Spotify stock up 11.44% on WednesdaySpotify [NYSE: SPOT] stock rose $47.98 or 11.44% closing Monday at $467.37. The increase came after the streamer reported strong user and revenue growth after trading on Tuesday.
The post Spotify stock up 11.44% on Wednesday appeared first on Hypebot.

Landscape Motif Makes This E-Ink Weather Display Easy to UnderstandTrue weather geeks will disagree, but there might be a better way to know how to dress for the day than divining what the weather will likely be from the current readings for temperature, pressure, humidity, and wind. Sure, the data will give you a good idea of where the weather is heading, but perhaps a quick visual summary such as the one offered by this pictorial landscape weather display is a better way to get out the door in the morning.
While many consumer weather stations incorporate some kind of graphical forecast for quick reference, [lds133] took a slightly different approach to forecasting. A cartoon landscape represents the day ahead, with various elements representing the coming weather scrolling across the display as time progresses. Trees are used to indicate wind direction and speed, with palm trees indicating south wind and pine trees winds from the north, and the taller the trees, the stronger the wind. The forest floor rises and falls with the expected temperature, the sun and moon appear at the proper time to indicate sunrise and sunset, and cloud icons are added when needed to show the degree of cloud cover. And because into each life a little rain must fall, animations show when you can expect rain or snow.
As for the electronics, if you think this would be a perfect application for an E-ink module, [lds133] agrees. The 296×128 pixel Waveshare display is the perfect aspect ratio for the job and provides nice, crisp icons. The display is updated every 15 minutes from the OpenWeather API by a Python program running on an ESP32 behind the scenes.
We’ve seen similar graphical forecast displays before, but we get it if that’s not your thing. Perhaps a more data-driven weather forecast will suit you better?

Celestion Introduces the First in their Series of Artist Impulse Responses: The Tony Iommi IR Collection Celestion, the premier designer and manufacturer of guitar and bass loudspeakers, well-known as the “Voice of Rock and Roll” behind many of music’s most memorable guitar performance, is proud to introduce the first in their collection of Artist Series Impulse Responses, the Tony Iommi Impulse Responses. This digital collection of IRs faithfully captures the tones of two iconic cabinets that have been used extensively by Tony Iommi, on record and on stage through different eras of Black Sabbath’s history, for use on any digital music production platform. Whether in a DAW for recording or a modelling amplifier for performance, the Tony Iommi IR series places his iconic tones within reach of any musician, recordist, or producer, and are available for audition and download at celestionplus.com. Widely considered the father of Heavy Metal, Tony Iommi has seared the sound of his legendary Laney amps and cabs into the history of rock ‘n’ roll. From the late ‘60’s grind of a cranked LA100 BL 100W head (boosted with a modified Arbiter Dallas Rangemaster because it just wasn’t heavy enough) through a LA412 HLC cab, to the 90’s smack of a signature model GH 100 TI head through a TI412S cabinet, he has written, recorded and toured some of most iconic music in the history of Classic Metal.That iconic Iommi guitar tone is a sound that countless guitarists have aimed for, and it’s now possible to get a bit closer by playing through authentic digital versions of two of the Laney cabinets used by Tony. The new Tony Iommi IR Series includes: Tony Iommi Laney LA412 HLC:Closed back 4×12”, Green label Goodmans® speakers. A late 60s cab recorded by Tony from 1969 through the early 1980s – it is THE sound of those early Black Sabbath records. Tony Iommi Laney TI412S:Closed back, 4×12 Celestion G12H speakers. This cab was owned by Tony and used extensively in the studio and on tour through the ‘90s – the sound of latter era Black Sabbath.   Both cabinets are available either singly or as a collection.  Celestion employs a meticulous recording process to digitize the sonic characteristics of their acclaimed Impulse Responses, beginning with studio-quality, go-to professional guitar cabinet microphones. Each IR thus offers a variety of mic type and placement options and can be loaded into any IR host within a DAW or into stand-alone amp modeling hardware. The result is an authentic speaker emulation that sounds every bit as outstanding as its hardware counterpart. Paired with a DAW and IR loader plug-in, modeling amp hardware, or amp-top load box, Celestion Impulse Responses provide authentic tone alongside lively and dynamic response, all without introducing latency. These benefits create a playing experience that is as credibly vintage as any speaker can achieve, but with real-world performance that is predictable and reliable in today’s most demanding recording and performance applications. Combining Celestion’s unparalleled all-areas access, together with considerable speaker response know-how, Celestion will introduce future Series of Artist IR collections captured using guitar speaker cabinets made famous by legendary and influential artists. The Celestion Tony Iommi Responses are available for downloadable as individual IRs and as a complete collection at  celestionplus.com.Photo by Chad Lee The post Celestion Introduces the First in their Series of Artist Impulse Responses: The Tony Iommi IR Collection first appeared on Music Connection Magazine.

