I just wonder how this is connected with the Spotify and Daniel narrative that music must be free and their "freemium" approach. Firstly, they patched music to music streaming and now, what. It seems that major investors (major stakeholders) could recommend this, the new business

AllMusic Feature - Albums Released on This DayA fun item that many users may not know about is our "Albums Released On This Day" feature on the homepage of AllMusic. Each day we highlight albums throughout history that were released on this date, from rock, to jazz, to hip-hop, to classical and every genre in between. Scroll down to see today's albums.

25% Bitcoin price rally set to follow today’s correction if history repeatsA Bitcoin price drop below $102,000 could be followed by a swift 25% rally to new all-time highs.

V-MODA Introduces M-100 PRO and M-10 HeadphonesV-MODA announced on Tuesday that it has added two models to its respected lineup of DJ headphones used by top artists around the world.

"The M-100 PRO is the new flagship in the long-running M-100 series for professional DJs, updated with next-generation sound quality and features," they said in a press release. "The M-10 offers authentic V-MODA performance in a streamlined design for up-and-coming DJs and electronic music performers."

Details directly from V-MODA follow

M-100 PRO Headphones

Since its introduction in 2012, the V-MODA M-100 series has been loved by legions of DJs worldwide for its stylish design and distinctive sonic character. The M-100 PRO carries on the M-100 legacy with evolved tuning and many improvements based on community feedback. Pro performers require top-quality headphones, and the M-100 PRO meets their needs with outstanding sound, comfort, and durability.

The M-100 PRO features ceramic-coated drivers and bass ducts for crystal-clear reproduction of kick drums, hi-hats, and other sounds that define the groove. The closed-back design and comfortable memory foam ear pads provide a wide, punchy soundstage and excellent sound isolation while performing in loud clubs and on booming festival stages.

Swivel ear cups extend the comfort, enabling seamless switching between stereo monitoring and one-ear listening for monitoring other sources and engaging with audiences. Detachable coil (3 m) and straight (1.5 m) cables are included to suit different workflows and gear setups.

The M-100 PRO features the rugged metal frame and signature shields of previous models, enhanced for even greater durability. The foldable design and included carrying pouch take up minimal space while traveling, and the ear cups are now detachable, allowing users to purchase replacements as needed.

M-10 Headphones

The M-10 embodies the distinctive V-MODA look and sound that’s been a DJ favorite for over a decade. Replacing the popular Crossfade LP2 model, these beat-tuned phones provide the deep bass and high-end clarity needed to hone DJ skills and deliver mesmerizing performances.

The M-10’s closed-back, over-ear configuration produces an immersive soundstage with excellent sound isolation. Large ear cups with memory foam cushions offer extended comfort, while the solid build will stand up to years of intense music sessions. Detachable coil (3 m) and straight (1.5 m) cables are included, along with a carrying pouch to protect the phones while on the go.

Availability & Pricing

The V-MODA M-100 PRO will be available for USD $299.99 and the M-10 for USD $179.99, both in mid-Q3. 

To learn more about the M-100 PRO and M-10 Headphones, visit Roland.com.The post V-MODA Introduces M-100 PRO and M-10 Headphones first appeared on Music Connection Magazine.

OpenAI’s $200M DoD contract could squeeze frenemy MicrosoftThe contract could put the model maker in competition with the OpenAI services that Microsoft wants to sell to the DoD.

Emergence Audio Flute TexturesFlute Textures is an innovative virtual instrument designed to transform the traditional flute into an expressive and evolving cinematic soundscape. This Kontakt-based library redefines what a flute can be, moving beyond conventional articulations to offer rich, atmospheric, and unpredictable textures ideal for film scoring, ambient music, and modern sound design. Through meticulous sampling and advanced engine capabilities, Flute Textures breathes life into compositions with its unique sonic palette. At the core of Flute Textures lies Emergence Audio's proprietary Infinite Motion Engine 2.0 and Non-Static Sampling. The Infinite Motion Engine allows for dynamic and continuously evolving sounds, ensuring that compositions remain fresh and inspiring. Non-Static Sampling infuses each note with subtle, unique variations over an extended period, capturing the natural complexity and richness of live instrumentation and creating a constantly evolving sonic landscape. The library was crafted from deeply sampled performances by renowned flutist Veronika Vitazkova, capturing every nuance and blending organic breathiness with profound atmospheric depth. This combination of traditional acoustic beauty and cutting-edge sound design makes Flute Textures an essential tool for composers and producers seeking to explore new sonic frontiers. Flute Textures provides a wide array of sonic possibilities, ranging from gloomy dystopian drones and sparkling trills to evocative swells and rhythmic pulses. It includes over 170 carefully designed presets that offer instant inspiration, covering diverse genres and emotional contexts. Beyond the presets, users have access to more than 100 parameters to craft their own unique sounds, including various effects like convolution reverb, delay, chorus, phaser, rotator, stereo imager, distortion, saturation, LoFi, and tape saturation. The intuitive interface and NKS compatibility ensure a seamless workflow, allowing for quick integration into existing studio setups and providing a powerful, yet accessible, tool for creative exploration. Features: Cinematic Flute Instrument: Transforms the traditional flute into an evolving, cinematic sound source. Infinite Motion Engine 2.0: Enables dynamic and continuously evolving soundscapes. Non-Static Sampling : Infuses each note with subtle, unpredictable variations for organic depth and realism. Deeply Sampled Performances: Features meticulous recordings by flutist Veronika Vitazkova. Versatile Sound Palette: Capable of creating drones, trills, swells, rhythmic pulses, and atmospheric textures. Extensive Presets: Includes over 170 inspiring presets to jumpstart your creative process. Customizable Parameters: Over 100 parameters for detailed sound design and modulation. Integrated Effects: Built-in effects such as convolution reverb, delay, chorus, distortion, and more. Kontakt Player Compatible: Runs in the free Kontakt Player or the full version of Kontakt. NKS Compatible: Offers seamless integration with Native Instruments Komplete Kontrol and Maschine hardware. Lightweight Download: A compact library size of 5.3 GB. https://youtu.be/Cmlm82-Q0fE Read More

