DIY Wind Turbine Gets a 3-Phase Rectifier[Electronoobs] is using some brushless motors to make a DIY wind turbine. His recent video isn’t about the turbine itself, but a crucial electronic part: the three-phase rectifier. The reason it is so important is due to the use of brushless motors. Normal motors are not ideal for generating power for several reasons, as explained in the video below.
The brushless motors have three windings and generate three outputs, each out of phase with the others. You can’t just join them together because they are 120 degrees out of phase. But a special rectifier can merge the inputs efficiently and output a low-ripple DC voltage.

The rectifier will have to handle a lot of power, so it uses beefy devices with heat sinks. The design is very similar to a full-wave bridge rectifier, but instead of two legs, each with two diodes, this one has three legs. This is still not as efficient as you would like. A synchronous rectifier would be even more efficient but also more complicated.
Still, we have no doubt the board will do its job. We’re anxious to see the turbine come together. Want to build your own? Maybe start smaller. Too big? You can strip it down even further.

THE JEREMIAH SHOW | KIMI KATO SHOW | ARWEN LEWIS SHOW | MIKE GORMLEY SHOWTHE JEREMIAH SHOW Featuring Naomi Jane - Connecting Through Music: Naomi Jane's StoryLISTEN TO THE INTERVIEW HERE FRIDAY, AUGUST 15 -    APPLE PODCASTNaomi Jane, a talented young artist, shares her journey in the music industry, her passion for songwriting, and her desire to connect with others through her art.LA Weekly, Galore, and Mundane have all named her an “Artist to Watch in 2025.She is the 2025 Santa  Barbara Teen  Star Winner, a two‑time International Songwriting Competition winner - taking the 2023 Teen Category and in 2024 Second Place in the Unsigned Category- and she is a three‑time semi‑finalist in the ISC 2024.She discusses the challenges of balancing her career with teenage life, the importance of authenticity, and her advocacy for social issues.Naomi reflects on her experiences with pressure, self-empowerment, and the impact of social media on her career. As she prepares for her upcoming projects, she emphasizes the significance of living in the moment and staying true to oneself.Featured Release: In the Moment To Be Released on September 5, 2025Pre-Save & Link to All Streaming Providers: https://ffm.to/in-the-momentInstagram / FB/TikTok -  @NaomiJane_Officialhttps://naomijaneofficial.comPHOTO CREDIT - Matthew Patrick DonnerTHE JEREMIAH SHOW - POP CULTURE, MUSIC ICONS, & FOOD GODS The Jeremiah Show - Please Subscribe - CLICK HEREHost | Executive Producer - Jeremiah D. HigginsSound Designer - Graham Palmer, Surprise StudioCONTACT Jeremiah D. Higgins  Evolve Entertainment NetworkAiring Weekly On RADIO EVOLVE ROCKSTHE KIMI KATO SHOW - Featuring August in JapanLISTEN TO THE INTERVIEW HERE FRIDAY, AUGUST 14 -  APPLE PODCASTFeel the blazing heat and nostalgia of August in Japan!In this episode, we dive into the cultural significance of Mountain Day and Obon, the thrill of summer festivals and sports, and the delicious summer foods that keep us cool. From climbing iconic peaks like Mt. Fuji to enjoying beer gardens and traditional dishes like Somen, we’ve got the full summer experience covered.Whether it’s celebrating with family or soaking in vibrant music festivals, this episode is packed with everything that makes August in Japan unforgettable.Stay cool and enjoy the ride!THE KIMI KATO SHOWHost: Kimi KatoProducer: Kimi Kato | Exec. Producer: Jeremiah D. HigginsOpening Theme: "Joyride" by YamagenEnding Theme: "El Loco" by YamagenPowered by Project Asteri | Pantheon Media | Radio Candy MediaInquiries: info@projectasteri.comTHE KIMI KATO SHOWHost - Kimi Kato | Kimi Kato on InstagramEP - Kimi Kato & Jeremiah D. Higgins | evolve entertainment networkSound Engineer - Graham Parker | Surprise StudioAiring Weekly On RADIO EVOLVE ROCKSTHE ARWEN LEWIS SHOW Featuring Toni LandListen to the INTERVIEWToni Land’s reputation as a prolific and stellar songwriter precedes her.  She has earned publishing and production deals throughout her career.  She is a recipient of multiple awards, including Best Songwriter by the International Acoustic Music Awards and the Portland Songwriter Association.Her songs have been called “fresh, vivacious and slightly irreverent” by Rick Teverbaugh of the Herald Bulletin, and “eclectic, funny, moving, and thoughtful…with a lovingly wicked slant” by Wayne Richards, former President of the Portland Songwriters.Land recorded and co-produced her 7th album, Sunlit, remotely during the COVID pandemic. She was nominated for the New Music Awards at that time in the categories of Breakthrough Artist of the Year, Adult Contemporary Female Artist of the Year, and Adult Contemporary Breakthrough Artist of the Year. Toni currently performs with her group, The Toni Land Band, as well as solo.  She is currently recording her 8th album with Jim Walker at Studio 515 in Portland, Oregon, and is scheduled for release in Fall 2025. www.toniland.comPhoto: Robbie KayThe Arwen Lewis ShowHost: Arwen LewisThe Arwen Lewis Show WebsiteAiring Weekly On RADIO EVOLVE ROCKSThe post THE JEREMIAH SHOW | KIMI KATO SHOW | ARWEN LEWIS SHOW | MIKE GORMLEY SHOW first appeared on Music Connection Magazine.

