NTS Thrives in the Spaces That Streaming Leaves BehindFrom our friends at MIDiA Research, a story about online radio and community building through NTS' Don’t Assume Day.
The post NTS Thrives in the Spaces That Streaming Leaves Behind appeared first on Hypebot.

Grant Applications Now Open for Family Alliance in Music SupportThe FAM Support Grant is open now through Dec. 1, offering $25,000 to help individuals and small businesses balance caregiving responsibilities while working in music.
The post Grant Applications Now Open for Family Alliance in Music Support appeared first on Hypebot.

Late To the Party - Albums You Wish You'd Discovered EarlierSometimes an album can sneak up on you and become a part of the soundtrack of your life, even years later. We at AllMusic embrace these late discoveries and proudly (and in some cases abashedly) present some of our personal "late to the party" albums. Don't let them pass you by.

Genelec, Dolby Atmos, and Composer Niles Luther Bring Venice to Life at the Brooklyn MuseumThe Brooklyn Museum’s Monet and Venice, the largest exhibition of Monet’s work in New York in over 25 years, is offering visitors more than a visual experience. The exhibition culminates in an immersive 4.1.4 Dolby Atmos® sound installation designed by composer-in-residence Niles Luther and powered by Genelec monitors, blending sight and sound to create a multisensory encounter with Monet’s Venetian masterpieces.

Co-curated by Lisa Small, the Brooklyn Museum’s Senior Curator of European Art, the exhibition presents Monet’s 1908 Venetian paintings alongside centuries of depictions of the city, from Canaletto to the early 20th century. “This is the largest museum presentation of Monet’s work in 25 years in New York City,” Small said. “We wanted to create something that felt both emotional and innovative, something you can feel as much as see. The Genelec system and Niles’s score made that possible.”

In the final gallery, visitors are enveloped by Luther’s original composition, rendered in a 4.1.4 Dolby Atmos format. The system includes four Genelec 8330 two-way studio monitors at ear level (front-left, front-right, rear-left, rear-right), four Genelec 8320 overhead monitors, and a Genelec 7350 subwoofer, all calibrated via Genelec Loudspeaker Manager (GLM) software. The configuration allows the music to flow naturally throughout the space, overcoming the challenges of a large, reverberant gallery.

As Luther explained, “I wrote a symphonic multi-channel, 4.1.4, down-rendered Dolby Atmos installation in the final room where Monet's Venice paintings reside... When you use sufficiently advanced technology and it’s deployed in a very careful, meticulous and thoughtful way, you get to this point where it almost becomes an illusion. … When you walk into that space, does it stop your heart? Does it make you catch your breath? We have achieved that in the final gallery room.”

The composer described the creative challenge of translating the paintings into music. “From the creative side, as a composer, part of the challenge was how do I take what’s contained in these paintings, and then translate them into the language of music. … All of this was possible because we were able to calibrate it within GLM, and I was able to take my master file and just come into the museum and it just plays back beautifully on the calibrated system.”

The use of Genelec’s Smart Active Monitoring system was critical in creating a natural and transparent listening environment, allowing Luther and the museum’s technical team to refine frequency balance and control reverberation. Paul Stewart, Senior Technical Sales Manager at Genelec Inc., highlighted the importance of precision monitoring. “This installation beautifully demonstrates how precision monitoring can elevate the emotional impact of art. Genelec systems are designed to disappear sonically, and what remains is the artist’s intent,” he said.

Small emphasized the uniqueness of the installation within the museum setting: “It sounds incredible. I mean, the symphony is beautiful. The paintings are beautiful. The design in the gallery and the speakers just makes the experience what it is... You won’t get too many other Monet exhibitions where a full-scale symphony is part of the experience.”

Monet and Venice runs through February 1, 2026, at the Brooklyn Museum. The exhibition offers visitors a rare opportunity to experience one of Monet’s most iconic series not only visually but through an enveloping, symphonic soundscape.

Read the Monet and Venice Genelec case study HERE.

The post Genelec, Dolby Atmos, and Composer Niles Luther Bring Venice to Life at the Brooklyn Museum first appeared on Music Connection Magazine.

Musixmatch owner seized on rival’s Russia connection in Spotify talks, alleges court filingDispute may relate to LyricFind's historical provision of lyric services to Russian service, VKontakte
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TIDAL Introduces “Upload,” “Spotlight,” and a $100k Contest for Indie ArtistsTIDAL's new feature gives creators direct access to the platform, bypassing traditional distributor gatekeepers, and incentivizes artists with contests and editorial coverage.
The post TIDAL Introduces “Upload,” “Spotlight,” and a $100k Contest for Indie Artists appeared first on Hypebot.

Your Morning Coffee Podcast: AI Artists Galore & a Human Artist With 1B StreamsEpisode 276 of Jay Gilbert and Mike Etchart's podcast Your Morning Coffee: Weekly News for the New Music Business is available now.
The post Your Morning Coffee Podcast: AI Artists Galore & a Human Artist With 1B Streams appeared first on Hypebot.

GRAMMY Nominations 2025: Best Dance Pop RecordingThe 2025 GRAMMY nominations are here and we're going to help you to untangle it all right up until the big event, continuing with the Best Dance Pop Recording category.

Take a listen to the nominated recordings below--who do you think will win?

See the full list of nominees in every category here.