The Most Trustworthy USB-C Cable is DIYWe like USB-C here at Hackaday, but like all specifications it is up to manufacturers to follow it and sometimes… they don’t. Sick of commercial cables either don’t label their safe wattage, or straight up lie about it, [GreatScott!] decided to DIY his own ultimate USB-C-PD cable for faster charging in his latest video, which is embedded below.
It’s a very quick project that uses off-the-shelf parts from Aliexpress: the silicone-insulated cable, the USB-C plugs (one with the all-important identifier chip), and the end shells. The end result is a bit more expensive than a cable from Aliexpress, but it is a lot more trustworthy. Unlike the random cable from Aliexpress, [GreatScott!] can be sure his has enough copper in it to handle the 240W it is designed for. It should also work nicely with USB PPS, which he clued us into a while back. While [GreatScott!] was focusing here on making a power cable, he did hook up the low-speed data lines, giving him a trustworthy USB2.0 connection.
This isn’t the first time we’ve seen someone test USB gear and find it wanting, though the problem may have improved in the last few years. Nowadays it’s the data cables you cannot trust, so maybe rolling your own data cables will make a comeback. (Which would at least be less tedious than than DB-25 was back in the day. Anyone else remember doing that?) USB-C can get pretty complicated when it comes to all its data modes, but we have an explainer to get you started on that.

European competition regulators to make initial ruling on Universal’s $775m Downtown buyout by July 22EU competition regulator sets July 22 deadline to make initial ruling
Source

“Analogue in all the right ways: fast, expressive, and alive”: Universal Audio introduces Anthem Analog SynthesizerUniversal Audio has announced the latest addition to its library of virtual instruments: Anthem Analog Synthesizer. The new plugin was designed to deliver the “perfectly imperfect” sound of analogue synths in a fully digital format. No UA or Apollo hardware is required to use it, and it runs natively on both Mac and PC in VST3, AU, and AAX.
Beyond its analogue sound, Anthem features a series of effects and functions to provide extensive production options. The digital interface has an analogue-modeled filter, lo-fi modulation effects such as spring reverb and dubby tape echo, two different oscillators, amplitude and filter envelopes, and a built-in sequencer that can add polyrhythms, accents, and generative textures. There are also hundreds of presets with Anthem that can be used on their own or serve as launching points for inspiration.

READ MORE: The best free and paid-for plugins you need to know about this week

“With Anthem, we wanted to make a synth that didn’t just emulate vintage hardware – we wanted it to inspire creativity,” says Lev Perrey, VP of Product at Universal Audio. “It feels analog in all the right ways: fast, expressive, and alive.”
Universal Audio has demoed the plugin with sounds akin to the famous gritty lead from the legendary house track Satisfaction by Italian producer/DJ Benny Benassi. In the video UA writes, “Sounds that make statements. Your next Anthem starts here.”

 
Anthem is part of UAD Spark, UA’s subscription service, along with previously released virtual instruments such as the vintage-inspired synth, PolyMAX, and the wavetable synth, Opal Morphing Synthesizer. UAD Spark also has numerous effects, including compressors, reverbs, and tape machines.
For those looking to purchase Anthem on its own, UA is offering a special introductory rate of $149 to celebrate the launch. Once this period passes, the price will increase to $199.
Learn more at Universal Audio.
The post “Analogue in all the right ways: fast, expressive, and alive”: Universal Audio introduces Anthem Analog Synthesizer appeared first on MusicTech.

