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South Korea’s FTC opens probe into HYBE and ADOR over NewJeans’ DanielleDanielle's attorney, Jung Jong-chae, who filed the complaint, said the FTC began investigating on June 4.
SourceSouth Korea’s FTC opens probe into HYBE and ADOR over NewJeans’ Danielle
www.musicbusinessworldwide.comDanielle’s attorney, Jung Jong-chae, who filed the complaint, said the FTC began investigating on June 4.
AllMusic Has Rated All 4 Lauryn Hill Albums — Including The Miseducation of Lauryn HillTwo albums earned 5 stars. One earned 4. One earned 2.5. AllMusic has rated all four albums in Lauryn Hill's 28-year catalog — here's the definitive breakdown, album by album.
https://www.allmusic.com/blog/post/allmusic-rated-4-lauryn-hill-albumsKirk Franklin Honored, NSAI Rise ProgramKirk Franklin Honored
With 30+ years of hits, multi-Grammy winning artist-songwriter-producer Kirk Franklin receives SoundExchange’s Hall of Fame Award as one of the most-streamed artists of the past 20 years. Part of inaugural Rise and Rhythm Cruise, he headlines August’s Gospel Garden event in London.
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NSAI Rise Program
The 2026 Nashville Songwriters Association International (NSAI) Summer Rise Program kicks off this month. For artists ready to pursue an in-depth study of songwriting, the remote interactive program runs for five weeks, July 20 – August 18, with NSAI delivering an incredible group of industry guests ready to answer questions and offer their best insight and advice to help writers improve in their craft.
Topics covered include co-writing, the music business, publisher pitching, and professional songwriter feedback.
Limited to 25 participants, all genres and levels of songwriters are welcome, with details and registration at: nashvillesongwriters.com/RISE / for questions, please email: maxwell@nashvillesongwriters.com.The post Kirk Franklin Honored, NSAI Rise Program first appeared on Music Connection Magazine.
https://www.musicconnection.com/kirk-franklin-honored-nsai-rise-program/?utm_source=rss&utm_medium=rss&utm_campaign=kirk-franklin-honored-nsai-rise-programGoogle says AI training is fair use and copyright should be policed on outputs, not inputsThe tech giant has published a new policy paper outlining the company's preferred approach to AI regulation
SourceGoogle says AI training is fair use and copyright should be policed on outputs, not inputs
www.musicbusinessworldwide.comThe tech giant has published a new policy paper outlining the company’s preferred approach to AI regulation…
AllMusic Gave These Classic Rock Debut Albums 5 StarsAllMusic rates albums on what they are — not what they predict. These five debut albums earned 5 stars before anyone knew the bands would become legends. The reviews hold up completely.
https://www.allmusic.com/blog/post/allmusic-gave-these-classic-rock-debut-albums-5-stars10 Albums That Were Grunge Before GrungeNirvana, Pearl Jam, and Soundgarden didn't invent grunge — they perfected it. These 10 albums, from 1968 to 1984, built every sludgy riff, raw production choice, and punk attitude that Seattle made famous.
https://www.allmusic.com/blog/post/10-albums-that-were-grunge-before-grungeMusical Longevity From a Semi-Pro MusicianI’ve been a bassist since the mid-1980s, mostly at a semi-professional level (i.e., earning money but not making a living from music). I’ve toured across multiple continents, recorded in world-class studios, and realized many of my adolescent dreams. Since arriving in L.A. in 2000, I’ve also been a music journalist. On occasions, I’ve acted as manager, booking agent, and/or publicist for my bands, so I have experienced many facets of the industry.
At age 52, with an all-original band (I’ve never done the cover/tribute thing), I signed to a prominent indie label, and we released an album regarded as a genre classic. My most recent gig, at age 59, was a rapturous sold-out show in Mexico City last month, with all the trimmings. My playing is better than ever; I’ve never enjoyed it more; and most of my friends are former bandmates.
Accordingly, my strictly subjective tips below are aimed at those seeking longevity—and maximum joy—as a semi-pro musician playing original music rather than someone wanting to “make it big” or survive as a session or tribute player (though these ambitions can certainly overlap).
Know Your Craft
In a business which places heavy emphasis on “who you know,” networking can start taking priority over actual musicianship. Unless you have absolute rock star talent/looks/charisma, this is a mistake. Think of practice (with a metronome!) and lessons as investments in future fun, creative satisfaction, and maybe a career. Because, sooner or later, the recording light will come on and you’ll need to deliver. I once read that after age 25, all a musician has to offer is their chops—an exaggeration but grounded in truth. This doesn’t mean you have to be a virtuoso unless the gig explicitly requires it. I’m a competent bassist, nothing more, but often get gigs specifically because I keep things simple, solid, and play for the song.
