KRK Kreate 5 Monitors Elevate Miami’s 555 Studios Creative SpaceSome studios are built for recording. Others are built for content. 555 Studios, tucked inside Miami’s ever-electric Wynwood Arts District, is chasing something bigger—an ecosystem where creativity doesn’t just happen, it collides.

Inside the 10,000-square-foot labyrinth, it’s not unusual to find a podcast being tracked upstairs while a fashion shoot unfolds down the hall and a live performance pulses below. It’s organized chaos in the best way—exactly how Studio Manager Cristian “Cris” Castro envisioned it.

“I always wanted a place where independent artists could record their music, shoot their videos, take photos, and perform—all under one roof,” Castro says. What started as an idea now feels more like a living, breathing organism—one that “blends the energy of a live venue with the precision of professional production suites.”

That balance—between vibe and technical polish—is where KRK’s Kreate 5 monitors quietly earn their keep.

Originally brought in as playback speakers for the podcast studio, the Kreate 5s didn’t stay put for long. In a space that refuses to sit still, neither could they. “The Kreates were initially chosen to be playback monitors in our podcast room,” Castro explains, “but now they move all around the building.” And that mobility isn’t a compromise—it’s the point.

Compact enough to travel from room to room but still packing the punch of a larger system, the monitors have become a kind of sonic glue across wildly different creative setups. Whether it’s dialing in dialogue for a podcast, setting the mood during a shoot, or filling the lobby with clean, balanced playback, they’ve become a constant in a space defined by change.

“From recording to playback, consistency is everything—and that’s why KRK is part of the workflow at 555 Studios,” says Castro—and it’s a sentiment that’ll resonate with anyone who’s ever chased a mix across multiple environments. “555 blends the energy of a live venue with the precision of professional production suites. The KRK Kreate K5s give us a trusted clarity in a more flexible form factor. Whether we’re fine-tuning a podcast or setting the tone during a photo shoot, the monitors deliver a balanced, reliable sound that translates across real-world listening environments. Plus, the portability and Bluetooth make it easy to bring that quality into any room instantly, which is key in a space as dynamic as ours.”

And in a studio where one day’s workflow might look nothing like the next, that kind of dependability matters. A lot.

There’s also something refreshingly unpretentious about how the gear is used here. No sacred control room. No precious “don’t touch” setups. Just tools that move as fast as the ideas do—Bluetooth-enabled, easily repositioned, and always ready to adapt.

If 555 Studios proves anything, it’s that today’s creative spaces don’t live in neat categories anymore—and neither should the gear.The post KRK Kreate 5 Monitors Elevate Miami’s 555 Studios Creative Space first appeared on Music Connection Magazine.

Sound Devices unveil the Astral Mini Plus The Astral Mini Plus builds on the success of its predecessor by offering improved battery life, an extended RF tuning range and IP67 water resistance.