Minor Drama releases free SendBlender mix knob plugin, with Pro version also available
Minor Drama has released SendBlender, a free utility plugin designed to simplify parallel processing in your DAW. It’s a streamlined mixing tool with a sleek, high-contrast black interface. It makes mixing easier if you’re juggling multiple parallel effects. If you’ve ever built a complex FX bus and struggled to dial in just the right blend [...]
View post: Minor Drama releases free SendBlender mix knob plugin, with Pro version also available

PBS Wave Sonora NoirVerb 2Sonora NoirVerb 2 is a reverb plugin designed to add deep emotion and cinematic space to your sound. Whether you're building ambient textures or enhancing melodic details, NoirVerb 2 gives you full control with a clean interface, 14 reverb types, and over 100 carefully designed presets. It also includes built-in compression, saturation, and creative tools to shape your reverb exactly the way you want. Take your sound to a darker dimension — with smooth workflow, detailed tone, and inspiring results every time. YouTube.com/watch?v=ENiPtfrOQo4 Read More

Why booking live shows matter more than ever!Booking live shows matter more than ever before. Social media may spark attention, but it’s live shows that build real and lasting fans. Learn why performing gigs in the right rooms is still the most powerful move an indie artist can make.
The post Why booking live shows matter more than ever! appeared first on Hypebot.

Hyperpop guitar sound design techniques (with Junior Astronaut)
Nathan Tipton (a.k.a. Junior Astronaut) shares four unique sound design techniques that are often heard in hyperpop and glitch pop guitar arrangements.

Guide to SXSW 2026 PanelPicker Voting: Best Panels & MoreSXSW PanelPicker voting is live! Every year we collab with the smart team at Rock Paper Scissors to find the best panel, presentation and pop-up proposals (I dare you to say that fast three times...) and put them together in our Guide to SXSW 2026 PanelPicker Voting.
The post Guide to SXSW 2026 PanelPicker Voting: Best Panels & More appeared first on Hypebot.

The Crow Hill Company releases Lo-Fi Strings as part of the FREE vaults series
The Crow Hill Company has just released the Lo-Fi Strings as part of their free vaults series. The Crow Hill Company’s Vaults series has long been a source of excellent free instruments. Since the recent overhaul, we’ve seen Bridge Guitar added to the collection, along with the option to recover older Vaults as donationware. The [...]
View post: The Crow Hill Company releases Lo-Fi Strings as part of the FREE vaults series

Session Guitarist Electric Ruby Deluxe from Native Instruments The latest addition to Native Instruments Session Guitarist series captures the warm, resonant sound of a popular hollowbody electric guitar. 

Serato’s Hex FX plugin gets its first update, bringing 40 more presets and new producer collaborationsSerato has launched the first major update for its Hex FX multi-effects plugin, introducing 40 new presets including signature presets made in collaboration with top producers.
The Hex FX 1.1 update brings the total of presets to over 200. It also introduces a Preset Macro Editor, three new effects, and important UI/UX upgrades and bug fixes. Serato says it will “help music producers take their sonic abilities to the next level” with features “sure to boost inspiration and creativity”.

READ MORE: Spitfire Audio capture Strawberry Studios’ iconic Steinway B – played by Elton John and David Bowie – with Château Piano plugin

Hex FX was first launched in December 2024, featuring signature presets from Guy Lawrence of Disclosure, Lord Finesse, Jake One, Amber Navran, and DECAP. The latest creatives to collaborate with Serato include producer and instrumentalist Kaelin Ellis (Lupe Fiasco, Logic, Joyce Wrice), producer Oh Gosh Leotus (Doechii, Tink, Blxst), and more.
Also inside are three new effect types, these are: Spring Reverb, Cassette Sim, and Three-Band EQ. The four Spring Reverb modes include Vintage, Modern, Cosmic, and Digital. “From slap-backs to warped decay, this effect will propel the possibilities of spring reverbs beyond reality,” says Serato.
As you’d expect, Cassette Sim recreates the old textures of tape, tapping into the lo-fi tones of worn-out decks with Hiss, Wow, Flutter, Mechanical Grab, and Warm Overdrive modes all available to experiment with.
Its new Three-Band EQ allows users to shape their FX chain with parametric Low-Shelf, Mid-Bell, and High-Shelf EQ to offer “clean, classic tone-sculpting”, and with the new Preset Macro Editor, producers can also customise how every effect and parameter in their chain responds to their Hex Dial.

