Interesting...#AI era

Ocean Swift Synthesis Scanners Free Bhttps://www.youtube.com/watch?v=gIswFfoC-Vs Authentic Emergency Radio Transmissions Free Sample Pack A free taste of real-world emergency and law enforcement communications,... Read More

Kaito AI and founder Yu Hu's X social media accounts hackedKaito AI, an artificial intelligence-powered platform that aggregates crypto data to provide market analysis for users, and its founder Yu Hu, were the victims of an X social media hack on March 15.In several now-deleted posts, hackers claimed that the Kaito wallets were compromised and advised users that their funds were not safe.According to DeFi Warhol, the hackers opened up a short position on KAITO tokens before posting the messages in the hopes that users would sell or pull their funds, which would have crashed the price and created profits for the threat actors.The price of the KAITO token dips, presumably due to a short position. Source: CoinMarketCapThe Kaito AI team regained access to the accounts and reassured users that Kaito token wallets were not compromised in the social media exploit."We had high-standard security measures in place to prevent [the hack] — so it seems to be similar or the same as other recent Twitter account hacks," the Kaito AI team added.This recent exploit is the latest in a growing list of social media hacks, social engineering scams, and cybersecurity incidents plaguing the crypto industry.Source: Kaito AIRelated: Kaito AI token defies influencer selling pressure with 50% price rallyVigilance is key: some of the latest scams and exploits to impact cryptoPump.fun's X account was hacked on Feb. 26 by a threat actor promoting several fake tokens, including a fraudulent governance token for the fair launch platform called "Pump."According to onchain sleuth ZackXBT, the Pump.fun incident was directly connected to the Jupiter DAO account hack and the DogWifCoin X account compromise.On March 7, The Alberta Securities Commission, a Canadian financial regulator, warned the public that malicious actors were using fake news articles and fake endorsements featuring the likeness of Canadian politicians to promote a crypto scam.The scam, known as CanCap, played on fears of a trade war between Canada and the US to lure unsuspecting victims into investing in the project, which the scammers claimed had the support of Canadian leader Justin Trudeau.An example of a Lazarus social engineering scam where the hackers pretend to be venture capitalists experiencing audio-visual issues. Source: Nick BaxCrypto executives are also sounding the alarm on a new scam from the state-sponsored Lazarus hacker group, where the hackers pose as venture capitalists in a Zoom meeting.Once the target is in the meeting room, the hackers would claim they were experiencing audio-visual issues and redirect the victim to a malicious chat room where the user is encouraged to download a patch.The patch contains malicious software designed to steal crypto private keys and other sensitive information from the victim's computer.Magazine: Lazarus Group’s favorite exploit revealed — Crypto hacks analysis

You Too Can Do the Franck-Hertz ExperimentWe talk about quantum states — that is, something can be at one of several discrete values but not in between. For example, a binary digit can be a 1 or a 0, but not 0.3 or 0.5. Atoms have quantum states, but how do we know that? That’s what the Franck-Hertz experiment demonstrates, and [stoppi] shows you how to replicate that famous experiment yourself.
You might need to translate the web page if your German isn’t up to speed, but there’s also a video you can watch below. The basic idea is simple. A gas-filled tube sees a large voltage across the cathode and grid. A smaller voltage connects to the grid and anode. If you increase the grid voltage, you might expect the anode current to increase linearly. However, that doesn’t happen. Instead, you’ll observe dips in the anode current.
When electrons reach a certain energy they excite the gas in the tube. This robs them of the energy they need to overcome the grid/anode voltage, which explains the dips. As the energy increases, the current will again start to rise until it manages to excite the gas to the next quantum level, at which point another dip will occur.
Why not build a whole lab? Quantum stuff, at a certain level, is weird, but this experiment seems understandable enough.

Amazon’s Echo will send all voice recordings to the cloud, starting March 28Amazon Echo users will no longer have the option to process their Alexa requests locally, which means all of their voice recordings will be sent to the company’s cloud. Ars Technica reports that on Friday, Amazon sent an email to customers who have “Do Not Send Voice Recordings” enabled on their Echo smart speakers and […]
© 2024 TechCrunch. All rights reserved. For personal use only.

DIY and Independent Musician News Last WeekThis week, our tips and advice for the independent, do-it-yourselfers out there covered how promote shows on TikTok, a data-driven entertainment playbook, and more...
The post DIY and Independent Musician News Last Week appeared first on Hypebot.

Top Music Business News Last WeekA busy week by any definition, music industry news was no exception, with YouTube topping competitors, Spotify stocks continuing on the rise, and more...
The post Top Music Business News Last Week appeared first on Hypebot.

