SoundCloud gears up for sale with potential $1bn+ price-tag (report)Raine Group and Temasek reportedly looking at banks to handle sale process
Source

CES 2024 or bust, Superpedestrian e-scooters hit the auction block and Fisker struggles to meet sales goalsThe Station is a weekly newsletter dedicated to all things transportation. Sign up here — just click The Station — to receive the newsletter every weekend in your inbox. Subscribe for free. Hey-o! Howdy readers and welcome back to The Station, your weekly newsletter on all things transportation. I hope you enjoyed the New Year! I appreciated a […]
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Sophie Ellis-Bextor’s Murder On The Dancefloor to return to top 10 after use in SaltburnSophie Ellis-Bextor’s hit Murder On The Dancefloor is expected to return to the Top 10 of the UK’s Official Singles Chart today (January 5) after it appeared in the final scene of the recent film Saltburn.
The film had already been a success in cinemas but its addition to Amazon Prime over the Christmas period helped it to surge in popularity, and with it, the Ellis-Bextor song that was first released in 2001.

READ MORE: Fred again.. to release more of his live recordings on vinyl with unique artwork for first pressings

Before Saltburn‘s release, Official Charts Company data confirms that Murder On The Dancefloor was being streamed an average of 292,000 times every week. Now, it’s clocked up 1.5 million streams since the beginning of the week, meaning it stands a solid chance of returning to the Top 10. The song peaked at Number 2 when it was first released 22 years ago.
Saltburn stars Barry Keoghan, Jacob Elordi and Rosamund Pike and follows Oxford student Oliver Quick (Keoghan) who becomes enamoured with popular boy Felix Catton (Elordi). The two bond and Felix invites Oliver to stay at his family’s ancestral home, Saltburn, over the summer.
Murder On The Dancefloor appears in the film’s final scene, where Oliver is shown dancing naked around the Saltburn house to the song.

“Emerald [Fennell] is a director who uses music like another character [in her scripts]. Obviously, it takes people back to a certain era,” Ellis-Bextor tells Official Charts. “There’s a nostalgia and a mood. But there’s layers [to the song] and what it evokes in you. Some people have come up to me and said ‘Oh my God, I didn’t realise the song was literal! It’s about a murder!’
“I don’t think I would quite take it that far, but it’s a got a little twist. It’s not wholly pure [like the characters in Saltburn].”
She also describes the song’s renewed success as “magical” in an interview with BBC Newsbeat.
“If I’m honest, I don’t think I’ve completely processed it really,” she says. “It’s extraordinary. It’s a song I’ve been singing for over 20 years, I still love singing it. I love the way people react when I do it live.
“But for new people to be discovering it, for it to be making new memories with people is kind of beautiful.”
Meanwhile, Lauren Kreisler, director of Brand & Digital at Official Charts adds: “We love to see the British public rediscovering chart classics, or young audiences discovering them for the first time, even, as happened with Kate Bush topping the Official Chart thanks to Stranger Things.
“The Official Chart has always reflected British popular culture, 10 years ago we introduced streaming data into the Official Singles Chart, and in the streaming era we’ve seen that a memorable song paired with a ‘memorable’ scene can be dynamite for chart success.”
The song has also proved popular on TikTok, with over 38.5 million views of its hashtag and the song being included in a quarter of a million videos. Ellis-Bextor herself also joined the trend, recreating Keoghan’s dance in a TikTok video.

@sophieebtiktok
Heading into 2024 like… Happy Saltburn New Year! Xx #murderonthedancefloor #sophieellisbextor #saltburnmovie
♬ sophs awful edit thats gone viral – sophie

The post Sophie Ellis-Bextor’s Murder On The Dancefloor to return to top 10 after use in Saltburn appeared first on MusicTech.

Points are definitely an interesting idea...
"Songwriters today have it a lot tougher than previously, thanks to streaming. While artists aren’t making a whole lot per stream, songwriters only make about 20% of that, and chances are it’s split with a publisher. