Community Space Reactions

  • Is UMG’s battle with TikTok an opportunity for independent musicians?Universal Music Group is responsible for more than 30% of global music consumption by more than one metric. With all of that music at least temporarily coming off TikTok, does. Continue reading
    The post Is UMG’s battle with TikTok an opportunity for independent musicians? appeared first on Hypebot.

    Universal Music Group is responsible for more than 30% of global music consumption by more than one metric. With all of that music at least temporarily coming off TikTok, does. Continue reading

  • Jay Gilbert and Randall Foster get real about marketing musicYou’d be hard-pressed to find music marketers with more real-world experience than Label Logic co-founder and frequent Hypebot contributor Jay Gilbert and Symphonic Chief Creative Officer Randall Foster. So when. Continue reading
    The post Jay Gilbert and Randall Foster get real about marketing music appeared first on Hypebot.

    You’d be hard-pressed to find music marketers with more real-world experience than Label Logic co-founder and frequent Hypebot contributor Jay Gilbert and Symphonic Chief Creative Officer Randall Foster. So when. Continue reading

  • How to get booked at Music FestivalsTrying to get in the lineup of a whole festival can be intimidating. Luckily this guide lays out the whole process so artists of any level can start applying. by. Continue reading
    The post How to get booked at Music Festivals appeared first on Hypebot.

    Trying to get in the lineup of a whole festival can be intimidating. Luckily this guide lays out the whole process so artists of any level can start applying. by. Continue reading

  • Merck Mercuriadis to exit CEO role at Hipgnosis Song Management, becoming Chairman; Ben Katovsky promoted to Chief Executive of companyHSM, which has approximately $3 billion-worth of assets under management, counts Blackstone as a majority investor
    Source

    HSM, which has approximately $3 billion-worth of assets under management, counts Blackstone as a majority investor…

  • Big change at Universal Music Group: John Janick and Monte Lipman to head up newly-restructured label groups in the USBoth key executives increase responsibilities at UMG
    Source

  • Live Review: Frankie And The Witch FingersThe Troubadour Los Angeles, CA 

    Web: frankieandthewitchfingers.com 

    Conatct: frankieandthewitchfingers@gmail.com 

    Players: Dylan Sizemore, vocals, guitar; Josh Menashe, guitar, synthesizer; Nikki Smith, bass; Nick Aguilar, drums 

    Material: Frankie and the Witch Fingers is a hard rocking, open-minded band. They are very progressive and mix it up extremely well with punk, metal, jazz and pop. The band is many faceted in many ways. They introduce a trumpet and a sax into a few of their songs and the songs themselves have many layers, twists, turns and spirals. Fast and furious at one point, then a slow-go for a bit, then it’s back on the horsie to gallop away; but only to get into the next song. Hints of Yes, Zeppelin and the Sex Pistols oozed out of the band’s pores as they played very melodic and melodious hard tunes. 

    Musicianship: Excellent musicianship all around. These guys (and gal) put it on the line this particular evening in Hollywood. Sizemore walked the tightrope, did a few flips and landed straight on and wanted more. Great shredding from Menashe added ‘umph’ to the already great tunes as the horns and synthesizers added sophistication to the mix. The rhythm section was so on, you could tell these guys have been playing together for a while. Sizemore, Smith and Aguilar could do no wrong as they laid the foundation for a great evening of entertainment. 

    Performance: The performance was extremely good. Super high energy was emanating from the stage all night. Aguilar is a monster behind the kit. Not just because he had painted his face super ugly, but because he prodded, poked, yelled and provoked, the audience, as well as his bandmates, to dance, jump and shout all night long; all the while twirling his sticks and sneering at who-so-ever dared lock eyes with him. Together with Smith and Sizemore, the chemistry is unmatched. 

    Summary: Frankie and the Witch Fingers was super fun to watch and listen to. Superb lighting show by the Troubadour crew added ambiance and mood to the already vigorous atmosphere that Frankie and the Witch Fingers exuded. A great band performance that not only entertained on a Broadway level, but entertained and impressed on a musical level. If you’re into high energy Rock n Roll and want to dance, jump and shout all night long, Frankie and the Witch Fingers is your band. Prog-Metal at its best! 

    The Troubadour Los Angeles, CA  Web: frankieandthewitchfingers.com  Conatct: frankieandthewitchfingers@gmail.com  Players: Dylan Sizemore, vocals, guitar; Josh Menashe, guitar, synthesize…

  • Primary Wave moves into Brazilian music with stake in Nas Nuvens Catalog (report)The deal reportedly involves Primary Wave taking a 50% stake in the three-year-old Brazilian music rights company
    Source

    The deal reportedly involves Primary Wave taking a 50% stake in the three-year-old Brazilian music rights company

  • TikTok UMG music takedowns have begun and will happen in 3 phasesTikTok began taking down or muting Universal Music-related artists and songs overnight after the two parties failed to agree on a new licensing agreement. The battle for words between the. Continue reading
    The post TikTok UMG music takedowns have begun and will happen in 3 phases appeared first on Hypebot.

    TikTok began taking down or muting Universal Music-related artists and songs overnight after the two parties failed to agree on a new licensing agreement. The battle for words between the. Continue reading

  • College Radio Promotion for Independent MusiciansCollege radio is one of the few outlets open to independent and self-released music and a prime place to promote to many artists’ biggest listening demographic. Here’s how to get. Continue reading
    The post College Radio Promotion for Independent Musicians appeared first on Hypebot.

    College radio is one of the few outlets open to independent and self-released music and a prime place to promote to many artists’ biggest listening demographic. Here’s how to get. Continue reading

  • YouTube Promotion Test Results: Be careful displaying to all countriesMichale Brandvold and Jay Gilbert look at YouTube Promotion and review new test results on a new Music Biz Weekly podcast. These tests didn’t restrict countries or languages and showed. Continue reading
    The post YouTube Promotion Test Results: Be careful displaying to all countries appeared first on Hypebot.

    Michale Brandvold and Jay Gilbert look at YouTube Promotion and review new test results on a new Music Biz Weekly podcast. These tests didn’t restrict countries or languages and showed. Continue reading

  • We Are Moving The Needle’s First Annual Resonator Awards: Alanis Morissette, Corinne Bailey Rae, Caroline Polachek and morePowerhouse of the Year Award Award winner Catherine Marks, boygenius (Phoebe Bridgers, Julien Baker, Lucy Dacus) 

    We Are Moving The Needle, a non-profit organization that is radically reshaping the future of the recording industry by advancing gender equity for producers and engineers, held its inaugural Resonator Awards in Los Angeles last night, honoring six extraordinary women for their work in the recording studio as producers, engineers and mixers: Alanis Morissette, Corinne Bailey Rae, Caroline Polachek, Catherine Marks, Laura Sisk and Jennifer Decilveo. Resonator Impact Awards were also presented to music executives Michael Goldstone of Mom+Pop Music and Christine Thomas of Dolby Labs for their commitment to advancing gender equity across the music industry. Shirley Manson, boygenius, Jack Antonoff, Ariel Rechtshaid, FLETCHER, Autumn Rowe and We Are Moving the Needle founder/award-winning mastering engineer Emily Lazar were on hand to present the awards. 

    Emily Lazar, Luminary of the Year Award winner Alanis Morissette and Shirley Manson- photo credit: Christopher Polk

    Exceptional Ears Award winner Laura Sisk, Jack Antonoff - photo credit Christopher Polk

    Harmonizer Award winner Corinne Bailey Rae and Emily Lazar - photo credit Rich Polk

    The evening also featured stripped-down performances by Empress Of, Sasami, and a fiery cover of Morissette’s hit "Hand In My Pocket" by Remi Wolf. SiriusXM on-air personality and creator of the LSQ podcast Jenny Eliscu hosted the Resonator Awards, which were empowered by EqualizeHer. Artists, producers and music industry executives filled the audience at the Resonator Awards, including Thundercat, Bethany Cosentino, Christina Perri, Terrace Martin, Robert Glasper, Lisa Loeb, Shailene Woodley, and more.

    The 2024 Resonator Awards

    Luminary of the Year Award - Alanis Morissette presented by Shirley Manson

    Powerhouse of the Year Award - Catherine Marks presented by boygenius

    Catherine’s credits include: Alanis Morissette, boygenius, The Killers, Wolf Alice. 

    Exceptional Ears Award - Laura Sisk presented by Jack Antonoff

    Laura’s credits include: Taylor Swift, Lana Del Rey, Jack Antonoff. 

    The Golden Trifecta Award - Caroline Polachek presented by Ariel Rechtshaid

    Harmonizer Award - Corinne Bailey Rae presented by Autumn Rowe

    The All-Star Award - Jennifer Decilveo presented by FLETCHER

    Jennifer’s credits include: Miley Cyrus, Hozier, Andra Day, FLETCHER, Galantis. 

    The Transformer Award — Michael Goldstone, Founder/Owner at Mom+Pop Music presented by Emily Lazar

    The Equalizer Award — Christine Thomas and Dolby Laboratories - presented by Emily Lazar 

    Powerhouse of the Year Award Award winner Catherine Marks, boygenius (Phoebe Bridgers, Julien Baker, Lucy Dacus)  We Are Moving The Needle, a non-profit organization that is radically reshaping the…

  • TikTok accuses UMG of ‘greed above the interests of artists’ [Full Text]TikTok has responded to UMG’s announcement that it will pull all its music off the popular platform today, January 31, 2024, after the two could not reach a new licensing. Continue reading
    The post TikTok accuses UMG of ‘greed above the interests of artists’ [Full Text] appeared first on Hypebot.

    TikTok has responded to UMG’s announcement that it will pull all its music off the popular platform today, January 31, 2024, after the two could not reach a new licensing. Continue reading

  • Universal Music to pull all music off TikTok as deal expires: Full text of letter to artists and songwritersUniversal Music Group and UMG Publishing Group say they will pull all their music off TikTok and the TokTok Music Service worldwide today after it could not negotiate a new. Continue reading
    The post Universal Music to pull all music off TikTok as deal expires: Full text of letter to artists and songwriters appeared first on Hypebot.

    Universal Music Group and UMG Publishing Group say they will pull all their music off TikTok and the TokTok Music Service worldwide today after it could not negotiate a new. Continue reading

  • If niche is music’s new mainstream, how do you measure success? [Hanna Kahlert of MIDiA]“It seems that the 1000-stream artist is both everyman’s trash and everyman’s treasure… and is being thrown under the bus to ensure the more ‘successful’ artists are compensated,” writes Hanna. Continue reading
    The post If niche is music’s new mainstream, how do you measure success? [Hanna Kahlert of MIDiA] appeared first on Hypebot.

    “It seems that the 1000-stream artist is both everyman’s trash and everyman’s treasure… and is being thrown under the bus to ensure the more ‘successful’ artists are compensated,” writes Hanna. Continue reading

  • Warner Chappell Music signs Grammy-nominated R&B artist Coco Jones to exclusive publishing dealJones is up for five awards at the forthcoming 66th Annual Grammys
    Source