Spitfire Audio Jupiter by Trevor HornJupiter by Trevor Horn Jupiter by Trevor Horn is a unique virtual instrument from Spitfire Audio, offering a comprehensive collection of sounds meticulously crafted and curated by the legendary pop producer Trevor Horn himself. This plugin is designed to encapsulate the iconic production style and otherworldly sonic elements that defined Horn's groundbreaking work with artists like Frankie Goes To Hollywood, Yes, Seal, and Grace Jones. It's more than just a sample library; it's a deep dive into the sonic DNA of pop innovation, blending vintage warmth with futuristic digital textures. Powered by Spitfire Audio's eDNA engine and housed within their dedicated "Solar" plugin, Jupiter goes beyond static samples. It provides a rich palette of drums, basses, synthesizers, a pristine Bösendorfer grand piano, and a unique FX library, all imbued with Horn's signature touch. The eDNA interface within Solar allows for extensive sound manipulation, offering "warps" that range from period-specific gated reverbs and tape saturation to bit-crushing and vintage modulation effects. This empowers producers not only to recreate the classic sounds of the 80s and 90s but also to reinvent them, pushing creative boundaries for modern synth-wave and electro-pop productions. Whether you're looking for the punchy drums that defined an era, the lush synths from his personal archives, or the bright, pop-infused piano sound recorded in his own studio, Jupiter provides an authentic and inspiring sonic toolkit. Features: Curated Sound Library: A comprehensive collection of drums, basses, synths, piano, and FX, all crafted and curated by Trevor Horn. Trevor Horn's Private Sample Archive: Exclusive access to Horn's personal drum machine samples, featuring vintage tones and tape-saturated percussion. Curated Synth Presets: A diverse range of synth textures from Horn's archives and Spitfire Audio's sound design team, including warm analog pads, futuristic digital leads, string clusters, harmonic stabs, and galactic plucks. Bösendorfer Grand Piano: A meticulously recorded Bösendorfer grand piano from Trevor Horn's studio, offering a bright, pristine, and unmistakably pop sound. FX Library for Iconic Transitions: A selection of stingers and transitions like shimmering sparkles, cassette hits, dub blips, and harmonic chimes for cinematic flair and seamless song section transitions. Powered by Solar Plugin (eDNA Engine): Housed in Spitfire Audio's dedicated Solar plugin, utilizing the advanced eDNA technology for deep sound manipulation and layering. Five Instrument Categories: Dedicated sections for Drums, FX, Bass, Synths, and Piano. Five "Warp" Modes: CORE: The original recorded sound. REFLECT: Period reverbs with genre-defining gates. ALIAS: Alters the bit depth and clock-rate of sounds. CALIBRATE: Applies saturated and uncalibrated tape effects. DIMENSION: Processes sounds through vintage modulation equipment. 300 Presets: A wide array of expertly designed presets to jumpstart your productions. 208 Individual Sounds: Provides raw source material for custom sound design. Dual-Layered Interface: The Solar plugin allows for blending and molding two sounds together, offering extensive possibilities for unique sound creation. Designed for Pop Innovation: Tailored for producers inspired by Trevor Horn's groundbreaking techniques in synth-wave, electro-pop, and general pop music production. https://youtu.be/Dq4iDj_s_0k Read More

The Billionth Repository On GitHub is Really ShittyWhat’s the GitHub repository you have created that you think is of most note? Which one do you think of as your magnum opus, the one that you will be remembered by? Was it the CAD files and schematics of a device for ending world hunger, or perhaps it was software designed to end poverty? Spare a thought for [AasishPokhrel] then, for his latest repository is one that he’ll be remembered by for all the wrong reasons. The poor guy created a repository with a scatalogical name, no doubt to store random things, but had the misfortune to inadvertently create the billionth repository on GitHub.
At the time of writing, the repository sadly contains no commits. But he seems to have won an unexpectedly valuable piece of Internet real estate judging by the attention it’s received, and if we were him we’d be scrambling to fill it with whatever wisdom we wanted the world to see. A peek at his other repos suggests he’s busy learning JavaScript, and we wish him luck in that endeavor.
We think everyone will at some time or another have let loose some code into the wild perhaps with a comment they later regret, or a silly name that later comes back to haunt them. We know we have. So enjoy a giggle at his expense, but don’t give him a hard time. After all, this much entertainment should be rewarded.