Applied Computer Music Technologies ACM500XB Console Channel EQThe ACM500XB plug-in emulates all the desirable qualities of a professional analogue console channel equalizer. High and low frequency shelving / bell filters and two mid-range parametric bands... Read More

DevOps roadmap in 2025 for #Education of #IT #developers

Tracktion present Dawesome HATE Said to be the twisted counterpart of Tracktion's LOVE plug-in, Dawesome HATE is capable of generating everything from subtle warmth to “total sonic destruction”.

Which songs are used the most in Film and TV? #music #Synchronization #MusicBusiness #Film #TV #Production

France’s recorded music revenues reached $1.1bn in 2024, up 7% YoYThe growing popularity of music streaming and a boost from the Paris Olympics propelled France to a large increase in music exports
Source

Recorded music market 2024: $36.2 billion, up 6.5%MIDiA has just released its annual recorded music market shares report. Clients can access the full report and the accompanying massive (!) data set here. For the rest of you, here are some highlights from the report.

Global recorded music growth has oscillated through the 2020s and 2024 continued that pattern, up 6.5% to $36.2 billion after 9.4% growth in 2023. (Excluding expanded rights, the total was $32.1 billion). Given that the first half of the 2020s was characterised by global upheaval and uncertainty, shaped by factors such as the pandemic and rising inflation and interest rates, 6,5% growth was no small achievement. But global disruption is not going away – 2025 has thus far picked up the baton and sprinted with it. The music business is going to have to get used to operating in challenging global circumstances, even before considering a growing catalogue of disruptive industry specific trends such as, bifurcation, the rise of the Global South and a fast-maturing streaming market.

Streaming still dominates revenues but its impact is lessening. For the first time ever, its share of total revenues declined slightly in 2024, down from 61.5% to 61.3%, with streaming growing slightly slower than the total market to reach $22.2 billion. Streaming is no longer the market maker. Its contribution to total market growth was down by more than a fifth compared to 2022. The streaming revenue slowdown has been on the horizon for many years and – despite price increases – it has now arrived. Super premium cannot come soon enough.

On top of this, physical was down -4.8%, carrying on its very own 2020s yo-yo growth pattern (up, down, up, down). So where did all the growth come from? Other i.e. performance, sync and expanded rights. Expanded rights (merch etc) were up to $4.1 billion, reflecting the recorded music businesses success in monetising fandom. Other as a whole was up 17.3% while Sony Music pulled up a forest of trees, seeing its ‘other’ revenue up by 38.6% in 2024.

In fact, Sony Music had a good year all round. UMG remained comfortably the world’s largest label with revenues of $10.5 billion but for the second successive year, Sony Music Group (SMG) was the fastest growing major label, increasing revenues by 10.2% to grow market share 700 basis points to 21.7%. SMG was the fastest growing major label in the first half of the decade, growing by a total of 73.9% between 2020 and 2024. The only other market constituent to grow share was non-major labels, up to 29.6% market share. Artists Direct meanwhile (self-releasing artists) felt the pinch of new royalty structures, with revenues slower than the market to reach $2.0 billion. This despite the fact that the number of self-releasing artists grew by 17.2% to reach 8.2 million, with Chinese streaming services Tencent and NetEase seeing particularly strong growth.

One of the most important market trends though, is the growing gap between DSPs and labels and distributors. Streaming services are both growing revenue faster than rightsholders and are widening the growth gap. DSPs grew revenue three times faster than labels in 2024 and the rate of growth was up three years running. Despite working within tightly set rightsholder constraints, DSPs are learning how to improve margin through a diverse mix of tactics including content mix (e.g., podcasts, audiobooks), acquiring cheaper music (e.g., production libraries, exclusive commissions, generative AI), licensing discounts (e.g., audiobook bundles) and charging labels for access to audiences (e.g., Spotify Discovery Mode). 

All in all, a solid year for the recorded music market, but with warning signs: labels aren’t keeping pace with DSP growth and despite keeping the long tail of Artists Direct quiet with new licensing structures, more artists than ever are deciding to release without labels. Eventually they (and smaller indie labels) will take heed of the ‘you’re not welcome here’ sign on streaming’s door and build their audiences elsewhere. This will be a short-term win for bigger labels, but long-term risk, with this new lane being where much of tomorrow’s culture will be made. In case you forgot, Bifurcation is coming.

Note: we scaled down some of our historical numbers slightly to reflect some double counting of independent label revenue distributed by other independent labels

Republican Congressman Jim Jordan asks Big Tech if Biden tried to censor AIOn Thursday, House Judiciary Chair Jim Jordan (R-OH) sent letters to 16 American technology firms, including Google and OpenAI, asking for past communications with the Biden Administration that might suggest the former President “coerced or colluded” with companies to “censor lawful speech” in AI products. The Trump Administration’s top technology advisers previously signaled it would pick […]
© 2024 TechCrunch. All rights reserved. For personal use only.