Bluest FlameSelena Gomez & benny blancobenny blanco, Dylan Brady & Cashmere Cat, producers;benny blanco & Cashmere Cat, mixers

AbracadabraLady GagaCirkut, Lady Gaga & Andrew Watt, producers; Serban Ghenea, mixer

Midnight SunZara LarssonMargo XS & MNEK, producers; Tom Norris, mixer

Just Keep Watching (From F1® The Movie)Tate McRaeTyler Spry & Ryan Tedder, producers; Manny Marroquin, mixer

IllegalPinkPantheressAksel Arvid & PinkPantheress, producers; Nickie Jon Pabon

Zara Larsson photo by Charlotte Rutherford

The post GRAMMY Nominations 2025: Best Dance Pop Recording first appeared on Music Connection Magazine.

GRAMMY Nominations 2025: Best Dance/Electronic RecordingThe 2025 GRAMMY nominations are here and we're going to help you to untangle it all right up until the big event, continuing with the Best Dance/Electronic Recording category.

Take a listen to the nominated recordings below--who do you think will win?

See the full list of nominees in every category here.

No CapDisclosure & Anderson .PaakDisclosure, producer; Guy Lawrence, mixer

Victory LapFred again.., Skepta, & PlaqueBoyMaxBlake Cascoe, Berwyn Du Bois, Fred again.., Darcy Lewis, Dan Mayo & PlaqueBoyMax, producers; Tom Norris, mixer

SPACE INVADERKAYTRANADAKAYTRANADA, producer; KAYTRANADA, mixer

VOLTAGESkrillexJohn Feldmann & Skrillex, producers; Luca Pretolesi, Skrillex & Virtual Riot, mixers

End Of SummerTame ImpalaKevin Parker, producer; Kevin Parker, mixer

KAYTRANADA photo by Hannah SiderThe post GRAMMY Nominations 2025: Best Dance/Electronic Recording first appeared on Music Connection Magazine.

GRAMMY Nominations 2025: Best Pop Vocal AlbumThe 2025 GRAMMY nominations are here and we're going to help you to untangle it all right up until the big event, continuing with the Best Pop Vocal Album category.

Take a listen to the nominated pop albums below--who do you think will win?

See the full list of nominees in every category here.

SWAGJustin Bieber

Man's Best FriendSabrina Carpenter

Something BeautifulMiley Cyrus

MAYHEMLady Gaga

I've Tried Everything But Therapy (Part 2)Teddy SwimsThe post GRAMMY Nominations 2025: Best Pop Vocal Album first appeared on Music Connection Magazine.

‘I see an explosion of hybrid sounds coming from Africa. The next big global hits will come from these cultural crossovers.’MBW’s World Leaders series meets Nuno Rocha, Head of Business Development for MENA, Lusophone, and Francophone markets at ONErpm
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TuneCore Surpasses $5 Billion in Indie Artist EarningsIndependent artist development platform, TuneCore, announced that artist have now earned over $5 billion since the company started.
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The “Tiny Desk Boom” Is Real: Here’s How NPR Helps Boost Artist InfluenceLuminate Data helps quantify the influence of NPR's Tiny Desk Concerts on artists' digital reach.
The post The “Tiny Desk Boom” Is Real: Here’s How NPR Helps Boost Artist Influence appeared first on Hypebot.

Apogee Introduces Native Thunderbolt 3 Connectivity for Symphony Mk II Audio InterfaceApogee Electronics, a leader in professional audio technology, has announced a significant update to its flagship Symphony Mk II audio interface: native Thunderbolt 3 connectivity. This enhancement is a direct response to user demand and is designed to future-proof the interface, ensuring it continues to serve as the core of professional studios for years to come.

“The Symphony Mk II is a significant investment for any audio professional,” said Apogee CEO Betty Bennett. “Our users are in critical, no-fail environments, and they asked for a native Thunderbolt 3 connection for maximum confidence and a simpler setup. We’re thrilled to deliver that today, both for new customers and for the thousands of producers, engineers, and artists who already rely on Symphony.”

The Thunderbolt 3 update is focused on simplifying studio workflows while maintaining the sound and performance that Symphony Mk II users expect. Key improvements include:

Future-Proof Connectivity: Native Thunderbolt 3 ensures that Symphony Mk II will remain compatible with modern systems for years, safeguarding a substantial studio investment.

Streamlined Setup: Direct TB3 connectivity eliminates the need for adapters, reducing potential points of failure and simplifying the connection process.

Flexible Cabling Options: The module is compatible with TB3, TB4, and TB5 cables, including optical options for extended cable runs.

Importantly, Apogee emphasizes that this update affects only the connectivity. Users will continue to enjoy the interface’s elite AD/DA conversion, ultra-low latency performance, modular I/O flexibility, and existing drivers and software, without any changes to workflow or sound.

New Symphony Mk II units now ship with Thunderbolt 3 as standard, identified by the “TB3” designation in the part number. Existing owners can also upgrade their interfaces using Apogee’s Thunderbolt 3 Upgrade Module, a process that is DIY-friendly for those comfortable with hardware installation, or available through Apogee support and authorized dealers.

For users currently operating with Thunderbolt 2 adapters, compatibility remains fully supported. The new module is offered purely as an option for those seeking a more modern and direct connection.

For more information on this update, visit Apogee’s official blog: apogeedigital.com/blog/thunderbolt-3-and-symphony-mkii/

The post Apogee Introduces Native Thunderbolt 3 Connectivity for Symphony Mk II Audio Interface first appeared on Music Connection Magazine.

Confirmed: Thomas Coesfeld will continue to lead BMG in dual role alongside Chairman and CEO position at parent BertelsmannCoesfeld to succeed Thomas Rabe as head of Bertelsmann on January 1, 2027
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