In other Serato news, the brand just launched a significant update for Serato DJ Pro and DJ Lite. Now in public beta, it has been developed with direct input from its global community via Reddit threads, support tickets, and more. It brings “highly requested” features and upgrades designed to improve workflow and enhance performance.
Find out more about Hex FX via the Serato website. You can also view the full update release notes via the download page.
The post Serato’s Hex FX plugin gets its first update, bringing 40 more presets and new producer collaborations appeared first on MusicTech.

“Is AI music real music? I believe that when it’s in the hands of musicians, it can be”: Creator behind There I Ruined It parody music YouTube channel shares his views on AIDustin Ballard, the brains behind AI parody music YouTube channel There I Ruined It, has given a TED talk about the ethics of using the tech.
The There I Ruined It channel has over one million subscribers, and features weird and comical takes on hit songs, remade by Ballard using the help of AI. He calls some of his creations “monstrosities”, and says he “loving destroys” tracks known by many. His creations have even been shared or spoken about online by the original artists featured in them, such as Snoop Dogg and Nicki Minaj.

READ MORE: “To me musical instruments are the best user interfaces that have ever been invented”: Why the founding father of virtual reality isn’t convinced by AI music generators

In his TED talk, Ballard asks if music made with AI can qualify as “real” music, and argues for a more balanced view of its use when in the hands of real artists.
Ballard says the question ‘what is real music?’ is a historic one that has come up in regards to sampling, the use of synthesisers, and even with the birth of the phonograph. He quotes composer John Philip Sousa (Ballad describes him as “the Taylor Swift of his day”), who said that recorded music was “a substitute for human skill, intelligence and soul” and that phonographs “reduce the expression of music to a mathematical system” back in 1906.
He goes on to add, “Is AI [music] real music? I believe that when it’s in the hands of musicians, it can be.” With this context in mind, Ballard goes on to question how using AI to make song lyrics differs from using another aid, such as a rhyming dictionary. “What if I used AI to make a new instrument sound that’s never existed, is that much different than a synthesiser?” he quizzes.
With all these questions left up in the air, and even lawmakers confused about the ethics of AI, Ballard says that artists are left to set their own guard rails of what is wrong and right. In his case, he asks himself three core questions: Is it deceptive? Is there artistic intent behind it? How does it affect musicians, especially those involved?
“If you’re one of those people who’s mass producing hundreds of AI songs and uploading them to Spotify, your intent is probably not artistic,” he says.
Ballard features his own bizarre AI mash ups across the talk, including a clip of him using his friend’s voice to sing Baby Got Back by Sir Mix-a-Lot in the style of Hallelujah by Leonard Cohen.

Watch the full TED talk from Dustin Ballard via the TED website, or check out more of his AI creations over on his There I Ruined It YouTube channel.
The post “Is AI music real music? I believe that when it’s in the hands of musicians, it can be”: Creator behind There I Ruined It parody music YouTube channel shares his views on AI appeared first on MusicTech.

Neural DSP update CorOS & Cortex Control Neural DSP's latest CorOS update brings three of the company’s most popular plug-ins to the Quad Cortex, as well as introducing a number of user-requested features and addressing some known bugs.

RØDE’s NTH-50 headphones are $100, but sound like twice the price£99, rode.com
In 2022, RØDE debuted the NTH-100, an incredible pair of over-ear headphones with a $150 price tag, and which we scored a 10/10 in our review. Now, the brand’s brought another model to the series: the NTH-50.
Designed for “DJs, sound engineers and content creators” according to RØDE, the NTH-50s cover a lot of ground, and at around $100, they’re certainly at the more affordable end of the pro headphone market. RØDE generously offers a lifetime guarantee, and both the earpads and headband are user-replaceable meaning that any running repairs down the line should be cheaper than wholesale replacement of the headphones.

