.MUSIC Domain Registration Opens: Control your Music Identity Now!Top level .MUSIC domain registration is are available after several pre-registration rounds along with a new verified MusicID program.
The post .MUSIC Domain Registration Opens: Control your Music Identity Now! appeared first on Hypebot.

CARYS: A Case Study in Independent Artist GrowthDiscover how CARYS refined her artistic direction to grow her fanbase and amplify her brand. CARYS: A Case Study in Independent Artist Growth reveals key strategies behind her transformation and. Continue reading
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Brazil climbs the global top 10: a new era for the music market [MIDiA’s Tatiana Cirisano]The music industry in Brazil is now officially a powerhouse, climbing into the top 10 markets worldwide. Discover what’s driving this explosive growth.
The post Brazil climbs the global top 10: a new era for the music market [MIDiA’s Tatiana Cirisano] appeared first on Hypebot.

Ticket touts cost UK music fans an extra £145 million per year: “All too often fans are forced to pay a price decided by a stranger on the internet”Ticket touts are costing UK music fans an extra £145 million annually, according to a recent report by global research firm YouGov.
The survey, conducted among music fans over the age of 18, found that ‘almost half’ of gig-going fans find it difficult to identify a ticket resale platform, and that approximately one in five tickets end up on a resale platform of some sort.

READ MORE: UK government to look at transparency of dynamic pricing and “the technology around queuing systems which incentivise it” following Oasis ticket chaos

O2 – which sells over a million tickets each year through its Priority customer reward platform – says of the findings: “We are tired of professional ticket touts abusing the market and stealing tickets out of fans’ hands.”
“Music fans deserve the chance to buy tickets at a price set by their favourite artist, but all too often they are forced to pay a price decided by a stranger on the internet. Consumers deserve more protection and better information about the tickets they’re paying for.”
The company also claims that it has prevented more than 50,000 suspected bots from entering its Priority platform over a six-week period.
In light of these issues, O2 has called for several steps to improve the current ticketing system: Better legislation against the sale of concert tickets for significant profits; clearer information during the sale process on ticket resale platforms, such as a pop-up notification that explains who the ticket is being bought from and the potential risks involved; and clearer identification of ticket resale platforms on search engines. Currently resale websites can buy their way to the top of search results, without having to mention their tickets are second-hand.
Gareth Griffiths, O2’s Director of Partnerships and Sponsorship, has a few tips for music fans in the meantime. They include checking the artist’s website and social media for official ticket partners and educating yourself on the risks of buying a second-hand ticket — While platforms like Viagogo may offer a full refund should you fall victim to a ticket scam, they cannot guarantee entry to the show.
Alternatively, gig-goers can turn to fan-to-fan platforms such as Twickets and Ticketmaster’s resale marketplace, where tickets can be resold for no more than the price originally paid (plus fees).
In related news, the UK government recently said it will investigate dynamic ticket pricing following mass outcry over the soaring prices of tickets to Oasis‘s reunion tour.
The post Ticket touts cost UK music fans an extra £145 million per year: “All too often fans are forced to pay a price decided by a stranger on the internet” appeared first on MusicTech.

Ableton Move is the perfect instrument for music-making on the flyAbleton has officially launched Move, a compact, portable standalone instrument designed for capturing musical ideas whenever they appear.
Featuring a rechargeable battery and a built-in processor, microphone, and speaker, Move is touted as the “ideal companion for creating on the go”.

READ MORE: “I just found a way to make the sound come out”: Rick Rubin says he still doesn’t know the “right way” to program an 808

Move features an intuitive design and a simple workflow, making it easy for users to dive into new ideas. With a core library of over 1,500 sounds and instrument presets, getting started is a breeze. The unit is equipped with 32 polyphonic aftertouch pads, a 16-step sequencer, and integrates seamlessly with Ableton Live software, so ideas started on Move can be finished in Live.
Sound shaping is also made simple with nine touch-sensitive, endless rotary encoders. Users can play notes, beats, samples, and clips using the 32 backlit, pressure-sensitive pads.
Move is able to run up to four tracks, each of which makes use of a version of one of Live’s Instrument Rack or Drum Rack devices. The unit uses many of the same instruments and effects that power Ableton Live, which should make things familiar enough. It is also equipped with built-in audio effects such as reverb, delay, and saturation for real-time sound manipulation. Users can apply up to two effects per track, plus two on Move’s master output.
Move also features onboard sampling capabilities. Users can sample via a built-in mic, a 3.5mm audio input, or by resampling the main output. You can also import samples via a wired connection or Move’s onboard WiFi, which comes in handy when transferring Sets to Live and Note with Ableton Cloud and Move Manager. The instrument also provides up to four hours of use on a single charge.
Weighing just 2.1 lbs, Move is lightweight enough to fit into any bag and offers up to four hours of use on a single charge.
The unit is priced at $449/ £399/ €449.

Head to the Ableton shop to learn more.
The post Ableton Move is the perfect instrument for music-making on the fly appeared first on MusicTech.

“In high school, I was making songs on my laptop that sounded fully professional”: Ninajirachi on the democratisation of music technologyEDM artist Ninajirachi has shared her thoughts on the democratisation of music technology, and how advancements allowed her to make music at a professional level without a studio.
With an ever-growing market of budget friendly plugins, DAWs and freeware, music making to a high standard is becoming more and more within reach of up and coming artists and bedroom beat makers.