Be A Good Hang
A few years ago, we hired a pro drummer for an Australian tour. He explained that, as he put it, “being a good hang” is crucial to working consistently in the music business. Because, with countless great players to choose from, especially here in L.A., artists are looking for those who’ll also be fun (or at least amiable) when sandwiched together in a van, studio/rehearsal space, or shared hotel room. Most music making will involve one or more of these situations, so “playing well with others” applies on and off stage. (I once heard of a fantastic guitarist who was fired mid-tour because he kept masturbating on the bus and would hog all the fruit on backstage riders!)
Prepare
“Practice for rehearsal, not at rehearsal,” the old saying goes. No one wants to battle traffic for 45 minutes then stand around in silence at an expensive lockout while one member of the band listens to the material and figures out their parts. Do that stuff at home! Of course, this is infinitely more important when auditioning. Humans are naturally lazy and so are inclined to hire the person who walks in knowing their parts without instruction. For example, I was once asked to learn three songs from an album before auditioning for a signed singer. I learned the entire record. We played it front to back at the audition and, while the last notes were still ringing out, the drummer declared, “Right—let’s books some shows.” A year of fantastic international touring followed.
Get a Flexible Job
Making music the only thing you do doesn’t make you a musician. Because for most of us, being unemployed will only make you a liability to a band: unable to maintain a reliable vehicle or gear and too broke to contribute to rehearsal/recording costs. Plus, it’s hard to practice if you’re living in your car in a CVS parking lot (I knew a drummer who did just that). So, a day job should be embraced as an intrinsic part of being a semi-pro musician rather than resented as a detriment to that pursuit. Flexibility is key: a job or business that will allow you time off to tour. This is precisely why, when I realized I had appropriate ability, I worked feverishly to build a freelance writing career. And if that job can be complementary to your musical dreams, all the better (I’ve learned so much from interviewing rock stars that applies to my own musical efforts).
Get Out There
In an ideal world, we’d all form our dream band with our best mates at high school and spend adulthood touring the world together. In reality, most musicians are making creative compromises most of the time. But it’s important to stay out there playing rather than just sitting at home scouring Craig’s List and waiting for the perfect opportunity. Even if it’s not entirely your style, joining a band will develop your chops and put you around other musicians with whom, or through whom, more apt situations can evolve. If you can really play and are the aforementioned “good hang,” word-of-mouth often does the rest. But you need to be “in the shop window,” demonstrating what you can do. This doesn’t mean a hardcore punker joining a Barry Manilow tribute act—seek out situations that check at least some of your boxes but be ready to be flexible.
Be A Team Player
This should go without saying but is depressingly common. Don’t be that band member who insists on being loudest in the mix or on rehearsals being scheduled/rescheduled around their whims. Musicians exhibit diverse motivations for playing in bands and, counterintuitively, these sometimes don’t include simply contributing to making the best sound possible. I’ve met folks who’ll join a band mostly so they can live rent-free in its lockout or who are lonely and simply seeking a captive audience. Be a team player and seek out team players, because music is almost always a collective endeavor. This will not only yield better creative outcomes but will also make the process way more enjoyable. Because making music, even in the darkest and angriest genres, is supposed to be fun.The post Musical Longevity From a Semi-Pro Musician first appeared on Music Connection Magazine.
Musical Longevity From a Semi-Pro Musician
www.musicconnection.comI’ve been a bassist since the mid-1980s, mostly at a semi-professional level (i.e., earning money but not making a living from music). I’ve toured across multiple continents, recorded in world-class studios, and realized many of my adolescent dreams. Since arriving in L.A. in 2000, I’ve also been a music journalist. On occasions, I’ve acted as
The Last Time All 7 BTS Members Were Onstage Together — And What They Said Would Never Happen AgainIn October 2022, BTS performed together as seven members for what fans believed was the last time. Over 50,000 attended in Busan. Tens of millions watched online. Most of them were in tears.
https://www.allmusic.com/blog/post/the-last-time-all-7-bts-members-were-onstage-togetherNew Music Critique of MOMARZContact: momarz1842@gmail.comWeb: instagram.com/momarz99Seeking: Review, Label, Film/TVStyle: Electronic
The term “electronic music” can mean almost anything nowadays. Most producers, certainly in pop and hip-hop but elsewhere too, incorporate electronic elements. According to his online bio, MOMARZ “centers his music on piano-rooted melodies, hypnotic percussion sequences, and instrumentals.” That makes for a sound which comfortably blends a warm, nostalgic electronic sound, with something still quite futuristic. “Signals” could score a moody scene in an indie movie effectively, while “Party Moves” is reminiscent of club anthems from the late ‘80s and early ‘90s. All of which is a good thing.The post New Music Critique of MOMARZ first appeared on Music Connection Magazine.
