REWIND: The new music industry’s week in reviewA busy week by any definition, the music industry was no exception, with AI reaching new limits, Spotify making BIG announcements, Apple Music catering to Classical listeners, and more… Google. Continue reading
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Getting It Done: The week in D.I.Y. & Indie MusicLast week, our tips and advice for the independent, do-it-yourselfers out there covered how musicians can leverage NFTs, the basics of microstreaming, new Spotify features for artists, and more… 5. Continue reading
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XPatch gains Stream Deck support The latest software update for the XPatch analogue routing matrix allows users to control their device's configuration using an Elgato Stream Deck.

Unlocking the Magic of Jobim’s Harmony: A Step-by-Step Guide to ‘The Girl From Ipanema’ Jazz Harmony LessonWelcome to this jazz tutorial on Jobim’s timeless classic, The Girl From Ipanema. Let’s take a closer look at the intricate harmony of this song.

In this video we’ll see how Jobim’s use of out-of-the-ordinary dominant chords is simply brilliant. It’s no wonder why Jobim is known for pushing the boundaries of traditional harmony, always keeping us on our toes with unexpected but stunning chord progressions. No matter how much you think you know about jazz harmony, Jobim’s genius will continue to challenge and inspire you.

And stick around until the end of the video where I’ll show you how to download a pdf for today’s lesson.

In this video, we’re going to explore the unconventional chord progressions and clever pivots that make Jobim’s composition a true masterpiece. So get your ears ready and your mind open, because we’re about to reveal the brilliance of one of the greatest composers of all time.

So, what makes “The Girl From Ipanema” so special? Well, let me tell you, it’s all about Jobim’s interesting use of dominant chords! Dominant chords are usually used as primary or secondary V7 chords, but Jobim switches it up by avoiding these functions most of the time. Even when he does use them in the progression, he adds his own unique twist to keep things interesting.

Let’s take a look at measure 6. If you listen closely, you’ll notice that the chord progression is a reharmonization of a typical 2-5-1 progression. But instead of using the V7 (C7), Jobim gets creative and replaces it with the subV7 (Gb7b5), giving us a 2-sub5-1 path. Here’s where it gets even more interesting: normally, the subV7 is paired with the lydianb7 scale, creating a 7#11 chord. However, Jobim turns the #11 into a b5, making it a chord tone, and eliminating the natural 5 altogether. This little trick adds a unique flavor to the progression and sheds light on Jobim’s treatment of dominant chords.

At first glance, the G7 in measure 3 might seem like a V7/V chord. In fact, the V7/V is a great chord to use when targeting a 2-5 progression, which is just a V chord that’s been embellished with an interpolated ii chord.

Let’s take the example of the key of F major. The C7 chord is the V7, and we can target it with its V chord, which is G7. This tonicizes the V7 chord, which then resolves to the I chord, which is Fmaj7. This gives us a standard and effective progression: I – V7/V – V7 – I.

Now, if we interpolate the related ii before the V7, we get Fmaj7 – G7 – Gm7 – C7 – Fmaj7. This turns the progression into a Imaj7 – V7/V – iim7 – V7 – Imaj7.

But here’s where things get interesting. In “The Girl From Ipanema”, the G7 chord sounds much better when paired with the Lydianb7 scale, turning the G7 into a G7#11. This is a dominant chord with a #11, and thus turns the G7 into a II7 chord. And yes, the II7 is a real function!

This II7 chord is very closely related to the V7/V, but it’s a 7#11 chord. You’ll find this chord in many jazz standards, like in “Take The A Train”, and also “Desafinado” (another Jobim song).

So, the path Imaj7 – V7/V – iim7 – V7 – Imaj7 turns into a Imaj7 – II7#11 – iim7 – V7 – Imaj7. And if you listen to great jazz players, you’ll hear how they use a C# in their lines (the #11 of G7) when they improvise over that G7 chord.

