Arturia announce the MiniLab 37 The new MiniLab 37 promises to retain everything that made the original a hit, but offers an enhanced playing experience thanks to an additional 12 slim keys. 

Novation reveal the Launchkey 61 MK4 White Following user requests, the 61-key model in the Launchkey MK4 line-up is now available in the same finish as the Launchkey Mini 37 White and Launchkey 49 White.

Studio Kozak releases FALA, a FREE BBD chorus plugin
Studio Kozak has released FALA, a free vintage-inspired BBD chorus plugin for macOS and Windows. This is another guitar stompbox-style plugin we have covered this week. The last one was GRIM3 Overdrive from Aurora DSP, while FALA is a chorus plugin shaped like a simple guitar pedal. I’ve said it before, and I’ll say it [...]
View post: Studio Kozak releases FALA, a FREE BBD chorus plugin

Fender Studio Pro 8.1 puts an AI assistant and Moises stem separation inside the DAW
Fender Studio Pro has received the 8.1 update, offering a brand-new AI assistant (public beta) and Moises Studio integration. As if we haven’t talked about Fender enough recently, here we are again with the legendary manufacturer as the topic of the day. This time, we’re not talking about guitars or lawsuits, well, not directly, anyway. [...]
View post: Fender Studio Pro 8.1 puts an AI assistant and Moises stem separation inside the DAW

ebbandflow launch with deFORM Designed to “shape sanity out of chaos and instability”, the new arrival captures and an array of the company’s favourite synths and sets its sights on big-screen soundtrack composition.

Vital vs Surge XT: How To Pick Your Free Synthesizer in 2026
Every few weeks, someone asks me some version of the same question. Should I learn Vital or Surge XT? It’s a tough question because these are the two best free synths you can download in 2026, and either one can realistically be called the greatest free synth of all time. So I decided to test [...]
View post: Vital vs Surge XT: How To Pick Your Free Synthesizer in 2026

Aurora DSP This Heavy Earth Suite (Early Access)This Heavy Earth Suite This Heavy Earth Suite is a complete high-gain guitar production environment developed by Aurora DSP in collaboration with This Heavy Earth Effects. Built around boutique hardware circuits and designed specifically for modern heavy music, the suite combines amp simulation, pedal effects, cabinet processing, modulation, delay, reverb, and utility tools in a single plugin. Based on the Fleshrot amplifier and a growing collection of This Heavy Earth pedals, the suite delivers an end-to-end signal chain for aggressive guitar and bass tones, eliminating the need for complex pedalboard setups while providing extensive tone-shaping flexibility. Key Features Fleshrot high-gain amplifier simulation. Integrated cabinet section with two distinct voicings. GRIM3 overdrive pedal. Spectral Gate noise gate. Additional This Heavy Earth pedal models planned for future updates. SpeakerX nonlinear speaker simulation technology. Graphic output EQ for final tone shaping. Built-in chorus, tremolo, delay and reverb effects. Integrated tuner, recorder and metronome. Transpose control for instant down-tuning. Studio Environment monitoring option. Preset management system. GateMate noise gate technology. Full MIDI compatibility. Built for Modern Heavy Guitar Production At the core of the suite is the Fleshrot amplifier, a high-gain design created for aggressive rhythm tones, articulate leads, and modern metal production. Combined with the included cabinet section and output EQ, users can quickly move from tight, focused tones to massive doom-inspired textures. Pedals Inspired by This Heavy Earth Effects The suite includes software versions of boutique pedals from This Heavy Earth Effects. The included GRIM3 overdrive is designed to tighten low frequencies and push the front end of an amplifier, while Spectral Gate provides transparent noise reduction. Future updates are planned to expand the pedal collection with additional distortion, boost, delay and reverb effects. SpeakerX Technology SpeakerX is Aurora DSP's proprietary speaker modeling engine designed to recreate the nonlinear behavior of real guitar speakers. By simulating speaker coloration, dynamics and diffraction effects, SpeakerX adds depth, realism and a more natural cabinet response compared to traditional static processing. Integrated Effects and Utilities Beyond amp and pedal processing, This Heavy Earth Suite includes a complete post-effects rack with chorus, tremolo, delay and reverb. Utility tools such as a tuner, recorder, metronome, transpose control and MIDI support make it suitable for both studio production and practice workflows. Formats Available in VST3, AU, AAX and Standalone formats for Windows and macOS. Read More

MONO Music Conference 2026 Set to take place on November 13-14 2026 at The Midway in San Francisco, CA, the MONO Music Conference will bring together more than 750 music creators for two days of connection, creativity and growth. 

