CesiumAstro claims former exec spilled trade secrets to upstart competitor AnySignalCesiumAstro alleges in a newly filed lawsuit that a former executive disclosed trade secrets and confidential information about sensitive tech, investors, and customers to a competing startup. Austin-based Cesium develops active phased array and software-defined radio systems for spacecraft, missiles, and drones. While phased array antenna systems have been used on satellites for decades, Cesium […]
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Roboticizing An Etch-a-SketchThe Etch-a-Sketch was a popular toy, but a polarizing one. You were either one of those kids that had the knack, or one of the kids that didn’t. [Micah] was pretty firmly in the latter group, so decided to roboticize the Etch-a-Sketch so a computer could draw for him instead.
The build uses a pair of stepper motors attached to the Etch-a-Sketch’s knobs via 3D-printed adapters. It took [Micah] a few revisions to get the right design and the right motors for the job, but it all came together. A Raspberry Pi is charged with driving the motors to draw the desired picture.
Beyond the mechanics, [Micah] also does a great job of explaining the challenges around drawing and the drive software. Namely, the Etch-a-Sketch has a major limitation in that there’s no way to move the stylus without drawing a line. He accounts for this in his code for converting and drawing images.
The robot draws slowly but surely. The final result is incredibly impressive, and far exceeds what most of us could achieve on by hand. We’ve seen some similar builds in the past, too. Video after the break.

Crystal Radio Kit from the 1970sIf you read the December 1970 issue of Mechanix Illustrated, you’d be treated to [Len Buckwalter]’s crystal radio build. He called out Modern Radio Labs as the supplier for parts. That company, run by [Elmer Osterhoudt], got so many inquiries that he produced a kit, the #74 crystal set. [Michael Simpson] found an unopened kit on eBay and — after a bidding war, took possession of the kit. The kit looked totally untouched. The crystal detector was still in the box, and there were period-appropriate newspaper wrappings.
The kit itself isn’t that remarkable, but it is a classic. An oatmeal box serves as a coil form. There’s a capacitor, a crystal detector, and headphones. The original cost of the parts was $7, but we imagine the eBay auction exceeded that by a large amount.
If the name [Len Buckwalter] sounds familiar, he was quite prolific in magazines like Electronics Illustrated and also wrote several books about transistors. [Michael] also shows off his innovative coil winder made from plastic cups and a coat hanger.
We’d love to find some old kits like this, although, from one way of thinking, it is almost a shame to build them after all these years. With an added audio amplifier and fiddling with the cat whisker, it sounded just fine.
If you don’t like oatmeal, you could fire up the 3D printer. While the basic circuit is simple, you can make it more complex if you like.

Recording The Abbey Road Orchestra - Chapter Two We join Spitfire Audio and engineer Simon Rhodes at Abbey Road Studios for a behind-the-scenes look at the recording sessions for their most detailed sample library project to date. 

From the NMPA’s criticism of Spotify’s bundling plans to Concord’s bid for Hipgnosis assets… it’s MBW’s Weekly Round-UpThe five biggest stories to hit our headlines over the past seven days…
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Now Available: beyerdynamic DT 770 PRO X Limited Edition HeadphonesToday, beyerdynamic - the preferred audio brand for live music and studio professionals globally - announced that its DT 770 PRO X Limited Edition headphones are now available for purchase. Originally debuted at NAMM 2024, the DT 770 PRO X blends the reference-setting features of the DT 770 PRO with the dynamic STELLAR.45 driver system's flexibility and a detachable cable. Redefining studio gear for a new era, the DT 770 PRO X is now available in limited quantities at beyerdynamic’s e-shop, Guitar Center and Sweetwater for $199.

In today’s fluid landscape of music creation, having the flexibility to work with a variety of applications is paramount. The DT 770 PRO X Limited Edition features the convenience of a detachable Mini-XLR cable so you can move freely while you create. A recess in the headband padding also protects against the pressure-sensitive fontanelle, allowing you to wear the headphones for hours on end. With premium sound quality, replaceable parts, low impedance and high-wearing comfort, the DT 770 PRO X Limited Edition is tailor-made for studio professionals, artists, filmmakers, producers and more.

As beyerdynamic reaches its 100th anniversary, it was important for the design of the DT 770 PRO X Limited Edition headphones to pay tribute to this accomplishment. On the side of the headband, a limited-edition anniversary emblem is hot stamped in silver and features the beyerdynamic logo.

The DT 770 PRO X Limited Edition comes with ultra-soft gray velour earpads, a 3m Mini-XLR to 3.5mm jack cable, a 3.5mm to 6.3mm jack adapter, a drawstring bag and an anniversary booklet with visual assets and information about beyerdynamic’s storied history.

Availability & Pricing 

The DT 770 PRO X Limited Edition studio headphones are now available for purchase in limited quantities at beyerdynamic’s e-shop, Guitar Center and Sweetwater for $199.

Stories In Sound at Abbey Road Studios Taking place at Abbey Road Studios, Stories In Sound is a new immersive experience that combines rich storytelling with live music.

Imogen Heap uses her AI voice model, ai.mogen, to create a remix for the first timeRevered British musical polymath Imogen Heap has released the first remix using her AI voice model, ai.mogen — and we think we can just about hear the AI-generated vocals in the mix.
Collaborating with Slovakian alt-pop singer Karin Ann (NME’s recent cover star) on her track false gold, Heap uses ai.mogen to generate her signature vocal sound heard in the remix. To clarify, Heap produced the remix on her own, but her vocals are made by an AI model that she developed with her team.
This remix is the first-ever recording of Heap’s AI voice companion, with a press release suggesting that we’re set to hear much more from ai.mogen. The track also marks Heap’s return to the music scene “after a decade-long hiatus from the spotlight,” continues the statement.

