Guitar Center and Gibson to present livestream acoustic guitar workshop with Orianthi WHO: Guitar Center is teaming with Gibson and virtuoso guitarist Orianthi for an exclusive acoustic guitar workshop at GC’s Hollywood store.

WHAT: Gibson and Guitar Center are partnering for an exclusive acoustic guitar workshop with Orianthi on Saturday, June 22, at 2 p.m. PDT. “An Afternoon with Orianthi and Her Gibson Acoustics” will feature the acclaimed guitarist demonstrating her cherished instruments, along with a Q&A and instrument signing. Online viewers can livestream the event here.

Orianthi is a guitarist, singer, songwriter who has sold millions of records and has performed with Michael Jackson, Alice Cooper, Christina Aguilera, Steve Vai and many more.

WHEN: Saturday, June 22, 2024, 2 p.m. PDT

WHERE: Guitar Center Hollywood7425 Sunset BlvdLos Angeles, CA 90046

The post Guitar Center and Gibson to present livestream acoustic guitar workshop with Orianthi  first appeared on Music Connection Magazine.

Antares introduce Vocal De-Esser  Antares' new de-esser promises to quickly and effectively tackle sibilance thanks to a machine learning-based process that has been trained on the human voice.

Eftilo releases Mogano, a FREE overdrive plugin for macOS and Windows
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View post: Eftilo releases Mogano, a FREE overdrive plugin for macOS and Windows

Antares’s new Vocal De-Esser utilises AI to remove undesirable sibilance “without compromising vocal characteristics”Antares, the company behind Auto-Tune, has launched a brand new Vocal De-Esser plugin to remove undesirable “ess” sounds from the voice, for a smoother listening experience.
The tool works with a little assistance from AI, using a custom-trained model that utilises machine learning to detect and control sibilance in the voice. Antares says it will still retain vocal character and tone when doing so.

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The Vocal De-Esser features an easy-to-navigate interface, allowing for quick and easy operation. It includes two specific Sibilant Controls for managing S, Sh, Z and T, Ch, K vocal sounds.
There’s also a Solo button for monitoring sibilance alone, a Link button for connecting the two sibilant controls, and an Assist button for activating the AI function. Its Custom AI model has been trained on a real, human voice.
Take a closer look below:

This isn’t the first product of Antares’ to utilise machine learning. Back in March, the brand released its Auto-Tune Vocal Compressor, marking the first time that machine learning technology has been incorporated into a dual-stage vocal compressor plugin.
Antares also unveiled the latest version of its popular autotune software, Auto-Tune Pro 11, last April. Building upon two decades, the latest iteration introduced new tools such as integration with its new Harmony Engine, two new Auto and Graph modes, and MIDI mapping.
Currently, Antares’ Vocal De-Esser is free for Auto-Tune Unlimited subscribers at $24.99 per month, or $174.99 per year (equivalent to $14.58 per month if paid annually). You can also purchase the tool with a perpetual licence at $99, and this includes one free month of Auto-Tune Unlimited.
Find out more over at Antares.
The post Antares’s new Vocal De-Esser utilises AI to remove undesirable sibilance “without compromising vocal characteristics” appeared first on MusicTech.

This DJ has a price list for overplayed song requests, and Mr Brightside will cost you a grandA business savvy DJ based in Colchester has introduced a price list for overplayed song requests, with The Killers’ Mr. Brightside set to cost you a whopping £1,000.
Want a song playing ASAP because you’ll be leaving soon? It’s someone’s birthday? Well, if Colin Gingell-Good – aka DJ PressPlay – is behind the decks, it may well cost you a pretty penny.

