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Revealed Recordings Revealed Sylenth1 Techno Pads Vol. 3Revealed Sylenth1 Techno Pads Vol. 3 is a collection of 64 presets to add expansive atmosphere and cinematic weight into your productions. This suite offers a diverse palette of industrial soundscapes, rhythmic textures, evolving atmospheres, and visceral drones. Additionally, each preset includes modwheel assignments for quick modulation options to shape your sound. With Sylenth1 Techno Pads Vol. 3, you'll have a versatile suite of source sounds for immersive storytelling in your Techno tracks. Reveal Yourself. Revealed Sylenth1 Techno Pads Vol. 3 - Details PAD (64). 64 presets Core synthesizer patch mapping and programming All presets assigned intuitive modwheel parameters. Preset format(s): .fxb (Full Bank) + .fxp (Individual Presets) Note: Presets Require Full Retail Version of Sylenth1 3.0.73 or later. Read More
https://www.kvraudio.com/product/revealed-sylenth1-techno-pads-vol-3-by-revealed-recordings?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34229Polarity Modular from Soniccouture Polarity Modular has been designed in collaboration with UK-based synthesist Ian Boddy, and has been built around 250 custom waveforms created with his extensive collection of modular gear.
Polarity Modular from Soniccouture
www.soundonsound.comPolarity Modular has been designed in collaboration with UK-based synthesist Ian Boddy, and has been built around 250 custom waveforms created with his extensive collection of modular gear.
Windows-G E-Expander600An advanced JSFX expander plugin for REAPER that offers: * Two Expansion Modes: 1. Upward Expansion: Increases gain of signals above the threshold based on the upward ratio. 2. Downward Expansion: Reduces gain of signals below the threshold based on the downward ratio. * Lookahead Control (0 ms to 20 ms): Controls the lookahead time of the expander in milliseconds. Lookahead delays the main track's audio slightly to let the expander analyze the audio ahead of time and respond before the transients arrive, so the expander is able to anticipate peaks for accurate gain increase/reduction. This ensures that the first milliseconds of transients are preserved and not softened or chopped off. This is great for preserving the attack of percussive sounds. The latency it introduces is reported to the DAW for automatic delay compensation. Turn lookahead off by setting the control to 0 ms. * Two Detection Source Modes: 1. Main Input: The expander uses the main track's audio for both detection and dynamic range expansion. 2. Sidechain Input: The expander listens to an external sidechain input for detection while applying expansion to the main track's audio. * Detection Gain (-30 dB to +30 dB): Boosts or attenuates the level of the detection signal only (it does not affect the main track's level). This is useful for ensuring the detection signal is at the optimal level to trigger the expander accurately. * Detection HPF (10 Hz to 20 kHz): A 12dB/oct high-pass filter that removes low frequencies from the detection signal. This is useful for preventing unwanted low frequencies from falsely triggering the expander. The filter becomes active only when the frequency is set above 10 Hz. * Detection LPF (20 Hz to 21 kHz): A 12dB/oct low-pass filter that removes high frequencies from the detection signal. This is useful for preventing unwanted high frequencies from falsely triggering the expander. The filter becomes active only when the frequency is set below 21 kHz * Two Level Detection Modes: 1. Peak: Makes the expander respond to instantaneous peak levels in the detection audio. The loudest peak levels are held for 30 milliseconds to minimize rapid opening and closing of the expander. This mode is ideal for audio requiring fast expansion, such as drums or percussion. 2. RMS: Uses Root Mean Square calculation to make the expander react to the average power of the detection audio over a time window. This makes the expander less responsive to instantaneous peak levels. This mode is ideal for audio requiring slower, smoother expansion like pads, piano or other sustained sounds. * RMS Window (1 ms to 1000 ms): Only active in RMS mode. It defines the time window for RMS averaging and determines how averaged the RMS level is. Shorter windows (1 ms to 140 ms) make the expander react quickly to changes in peak level, longer windows (400 ms to 1000 ms) make the expander react very slowly to changes in peak level, while medium windows (150 ms to 390 ms) offer a middle ground between fast and slow expansion. * Three Detection Channel Modes: 1. Stereo: Makes the expander dynamically react to the loudest of the left and right channels. Ideal for stereo detection signals where the content may shift between the left and right channels. 