Jonathan Dickins talks Adele’s record breaking Munich stadium residency and more in SXSW London interviewSeptember Management founder Jonathan Dickins participated in a rare on-stage interview at SXSW London on Friday (June 6).
Source

Grammys announce new Award Categories, sets Key DatesThe Grammys announce new Award categories, dates and deadlines for the 68th GRAMMY Awards. 2026 winners will be announced live at the Crypto.com Arena in Los Angeles on Sunday, Feb.. Continue reading
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Arturia unveil Mix Drums The latest plug-in to join Arturia’s line-up has been designed to provide a quick and intuitive way to craft impactful drum sounds without the complexity of using multiple processors.

Arturia’s Mix DRUMS plugin increases the “impact and perceptual loudness” of your drumsArturia has launched Mix DRUMS, a new plugin designed to increase the impact and perceptual loudness of your drums, while preserving peak levels.
The plugin streamlines complex drum processing workflows and was developed with mixing engineer Emre Ramazanoglu. With over 25 years of experience, Ramazanoglu has worked with artists like Lily Allen, Brian Eno, David Holmes, and more.

READ MORE: Arturia’s V Collection 11 Intro review: A shocking price tag on a fantastic bundle

According to Arturia, Mix DRUMS can lift any drum bus, live kit, loop, or layered one-shot. It has an input ceiling system to keep peaks safe, a parallel processing engine, and 40 “mix-ready” presets.
The input ceiling analyses the average peak of your drum bus and applies optimal gain staging for high-impact without clipping. With its dual-band processing, you can split your signal into low (kick and toms) and mid/high (snare, hats, and toms) bands for targeted treatment, with each path providing distortion, dynamics, and tonal shaping tailored to its role in the kit.
Additionally, tucked away in the EQ section is a “noise” feature, including vinyl crackle, tape hiss, and other electronic textures that can be placed pre- or post-processing. Check out the video below for more:
“This plugin recreates and actually improves upon one particular workflow I use when creating characterful drum sounds in a mix, or for increasing the impact of delivered stereo drum loops without raising peak level,” Ramazanoglu comments.
“I wanted an all-in-one solution to achieve the retro-inspired but full-range and weighty drum sounds that I get hired to deliver – as well as everything from fully creative transformational processes to very subtle drum bus enhancements.. We’ve developed a phase-coherent processor that allows the user to instantly dial in a huge variety of tones.”
To find out more, head over Arturia.
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Free Music Industry Newsletters You Should Be ReadingWant to stay ahead in the fast-moving music industry without spending hours scrolling? This roundup of the best free music industry newsletters - which we're proud to say includes Hypebot - will keep you informed, inspired, and one step ahead.
The post Free Music Industry Newsletters You Should Be Reading appeared first on Hypebot.

RIAA CEO calls Midjourney a “bad actor” and backs Disney and Universal’s lawsuit against the AI image generatorMitch Glazier, chairman and CEO of The Recording Industry Association of America (RIAA), has released a statement supporting a lawsuit against the AI company Midjourney.
Midjourney was launched publicly in February 2022, and utilises AI technology to generate images from text prompts. It is run by the Midjourney independent research lab, which – according to its website – explores “new mediums of thought” and expands “the imaginative powers of the human species”.