FLOSS Weekly Episode 809: Pi4J – Stable and Boring on the Raspberry PiThis week, Jonathan Bennett and David Ruggles chat with Frank Delporte about Pi4J, the friendly Java libraries for the Raspberry Pi, that expose GPIO, SPI, I2C and other IO interfaces. Why would anyone want to use Java for the Pi? And what’s changed since the project started? Listen to find out!

https://www.pi4j.com/
https://webtechie.be/

Did you know you can watch the live recording of the show Right on our YouTube Channel? Have someone you’d like us to interview? Let us know, or contact the guest and have them contact us! Take a look at the schedule here.

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Apple Music is selling a coffee table book charting its top 100 albums of all time – for $450You might remember earlier this year, when Apple Music published a list of the 100 best albums ever made. While such a list was always going to be subject to opinion, the streaming giant listed The Miseducation of Lauryn Hill as the best record ever made.
Now, Apple Music has unveiled a companion coffee table book with the list in full, but at $450, it’ll cost you almost as much as buying all 100 albums on Apple Music itself.

READ MORE: Fans reacting to Tyler, The Creator’s new album Chromakopia are getting copyright strikes – but he’s working overtime to reverse them

The book is limited to 1500 copies and is produced by French publisher, Assouline. According to the product page, the book is designed as a high-status piece. The white-linen cover is protected by a “custom-designed translucent acrylic slipcase etched with the Apple Music logo”. Both the edges of the pages and the logo on the spine are a lustrous gold. Each copy is hand-marked with a specific number of the 1500 total, emphasising its exclusivity.
Inside, much of the contents are the same as the digitally released list, with top-ranking albums like The Miseducation of Lauryn Hill, Thriller, Abbey Road, Purple Rain, and Blonde detailed alongside commentary.
One new piece of content that can only be found in the book is a foreward from Apple Music’s Creative Director and legendary radio host, Zane Lowe.
Apple Music began sharing this list on May 13 and concluded nine days later. Despite being attached to the name of the popular streaming service, the selection was not based on data such as streaming numbers or playlist placements. The list was curated by the Apple Music team and also received input from artists representing a wide variety of eras and genres, including Maren Morris, Pharrell Williams, J Balvin, Charli XCX, Mark Hoppus, Honey Dijon, and Nia Archives.
“[The list is] a love letter to the records that have shaped the world music lovers live and listen in,” reads the description of the book.
For more information, head to Assouline.
The post Apple Music is selling a coffee table book charting its top 100 albums of all time – for $450 appeared first on MusicTech.

Sonora Cinematic launch Poiesis Cello 2 Now powered by the developer’s custom-built Aria engine, Poiesis Cello 2 introduces an array of creative controls, features and presets.

Maximize Impact with a Waterfall Music Release StrategyUnlock the power of a waterfall music release strategy to amplify a reach and build lasting engagement. 
The post Maximize Impact with a Waterfall Music Release Strategy appeared first on Hypebot.