READ MORE: Focal Lensys Pro might be the best headphones I’ve ever tried at this price

The NTH-50 comes with a semi-coiled 1.7m cable that allows you leeway to move around a little during use and generally lowers the risk of straining or jerking the connection. At 220g, the lightweight headphones are constructed in various plastics and aluminium, but still feel pretty solid. Unusually, the headband is actually static while the cups can be moved up and down using a stepped system.
It’s easy enough to find the correct fit, though the on-ear design is going to divide opinion among some people — some can find them less comfortable to wear over long sessions than over-ear models, putting pressure on the ears. The counterargument is that they are generally smaller and lighter, which may be important to you. The fit here is snug, and the headphones don’t move around or slip even while you’re nodding along to music, but the pressure on the outer part of your ears can indeed become apparent over longer sessions.
This is by and large a characteristic of on-ear models and not unique to these headphones, but it’s worth bearing in mind if your ears are prone to becoming sore or overheating when wearing headphones for several hours. This model doesn’t fold down for transport, unfortunately, though they do come with a carrying bag.
Image: Press
Speaking of sound, the headphones use 40mm dynamic drivers with an impressive frequency response of 5 Hz – 35 kHz and a low impedance of 32 Ohms. This moderate power requirement makes them usable with a wide range of sources from smartphones and laptops to DJ mixers and beyond. A maximum SPL of 124 dB means they can handle plenty of volume. RØDE says it uses a “revolutionary” resonant chamber that helps the headphones achieve deep bass while maintaining midrange and treble clarity. That bottom figure of 5Hz is outside the scope of human hearing which generally stops around 20Hz but it’s good to know that you are not being denied those particularly low frequencies in the playback.
In use, the NTH-50s sound impressive, especially considering their compact size compared to over-ear models like the Audio Technica ATH-M40x or the Beyerdynamic DT770s. The compact nature of the cups combined with the on-ear design does affect the character of the playback a little in a way that isn’t apparent with, say, a pair of open-backed over-ears, although that’s fundamentally a different kind of design and less useful for tracking, for example. It’s not the case that they colour the sound in a significant way, just that a larger model would sound more open.
Low end is rich but not boomy; those resonant chambers are evidently doing their job in allowing the drivers to move enough air. Meanwhile, the mids and top end are crisp, detailed and well-defined, never jumping out or sounding unduly harsh or over-emphasised. Like all quality headphones, they show up the variations between different productions (rather than smoothing tracks together sonically), so things like limiting, stereo width and EQ are apparent where they have been handled differently on different tracks.
To name just a few of the tracks auditioned, Nils Frahm’s Spells buzzes and bleeps with visceral live energy, Leftfield’s Dusted sounds positively massive, digital bass thundering along, while a selection of jazz recordings reveals the cans to be equally adept with acoustic material. The design is closed back, which means you won’t get sound leakage at reasonable volume levels – this is crucial for recording during monitoring without bleed-through. At higher levels, some sound will be audible in the room, though we are really talking about volumes higher than most people would be using when recording anything through a microphone.
Image: Press
Many headphones are described by their designers as ‘ideal’ for a wide range of tasks, but it’s sometimes true and sometimes not. In the case of the NTH-50s, though, I’d say it largely is. They’re fun and punchy for DJs, pleasurable for general listening, podcasting or movie work and suitably accurate for monitoring, arranging and mixing. Are you going to entrust your final mixes and masters to a £100 pair of headphones? Well, maybe not without checking them on some other systems too. As good as they are, you will want to test any potential mixes on a decent pair of speakers and ideally a good pair of open headphones too, to judge the soundstage in a way that’s harder to do accurately on compact cans.
You can’t overlook the price point either, especially given that they come with a lifetime guarantee and that the earpads and headband are user-replaceable. The more accomplished NTH-100s are available with a street price just slightly higher at $115, though they are larger and don’t come with a coiled cable. Both headphone sets can be transformed into a headset with the optional NTH-Mic module (around £50).
The NTH-50s are excellent value, suitable for a wide range of pro audio as well as leisure listening tasks and sound better than their size or price would suggest. The only minor quibbles are potential comfort issues when wearing for long periods, but this can vary from person to person. And, the smaller on-ear design doesn’t offer as wide and neutral a soundstage as a pair of open backs.
For many producers, though, the NTH-50s punch above their weight and whether you’re a DJ, you’re tracking audio, or even just listening on your commute, they will more than pay you back for your modest investment.
Image: Press
Key features

Closed-back, on-ear design
40mm dynamic drivers
32 Ohms impedance
3.5mm wired connection with 1.7m cable
Frequency response of 5 Hz – 35 kHz
Special resonant chamber
Locking plug
6.3mm adaptor, carry case
User-replaceable parts
Lifetime guarantee
220g weight

The post RØDE’s NTH-50 headphones are $100, but sound like twice the price appeared first on MusicTech.

Co-founder of Elon Musk’s xAI departs the companyIgor Babuschkin is leaving xAI less than three years after he co-founded the startup with Elon Musk, following a series of scandals at company.

Crypto lawyer signals challenge to NY AG with 'lawfare' messageLetitia James, who holds New York state’s top law enforcement position, has come under scrutiny from some, claiming she was engaging in “lawfare” against the crypto industry.