READ MORE: Billy Corgan thinks Pro Tools made music worse: “It brought a lot of people into the music business that really have no business being in the music business”

Speaking to MusicTech for a brand-new cover story, Ninajirachi – real name Nina Wilson – reveals her early ventures into dance music began with Lady Gaga: “I was in primary school when Gaga was kind of blowing up, and she was my hero. My 12th birthday was Lady Gaga themed.”
She went on to discover Skrillex, Madeon, Deadmau5, Flume and her absolute favourite, Porter Robinson via YouTube. “I had no idea about clubbing,” she recalls, “but the sonic palette was so crazy and made me feel so euphoric. Also, just the dynamics of it — the tension, the build-ups, the drops, were just so thrilling. I would just listen to it on the bus to school in my headphones. It was such a solo endeavour. I would never really be [given] the AUX [cable], because I was the friend with the ‘wob wob’ taste.”
Nina’s own journey into music began at primary school, when she began tinkering with iMovie and GarageBand, and in turn was later gifted the full version of FL Studio at 14 by her mother. She later adds, “In the past, someone would have to spend 20 grand on a studio, an engineer and a mix person to create something that people would deem consumable.
“When I was in high school, I was making songs on my laptop that sounded fully professional. With a computer, you can hypothetically make any sound. That’s so awesome,” she concludes.

In other news, producer Jack Antonoff recently unveiled early plans to make accessible studios across America for those who would not normally be able to afford to use them. Arguing that while at-home production tools are brilliant, there’s no experience like a real-life studio. As part of his mission, Antonoff wants to begin by launching these within LGBTQ+ youth centres.
The post “In high school, I was making songs on my laptop that sounded fully professional”: Ninajirachi on the democratisation of music technology appeared first on MusicTech.

It is good to combine that technique with M/S processing in mixing to avoid clashing frequencies... or I would use a multiband sidechain (non M/S) processing for more natural results sometime

Sidechain dynamic EQ modern mixing trick for #vocals #musicproduction

This is the DDJ-GRV6 by AlphaTheta: a 4-channel controller with the ability to live remix drum loopsAlphaTheta announced the latest addition to their family of gear today: the DDJ-GRV6. The 4-channel DJ controller is compatible with both rekordbox and Serato DJ Pro – and introduces the ability to remix and manipulate drum loops in real time via the Groove Circuit features. Key Features Take a look at the major features worth noting on […]
The post This is the DDJ-GRV6 by AlphaTheta: a 4-channel controller with the ability to live remix drum loops appeared first on DJ TechTools.

Great video published by Melodyne about #vocals doubles creation strategies in #musicproduction. They have more interesting tutorials there

Laufey: Gen-Z's Gateway to the Realm of JazzYoung artists including Icelandic-Chinese singer songwriter Laufey, English pop group Wasia Project, London-based singer/songwriter Ella Hohnen-Ford, and American Jazz singer Samara Joy, utilize their own personal fusions of contemporary jazz and pop to bridge the genre divide. We explore these musicians who are helping to introduce jazz-adjacent sounds to new audiences.

Meet the ScaleUp Startups exhibiting at TechCrunch Disrupt 2024We’re excited to announce the debut of the ScaleUp Startup Exhibitor Program at TechCrunch Disrupt 2024! Join us at Moscone West in San Francisco from October 28-30 to meet an exciting lineup of startups that are poised to make their mark in the tech world. The ScaleUp Startup Exhibitor Program offers Series A and B […]
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Musk: Polymarket ‘more accurate than polls, as actual money is on the line’The billionaire mogul’s opinion comes as he ramps up his support for Republican candidate and former US president Donald Trump.

BlepFX releases FREE Destruqtor distortion plugin
BlepFX releases two new plugins, including Prisma ($20+) and the FREE Destruqtor for macOS, Windows, and Linux. BlepFX is a brand-new indie developer debuting with two new plugins: Destruqtor and Prisma. Destruqtor is available to download for free with a pay-what-you-like option. Before I get into the plugin features, I want to briefly mention the [...]
View post: BlepFX releases FREE Destruqtor distortion plugin

The Turing Machine Made Real, In LEGOThe British mathematician and pioneer of computing Alan Turing published a paper in 1936 which described a Universal Machine, a theoretical model of a computer processor that would later become known as a Turing Machine. Practical computers don’t quite follow the design of a Turing Machine, but if we are prepared to sacrifice its need for an infinitely long paper tape it’s quite possible to build one. This is what [The Bananaman] has done using LEGO as a medium, and if you’d like one for yourself you can even vote for it on the LEGO ideas website.
There’s a video for the project which we’ve placed below, and it goes into quite some detail on the various mechanisms required. Indeed for someone used to physical machinery it’s a better explanation through seeing the various parts than many paper explanations. Not for the first time we’re bowled over by what is possible through the use of the LEGO precision mouldings, this is a machine which would have been difficult and expensive to build in the 1930s by individually machining all its parts.
With just shy of six thousand supporters and a hefty 763 days left at time of writing, there’s plenty of time for it to garner support. But if you want one don’t delay, boost the project by voting for it early.

Thanks [Furby73] for the tip!