2. Left Only: Makes the expander react only to the signal levels from the left channel. This is useful when the detection signal is panned to the left. 3. Right Only: Makes the expander react only to the signal levels from the right channel. This is useful when the detection signal is panned to the right. * Upward Ratio (1:X, 1.0 to 10.0): Controls how much gain increase is applied to signals above the threshold. A ratio of 1.0:1 provides no expansion, while higher ratios provide more dramatic gain increase. Only visible in upward expansion mode. * Downward Ratio (X:1, 1.0 to 100): Controls how much gain reduction is applied to signals below the threshold. A ratio of 1.0:1 provides no expansion, 1.5:1 provides gentle downward expansion, 5:1 and above provide more and more gating behavior as you go higher, and 100:1 provides complete hard gating like a traditional noise gate. Only visible in downward expansion mode. * Threshold (–100 dB to 0 dB): Displayed as a white line on the detection level meter. This is the main threshold that determines when expansion occurs. In upward expansion mode, signals above this threshold are increased in level. In downward expansion mode, when the signal drops below this threshold, the expander closes (unless the Hold or Hysteresis is set above 0) and signals below this threshold are reduced. * Hysteresis (0 dB to 30 dB): Creates a second, lower closing threshold displayed as a yellow line on the detection level meter. In upward expansion mode, it creates a hold zone with the main threshold. When the signal is within that zone, it holds the gain and prevents the gain increase from fully returning to unity. In downward expansion mode, the expander opens when the detection signal exceeds the main threshold, but only closes when the signal drops below the close threshold. This prevents rapid opening and closing of the expander that occurs when the detection signal hovers around the main threshold. * Range (dB): In upward expansion mode (0 dB to 100 dB), this controls the maximum amount of gain increase that can be applied. At 0 dB, no gain increase is applied (upward expansion is disabled). In downward expansion mode (-100 dB to 0 dB), this controls the maximum amount of gain reduction that can be applied when the expander closes. A setting of -20 dB provides gentle gain reduction and preserves ambience, −50 dB is nearly silent, and −100 dB provides complete silence. At 0 dB, there is no gain reduction (downward expansion is disabled). * Attack (1 ms to 1000 ms): In upward expansion mode, it controls how fast the expander increases gain when the detected signal exceeds the threshold. Fast attack times (1 ms to 10 ms) allow the expander to boost signals quickly, while slower attack times (50 ms to 1000 ms) create a gradual gain increase. The attack uses an exponential curve for smooth upward expansion. In downward expansion mode, it controls how fast the expander opens from a closed state when the detected signal exceeds the threshold. It's the expander's opening time in milliseconds and uses an exponential curve for a smooth opening. Fast attack (1 ms to 10 ms) preserves transients, mid-range attack (15 ms to 40 ms) softens transients, while slower attack (50 ms to 1000 ms) creates a pronounced fade-in effect as the expander opens. * Hold (0 ms to 1000 ms): In upward expansion mode, it controls how long the expander maintains increased gain after the detected signal drops below the threshold. This prevents the gain from decreasing during brief dips in level, which minimizes pumping. In downward expansion mode, it controls how long the expander remains fully open after the detected signal drops below the close threshold. Once the signal level falls below the close threshold, hold keeps the expander fully open for a set time in milliseconds, preventing the expander from closing during brief dips in the signal level. Hold is inactive when set to 0 ms. * Release (1 ms to 5000 ms): In upward expansion mode, it controls how fast the increased gain returns to unity after the detected signal drops below the threshold and the hold time has expired. Fast release (1 ms to 40 ms) creates fast drop in gain which is good for drums, while slow release (150 ms to 1500 ms) makes the gain increase return toward unity at slow pace which is ideal for sustained sounds. Medium release (50 ms to 140 ms) provides a middle ground between fast and gradual gain drop. In downward expansion mode, it controls how fast the gate closes after the detected signal drops below the close threshold and the hold time has expired. It is the expander's closing time in milliseconds and uses an exponential curve for a smooth sound. Fast release (1 ms to 40 ms) makes the expander to close quickly, which is ideal for drums, percussion, and for creating choppy rhythmic downward expansion. Slow release (150 ms to 5000 ms) makes the expander close gradually, which is ideal for sustained sounds. Medium release (50 ms to 140 ms) provides a middle ground between fast and gradual closure. The release uses an exponential curve in both upward and downward expansion modes for smooth sound. * Dry/Wet (0% to 100%): Controls the mix between the original (dry) signal and the expanded (wet) signal, ranging from 0% (fully dry) to 100% (fully wet). This is useful for parallel expansion. * Output Gain (–30dB to +30dB): Sets the final output level of the expanded signal only. This control does not affect the detection signal level. * Filter Preview ON/OFF (Button): When turned ON, it solos the output of the detection high-pass and low-pass filters, allowing the user to hear the exact signal being used to trigger the expander. This is useful when tweaking the filters to isolate the desired trigger frequency. It is available for automation as "Filter Preview" in the plugin's parameter list. * Invert/Duck ON/OFF (Button): Only available in downward expansion mode. When