Dear House Sound Engineers: We Love You, We Need You, Please Stop.Few people in the live music industry give me as much anxiety as the house sound engineers.

10 sound design techniques that will change how you sample.
#SoundDesign #Music #Musicians #Producers #musicproduction #samples

5 key guitar techniques from JULESTHEWULF
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MNDR on collaboration, the future of music, and the launch of Diamonds on the Splice Discord
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10 sound design techniques that will change how you sample
From convolution to multi-band effects processing, here are ten timeless sound design techniques that will help you reimagine your samples.

Citizen Cope on Major Labels vs. Independence, Audience Connection and Having a Seat at the TableCitizen Cope, a.k.a Clarence Greenwood, is an American singer-songwriter, producer, and performer.

The Locrian mode: A comprehensive guide
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How Do Independent Artists Clear Samples? 😎 Licensing requirement for samples in recordings.
#samples #Recording #independent #Artist

Bebop Rhythmic Words 1&2: Unleashing Jazz Improvisation through Rhythm. Jazz Piano TutorialIntroduction: In the world of jazz improvisation, we often emphasize the importance of choosing the right notes over chord changes. However, today we’re going to shift our focus to another crucial aspect of improvisation: rhythm. In this video, we’ll explore the concept of using rhythmic words to guide our bebop improvisation. By incorporating these rhythmic phrases into our playing, we can enhance our sense of timing and develop a stronger connection between our left and right hand movements. So, let’s dive into this exciting exercise and discover how it can transform your improvisational skills.

Setting the Foundation: To begin, we’ll work with two related rhythmic words and apply them to a walking bass-line using half notes. This approach allows us to establish a solid foundation by feeling the downbeat in our left hand while understanding the rhythmic placement in our right hand. It’s crucial to have a clear picture of where we start and end in order to create a cohesive musical statement.

Word 1: The first word starts on beat 2 and ends on the “and-of-4.” Then, it begins again on beat 2 and concludes on the “and-of-3.” By focusing on the note played on the “and-of-4,” we can think ahead to the next chord in the progression and choose a note that complements it. Additionally, we can enhance the shape of word 1 by incorporating a leap on the final note, either ascending or descending. This melodic contour adds further interest and character to the phrase.

Word 2: Word 2 is a variation of word 1, with the addition of a pickup note at the beginning of each part. This time, we start on the “and-of-1” for both iterations, but we still conclude on the same beats as in word 1. To create a pleasing melodic shape, consider playing a leap on the pickup note, adding an extra touch of musicality to the phrase.

Application to a Jazz Standard: Now it’s time to put these rhythmic words into practice. Choose a jazz standard or a specific section and begin by playing the melody alongside the bass line. Once you’re comfortable, integrate word 1 into your improvisation, repeating it a few times over the progression. Then, transition to word 2 and play it in the same manner. This exercise serves as an excellent starting point for conversing in the bebop language, allowing you to develop a stronger rhythmic foundation.

Key Considerations and Further Practice: As you embark on this rhythmic journey, remember that playing at high speeds is not the goal. Instead, focus on accurately placing your phrases on the right beats and maintaining a steady and consistent bass rhythm with your left hand. In the next video, we’ll explore two additional rhythmic words, expanding our rhythmic vocabulary even further.

Accessing Additional Resources: For those seeking further support and resources, our “exclusive access” members have exclusive access to the PDF for this lesson. Simply navigate to the membership tab and follow the link provided in the latest post. You’ll find the PDF for today’s exercise at the top, along with a selection of other valuable resources. Basic members will have access to all PDFs published in the last two months.

If you’re not yet a member, you can join by clicking the designated button on YouTube.

JOIN EXCLUSIVE ACCESS HERE

Additionally, to access PDFs beyond your window of accessibility, consider exploring our Music Theory Journal, available on mDecks.com. This comprehensive almanac contains all the content we’ve published so far, providing a valuable reference for your musical journey.

Conclusion: By incorporating rhythmic words into your bebop improvisation, you’ll discover a new level of rhythmic sophistication and expressiveness. Remember, while notes are important, it is the rhythm that truly brings an improvisation to life. Through the exercises demonstrated in this video, you can begin to develop a stronger sense of timing, phrasing, and melodic contour in your improvisations.

Win $1,000 and more via Moore Kismet’s Splice Discord Beat Battle
Create a track that incorporates Moore Kismet's hand-selected sounds for the chance to win $1,000 and more.

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Announcing Transitions, the collaborative Creator Class sample pack
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​This Music Publicist Has Upended the Entire PR ModelThis week on the New Music Business, Ari is joined by the founder of Purple Bite PR, Mikel Corrente. In the last few years Corrente adapted a “Zero-Risk” guaranteed or money back system that is very uncommon in the PR industry but it’s more transparent and fairer than the traditional PR system. Some examples of artists and companies that Corrente has worked with are: Sony Music, Kat Graham, Red Light Management, Mix Master Mike, Elohim, Jesse Jo Stark, Lauren Ruth Ward, BIIANCO, and many more.

Mike Shinoda (Linkin Park, Fort Minor) on crafting Meteora, songwriting, and the art of vocal production.
#Music #musicproduction #vocals #Songwriter #Musicians