New Music Critique of MOMARZ
www.musicconnection.comContact: momarz1842@gmail.comWeb: instagram.com/momarz99Seeking: Review, Label, Film/TVStyle: Electronic The term “electronic music” can mean almost anything nowadays. Most producers, certainly in pop and hip-hop but elsewhere too, incorporate electronic elements. According to his online bio, MOMARZ “centers his music on piano-rooted melodies, hypnotic percussion sequences, and instrumentals.” That makes for a sound which comfortably blends a
Sony Music Publishing wins Publisher of the Year at 2026 ASCAP Rhythm & Soul AwardsSMP songwriters were recognized across 27 of ASCAP's top-performing R&B, hip-hop and gospel songs of the past year.
SourceSony Music Publishing wins Publisher of the Year at 2026 ASCAP Rhythm & Soul Awards
www.musicbusinessworldwide.comSMP songwriters were recognized across 27 of ASCAP’s top-performing R&B, hip-hop and gospel songs of the past year.
AllMusic Picks the 10 Greatest Album Openers of the '70sThe 1970s treated the album opener as a statement of purpose. AllMusic ranks the 10 greatest — from the Ramones' two-minute punk explosion to Led Zeppelin's 10-minute prog epic.
https://www.allmusic.com/blog/post/allmusic-picks-the-10-greatest-album-openers-of-the-70sForeign Body Signs with Brutal PandaDate Signed: March 2026Label: Brutal PandaType of Music: Noise-Rock, PunkManagement: bob@brutalpandarecords.comBooking: bob@brutalpandarecords.comPublicity: dave@earsplitcompound.com A&R: bob@brutalpandarecords.comWeb: instagram.com/foreignbody_nyc
The members of Brooklyn-based grimy noise-rockers Foreign Body have been knocking around in different bands for the best part of a decade, often crossing paths during their college years. That’s where they met—at school in New York—and the idea of forming a band together took shape during COVID. Foreign Body was born.
“We wanted to try playing a style of music we felt not many other bands were approaching in a meaningful way,” they say.
They certainly achieved that. The music of Foreign Body is devastatingly ferocious and, dig beyond the uncompromising brutality, it’s also razor sharp and intelligent.
“We are a noise rock band that prioritizes aggression and immediacy,” they say. “Our influences lean towards the heavier, noisier, side of the genre. We have no use for Sonic Youth. When we first started playing there was a more overt post punk sound but that has been thoroughly rooted out over time. Now our sound is closer to orthodox blue collar noise rock bands like Flipper or even some power electronics than something like Unwound. In trimming a lot of the whiny moodiness, our sound has become more unified and intense in the process.”
Earlier this year, Foreign Body signed to Brutal Panda, known for its consistently excellent roster, and released the “Strung Out” single.
“It came about through word-of-mouth from our friends in Couch Slut who passed along the album to the team there,” they say. “Given the label’s roster, especially with bands like Cherubs, who we’ve always held as one of the best of our contemporaries, we thought it was a natural fit. Everyone at the label has been supportive of our music, art, and ideas for the release.”
The guys say that the “Strung Out” single is both the opening track of and the best distillation of their forthcoming full-length album.
“Despite being the first track, it was ultimately one of the last songs we wrote for the album, as we thought it needed something that felt more like a kick in the teeth to start,” they say. “We began working on the album almost immediately after our first album Fixed and in a lot of ways addressed the shortcomings of that record. The sound is simultaneously more dynamic and noisier while throwing in a couple of curveballs which we won’t spoil. Thematically it progresses naturally from themes present in the first—fantasy, vices, and a race to the bottom—while also diving further into subjectivity and a more profound sense of disgust.”The post Foreign Body Signs with Brutal Panda first appeared on Music Connection Magazine.
https://www.musicconnection.com/foreign-body-signs-with-brutal-panda/?utm_source=rss&utm_medium=rss&utm_campaign=foreign-body-signs-with-brutal-pandaDiljit Dosanjh breaks his own record for biggest North American tour by a Punjabi artist with $32M Aura runLive Nation-promoted run sold more than 225,000 tickets, according to the concert giant.
SourceDiljit Dosanjh breaks his own record for biggest North American tour by a Punjabi artist with $32M Aura run
www.musicbusinessworldwide.comLive Nation-promoted run sold more than 225,000 tickets, according to the concert giant.
The Story Behind Britney Spears' "...Baby One More Time" — The Idea Everyone Rejected FirstMax Martin wrote it half-asleep. TLC passed. The label wanted animation. Then 16-year-old Britney Spears had a better idea than everyone in the room — and "Baby One More Time" changed pop music forever.
https://www.allmusic.com/blog/post/the-story-behind-britney-spears-baby-one-more-timeDeezer’s new in-app remix feature lets users speed up and modify tracks by Céline Dion and other artists ‘with full rights compliance’Deezer says every remix is created with the explicit agreement of the artist, and that streams of remixed versions are attributed to the original work
SourceDeezer’s new in-app remix feature lets users speed up and modify tracks by Céline Dion and other artists ‘with full rights compliance’
www.musicbusinessworldwide.comDeezer says every remix is created with the explicit agreement of the artist, and that streams of remixed versions are attributed to the original work…
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