turned ON, it inverts the downward expansion behavior. Instead of the expander opening when the detected signal exceeds the main threshold and closing when the signal drops below the close threshold, it opens when the signal drops below the close threshold and closes when the signal exceeds the main threshold. This is typically used for ducking when combined with Sidechain Input mode, making the plugin function like a sidechain compressor. For example, inserting the plugin on a music track and routing a vocal track as a sidechain to the plugin (with detection source set to Sidechain Input and Invert/Duck turned ON) will make the music automatically duck whenever the vocal track plays. It is available for automation as "Invert/Duck" in the plugin's parameter list. * GUI Bypass Button: A dedicated bypass button for toggling the expansion effect on or off without audio clicks. Available for automation as "Bypass (Smooth)" in the parameter list. * GUI Delta Button: Solos the difference between the wet and dry signals. It makes you hear what the expander removed or added to the main signal. This is very useful when adjusting settings. Available for automation as "Delta (Smooth)" in the plugin's parameter list. * GUI Detection Level Meter: Displays the current detection signal levels on a -100 dB to 0 dB scale. The white line represents the threshold, and the yellow line (when Hysteresis is set above 0 dB) represents the close threshold. * GUI Gain Reduction/Gain Increase Meter: In downward expansion mode, it displays the current amount of gain reduction being applied by the expander with a green fill. The meter reflects normal gain reduction by default, but shows inverted/ducked gain reduction when the Invert/Duck button is ON. In upward Expansion mode, it displays the output level with an orange fill. The orange fill accounts for the dry/wet and output gain, so changes in these two parameters will reflect in the meter. * GUI Detection Level Readout (dB): A numerical display of the maximum detection signal level since playback started. The value automatically resets on each playback start. * GUI Gain Increase Readout: A numerical display of the current amount of gain increase being applied by the upward expander. * GUI Max Gain Increase Readout: A numerical display of the maximum gain increase applied by the upward expander since playback started. * GUI Output Max Readout (upward expansion mode only): A numerical display of the maximum output level reached since playback started. * GUI Gain Reduction Readout (dB): A numerical display of the current amount of gain reduction being applied by the downward expander. * GUI HPF/LPF Status Indicators: Show the active/inactive status of the detection high-pass and low-pass filters. * Zipper-Noise-Free Operation: Advanced interpolation ensures no zipper noise during slider automation or real-time adjustments. * Minimal CPU Usage You can grab it for $14. All future updates are free, just make sure to use a valid email so I can send future updates to you. Listen to the audio demos here or on the Gumroad product page to hear what the plugin can do. Email Support: info.windowsg@gmail.com ================================================== Using This JSFX Plugin in Other DAWs: If you want to use this JSFX plugin in other DAWs, you can do so using the open-source YSFX plugin. YSFX is available in VST3, AU, and CLAP formats for Windows, macOS, and Linux. Download your preferred version of YSFX from here (Click on "Assets" for the downloads to appear): https://github.com/JoepVanlier/ysfx/releases YSFX comes in two versions: * ysfx-s FX (for JSFX effects). * ysfx-s instrument (for JSFX instruments). 1. Open ysfx-s FX in your DAW, 2. Then click "Load", find your "E-Expander600_Windows-G" file, and click "Open." The JSFX plugin will now run inside the YSFX host, working perfectly in any DAW that supports VST3, AU, or CLAP plugins. Read More
https://www.kvraudio.com/product/e-expander600-by-windows-g?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34225Gooey BrighterNote, this item is a promotional gift for all purchasers of Deeper. Enter coupon code: DEEPERANDBRIGHTER at checkout. Offer expires January 25th, 2026. For questions contact, dave at gooeyaudio dot com BRIGHTER. The first single knob audio plug-in by gooey. Brighter is a timeless plug-in that works for you in a simple, fun, and acceptable way. Brighter makes dull sounds more lively through non-linear saturation, filtering, and adding just a little buzz when you want. Brighter is not the first plug-in that we've made, but it is reminiscent of the simple joy of having something to work with, when you want, and how you want. Highlights: Boutique-style interface with a single slider. Single button to eliminate unwanted interferences. Available to use when you want, with perfectly timed processing. Stable zero-delay filtering and subtle non-linearities. Enjoyable for all levels of producers. Gooey Audio has a 14-day money-back guarantee. All Gooey Audio plug-ins are Apple and Windows-certified. Read More
https://www.kvraudio.com/product/brighter-by-gooey?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34196Behringer introduce the UB-1 Micro Behringer’s latest synth release promises to deliver an Oberheim-inspired sound, but only occupies a tiny enclosure that’s small enough to fit into your pocket.