“Is it really important for him to come back? I don’t think so”: Zara Larsson slams artists who still work with Dr. LukeZara Larsson has called out artists who continue to work with Dr. Luke after Kesha accused the producer of sexual assault and battery and a string of other offences in 2014. Kesha and Dr Luke – real name Łukasz Sebastian Gottwald – reached an agreement to settle a defamation lawsuit in 2023.
Appearing as a recent guest on the Rolling Stone Music Now podcast, Larsson says: “There’s a million other people. Is it really, really important for [Dr. Luke] to come back? I don’t think so.”

READ MORE: “You will not feel like the odd person out”: Music Production for Women will host free workshops across Europe in July

The On My Love singer says artists should “actually put your money where your mouth is and work with women and hire women”.
“I think that’s way more powerful than writing a feminist anthem with someone who is not really standing for those values,” she goes on.
NME reckons Larsson’s comments are in reference to Katy Perry, who recently worked with Dr. Luke on her latest album, 143.
Larsson has previously worked with Gottwald in the past, and was signed to his label, Kemosabe Records. She left the label before Kesha’s accusations were made public.
In 2016, Larsson pulled no punches about her views on Dr. Luke. In an interview with The Guardian, she explained: “Too many women are not being believed when it comes to this. And to be honest, whether he’s a rapist or not, he’s not the nicest guy. He’s very talented, you can’t take that away from him, but where do we draw the line? I think Chris Brown is very talented, too, but I won’t support him because he’s an asshole.”
The post “Is it really important for him to come back? I don’t think so”: Zara Larsson slams artists who still work with Dr. Luke appeared first on MusicTech.

Universal Audio launch Anthem Analog Synthesizer The latest arrival to Universal Audio range of virtual instruments delivers a powerful soft synth that's been inspired by the bold and gritty character of classic analogue synths. 

What is Live Music Gatekeeping and why it’s due for a comebackMore artists are turning private channels, tight-knit fan communities and live music gatekeeping to drive lasting success. "Success takes time, and filling a venue is not just about the numbers," writes MIDiA's Hanna Kahlert.
The post What is Live Music Gatekeeping and why it’s due for a comeback appeared first on Hypebot.

Veteran musician Gary Shea shares lessons learned in new bookVeteran musician Gary Shea shares lessons learned in his long career performing and recording music around the world in a new book. Shea is a founding member of the bands New England and Alcatrazz, with gold and platinum records to his credit.
The post Veteran musician Gary Shea shares lessons learned in new book appeared first on Hypebot.

Dreamtonics Synthesizer V gains Pro Tools ARA2 support With the launch of Synthesizer V Studio 2 Pro 2.1.0, Pro Tools users will enjoy tighter integration between DAW and plug-in, along with a number of other enhancements and improvements. 

“You will not feel like the odd person out”: Music Production for Women will host free workshops across Europe in JulyMusic Production for Women – a learning platform which aims to empower both female and non-binary producers – is holding a series of three-hour beginner-oriented production workshops across Europe throughout July.
The workshops in London, Berlin, Amsterdam and Dublin – all completely free to attend – will cover the basics of music production, including beat programming, synthesis, audio effects and how to navigate a DAW.

READ MORE: Spotify CEO Daniel Ek leads investment of €600m into AI defence company

“If you’re tired of being one of the only women in the room when it comes to music production, we know how you feel and we’ve been there before,” Music Production for Women explains about its EmpowHer Sound workshops
“The most magical part of our events, in addition to all the exciting knowledge that you will take away is the phenomenal energy created when you fill a room with women who want to learn from and support each other.”
While the event is primarily aimed at women and gender minorities, MPW also states that the event is open to anyone who wants to attend, and no previous technical skills are required for you to participate.

“There really is nothing like it and we want you to experience it! At our events, you will not feel like the odd person out, you will not be spoken down to, or get technical jargon thrown at you. You will be part of an encouraging community and treated with the kindness and respect you deserve. Although our events are designed to empower women, absolutely everyone is more than welcome to attend.”

The events are sponsored by Kilohearts, Novation and DistroKid, and one fortunate attendee from each will be able to take home gear including a Novation Launchkey MIDI controller, Focusrite Scarlett Solo interface, and Kilohearts’ Phase Plant soft synth.
Music Production for Women has been offering workshops since 2019 to thousands of students in multiple countries, with courses focusing on production, mixing and promoting your own music. The platform was founded by Ableton music educator, musician, and entrepreneur Xylo Aria.
During an 2021 interview with Stereofox, Aria explained that she established MPW in part because of how long it took for her to learn production herself due to the lack of community around it. Another aim is to: “increase the visibility of female role models, so that people early on in their journey can have someone to look up to that they can relate to.”
Find MPW’s free workshop event dates below. You can book yourself a free ticket via the MPW website.

Dublin – 10 July 2025
Berlin – 14 July 2025
Amsterdam – 16 July 2025
London – 22 July 2025

The post “You will not feel like the odd person out”: Music Production for Women will host free workshops across Europe in July appeared first on MusicTech.