackpink’s activities, and we will cheer on the members’ individual activities with warm hearts.” 

    YG’s statement was interesting in that one would think they would have preferred to keep them signed for their solo careers because of the success of the group. But apparently the members were free not to resign as solo artists. 

    YG formed Blackpink in August of 2016 and they have gone on to win such awards as the 2023 MTV Video Music Award for the Group of the Year. They also became the first K-pop group to headline at the Coachella Valley Music and Arts Festival. 

    The individual members of the group have embarked on solo projects before. But they spent most of 2023 on their worldwide concert tour supporting their 2022 album, Born Pink. 

    Jennie recently announced that she has founded a new company called Odd Atelier (OA). It is basically a record label that will be “a space that aims to create new things that attract attention in a different way from is usual or expected.” 

    In 2021 Jennie and Rose released solo albums and Jisoo did so in 2023. 

    There is a long history in the music industry of members of groups branching out to pursue successful solo careers. For instance, the solo careers of the Beatles John Lennon, Paul McCartney, and George Harrison. Or the individual careers of Beyonce, Diana Ross, Michael Jackson, Crosby, Stills and Nash, Justin Timberlake, and Harry Styles. 

    But why do artists decide to go solo when they have been in very successful groups? There are several possible reasons: 

    1. Creative control. Artists may feel like they can do more of what they want to do. For instance, George Harrison felt like Lennon and McCartney treated him like a little brother (he was a little younger than them) and they only gave him a few songs on each album while contributing the lion’s share with their own compositions. George felt he had a tremendous amount of good material so when he went solo after the Beatles broke up his first release was a three-album masterpiece All Things Must Pass in November of 1970. 

    2. Financial incentives: Why split the income with a group when you can receive more of the pie as a solo artist? 

    3. Group friction: As time goes by often friction arises among the members leading to the dissolution of the group and the pursuit of individual careers (think Crosby, Stills, Nash and Young). The post The Legal Beat: Blackpink Members Go Solo first appeared on Music Connection Magazine.

  • A year after he took charge as CEO, Robert Kyncl has quietly transformed Warner Music Group’s leadershipKyncl has hired multiple execs from his former employer, Google/YouTube; others have been handpicked from Disney, Instacart, Mastercard, and Justworks
    Source

    Kyncl has hired multiple execs from his former employer, Google/YouTube; others have been handpicked from Disney, Instacart, Mastercard…

  • AI-made music can now be easily uploaded to SoundCloud, thanks to a trio of new dealsCompany inks deals with Fadr, Soundful, and Voice-Swap
    Source

  • Spotify signals Superfan Clubs are coming soonSpotify is signaling the addition of in-app “superfan clubs” that would enable artists to monetize their most loyal fans. The news came in a Spotify blog post celebrating the changes. Continue reading
    The post Spotify signals Superfan Clubs are coming soon appeared first on Hypebot.

    Spotify is signaling the addition of in-app “superfan clubs” that would enable artists to monetize their most loyal fans. The news came in a Spotify blog post celebrating the changes. Continue reading

  • How Artist-Fan relationships can make or break an ArtistAt the core of every discussion about superfans is the importance of the direct artist-fan relationship. Marketing expert Jason Lekberg shares strategies and tools that empower artists and their teams. Continue reading
    The post How Artist-Fan relationships can make or break an Artist appeared first on Hypebot.

    At the core of every discussion about superfans is the importance of the direct artist-fan relationship. Marketing expert Jason Lekberg shares strategies and tools that empower artists and their teams. Continue reading

  • Everything you need to know about X (FKA Twitter) heading into 2024Twitter may have died in 2023, but despite all the turmoil, the renamed X is alive, well-trafficked, and making major changes and improvements as we enter the new year. by. Continue reading
    The post Everything you need to know about X (FKA Twitter) heading into 2024 appeared first on Hypebot.

    Twitter may have died in 2023, but despite all the turmoil, the renamed X is alive, well-trafficked, and making major changes and improvements as we enter the new year. by. Continue reading

  • "...allowing artists to lock individual pieces of audio content, and charge for access to it, could be a new way for Spotify to let artists generate potentially significant additional revenue from superfans."
    https://www.musicbusinessworldwide.com/did-spotify-just-confirm-that-superfan-clubs-are-coming-to-its-platform/

    Superfans, superfans, superfans... When market is changing but #majors want to continue their domination position.
    #MusicIndustry #MusicBusiness #decentralization