Behringer introduce the UB-1 Micro
www.soundonsound.comBehringer’s latest synth release promises to deliver an Oberheim-inspired sound, but only occupies a tiny enclosure that’s small enough to fit into your pocket.
Kulshan Studios Smooth Jazz Soundset for Moog Sub 37 + Subsequent 3759 smooth Jazz presets, compatible with the Moog Sub 37 and Subsequent 37 analog hardware synths. This soundbank is 100% Jazz-oriented, which means no Trance, Dubstep, or Techno sounds. The patches in Smooth come straight out of songs by legendary artists of the 70s, 80s, 90s, 2000s, 2010s, and 2020s. So this soundset is designed to fully exploit the fat Moog ladder filter, expanded modulation capabilities, and multidrive to their max. Patches in Smooth are based on sounds from songs by the likes of Herbie Hancock, Parliament, George Clinton, Casiopea, Bill Bruford, Janelle Monáe, Kool & The Gang, Gorillaz, Hiromi Uehara, George Benson, Stevie Wonder, Weather Report, Seatbelts, Earth, Wind & Fire, Chick Corea, and many many more. Only FX used on these sounds outside the onboard FX was Virus TI2 reverb and delay on the leads/ plucks. Sounds in this preset pack are suitable for the Smooth Jazz, Acid Jazz, Funk, Soul, and RnB genres, and are organized by category into Leads, Plucks, Pads, and Basses, for quick reference. All patches are royalty-free and delivered instantly via email as a 24-hour download link. Requirements: Moog Sub 37, Subsequent 37, or Subsequent 37 CV synthesizer. Read More
https://www.kvraudio.com/product/smooth-jazz-soundset-for-moog-sub-37-and-subsequent-37-by-kulshan-studios?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34135GRM Tools Atelier from INA GRM The latest addition to the GRM line-up draws on the company’s extensive experience, but rather than bringing a new effect or processor to the table, uses their technology to power a new sound-design instrument.
GRM Tools Atelier from INA GRM
www.soundonsound.comThe latest addition to the GRM line-up draws on the company’s extensive experience, but rather than bringing a new effect or processor to the table, uses their technology to power a new sound-design instrument.
Universal Audio’s Moog Minimoog is just $29 until January 1st
Universal Audio has discounted its Moog Minimoog instrument to just $29, marking one of the best software synth deals to close out 2025. This is also my final article of the year, so before diving in, I just want to say thank you for being part of BPB in 2025. Your support, comments, and daily [...]
View post: Universal Audio’s Moog Minimoog is just $29 until January 1stUniversal Audio's Moog Minimoog is just $29 until January 1st
bedroomproducersblog.comUniversal Audio has discounted its Moog Minimoog instrument to just $29, marking one of the best software synth deals to close out 2025. This is also my final article of the year, so before diving in, I just want to say thank you for being part of BPB in 2025. Your support, comments, and daily
Full Bucket Music MicroWaveConverterMicroWaveConverter is a program to convert single wave cycles contained in a WAV file to a (MIDI SysEx) User Wavetable file for the Waldorf Microwave 1 (firmware revision 1.2 or higher). It is available for Microsoft Windows only and uses NAudio by Mark Heath for reading WAV files. I originally developed MicroWaveConverter for Piet Wagner who also Beta-tested it. Read More
https://www.kvraudio.com/product/microwaveconverter-by-full-bucket-music?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34117194db Audio releases FREE Vox Relief Lite vocal processing plugin
194db Audio has released Vox Relief Lite, a free vocal processing plugin for macOS and Windows, designed to quickly clean up vocal tone and help vocals sit better in the mix. In plugin-land, the word “Lite” in a plugin’s name usually suggests a stripped-down free version with a paid upgrade coming later. That might be [...]
View post: 194db Audio releases FREE Vox Relief Lite vocal processing plugin194db Audio releases FREE Vox Relief Lite vocal processing plugin
bedroomproducersblog.com194db Audio has released Vox Relief Lite, a free vocal processing plugin for macOS and Windows, designed to quickly clean up vocal tone and help vocals sit better in the mix. In plugin-land, the word “Lite” in a plugin’s name usually suggests a stripped-down free version with a paid upgrade coming later. That might be
VSL expand Synchron Special Brass VSL have recently introduced four new Single Packs for their acclaimed Synchron Special Brass sample library series, further expanding the palette of brass instruments recorded in the large Stage A of their Vienna Synchron Stage.