Trona Audio Dream Catcher DRME Dreamy — Dual Ribbon Mic Emulation Audio Plugin by Kyle Hurst &TRONA AudioDream Catcher DRME — Dual Ribbon Mic Emulation by TRONA Audio. We got tired of music feeling like work. So we built something that makes it feel like music again. The Dream Catcher DRME started as a personal frustration. Ribbon microphones have a sound that nobody forgets — warm, honest, and alive in a way that condenser mics rarely are. They make recordings feel like recordings. Like someone was actually in a room, playing something that mattered. But real ribbon mics are fragile, expensive, and out of reach for most people making music today. So we measured ours. Not modeled. Not approximated. We captured actual impulse responses from real physical TRONA ribbon microphones — the little ribbon and the large ribbon — and built a plugin around what we found. Every knob in the DRME exists because something real in that microphone behaved that way. What came out the other side is a plugin that doesn't feel like a plugin. It feels like putting up a mic in a room and just playing. The proximity bloom when you lean in. The figure-8 pattern bleeding in from behind. The transformer adding that last little bit of weight that makes a vocal sit in a mix without you having to think about it. It sounds like the records that made you want to make music in the first place. That's the only reason we built this. Not to add another tool to your chain. To give you back the feeling that started all of this for you. Features. Dual Ribbon Engine — R1 (Little Ribbon) — smaller element, grittier character, higher harmonic content (~7.5% THD) — R2 (Large Ribbon) — larger element, cleaner response, smoother saturation (~2.4% THD) — R1 and R2 Length controls (0–100) — shape the physical ribbon length and its effect on frequency response and pattern behavior. Three Processing Modes — RR Mode — length-based comb filtering, dramatic figure-8 character and frequency shaping — PR Mode — physics-correct Faraday induction modeling, more transparent and realistic ribbon behavior — OFF Mode — all ribbon processing bypassed, IR and character processing only. Ribbon Controls — Proximity (0–100) — distance simulation from 1 foot to 1 inch close-mic, with authentic low-frequency bloom — Ribbon Tone (0–100) — blend of measured impulse response and harmonic character — Port Size (0–100) — rear acoustic port simulation from tight cardioid to full figure-8 — Rear Distance (0–100) — acoustic rear path length from 2 to 6 inches — Corrugation (0–100) — ribbon tension and resonance pattern, tuning the low-frequency floor from 70Hz to 20Hz. Character Controls — Transformer (0–100) — output transformer saturation and warmth, from subtle color to heavy saturation — Ribbon Glue (0–100) — warmth, high-frequency sag, bloom, and gentle compression in one control. Level Controls — Input Level (-60 to +12 dB) — Sensitivity (-60 to 0 dB) — virtual mic position and source level — Output Level (-60 to +12 dB). Utility — BK (Back) — simulates rotating the mic 180° for a darker, more saturated tone — LC (Low Cut) — cycles OFF / 30Hz / 80Hz / 160Hz — PH (Phase Flip) — 180° polarity inversion — BYP — plugin bypass with 60ms crossfade, use instead of DAW bypass for clean transitions — A/B Comparison — store and recall two full parameter states for instant comparison — Delta Mode — monitor the wet/dry difference only, for precise dialing of subtle processing. Under the Hood — Real impulse responses captured from physical TRONA ribbon microphones — Harmonic saturation models built from measured THD profiles — Physical modeling of Faraday induction, resonance, and phase effects — Acoustic emulation of port sizes, rear paths, and corrugation patterns — AutoFreeze CPU management — silently captures and freezes processing after 5 seconds of inactivity, dropping from 20–25% to 5–8% CPU, instantly unfreezing when any control is touched. TECHNICAL SPECIFICATIONS — Formats: AU (Audio Unit), VST3 — Platform: macOS 10.13 or later — Universal Binary (Apple Silicon + Intel) — DAW Support: Logic Pro, GarageBand, MainStage, Ableton Live, Cubase, Studio One, Reaper, any AU or VST3 host — Sample Rates: 44.1 kHz to 192 kHz — Bit Depth: 32-bit floating point — Latency: 100–300 samples (IR-dependent) — CPU Usage: 15–25% per instance (5–8% when AutoFreeze is active) — RAM: 16 GB recommended — License: 1 license, up to 3 computers — Price: $49. Read More

Mastering The Mix releases REFERENCE 3 mix referencing plugin (win a FREE copy!)
Mastering The Mix has released REFERENCE 3, a major update to its popular mix referencing plugin. We are taking a closer look at the latest update and giving away one license to one lucky BPB reader. REFERENCE 3 is priced at $79 with a 15-day free trial available (no credit card required). Owners of REFERENCE 1 [...]
View post: Mastering The Mix releases REFERENCE 3 mix referencing plugin (win a FREE copy!)