Aurora DSP releases GRIM3 FREE overdrive plugin
Aurora DSP has released GRIM3, a free overdrive plugin based on the feel of a guitar pedal. You can put GRIM3 before an amp or amp sim and use it to tighten the low end, add a bit of midrange overdrive, or push the input stage harder. Aurora DSP optimized it for modern high-gain guitars, [...]
View post: Aurora DSP releases GRIM3 FREE overdrive plugin

Fender Studio Pro 8.1 arrives Fender Studio Pro 8.1 introduces AI-powered Studio Assistant feature along with integration with Moises Studio, a native pitch-correction tool and a whole host of improvements to its existing toolset. 

Bram Iron transformerIron Transformer is a saturation/distortion plugin that models magnetic hysteresis, the way iron cores in transformers respond to audio signals. Instead of emulating a specific piece of hardware, it simulates the underlying physics: how magnetic material "remembers" its state and resists change, creating that warm, gluey saturation people chase in iron transformers. It is built only for Linux, and only available in CLAP format. Demo video: https://youtu.be/NzO0QJDGMrI. The parameters for the magnetic model can be controlled in the plugin (also automatable). The parameters can be adjusted to add some subtle character, or loud distortion. The dM/dH graph on the right shows live how the magnetization curve is impacted by the parameters you've set. Its shape determines the character of the effect: Wider curve = stronger hysteresis, more "memory" effect, thicker sound. Larger surface area = more distortion, more harmonics generated. Thin line near center = subtle, transparent saturation. Sharper curves = harder saturation, more aggressive crunch. This plugin works well to add character or warmth to a bunch of different instruments. You can leave feedback in the reviews here or mail me at audio@btertoolen.eu. Read More

Behringer D Mini is available for pre-order in the EU: Minimoog Model D-inspired performance for €99
You can now pre-order the Behringer D Mini in the EU for €99, offering you a Minimoog Model D-inspired performance. If you know anything about Behringer in recent years, you’ll know that I’ve made rather casual use of the word inspired in the header. When I say inspired, I mean cloned to within an inch [...]
View post: Behringer D Mini is available for pre-order in the EU: Minimoog Model D-inspired performance for €99

Jonas Eriksson releases Annulus, a FREE polyphonic resonator and effects engine
Developer Jonas Eriksson has released Annulus, a free polyphonic resonator and effects engine for macOS and Windows. You should note that, while Annulus is available for free download, it has not yet undergone a public beta or formal testing phase. The plugin is functional, but may contain bugs, and the developer welcomes reports and feedback [...]
View post: Jonas Eriksson releases Annulus, a FREE polyphonic resonator and effects engine

bigBASS from fedDSP bigBASS packs in an array of tools designed to enhance low-frequency content, and is said to be versatile enough to tackle everything from subtle mix-bus duties to huge-sounding kicks and basses. 

