Everywhere to announce your next show!Hot on the heels of the announcement that dates posted on Bandsintown now also appear on Spotify, Chris Robley of ReverbNation has a list of all the places that artists need to announce every show...
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Auralex launch Fusion24 acoustic panel range Auralex Acoustics' new range of acoustic panel facias come in a range of styles and finishes. 

“It’s a wee bit suspect”: Calvin Harris on why he wants to stop DJing at 50Calvin Harris might be one of the biggest DJs on the planet, but he’s suggesting that he might stop DJing once he hits 50.

READ MORE: Nero rediscover stack of old CDs full of original WAVS and unreleased music from 2004-2010

Speaking to MistaJam on Capital Dance, Harris, who turned 40 last month, says, “I always said that, once I get past 50, I can’t see me DJing, man.”
When MistaJam brings up DJs who have continued to work in the booth past that age, like Carl Cox, Harris explains that he doesn’t see himself as the same sort of DJ.
“It’s a certain type of DJing, though, isn’t it?” he explains. “The more commercial end it’s a wee bit… a little bit suspect. I think I’d prefer to be, like, in the studio making tunes.”

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He goes on to say that he generally feels more comfortable in the studio than on stage. He explains, “I think that’s where the majority of my talent lies – making something sound good. So I would like to make other people’s records sound good.”
Of course, there are plenty of DJs who have kept playing into their 50s and beyond. Cox is 61, while Fatboy Slim is 60 and David Guetta is 56. Will Harris change his mind over the next decade?
In the meantime, however, he’s remaining busy. This weekend, he’s set to perform at the BRIT Awards with Ellie Goulding, likely performing their song Miracle, which came out in March last year.
And earlier this month, he released a track with Rag’n’Bone Man – who’s also present during the interview with MistaJam – Lovers in a Past Life. It’s the first song he’s released since he appeared on Eliza Rose‘s track Body Moving in November. His last album, Funk Wav Bounces Vol. 2, came out in August 2022 and reached fifth place on the UK Albums Chart.
The post “It’s a wee bit suspect”: Calvin Harris on why he wants to stop DJing at 50 appeared first on MusicTech.

GC Audio unveil Inherit Bank GC Audio's latest product will serve as an expansion unit for their Inherit Rack, adding an additional four cartridge slots and making it even easier to audition different tonal options.

How to create Justice-style distorted synthsJustice burst onto the scene in the mid-2000s with a raucous sound that combined sampling, fast and furious edits and plenty of rock ’n’ roll attitude. Now they’re back with a new album, Hyperdrama, and if the advance tracks are anything to go on, we’re in for some classic Justice insanity.

READ MORE: How to recreate Fred again..’s “Jungle” bass sound

Justice’s tracks are packed with distorted sounds, as on the synth lead in new song, Generator. Distortion is a sure-fire way to add excitement to a track. As Erol Alkan said in Vinyl Me Please in 2022 when talking about Justice’s revered debut album, †, “The idea of machines sounding like they were about to explode seduced our imaginations.”
The key to getting that Justice heat in your productions is to think like a rocker — treat your sounds like guitars, not synths. Think pedals, amps, massive stacks of speakers and plenty of gain, gain, gain.
This mindset can take a plain synth lead from damp:

To incendiary:

Drive the filter
Start by creating a synth lead sound. Generator uses an oscillator sync lead sound, which is suitably rock ’n’ roll — it’s all over new wave classics by The Cars, among others. Any synth with oscillator sync will work, although the one in our example is the Roland Cloud Jupiter-8.
Justice often sample their synths. You can do the same by bouncing out a single note and importing it into your sampler of choice. After setting an appropriate start point and envelope curve, start upping the excitement with the filter drive. It’ll boost the perceived weight of the synth as well as volume. You don’t need to get too wild and crazy as there are plenty more steps to add gain and dirt to come.

Clean up the EQ
It’s a good idea to strap an EQ across the track next to clean up any errant frequencies that may be present. You’re going to be adding a lot of gain and exaggerating the frequency content in the following steps. Any low-end mud will only get muddier and messier. As it’s a rock-type sound, use low and high shelves to restrict the synth lead to mainly mid frequencies. Cutting below 200 or 300Hz is a good benchmark. You can also take a touch off the highs in anticipation of the screamy freqs that are coming down the road.

Get crunchy
RX950 from Inphonik replicates the AD/DA converter in the classic Akai S950 hardware sampler. A touch of digital crunch will add texture to the synth lead. Try increasing the input gain for saturation and turn down the Audio Bandwidth dial to lower the sampling frequency. This is another piece of the Justice distortion puzzle. (And if you don’t think Akai samplers are very rock ’n’ roll, tell that to My Bloody Valentine, who used them all over Loveless.)

Kling to me and I’ll Klon to you
It’s not rock ’n’ roll without guitar pedals. Try running your synth lead through a virtual pedal like Nembrini Audio’s freeware Clon Minataur. A recreation of the Klon Centaur, it adds plenty of overdrive without breaking up the signal or overly colouring it. Remember, the goal is to excite the synth lead, not obliterate it. You may lose some highs so bring them back with the treble knob if necessary. That’s starting to sound pretty gnarly, dude.