Wireless Festival 2026 cancelled as Kanye West banned from entering the UKWireless Festival 2026 has been cancelled following a decision by the UK Home Office to deny headliner Kanye West entry into the country.
Promoters Festival Republic say refunds will be issued to ticket holders, providing the following statement:
“The Home Office has withdrawn YE’s ETA, denying him entry into the United Kingdom. As a result, Wireless Festival is cancelled and refunds will be issued to all ticket holders. 
“As with every Wireless Festival, multiple stakeholders were consulted in advance of booking YE and no concerns were highlighted at the time.
“Antisemitism in all its forms is abhorrent, and we recognise the real and personal impact these issues have had. As YE said today, he acknowledges that words alone are not enough, and in spite of this still hopes to be given the opportunity to begin a conversation with the Jewish community in the UK.”
According to The Guardian, Kanye West’s online Electronic Travel Authorisation (ETA) was granted, but was later blocked following a review, with officials concluding his presence would “not be conducive to public good”.
West’s booking as the headliner of Wireless Festival 2026 has drawn widespread criticism, following a string of antisemitic remarks and actions made by him in recent years.
Last year, West – who now goes by Ye – released a song titled Heil Hitler, and listed a T-shirt for sale on his website bearing a swastika.
In January this year, West took out a full-page advert in the Wall Street Journal apologising for his prior behaviour, writing: “I am not a Nazi or an antisemite. I love Jewish people.”
Among those critical of West’s headline booking was British prime minister Keir Starmer, who expressed “deep concern” at the booking “despite [Ye’s] antisemitic remarks”. Festival sponsors Pepsi and Diageo also withdrew.
Prior to Wireless Festival’s cancellation, West also offered to “meet and listen” to members of the UK’s Jewish community.
While the UK government deliberated on granting Kanye West entry into the country, the prime minister’s official spokesperson said: 
“We’ve been clear that his permission to enter the UK is under review as we speak. All available options remain on the table.”
He went on: “Decisions are taken on a case-by-case basis in line with the law and the evidence available, but where individuals pose a threat to public safety or seek to spread extremism, the government has not hesitated to act, and that includes cancelling permission to enter this country for extremist preachers and far-right figures.”
Phil Rosenberg, president of the Board of Deputies of British Jews, revealed the group would be willing to meet with Ye if he pulled out of Wireless Festival, saying: “It has been less than a year since Kanye West released a song entitled Heil Hitler, the culmination of three years of appalling antisemitism.”
Wireless Festival ticket holders will receive an “automatic full refund”, per the official website.
The post Wireless Festival 2026 cancelled as Kanye West banned from entering the UK appeared first on MusicTech.

Roland announce SPD-SX Pro Version 2.0 The SPD-SX Pro Version 2.0 firmware promises to make the popular unit even more powerful and flexible, introducing a number of enhancements for both live and studio users.

VU202 is a new FREE sampler plugin for iOS, macOS and Windows
Vubeatz has released VU202, a free sampler plugin that started life as an iOS beat machine and now works as a VST plugin on macOS and Windows. I typically expect a plugin designed for mobile to feel awkward in a DAW, especially with its portrait-oriented interface. I tested the VST version in Studio One on [...]
View post: VU202 is a new FREE sampler plugin for iOS, macOS and Windows

Spring has sprung, and there’s a massive sale going on at Plugin Boutique – with over 80% off selected plugins and instrumentsSpring has sprung and Plugin Boutique is celebrating with a huge seasonal sale, with massive offers of up to 84 percent off select plugins and virtual instruments.
Most deals are on until the end of April, though some end a little sooner. Brands on offer include Excite Audio, Universal Audio, iZotope, Korg, and a whole lot more. Some bundle deals are also included.
[deals ids=”5Wl1U1VvBRFoNPjks68Zn5″]
One of the biggest savings on an individual plugin is on IK Multimedia’s AmpliTube 5 with 84 percent off, bringing it down to just £29.99. Using IK’s Dynamic Interaction Modelling tech, the amp models in this plugin capture “every nuance” of their real life inspos. There are over 180 gear models on board, including stomp boxes, amps, cabs, speakers, mics, and rack FX.