Spotify is focused on Growth, Video, AI and SuperfansAfter reporting a strong Q3 2024 Tuesday, Spotify focused on Growth, video, AI and superfans during a call with investors and analysts that followed. In after hours trading Tuesday, Spotify. Continue reading
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“I gotta get it on pop radio!”: How Quincy Jones saved Beat It from becoming “too metal”With over 12 million sales worldwide, Michael Jackson‘s 1983 smash hit Beat It is one of the best-selling songs of all time – but it could have sounded completely different.
According to Toto’s Steve Lukather – who played guitar on the song, alongside Eddie Van Halen, who played the solo – Beat It nearly sounded a hell of a lot heavier. In a recent chat with The Guardian, the guitarist and producer reflects on his experience working with the late Quincy Jones to produce 1982’s Thriller, on which the song appears. And Jones wasn’t afraid to tell Lukather when he was wrong.

READ MORE: 10 lessons everyone in music can learn from Quincy Jones

If it had been up to Lukather, Beat It would have been a more gritty, distorted affair. “I played a bunch of really wild guitar parts, because I knew Eddie [Van Halen]’s solo was on it,” he recalls. “I was doing real hard rock, a quadruple-track riff.”
“Quincy wasn’t even there, he was at Westlake doing overdubs on Billie Jean while we were fixing Beat It,” he goes on. “So we’d be on the phone and he goes: ‘It’s too metal, you gotta calm down. I gotta get it on pop radio! Use the small amp, not so much distortion.’”

“Quincy just creates a vibe in the studio,” Lukather explains. “He orders up great food, makes everybody feel comfortable and happy, and that makes for a great creative experience. He didn’t write out parts for us; he gave us free rein.”
“He’d give us a chord sheet and say: ’What have you guys got? Make me look good!’” he continues. “Then, once he started to get a feel for everything, he was a great director.”
Jones’ passing has come with a wave of loving tributes. Lukather’s words paint Jones as an irreplaceable creative force: “Quincy is the only guy that can do a solo album without playing or writing anything. Somehow, no matter what he did, there was a Quincy Jones sound – even if he didn’t play, sing, write or whatever. He was a director.”

The post “I gotta get it on pop radio!”: How Quincy Jones saved Beat It from becoming “too metal” appeared first on MusicTech.

Gentle Keys piano by Splash Sound is FREE for a limited time
For a limited time, Eva Instruments is offering their Gentle Keys Kontakt library by Splash Sound completely free of charge. If you’ve been looking to upgrade your piano libraries while still on a budget, you’ve come to the right place. I was initially unfamiliar with the name Eva Instruments, but it seems to be a [...]
View post: Gentle Keys piano by Splash Sound is FREE for a limited time

Spitfire Audio release Ólafur Arnalds Cells Spitfire Audio have teamed up with celebrated Icelandic composer Ólafur Arnalds to release Ólafur Arnalds Cells, combining live strings and analogue synths.

“We’ve never been in a stronger position”: Spotify releases its Third Quarter earnings for 2024Spotify has shared its Q3 earnings for 2024, with CEO Daniel Ek celebrating that the streaming platform has “never been in a stronger position”.
The brand says it has outperformed across key metrics, with its subscriber and user growth continuing to climb, and that it is well on its way to its first full year of profitability.

READ MORE: Spotify wins lawsuit over Eminem’s publisher in licensing rights dispute

Across Q3, Spotify’s monthly active users grew by 11 percent year-over-year to 640 million, with subscribers having also increased by 12 percent to 252 million. Total revenue was up across the quarter by 19 percent year-over-year to €4 billion, with its gross margin reaching 31.1 percent. Operating Income has also improved to €454 million.
Within its report, Spotify has additionally summarised how its latest developments and features are continuing to expand around the world. These are as follows:

Music videos: In beta, these are now available in 97 markets for Premium users.
AI Playlist feature: This continues to roll out in the US, Canada, and more, allowing Premium users to let AI curate playlists from their prompts and ideas.
Growing Daylist: This personalised playlist feature, which updates throughout the day, is now available to Free and Premium users worldwide, and is now supported in over 14 languages.
Countdown Pages: Eligible artists can now unlock Countdown Pages, where fans can pre-save albums, preview tracklists, buy merch, and countdown to releases.
Introduction of Livi: A new beta AI DJ, Livi, is now available in Spanish for Spanish-speaking Premium users worldwide.
First-ever on-platform voting feature: T-Pop fans were given the ability to vote for their favourite artists and influence who appeared on the TV show Thailand Music Countdown.

Spotify also launched its own creative hub called Casa Spotify Buenos Aires back in August. The space is dedicated to elevating Argentine artists, and features a podcast studio, listening rooms, and an acoustic performance space.
Alongside its music-focused progression, Spotify has also grown features for its podcasts and audiobooks. Users now have the ability to comment under podcasts to continue discussion, and Premium users in non-English speaking countries including France, Belgium, the Netherlands, and Luxembourg can now access over 200,000 titles via Audiobooks.
Ek comments, “I’m incredibly proud of the way we’ve delivered and the progress we’ve made. We’re where we set out to be – if not a little further – and on a steady path toward achieving our long-term goals. This relentless pursuit of innovation and commitment to growth sets us up to deliver the most valuable user experience in the industry, while reinforcing the core strengths that make Spotify unique. I am very excited about what lies ahead for us.”
To find out more, head over to the Spotify Newsroom.
The post “We’ve never been in a stronger position”: Spotify releases its Third Quarter earnings for 2024 appeared first on MusicTech.

Turntable Labs’ social music platform Hangout launches with Sony, Universal and Warner dealsHangout launches with a catalog of over 100 million tracks
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Trump allies say he’s likely to reverse TikTok ban (reports)Trump once sought to ban TikTok, but ended up using the app during the recent presidential election
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Smyths Toys’ new iDance XD-301 DJ deck will have your child dropping beats like a proIt’s never too early to dive into the world of DJing, if Smyths Toys’ latest iDance XD-301 DJ controller is any indication.
Featuring a dual player setup and two 50-watt speakers, the iDance XD-301 is the “ultimate setup to showcase your talent” and is designed to help kids “kickstart [their] music adventures”, says the UK toy company.

READ MORE: Fans reacting to Tyler, The Creator’s new album Chromakopia are getting copyright strikes – but he’s working overtime to reverse them

With LED sound pads, a MIC/AUX input, crossfader, pitch bend, bass booster effects and 2 space controllers for airplay, the XD301 DJ station offers “endless mixing possibilities”.
Users can gesture over the space control sensors to start the beats player, play jingles or drums, and add cool effects and a capellas to their tracks. The mix-drop function, meanwhile, allows you to effortlessly add sound effects, and take your mixes to new heights of creativity.
The DJ toy also comes with bluetooth, USB, and MP3 connectivity, and is rechargeable via USB. Each full charge gives you 4-8 hours of playtime. Priced at £59.99 or €69.99, the iDance XD-301 DJ deck is now available for purchase on the Smyths Toys website.
“Get ready to rock with the iDance XD-301 DJ Station at Smyths Toys Demo Days,” the brand wrote in an Instagram post introducing the new deck.
Check out the toy in action below.

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A post shared by Smyths Toys Superstores (@smythstoys)

Electronic music toys have been all the rage of late. Earlier this year, Playtime Engineering launched the Blipbox MyTracks, a child-friendly, MPC-style sampler designed to make music production accessible to all.
Blipblox myTRACKS embraces a childlike, colourful aesthetic while also capturing the spirit of a hip-hop groovebox. There’s a built-in microphone for sampling, two FX processors and a slew of over 50 acoustic, electronic and percussion instrumental sounds to play with. You can even download sound packs online, which gives young creators plenty to work with.
Learn more at SmythsToys.
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