Give it some air
Now it’s time to bring out the big guns. Gaspard Augé and Xavier de Rosnay, the two rock stars behind Justice, aren’t flanked on both sides by stacks of Marshall amps during their live shows for no reason. It’s time to witness the power of a fully armed and operational guitar amplifier.
There are many amp modellers available, such as Native Instruments’ Guitar Rig. Load up an instance of the plugin next in line in the track. Choose a matching head and speaker combo of Jump, Native Instruments’ emulation of the classic Marshall JMP. You should be treated to an instant rock tone. Use the controls on the amplifier, particularly the tone and presence knobs, to fine-tune the sound.
Next, on the speaker, play around with the microphone balance until you get a sound that works for your track. Try adding a little air as well. Re-amping synthesizers is an effective way to make them sound bigger than life. Depeche Mode used this trick to get their stadium synth pop sound in the 1980s and it’s a good bet that Justice does too.

Compress to impress
You can’t talk about rock production without mentioning compression. The same goes for Justice, where everything is compressed to within an inch of its life. Compression can also add colour and saturation, so slap a compressor onto the track next. Arturia’s Comp-FET 76 models the UAD 1176 FET compressor. Use its ultra-fast attack to clamp down on transients and really squash the synth sound.

Let’s get reel
The final stage of any classic rock production is going to be reel-to-reel tape, so make that your last port of call. U-he’s Satin does a great job of reproducing the musical saturation of tape. Push the input to overdrive it. Increase the Speed ips (inches per second) knob for a brighter sound.
Bounce and edit
That’s your distorted synth lead all cooked up. Finally, bounce it down to audio and chop it up, interspersing it at opportune moments throughout the song to create interest (and a little chaos, naturally) in the best Justice tradition

The post How to create Justice-style distorted synths appeared first on MusicTech.

Programmed listening is on the rise at #Spotify. And radio is there. We need to take care of the content we produce.
#MusicIndustry #Streaming #Production

Attorney Chooses Music Over Law & Invests In Audient ASP4816-SEMusic producer, Thomas Shea favours a ‘scattered workstation approach’ to his home studio. “I like to work in different places. I just like the variety,” he says. With the ASP4816-SE a significant part of his music production arsenal, he acknowledges that his way of doing things “is unusual.”

Not as unusual as his back story, however. Tom originally trained as an attorney and practised law, until one day 16 years ago he had an epiphany! He decided he was going to become a music producer. “Lightning struck me. I closed down my law practice,” he says. He went about finding local musicians, taught himself songwriting, made connections and bought himself some recording gear - he was well and truly hooked!

The Audient brand first came to his attention when looking for a replacement audio interface. His first purchase was the latest iD44. “I liked the quality, the test measurements, the form factor and the metal construction.”  Now he uses that as a headphones amplifier with his ASP4816-SE, and has since picked up an iD4 as well.

Shea shares what he particularly likes about the console. “First, the sound.  I am one of those producers who likes a very clean sound and the ASP4816-SE really delivers on this.  Second, the build and finish quality is excellent.  I am very fussy about things like that.  The quality of the faders and knobs, the beautiful aesthetic redesign and the flawless finish are very satisfying to me.  It is a pleasure each time I see it.“

He continues, “Third is the functionality.  I am constantly pleased with the way the console functions are designed.  The layout and functions make sense and are easy, relative to its many capabilities.  It seems to me other consoles are overly complex and confusing to use.  Not the ASP4816-SE!”

Tom Shea can be found on many global music services. He’s currently working on a new album, with a few songs already in final production stages. 

Read more here: audient.com/news/2024/02/26/tom-shea/

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Reddit users wonder if the next big meme stock is Reddit itselfJeremiah Johnson says he has “an embarrassing amount” of Reddit karma. So, as a longtime moderator of subreddits like r/economics, he was part of a select group of power users who were granted first dibs to buy stock in Reddit as the company prepares to go public. “You would never see Instagram doing something like […]
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GForce reveal Oberheim OB-EZ GForce's latest release offers the same powerful sound as their renowned Oberheim OB-E in a new, focused user interface.

Live Nation is ‘surprised and thrilled’ its all-in ticket pricing is a success… and 3 other things we learned on the company’s latest earnings callIn 2023, stadium shows led Live Nation’s attendance growth, with more than 29 million fans attending stadium shows, an increase of 60% YoY
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Sales from K-Pop stars including Jungkook and Seventeen pushed HYBE’s revenues to over $1.6bn in 2023South Korea-based entertainment giant HYBE has published its earnings for Q4 and FY 2023
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Psycho Circuitry Debuts FREE Micro Xformer Saturation Plugin
Independent developer Psycho Circuitry recently released the Micro XFORMer, a flexible transformer saturation and distortion plugin.  The Micro Xformer+ and free Micro Xformer are available for Windows and Mac, although they have not yet been notarized by Apple. The paid version is available at an introductory price of $19, which is reduced from the list [...]
View post: Psycho Circuitry Debuts FREE Micro Xformer Saturation Plugin

OneShot drum sampler from Klevgrand Described as a their most ambitious instrument yet, Klevgrand's latest drum sampler comes packed with an array of mixing, routing and effects functions.

Study reveals how Spotify algorithms affect listening and discoveryA new study that analyzed 25.3 billion Spotify streams provides a look at how the streamer's algorithms work and how they are changing how music is listened to and discovered.....
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Redefining Record Labels starting with Purpose [Patrick Clifton]Why do modern record labels need to redefine their purpose and refresh their measures of success?.....
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