READ MORE: Electro-Harmonix partners with MixWave to bring its classic pedals to plugin form

There are also some huge bundle savings with 50 percent off the Excite Audio bundle, which offers the complete Excite Audio collection now for just £338.91. Inside you get its Evolve series of sample-based synths, which are each built around the sonic character of a different material. You also get the Bloom series, offering eleven instruments, plus the Motion series offering unique types of distortion, reverb and granular effects.
Other bundle deals include the Baby Audio complete bundle (23 percent off), the Korg Collection 6 (25 percent off), and the Excite Audio Bloom bundle (52 percent off). Other highlights include:

Universal Audio Sound City Studios, 83 percent off
UJAM’s virtual guitarist bundle, 59 percent off
Baby Audio’s Smooth Operator Pro, 40 percent off
Excite Audio’s Bloom Mura Masa, 33 percent off

For more recommendations, check out our guide to the best free and paid for plugins, which is updated every week.
View the full range of spring sale deals over at Plugin Boutique.
The post Spring has sprung, and there’s a massive sale going on at Plugin Boutique – with over 80% off selected plugins and instruments appeared first on MusicTech.

Strymon’s NightSky plugin turns reverb into an instrument$99, strymon.net
Reverb plugins are two-a-penny these days, and most DAWs have some decent options built in. So what makes Strymon’s NightSky stand out when compared to staples like the Valhalla VintageVerb?
For starters, Strymon is a guitar pedal manufacturer first and foremost, with a range of over 20 effects including distortions, amp sims, delays, and, of course, reverbs, which are loved by stage performers, instrumentalists, and DAW-less electronic musicians.

READ MORE: ValhallaDSP FutureVerb review: I can’t believe a $50 reverb can sound this good

In 2022, Strymon began releasing plugin versions of its pedals, and so a collection of these recreations —now up to six— began growing. Naturally, because DAW users have different requirements, Strymon considered the possible workflows in their design approach, as well as adding potential for deeper sound design, all while keeping the user interfaces as appealing and straightforward as the pedals.
The latest addition to this collection is the NightSky Time-Warped Reverberator, which is a creative pitch-based reverb with three texture algorithms, modulation, and tone shaping, as well as shimmer and glimmer effects.

What makes NightSky different from other reverb plugins?
NightSky is the third Strymon reverb pedal that Strymon has transformed into a plugin, and if you’re at all familiar with the line-up, you’ll see that it fits very well between the simpler Cloudburst and more versatile BigSky reverbs. When comparing NightSky to other reverbs, it’s important to consider the intention behind the design, as this will show us when to use it.
Unlike most reverb plugins on the market, NightSky doesn’t mimic the sound of a Lexicon 480L or another classic reverb. So, instead of thinking of it as a record production tool for creating sounds from a particular era, think of NightSky as an expressive enhancement for instruments that will become a part of the sound creation process rather than being used during mixdown.
While some of the standard reverb parameters are present, such as decay time, pre-delay, EQ, and wet/dry signal controls, you can immediately tell that NightSky is a different beast from most reverbs. Rather than giving you a myriad of reverb algorithms, there are three distinctive Texture modes that sit slightly differently in the mix.
These include a clean, scattered Sparse setting, which can produce almost granular echo effects with its reflective character, a plate-style Dense setting, which is the most familiar-sounding of the three, and the drifty Diffuse for gradually swirling soundscapes. Once you understand the basic sonic structure of these Texture modes, it becomes far easier to take your sound in a particular direction.
Your first epiphany should happen the moment you touch the Size/Pitch control during playback. Nightsky has the unique ability to change the pitch of the audio currently in the buffer as the size of the reverb core increases or decreases. However, almost like Auto-Tune’s Retune Speed control, you have three pitch quantisation modes and a range of scales and modes that determine the behaviour of the pitch algorithm.
From this point onwards, it becomes clear that NightSky is less of a set-and-forget reverb and more of an instrument that requires interaction to enhance and accentuate a performance, the way you would with an expression pedal. Different Hold modes allow you to use the audio buffer to sustain the reverb in different ways, while the synth-like glide control, resonant filter, and modulation section give you options for creative and animated soundshaping.