VSL expand Synchron Special Brass
www.soundonsound.comVSL have recently introduced four new Single Packs for their acclaimed Synchron Special Brass sample library series, further expanding the palette of brass instruments recorded in the large Stage A of their Vienna Synchron Stage.
Nova Sound Falling Into Winter Fest - Sound FX Master CollectionNova Sound Presents: A New WAV Master Collection, Free WAV EP and Free WAV Sound Pack! New equipment Arrivals! Falling Into Winter Fest – Sound FX Master Collection A complete seasonal sound effects collection capturing the warmth, nostalgia, and atmosphere of the holidays—from Thanksgiving through Christmas. This master collection blends cozy family moments, festive gatherings, and immersive environmental foley inspired by fall and winter. Featuring 450+ high-quality sound effects, including: Leaves, trees, wind, and gentle breezes. Suburban ambience and outdoor environments. Festival and community gathering atmospheres. Campfires and pumpkin smashing. Thanksgiving dinner and dining scenes. Christmas gift wrapping and paper sounds. Snowfall, snowing, and snow day ambiences. For film, games, holiday content, ambience design, and seasonal soundscapes. Snow Fall – Sound Library Part of the Falling Into Winter Fest Collection, Snow Fall offers over 100 high-quality snow, ice, water, and snow machine sounds. Features: High-quality WAV files. 24-bit / 48 kHz. Ready to load directly into your DAW or sampler as synth patches. Bring seasonal magic to your music — Merry Christmas. Free WAV Sound Pack – 10+ High-Quality Sound FX Celebrate the release of the New WAV EP and the Falling Into Winter Fest Sound Master Collection, featuring 450+ sound effects for your projects. https://www.youtube.com/watch?v=qwrbrVd2tCc https://www.youtube.com/watch?v=MYwZCWeLCE4 Read More
https://www.kvraudio.com/product/falling-into-winter-fest---sound-fx-master-collection-by-nova-sound?utm_source=kvrnewindbfeed&utm_medium=rssfeed&utm_campaign=rss&utm_content=34116Soft Loop Audio releases FREE Harmonic Echo generative MIDI plugin
Soft Loop Audio has released Harmonic Echo, a free generative MIDI delay plugin for macOS, Windows, and Linux. I was contacted by the developer behind Soft Loop Audio about this release, and instantly loved the concept. After spending some (very short, unfortunately) time with Harmonic Echo, I can safely say it’s unlike any MIDI effects I’ve [...]
View post: Soft Loop Audio releases FREE Harmonic Echo generative MIDI pluginSoft Loop Audio releases FREE Harmonic Echo generative MIDI plugin
bedroomproducersblog.comSoft Loop Audio has released Harmonic Echo, a free generative MIDI delay plugin for macOS, Windows, and Linux. I was contacted by the developer behind Soft Loop Audio about this release, and instantly loved the concept. After spending some (very short, unfortunately) time with Harmonic Echo, I can safely say it’s unlike any MIDI effects I’ve
The Usual Suspects officially release JE-8086, a FREE Roland JP-8080 emulation
Developer the Usual Suspects has officially released JE-8086, their free Roland JP-8080 emulation for macOS, Windows, and Linux. The Usual Suspects announced plans to release a Roland JP-8080 emulation a while back, and as expected, it generated quite a buzz. The excitement over any release from The Usual Suspects is merited and comes from an [...]
View post: The Usual Suspects officially release JE-8086, a FREE Roland JP-8080 emulationThe Usual Suspects officially release JE-8086, a FREE Roland JP-8080 emulation
bedroomproducersblog.comDeveloper the Usual Suspects has officially released JE-8086, their free Roland JP-8080 emulation for macOS, Windows, and Linux. The Usual Suspects announced plans to release a Roland JP-8080 emulation a while back, and as expected, it generated quite a buzz. The excitement over any release from The Usual Suspects is merited and comes from an
ATC launch SCM105AC Pro & SCM105AiWC Pro ATC have announced the launch of a two new three-way monitors designed to take on centre-channel duties in surround and immersive systems.
ATC launch SCM105AC Pro & SCM105AiWC Pro
www.soundonsound.comATC have announced the launch of a two new three-way monitors designed to take on centre-channel duties in surround and immersive systems.
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