READ MORE: Spotify executive says “there is no dilution of the royalty pool by AI music”

The lawsuit was filed on 11 June by Disney and Universal, and alleges that Midjourney has stolen “countless” copyrighted works to train its AI image generator (as reported by Billboard). It also claims that Midjourney allows users to create images that “blatantly incorporate and copy Disney’s and Universal’s famous characters”.
Glazier calls the company a “bad actor”, and has described the lawsuit as a “critical stand” for responsible innovation. His official statement, which has been shared with MusicTech, reads, “There is a clear path forward through partnerships that both further AI innovation and foster human artistry. Unfortunately, some bad actors – like Midjourney – see only a zero-sum, winner-take-all game.
“These short-sighted AI companies are stealing human-created works to generate machine-created, virtually identical products for their own commercial gain. That is not only a violation of black letter Copyright law but also manifestly unfair. This action by Disney and Universal represents a critical stand for human creativity and responsible innovation.”
At the time of writing, Midjourney is yet to publicly comment on the lawsuit.
In other AI news, producer Timbaland has recently (and controversially) launched his own AI entertainment company called Stage Zero. Upon unveiling its first artist, named TaTa, Timbaland said, “I’m not just producing tracks anymore. I’m producing systems, stories, and stars from scratch.”
MusicTech has reached out to Midjourney for comment.
The post RIAA CEO calls Midjourney a “bad actor” and backs Disney and Universal’s lawsuit against the AI image generator appeared first on MusicTech.

Sony expand access to 360 Virtual Mixing Environment 360VME, which until now has been available exclusively to professional facilities, is capable of recreating the acoustic field of a multi-speaker immersive studio over headphones, allowing users to produce immersive audio mixes in any location. 

Get Shoeless Drive 2.0 by WaveMind for FREE
WaveMind just released an update to their overdrive plugin, Shoeless Drive, in collaboration with YouTuber Rensington. The effect is in its 2.0 version, offering improved features and bug fixes, and might be a versatile drive unit for guitarists. Check out a demo here: The layout is relatively simple, and the heart of the plugin is [...]
View post: Get Shoeless Drive 2.0 by WaveMind for FREE

“You could pick up Casios, old Yamahas, cheap toy things for between $30 and $100. There’ll be something in there”: Mark Pritchard on why using cheap synths can spur creativityOver the last 30 years of making music, Mark Pritchard has acquired a wide array of synths, including an Arp Odyssey and a Mini Moog. But when he was making Tall Tales, his collaborative album with Radiohead lead singer Thom Yorke and revered visual artist Jonathan Zawada, he produced with machines far beyond what he had in his collection.
On the one hand, when Pritchard wanted to venture into the esoteric realm, he visited MESS, Melbourne Electronic Sound Studio, which houses incredibly rare and expensive synthesizers. Members of MESS can pay a fee to try them out in allotted sessions. While he was there, Pritchard got his hands on the Korg PS 3100, Roland CR-78 drum machine, and a Triadex Muse among others.

READ MORE: PMT placed into administration, all stores closed with immediate effect

“You get a chance to play on these synthesizers that are really hard to keep working, let alone afford,” Pritchard says in a new interview with MusicTech.
However, despite Pritchard’s skill, he also went the other direction, using some of the cheapest synths available to contribute sounds to the album.
“You could pick up Casios, old Yamahas, cheap toy things for between $30 and $100. There’ll be something in there. There’ll be a sound. There’ll be a source,” Pritchard says. “It’s good to limit yourself to something [and think] ‘I’m going to make something out of this today’. Sometimes it doesn’t work, but it’s fun to try things out.”
It took Pritchard, Yorke, and Zawada several years to complete Tall Tales. They started it during the pandemic, and it was released on May 9, 2025. Throughout that time, all three members had immense freedom to create as they pleased. They were never once in the room together, and they built collaborative ideas by adding new bits to a Miro board as they worked. So, no one was questioning what kind of machines Pritchard used. As long as they liked how it sounded, they were happy.
Read the full interview via MusicTech. Listen to Tall Tales below:

The post “You could pick up Casios, old Yamahas, cheap toy things for between $30 and $100. There’ll be something in there”: Mark Pritchard on why using cheap synths can spur creativity appeared first on MusicTech.

PMT placed into administration, all stores closed with immediate effectMusic gear retailer Play Music Today, known as PMT, has closed down all of its 11 stores throughout England and Wales with immediate effect.
The decision follows a period of struggle with financial performance for the brand, leading the directors of PMT to file for the appointment of administrators. Immediately following the appointment, the joint administrators concluded a sale of the company’s assets on 11 June, including its stock, to Gear4music.
A spokesperson for restructuring and advisory company Interpath states, “In common with other companies operating across the music retailing sector, PMT had faced a variety of challenges in recent times which had impacted financial performance. Competitive pricing of musical instruments had shrunk the margins of top-branded equipment, while fragile consumer confidence was impacting sales of high-end products.
“The company was also impacted by the ongoing industry-wide upward pressure on fixed costs, including rent, business rates and people costs. In addition, and following a number of recent insolvencies across the sector, credit terms had also tightened up and down the supply chain, all of which ultimately had a detrimental impact on PMT’s cashflow,” they explain.
PMT’s stores were situated in locations such as Birmingham, Cardiff, Manchester, and Nottingham. Currently, support for the members of its staff who have been made redundant is being prioritised. The PMT website remains online at the time of writing, though users have reported that they are not able to complete a purchase.
Rick Harrison, managing director at Interpath and joint administrator, comments, “It’s been a tough few years for specialist music equipment retailers who have battled headwinds including rising costs, dwindling margins, and the rising cost of living affecting consumer behaviour. Unfortunately, despite the best efforts of the board, in the case of PMT, these challenges proved too difficult to overcome.”
He continues, “While we are pleased to have concluded a sale of the stock and other assets to Gear4music, our immediate priority is to provide support to those employees who have been made redundant, including supporting them with claims to the Redundancy Payments Service.”
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Lewitt Space Replicator review: Affordable virtual mixing plugin with room to improve£89, lewitt-audio.com
Lewitt is best known for its broad range of quality microphones, but its latest release dabbles in the world of software. You might not have the best room to work in, or easy access to multiple playback speakers, but that’s where Space Replicator comes in. The plugin aims to provide realistic virtual acoustic spaces that you can use to refine your mix via headphones.

READ MORE: HEDD Audio’s Type 05 A-Core monitors are practically perfect

There is no shortage of options in this field, with products like Slate VSX, dSONIQ Realphones, and Waves’ Nx, to name a few. Lewitt Audio’s offering is a simple and affordable alternative, with support for an impressive 600+ headphone models, but a lack of focus and editability means it falls short of true greatness.
Space Replicator runs as a plugin inside your DAW, placed as the last item in the chain. You first start by selecting your specific brand and model of headphones from a large list, which loads a frequency-balancing calibration file. The next step is to create a binaural profile for your ears. This is a unique listening test feature that’s not present in the competition, and in theory, it should help to deliver a more realistic 3D sound that’s more specific to you. You visit the Lewitt website, where you make 10 choices between an A or B extract of audio, with a goal of selecting the most natural-sounding stereo image each time. In practice, it’s not the easiest concept to grasp, as you don’t really have a reference point for the type of room that you’re listening to. My first attempt results in an overly-wide sound, so I dive back in and create a second profile that favours narrower results. However, this also changes the spectral spread, so you might need to repeat the process several times to get results that sound natural. Once completed and saved, the binaural profiles are seamlessly synced to the plugin.
Headphones list. Image: Press
The plugin itself is relatively simple; you just select a space and go. There’s also an overall volume dial, plus a useful Safe Headroom button to reduce the output to compensate for any additional boosts that the headphone correction profiles, spaces and modelled playback systems introduce. There are 10 virtual spaces, some of which have several speaker options, plus modelled sets of headphones, taking the total list of listening profiles up to 30. Lewitt has confirmed that more spaces will be coming soon (however, whether they’re a paid extra remains to be seen).
There are big variations in how these sound, with different feelings of distance from the speakers. This often leads to the ambient sound of some rooms being a little strong, making you feel quite far away from the speakers. This could work for certain types of music, but it could make precise transient and bass work difficult. On the plus side, the rooms have been well captured, and you get a decent sense of 3D space.
Headphone simulations. Image: Press
In fairness, the nature of these kinds of plugins (or any new set of speakers or headphones) is that it takes time to learn, and the more you work with them, the more you get used to how they sound. This can make it tricky to review. For example, it took me over six months to truly learn the sound of Slate’s VSX system. What I can do though, is compare the sonics and features with other products on the market. A lot of the other plugin options offer a way to control the amount of room ambience, so hopefully that might be something that Lewitt will add in a future update, since Space Replicator doesn’t currently allow this option. Ambience aside, I do also have a bit of an issue with the White Sea Studio room, which has several unwanted resonances in the low-mids. This could lead to you making some unnecessary EQ moves.
Thankfully, the beauty of a system like this lies in having a variety of sources that you can learn and check your mix on to help build something that translates. And it’s arguably here that the plugin shines. You get a variety of phones, tablets, laptops, Bluetooth speakers, internal TV speakers, a soundbar and the inside of a car from several seat positions. Especially useful for some is the inclusion of the main floor and DJ booth of Berlin’s (recently closed) Watergate club, with a handy extra option to add a crowd. These spaces in particular are ultra-effective at giving you the feeling of being in a real room. On top of this, you get five sets of modelled headphones and earbuds, plus a ‘Transparent’, ideal headphone frequency response.
I test Space Replicator using several sets of headphones alongside VSX and Realphones. To my ears, VSX gave the best sounding results, with the punchiest bass and transients, but it’s also a lot more expensive as you have to buy the specific VSX headphones. Realphones also yields pleasant results, with extra tweakability, but the number of profiles is overwhelming and confusing. Space Replicator lacks any form of deeper editing, but is concise and easy to use, making it a respectable, reasonably-priced alternative that works with headphones you already own.
Watergate club in Space Replicator. Image: Press
Outside of selecting the profiles and spaces, there’s a welcome Auto-bypass on the render function that stops you from accidentally bouncing your track with the effect left on. There’s currently no system-wide version that can run on your whole system audio, although it’s being discussed as a future update. To the brand’s credit, Lewitt seems active on forums and is looking for feedback on ways to improve the software; there’s even a shortcut from within the plugin to provide comments. Ideally, I’d like to see the option to control the sound of the room more, alongside some recognisable referencing staples such as NS-10s and an Avantone Mixcube added.
In its current state, though, Space Replicator is still a decent option that could help you refine your mixes by testing them on a range of systems.
I’ve included a few audio examples for headphone listening, so you can get an idea of the different profiles. These have been rendered on the default headphone and binaural settings, which should be relatively neutral, but bear in mind that the sound will differ according to your headphone model.

Key features

VST3, AAX, AU virtual monitoring plugin
600+ headphone compensation files
Experience realistic virtual acoustic spaces on headphones
5 studios, including Vienna Synchron Stage A & B
25 additional reference profiles
Check mix translation on smartphone, club and more
Consumer headphone simulations and ‘Transparent’ ideal headphone profile
Internet connection required for initial setup process and then every 4 weeks
14-day free trial available

The post Lewitt Space Replicator review: Affordable virtual mixing plugin with room to improve appeared first on MusicTech.

Two defendants plead not guilty in crypto kidnapping and torture caseJohn Woeltz and William Duplessie reportedly pleaded not guilty to the kidnapping and false imprisonment of Michael Valentino Teofrasto Carturan in New York City.

Apple is salvaging Image Playground with a boost from ChatGPTWith the new ChatGPT integration, users will be able to access more styles that move beyond the emoji-like creations that Image Playground has become known for.