NightSky’s modulation and effects
An effects plugin with other built-in effects? Yes, once you’ve chosen your Texture algorithm and set the basic parameters of your sound, you have four different ways to enhance it even further. Each of these can be individually bypassed, including the modulation section, which gives you a range of LFO shapes, as well as envelope and sidechain input settings, which can modulate the reverb’s delay lines, the Size/Pitch control, or the high-cut filter cutoff.
Next, there is a Shimmer effect that can be detuned or pitched to precise note intervals, affecting either the input to the reverb or the audio currently in the buffer. This can be placed in different parts of the processing chain for creating more direct, or more ambient effects. Then, although the controls of the adjacent Glimmer effect are simple, the way it enhances either the higher or lower frequency harmonics is particularly exciting, especially when combined with the Drive control, which adds saturation and soft clipping with a wide range of tonal colouration.
While using the four effects can seem quite daunting at first, it doesn’t take long to develop an ear for the sonic range of each one, and the fluidity of the well-designed interface allows you to make interesting creative mistakes throughout your journey of discovery. Because the NightSky pedal is more of a performance tool than a traditional reverb, you can adjust your approach accordingly and connect your favourite MIDI controller to make the DAW experience less clinical.
Pedal-specific features like the step sequencer fall away in favour of automating the Size/Pitch control manually in your DAW. However, having a step sequencer as a modulation source would be a powerful creative tool for building evolving loops in electronic music. Perhaps this is something Strymon will add in a future update.

Is NightSky too niche?
Regardless of the music genre, NightSky is more likely to appeal to an artist or producer, rather than a mix engineer. As an effects processor, its non-traditional nature makes NightSky a tool that is more likely to be the creative spark rather than the finishing touch. In fact, using it with the dry signal muted is probably the most compelling method, as this enables you to create spatial movement in parts of your songs that need it from key melodic elements in the mix.
Turning a tactile platform like an effects pedal, especially one as complex as NightSky, into a plugin is no mean feat. However, with its incredible DSP algorithms and clean interface design, Strymon has managed to execute this transformation without losing the magic of the original idea. While the Eventide Temperance Pro modal reverb is probably the closest competitor, it’s nearly double the price at $179 and doesn’t offer quite the same degree of sound-shaping flexibility.
If you’re willing to experiment with NightSky in your sound creation or songwriting process, it can become a tool for giving elements like vocals, synths, or guitars a wow factor that more than justifies the $99 price tag and makes you wonder about adding the NightSky pedal to your setup as well.
Key features

Plugin recreation of the NightSky experimental reverb effects pedal
VST3, AU, and AAX
3 Reverb Texture modes
Simultaneous control of reverb pitch and size
Modulation section with sidechain Input
Harmonic shaping with Shimmer, Glimmer, and Drive

The post Strymon’s NightSky plugin turns reverb into an instrument appeared first on MusicTech.

Pearl Jam's Mike McCready on His New Graphic Novel, Classic Grunge, and His Heavy Metal RootsGuitarist, songwriter, and now author Mike McCready talked to AllMusic about his new graphic novel "Farewell to Seasons" which imagines an alternate history to the Seattle music scene.

OpenAI alums have been quietly investing from a new, potentially $100M fund Zero Shot, a new venture capital fund with deep ties to OpenAI, is aiming to raise $100 million for its first fund. It has already written some checks.

Watch salem ilese make a song with an assortment of mystery sounds
Watch singer-songwriter salem ilese write a demo out of nothing but the objects and prompts within our box.

Polymarket drops USDC.e for USDC-backed token in exchange overhaulPolymarket is upgrading its exchange infrastructure in the coming weeks, introducing new contracts and a USDC-backed token while phasing out a bridged stablecoin.