Gracie Abrams & Her All-Female Team to Be Honored by Alicia Keys at "She Is The Music"On March 27th, She Is The Music (SITM) will bring together industry leaders at The Peppermint Club in Los Angeles for a powerful evening celebrating 50 impactful women in the music industry. Each of the 50 honorees will share their spotlight with another woman in the business, reinforcing the importance of lifting each other up and creating more opportunities for women at every level.Global superstar and She Is The Music co-founder Alicia Keys will honor one of music’s fastest-rising stars, Gracie Abrams and her team for their groundbreaking achievements in an industry where female-led teams are still the exception rather than the norm. As part of the celebration, each honoree will receive one of Barbie’s newly unveiled Career Of The Year: Women In Music dolls, a Musical Artist and Tour Manager duo created to spotlight women in the music industry.While women continue to dominate music’s biggest cultural moments, the leadership behind the scenes still skews overwhelmingly male. That’s why She Is The Music’s mission—to increase the number of women working in all facets of music—has never been more urgent. The event will bring together artists, executives, and advocates to recognize women who are shaping the future of the industry and pushing for a more inclusive landscape.Gracie Abrams said, “Being surrounded by such an incredible team of women has changed the way I see everything. They’re not only insanely talented in their individual capacities, but also intentional about supporting each other. I am grateful for the opportunity to learn from each of them. I’m deeply honored to be recognized by She Is The Music, an organization that has done so much to acknowledge and uplift women in this industry. I hope our team is a small example of what’s possible when women support each other and build together.”Alicia Keys added, “Gracie Abrams and her incredible team are living proof of what happens when women uplift each other—when we step into our power, we change the game. In an industry where female-led teams are still the exception, their success is a reminder that we belong in every room, at every table, leading every conversation. She Is The Music is about breaking barriers, opening doors, and making sure the next generation of women in music don’t just have a seat at the table—they build the table.”Universal Music Publishing Group Chairman and CEO and She Is The Music co-founder Jody Gerson said, “Women supporting women is at the very core of She is the Music’s mission. Creating a sisterhood of accomplished women and the next generations of working women across all facets of the music industry is our collective path forward to success.  We are delighted to host our inaugural Women Sharing the Spotlight and to celebrate so many wonderful women in our business.  We are also making a powerful statement by honoring Gracie Abrams and her team for embodying the spirit of sisterhood.  This recognition is not only well deserved but also a testament to the fact that women in our industry can reach the highest levels of success on their own terms—especially when they uplift and support one another in meaningful ways.”As part of the evening’s program, TuneCore CEO Andreea Gleeson and USC Annenberg Inclusion Initiative Founder Dr. Stacy L. Smith will take the stage to present key findings from the newly released Inclusion in the Music Business report, a study that takes a hard look at who holds power in music—and why the pace of progress remains far too slow.The Inclusion in the Music Business report, conducted by USC Annenberg’s Inclusion Initiative in partnership with Believe and TuneCore, aligns with She Is The Music’s overall mission and comes at a time when DEI programs are facing increasing scrutiny across corporate America—making its findings even more urgent. The study examines 2,793 executives across 106 music companies and reveals a stark reality about who holds power in music:•  84.2% of the most senior executives at major music companies are white men.• Only 13.2% of CEO/President roles are held by women.• Just 5.3% of top executives are women of color—an unchanged figure since 2021.The full report can be viewed HERE.“In recent years, our work has shown that women and people of color are increasing their presence on the popular charts as artists,” said Dr. Stacy L. Smith, the study’s lead author. “But this progress is not matched by the executive ranks that are responsible for the business of music. It is clear that there are still real discrepancies in who gets to lead.”“We can’t afford to sit back and wait for this issue to fix itself,” said Andreea Gleeson. “Artists are pushing boundaries and redefining music every day—it’s time for the executive ranks to reflect that same diversity and innovation.”The She Is The Music event will bring together artists, executives, and advocates to celebrate women leading change in music while underscoring the work still needed to create true equity. With Gracie Abrams and her team of women being honored and TuneCore and USC Annenberg presenting new research on executive disparities, the night will serve as both a recognition of progress and a call for continued industry-wide action.The She Is The Music event is made possible through the support of industry leaders who share the mission of creating a more inclusive music business. The Hollywood Reporter serves as the event’s exclusive media partner, with Live Nation Women also lending their support to champion women in music.The post Gracie Abrams & Her All-Female Team to Be Honored by Alicia Keys at "She Is The Music" first appeared on Music Connection Magazine.