We’re pretty sure we can hear the AI model harmonise with Karin Ann in the choruses, but it’s most notable at the bridge of the song — you’ll hear the haunting, eerie drones that are reminiscent of Heap’s vocals. Check out the song at the 1:58 timestamp in the video below to hear for yourself.
The statement from Heap’s team adds that Heap is “embark[ing] on her new ventures into AI technologies and savvy music collaborations” and that she remains “dedicated to leaving a lasting impact on the way consumers engage with music.”
Such an attitude is not novel from Heap, who has repeatedly been at the forefront of emerging technologies in music. She’s perhaps recognised most with her performances using Mi.Mu gloves, which enable her to manipulate the music using hand gestures via MIDI/OSC. You can check out her NPR Tiny Desk performance for a taste.
More recently, however, the artist ventured into the Web3 space with an audiovisual NFT made in collaboration with Endlesss, the Web3 music-making platform.
Karin Ann’s album Through The Telescope and false gold (Imogen Heap remix) are available now. 
 
 
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Saturday is Record Store Day 2024: What to expectThis Saturday, April 20th, is Record Store Day 2024,​ both in the U.S. and internationally.  This gathering of music lovers takes place in hundreds of independent record stores, in celebration of recorded music with special releases, in-store performances, and much more.....
The post Saturday is Record Store Day 2024: What to expect appeared first on Hypebot.

Jacob Collier disagrees with Rick Rubin’s philosophies: “His audience is non-creative people for whom creativity is novel”British multi-instrumentalist and producer, Jacob Collier, has “critiqued” the artistic concepts of Rick Rubin, Grammy-winning producer and founder of Def Jam recordings.
READ MORE: My Forever Studio S4 Ep9: Jacob Collier steals Chris Martin’s magic mic
Specifically, Collier disagrees with Rubin’s philosophy of “the audience comes last”, saying that he finds such attitudes concerning. “There’s no one way to do anything — you can make work for people; you can make work for an audience; you can conform to the algorithm; you can make an engaging thumbnail. That’s cool.”
“You can also,” he adds, speaking on the Colin and Samir podcast, “lock yourself up in a room — like I did for many years — and just make art? that you just deeply, deeply care about that has never been made before and will never be made again. That’s cool as well.”
On the episode (titled We interviewed the Mozart of Gen Z), Collier, who has won multiple Grammy Awards for his work as a producer, composer, and musician, discusses the workflow and approach to his fifth album, Djesse Vol. 4.
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When podcast host Colin highlights Rick Rubin’s approach to music-making, which is “the audience comes last,” he says: “When I read that, I resonated with it at first[…]although many times in my career, the audience does not come last and is a high consideration.”

“I had the same response to you when I heard that,” responds Collier. “Then I thought about it more and did a lot of research about Rick[…] and I worry about the strong prevalence of an attitude like ‘the audience comes last.’”
“I would critique Rick in a sense that I don’t think his audience is creative people. I think his audience is people who aren’t creative, for whom creativity is novel. And they’re thinking ‘Gosh, wow! I never even thought that you could make something for yourself!’ But I feel that anybody who’s inherently creative in some way knows that there’s no one way to do anything.”
“I look at Rick and I’m like, ‘has anyone ever debated [Rubin] on this stuff?’ because there are [multiple] ways of approaching creativity…I’d love to sit with Rick at one point and just talk to him, and chew the cud and push him. And I’ll also welcome being pushed…Our opinions need to be squeezed and broken…
“Rick says things like ‘art is only pure if it’s made for only art’s sake’. Absolutely false.”
Though Collier says that Rubin’s philosophy can be seen as “flawed and unhelpful”, the artist celebrates Rubin’s effect on some people: “If anyone who is watching this and has watched a Rick Rubin video and felt inspired — fuck yeah. That’s great. Who am I to say don’t be inspired?”
To celebrate the launch of Djesse Vol. 4, Collier collaborated with Native Instruments to release the Audience Choir plugin. The instrument takes inspiration from Collier’s famous crowd-pleasing routine, which turns his audiences into harmonious choirs in an instant. Not familiar? No problem — just watch him work his magic at Glastonbury last year with Queen’s Somebody To Love. You’ll see what we mean.
 
 
 
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The marketing magic of including your fans in your processProducer and DJ Downupright explains how they have invited fans to do more than just listen to their music. This not only boosts engagement but is also a great way to build a mutually beneficial bond with your fanbase.....
The post The marketing magic of including your fans in your process appeared first on Hypebot.

Market like Taylor Swift: How to use Spotify Pre-Save, Countdown pagesAhead of today's release of her 11th studio album, The Tortured Poets Department, Taylor Swift broke Spotify's record for the most pre-saved albums in its history.....
The post Market like Taylor Swift: How to use Spotify Pre-Save, Countdown pages appeared first on Hypebot.

Taylor Swift’s return to TikTok includes an in-app experience for ‘The Tortured Poets Department’ with ‘first-of-its-kind’ featuresIn-app experience follows the return of the superstar's music to TikTok, amid its licensing dispute with Universal Music Group
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Bansaw Crown Music’s Band Saturator plugin is available for free
Bansaw Crown Music recently released Band Saturator, a freeware saturation effect that is also the developer’s debut plugin.  The Band Saturator is available for Windows (VST3 and AAX) and Mac (AU, VST3 and AAX). Bansaw Crown Music describes the Band Saturator as “Three unique, carefully curated, saturation flavors you can apply to instruments, drums, vocals, [...]
View post: Bansaw Crown Music’s Band Saturator plugin is available for free

#MusicIndustry trend goes to 'disintermediation'...
We need to be careful with that though - everywhere must be balance at #MusicBusiness