FILM - TV - THEATER - GAMES: PROPS AND OPPS FOR APRIL '26PROPS

The LA Philharmonic will open its 104th season at the Hollywood Bowl this summer, with performances at the Hollywood Hills amphitheater running from June through September 2026. The season will kick off on June 20 with Opening Night, benefiting the LA Phil's Learning and Community Programs. The Hollywood Bowl Orchestra, led by Principal Conductor Thomas Wilkins, will salute the stars and legacy of Broadway with a program spanning beloved ballads and show-stopping dance numbers in celebration of American musicals. The night is set to culminate in a fireworks display. For tickets and a rundown on all the programming in store at Hollywood Bowl this season, visit hollywoodbowl.com.

The Game Music Festival will return to London in June 2026 with five live concerts across two major venues—Royal Festival Hall and Fairfield Halls. The festival will open on June 6 with The Infernal Symphony, a sweeping orchestral tribute to three decades of Diablo soundtracks, followed by concerts celebrating 40 years of Hitoshi Sakimoto’s work on soundtracks, as well as the music of Hades, Hades II, Persona and more. Special guests will include original composers and performers. Alongside the concerts, an educational program of masterclasses, panel discussions, and other industry sessions will offer something for any aspiring game music composer. For more information, visit gamemusic.net/events.

Dance Against Cancer will bring the global arts community together once again for its annual, one-night-only benefit performance set for May 18. Proceeds will support the American Cancer Society's lifesaving mission to end cancer, building on the organization's record of raising more than $4.5 million to date. The stage will feature celebrated stars from the worlds of ballet, contemporary dance, hip-hop, and Broadway in continuation of a tradition of collaboration among top dance talent. Past performers have included Misty Copeland, Tiler Peck, Ayodele Casel, Alex Wong, and many more. Find all the details and purchase tickets at nycitycenter.org/pdps/2025-2026/dance-against-cancer.

OPPS

Calling all young filmmakers: The All American High School Film Festival—the largest student film festival in the world—is accepting submissions for the October 16-18 event. Though the free deadlines have passed, submit by April 27 for $20, with entry fees increasing up until the final, July 3 deadline. There are a dozen categories, including for music videos, with more custom categories to be announced. Learn more at hsfilmfest.com/submit.

If you want to be a part of Showstopper, America’s first and most prestigious dance competition, register by May 4 for the May 22-25 event in Anaheim, California. Information on registration, the competitions, and more are at goshowstopper.com/competitions_cpt/anaheim-ca-3.

There’s still time to submit your film score to Cleveland’s 2026 Horror Hotel Film Festival, with the late registration deadline falling on April 17. The 15th annual event—slated for June 18-21 this year—is inviting composers to score a trailer that the festival provides. Learn more about the festival and how to submit your work at instagram.com/horrorhotelfilmfest.The post FILM - TV - THEATER - GAMES: PROPS AND OPPS FOR APRIL '26 first appeared on Music Connection Magazine.

Playing DVDs on the Sega DreamcastAlthough the Sega Dreamcast had many good qualities that made it beloved by the thousands of people who bought the console, one glaring omission was the lack of DVD video capabilities. Despite its optical drive being theoretically capable of such a feat, Sega had opted to use the GD-ROM disc format to not have to cough up DVD licensing fees, while the PlayStation 2 could play DVD movies. Fortunately it’s possible to hack DVD capability into the Dreamcast if you aren’t too fussy about the details, as [Throaty Mumbo] recently demonstrated.
For the Tl;dw folk among us, there’s a GitHub repository that contains the basic summary and all needed files. Suffice it to say that it is a bit of a kludge, but on the bright side it does not require one to modify the Dreamcast. Instead it uses a Pico 2 board that emulates a Sega DreamEye camera on the Dreamcast’s Maple bus via the controller port. The Dreamcast then requests image data as if from said camera.
On the DVD side of things there’s a Raspberry Pi 5 that connects to an external USB DVD drive and which encodes the video for transmission via USB to the Pico 2 board. Although somewhat sketchy, it totally serves to get DVDs playing on the Dreamcast. If only Sega had not skimped on those license fees, perhaps.