READ MORE: Brain injury survivor says learning to DJ has “reawakened his brain”

In an interview with the Daily Gazette, Gingell-Good says, “Some people don’t understand why we DJs do this, and that we are playing songs to keep the vibe going… The list is a tongue-in-cheek joke, the majority of people take it as a joke and can laugh about it.”
He adds, “It is more for those people who do not take no for an answer and to keep from having discussions as to why I won’t play a song.” The 51-year-old is a resident DJ at music venue Coda, and has been in the industry for 17 years.
Elsewhere on his price list, Kings Of Leon’s Sex On Fire costs £100 per spin, with Wonderwall from Oasis coming in at £500. In general, any song that does not fit the night is £100. However, good tracks that fit the vibe of the evening, or the option to just leave the music in the hands of the DJ is entirely free. Who’d have thought?
The signs appear to be a good deterrent so far, as since he introduced them he’s had no requests for the popular Killers track, which Brits cannot seem to get enough of after a few rounds of drinks.
“I’ve never played Mr Brightside, I just think it’s over-played. I don’t hate The Killers, but I just think there are so many better songs out there,” he tells The Gazette. “Since I’ve put the signs up, I had not one person requesting it, so it seems to work.”
Find out more about DJ PressPlay.
The post This DJ has a price list for overplayed song requests, and Mr Brightside will cost you a grand appeared first on MusicTech.

Marveille’s secret to millions of Spotify streams: Unreleased tracksDiscover how Marveille’s strategic use of unfinished songs led to millions of Spotify streams.  by Chris Robley of Reverbnation Blog The music career of 16-year-old songwriter Marveille is skyrocketing right now.  All thanks to. Continue reading
The post Marveille’s secret to millions of Spotify streams: Unreleased tracks appeared first on Hypebot.

8 Tips to create a winning Music OnesheetWant to make your music stand out to industry professionals? Learn the top 8 tips for creating a compelling onesheet that showcases your talent and grabs attention. by Julia Kater. Continue reading
The post 8 Tips to create a winning Music Onesheet appeared first on Hypebot.

Understanding Music Publishing: Key Terms ExplainedDiscover the essential terminology in music publishing with this comprehensive glossary from Horus Music. Key concepts include royalties, intellectual property, the functions of collection societies, and more… from Horus Music. Continue reading
The post Understanding Music Publishing: Key Terms Explained appeared first on Hypebot.

Casio Sessions competition returns Casio have announced the launch of the second Casio Sessions, a competition which is open to piano-playing singer-songwriters based in the UK. 

Reason Studios launch Reason 13 Reason Studios have announced that the latest version of their popular DAW software is now officially available.

How Neoni got 2 Billion Views & Streams as DIY ArtistsThis week, Ari is joined by sisters Caitlin & Sidney Powell, the artists behind hit independent group, Neoni.

Retail crypto market growth in Canada driven by market factors, regulationCrypto platform WonderFi has swallowed up several of its competitors in Canada and expects to reap the benefits.

FTC refers TikTok child privacy case to Justice DepartmentThe agency was investigating the company over potential violations of the Children's Online Privacy Act.
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TikTok is forming an investment team to acquire music content and companiesByteDance-owned platform is looking for execs with experience at investment banks, management consulting firms, or private equity firms
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Astroscale’s ADRAS-J Satellite Takes Up-Close Photo of Discarded Rocket StageAlthough there is a lot of space in Earth orbit, there are also some seriously big man-made objects in those orbits, some of which have been there for decades. As part of efforts to remove at least some of this debris from orbit, Astroscale’s ADRAS-J (“Active Debris Removal by Astroscale-Japan”) satellite has been partaking in JAXA’s Commercial Removal of Space Debris Demonstration (CRD2). After ADRAS-J was launched by a Rocket Lab Electron rocket on February 18, it’s been moving closer to its target, with June 14th seeing an approach by roughly 50 meters, allowing for an unprecedented photo to be made of the H-2A stage in orbit. This upper stage of a Japanese H-2A rocket originally launched the GOSAT Earth observation satellite into orbit back in 2009.
The challenges with this kind of approach is that the orbital debris does not actively broadcast its location, ergo it requires a combination of on-ground and on-satellite tracking to match the orbital trajectory for a safe approach. Here ADRAS-J uses what is called Model Matching Navigation (MNM), which uses known visual information to compare it with captured images, to use these to estimate the relative distance to the target.
Although the goal of ADRAS-J is only to study the target from as closely as possible, the next phase in the CRD2 program would involve actively deorbiting this upper stage, with phase start projected to commence in 2026.
Thanks to [Stephen Walters] for the tip.