Kreuzberg Audio RUMBLE FORGERumble & Sub-Bass Generator für Techno Kick in, rumble out. The rumble is the foundation Listen to a techno track without rumble. There's a kick, a couple of hats, and nothing happens. That deep, sustained, vibrating thunder underneath the kick is what gets the floor moving. It's not an effect on top, it's the foundation the whole track stands on. The thing is, building one by hand is a grind. Layer a sub, tune it to the kick, draw reverse-reverb tails, saturate, sidechain, mono the bass, time it all together. An hour later you've got a rumble that sounds okay, and on the next track with a different kick you start from zero again. RUMBLE FORGE does it in one click. Drop it on your kick channel, pick a preset, and the plugin listens to your kick, transient and pitch, and builds a rumble that automatically fits that exact kick. Harmonic, because it's tuned to the fundamental of your kick. Solid, because it grows out of the kick body instead of sitting next to it. And fat, because there are nine parallel DSP pipelines behind it. How it works RUMBLE FORGE is not a sub-synth you retune to the kick by hand every time, and not a saturator that smears across everything. The plugin sends your input down two paths: one is the clean kick, the other goes into two analysis modules. The KickDetector spots every hit via the amplitude envelope. It only reads the low-end energy, so it's robust against hats and percussive bleed. The PitchDetector tracks the fundamental of the kick in parallel using a YIN algorithm, typically 40 to 80 Hz. Both run fully automatically, you don't set anything. And that's the trick behind the harmonic sound: because the rumble is tuned to the tracked kick pitch, it always sits cleanly under your kick instead of beating against it. A preset works on any kick as a result, no retuning needed. The 9 rumble pipelines Nine parallel pipelines each generate a different flavor of rumble. Important: this is not a multi-effect. All nine chase the same idea, a coherent kick tail in the sub and bass range, they only differ in how they create it. You mix them freely, from subtle sub-octave thickening with two pipelines to a full wall with all nine. Each pipeline has its own output lowpass that cuts it off up top, so the rumble stays in the basement and doesn't muddy the mids. P01 SOG, Reverse Reverb: the reverb builds up before the hit and resolves into the transient. The classic whoosh run-up for roll sounds and build-ups. P02 PULS, Delay Rumble: tempo-synced delay with dirty feedback. Gritty, percussive, Birmingham industrial school. P03 FUNDAMENT, Sub Synth: wavetable sub, tuned to the kick and mixed into the body. Makes thin kicks fat and breathes with them. P04 ROAST, Saturated Feedback: saturated tail with four characters, from soft tape saturation to wavefolder. For industrial walls with bite. P05 GRAIN, Granular Texture: granular cloud from the kick tail. Smeared sub textures and drones. P06 PHASE, Phase Rumble: five phase modes, including Reese with detuned comb filters. Wide, hypnotic sub movement. P07 FREQ, FM Rumble: FM synthesis with sidebands. Thickens the tail harmonically, from sub to metallic. P08 PULL, Reverse-Swell Sub: tempo-locked sub swell that sucks in before every beat. Continuous build-up breathing under the kick. P09 SHIFT, Frequency Shifter: SSB shift that moves the overtones inharmonically. Slow alien drift on the tail. Breathing between kick and rumble A built-in rhythmic sidechain ducks the rumble bus relative to the kick or the tempo grid. That's the signature pump that gives kick and rumble room to breathe. Trigger classically off the kick, or lock to the grid with 1/4, 1/8, 1/16 including triplets, swing and a phase offset for off-beat pulses. Four release curves from exponential to S-curve. Club-ready at the output The master section makes your rumble PA-ready. Bass Mono folds everything below 120 Hz to mono, mandatory for vinyl and a club system. On top of that, Sub Cut against inaudible subsonics, Dry/Wet to blend it under the kick and a solo mode for auditioning. If you don't have your own bus processor running, for example in a standalone live setup, dial in the channel strip too: glue compressor, saturation, tilt EQ, stereo width and a final limiter at minus 0.3 dB. 51 factory presets Curated by genre and pipeline focus, every one track-ready right away: Rolling: classic techno rolling rumble. Pumping: sidechain-driven breathing. Delay: PULS-focused echo rumbles. Industrial: hard walls. Sub-heavy: FUNDAMENT-focused sub thickening. Granular: smeared textures and drones. FM: FREQ-focused inharmonics. PULL: sub-swell templates. SHIFT: drift textures. Composite: combined multi-pipeline sounds. You can save unlimited user presets. A/B compare with two parameter slots is built in. Technical highlights 9 parallel DSP pipelines, freely mixable, each with its own output lowpass. Fully automatic kick detection and pitch tracking, no tuning needed. Rhythmic sidechain with kick or grid trigger, swing and four curves. Master section with Bass Mono, Sub Cut and a solo mode. Mastering channel strip with Comp, Sat, Tilt, Width and limiter. 51 factory presets plus unlimited user presets. MIDI Learn on every knob, stored per instance with the project. RT-safe and light on CPU, around 3 to 8 percent on an M1 at 48 kHz. Formats and systems. Formats: VST3, AU (macOS), Standalone Systems: macOS 10.13+ (Universal Binary, Intel and Apple Silicon), Windows 10+, Linux from Ubuntu 22.04. License and demo The demo runs with the full feature set, nothing is locked. Every 30 seconds a quiet noise burst mixes in for a few seconds, and it disappears for good the moment you enter your serial number. Activation is fully offline, no online phone-home. Read More