But, as we said before, Jobim takes it one step further and reharmonizes the V7 (C7) chord with the subV7 (Gb7), and reinterprets the #11 as the b5 turning the Gb7 into a Gb7b5. This reharmonization turns this: (Imaj7 – II7#11 – iim7 – V7 – Imaj7) and turns it into this: (Imaj7 – II7#11 – iim7 – subV7b5 – Imaj7.)

This is a testament to Jobim’s genius and creativity, as he was able to take a common chord progression and completely transform it into something unique and beautiful.

But things get really interesting in the B section when we analyze the dominant chords B7, D7, and Eb7. At first glance, they seem to not follow any pattern at all, but a clue is hidden in the melody. When we look at the roots of these dominant chords, we see a modulation pattern of a minor 3rd up and then a half-step up, which is exactly the modulation pattern in the melody.

But what’s the function of these dominant chords? And where’s the tonic? The trick is to understand dominant chords as Jobim does. They’re not primary or secondary dominant chords, but rather bVII7 chords borrowed from the minor mode. The bVII7 is a great modal interchange chord that’s usually preceded by the iv minor chord, targeting the I chord in a progression known as the backdoor progression.  In fact, we could just replace the V7 chord with the bVII7 in a 2-5 progression if we wanted to, and that’s exactly what Jobim is doing. We actually have a whole video dedicated to the bVII7 chord so be sure to check that out after you finish watching this.

So, if we consider these three dominant chords in the B section as bVII7 chords, then they should all be paired with the lydianb7 scale, becoming 7#11 chords. By reharmonizing the Gbmaj7 in the first measure of the B section with an Ebm7 dorian, we now have an entire sequence of iim7 to bVII7 chords. Ebm7 to B7#11 is a ii – bVII7 in the key of Db. Modulating a minor third up gets us to F#m7 to D7#11, also a ii – bVII7, but now in the key of E. And if we modulate again, a half-step up, we get Gm7 to Eb7, which is also a ii – bVII7, only back in the original key of F major.

All these dominant chords are functioning as bVII7’s, and the first chords are iim7’s. We just need to reharmonize the first ii in Db major with a Gbmaj7. Don’t forget that the Gbmaj7 is the IV in the key of Db. And the IV chord is a very common reharmonization of the ii chord, both of them belonging to the subdominant region.

Once we understand this interpretation of the harmony, we can see how creative and tricky Jobim is at harmonization. The Gbmaj7 chord throws everyone off at first, because it seems like a modulation a half-step up, but in reality, it’s the IV chord in the key of Db and is actually functioning as a lydian chord.

So, the actual modulation is from F major to Db major, a major 3rd down. And Jobim gets back to the original key by modulating first a minor third up and then a half-step up. When we look at this sequence in the map, it becomes obvious what’s going on in the B section. The harmonic movement is exactly the same in all three iterations of the sequence, from the subdominant to the dominant but never resolving to the Imaj7 of the current key. It’s simply genius!

So there you have it, the genius behind Antonio Carlos Jobim’s harmonic progressions. If you’re fascinated by the intricate details of harmony in music and want to explore it further, I highly recommend getting the Mapping Tonal Harmony Pro app, available for Mac, iPhone & iPad. With its comprehensive features and tools, you can dive deep into the world of tonal harmony and analyze any piece of music you want. So why not give it a try and see where your musical curiosity takes you?

Mediabase and Spintel Partner in License AgreementSpintel, a new company changing the way music industry professionals interact with radio airplay data, has entered into a licensing agreement with Mediabase, it was announced by Spintel Founder Rob Dalton. The Spintel platform provides a new generation of analytical and management tools for visualizing and interpreting airplay data. Actionable insights will benefit promotion teams artists, managers, agents, buyers, and other areas of the music industry. Initially launched for Country and Christian labels, Spintel plans to rapidly expand into other formats. Mediabase, the well-known 360-degree reporting service, provides vital airplay information and in-depth analytical tools for media professionals. The licensing agreement with Spintel will allow Mediabase subscribers to use Mediabase data in the Spintel platform.

President and CEO of Mediabase Philippe Generali comments, “We are always looking for initiatives to increase client benefits. Now Mediabase’s unmatched radio airplay data will power Spintel’s analytics platform. The partnership propels understanding of music consumption across geographies and formats.”

Spintel, which is planning an official launch in the spring, uses raw airplay data to calculate next best moves in navigating a song up an airplay chart. The data will reveal where the most likely stations potentially adding a single are located and what stations are likely to increase play. Standard and Relative song comparisons in the system will compare one song to another song regardless of time frame. For instance, the growth trend of a current single to a growth trend of that artist’s last single. This a small sample of the many features the MVP level of Spintel will offer. For additional information about Spintel or for a demonstration, contact Rob Dalton, Rob@Spintel.io.

Green Oak Cesium Cesium brings distinctive character to a chorus effect. Use it to add motion and depth to your sound. Read More

Daddy Yankee Named Global Ambassador for 2023 World Baseball ClassicLatin music icon Daddy Yankee has been named the new global ambassador for 2023 World Baseball Classic (WBC).

The World Baseball Classic is the ultimate collection of premier international baseball talent so what better stage to unite the global impact that Daddy Yankee has had as an artist to the worldwide reach of this premier international tournament. As a passionate baseball fan, Daddy Yankee looks to use the unique opportunity that the tournament brings to help showcase and connect cultures that embrace the game of baseball.  

As a culture creator, game changer, and groundbreaker, Daddy Yankee has consistently inspired, impacted, and influenced generations of creators. An indisputable icon, he remains one of the most influential personalities of  all time, bringing reggaeton worldwide for the first time. After changing the face of Latin music forever, he leaves on the highest note possible in 2022 with his twelfth full-length offering and final album, LEGENDADDY, brought to life with his farewell tour, LA ÚLTIMA VUELTA (The Last Round).

mlb.com/world-baseball-classic

What does the collapse of SVB mean for venture debt?Earlier this week, venture investors and startups ran from Silicon Valley Bank, a financial institution that started the week solvent and closed it being shut down by regulators. While its failure affects the accounts of startups and venture investors that banked with it, SVB’s demise also has an impact on another service startups frequently used the bank for: venture debt.
SVB has long been thought of as a venture debt leader, and for many the bank’s name is synonymous with venture lending itself. So how could its collapse affect the increasingly hot venture debt market? It depends on who you ask.
What does the collapse of SVB mean for venture debt? by Rebecca Szkutak originally published on TechCrunch

$920B is the number to watch now that crypto’s trillion dollar total market cap is goneThe crypto market is taking a walloping, and there are three important reasons why BTC’s $380 billion valuation is a key support for the entire market.

From Larry Jackson’s $1bn-backed gamma to the US recorded music industry’s $15.9bn in 2022… it’s MBW’s Weekly Round-UpThe biggest stories on MBW from the past seven days
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AI and how it will affect musicians, songwriters, authors, and creatorsIs artificial intelligence (AI) a giant step forward or a threat to artistic creativity? And what about the potential for a copyright infringement nightmare? Wallace Collins explains. by Wallace Collins. Continue reading
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How to avoid scams and get music on independent Spotify playlistsThere are so many scam companies promising streams and playlist placements that it’s easy to forget that there are still some companies who do streaming promotions the legitimate way. Michael. Continue reading
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Snoop Dogg returns Death Row catalog to streaming services, label to sign new artists in partnership with Larry Jackson’s gammagamma and Snoop Dogg sign long-term licensing deal for exclusive rights to market and distribute Death Row Records Catalog
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Seems cool free Music Mastering plugin. Not what real mastering engineers fully do but at least you need to get your mixes as good as possible before mastering stage.
#free #musicproduction #Mastering #plugin

How to use Spotify’s new short video feature ClipsThis week Spotify announced Clips – short, under-30-second vertical videos that allow musicians to express themselves and connect with fans “all while keeping your music front-and-center.” by Sarah Maloy of. Continue reading
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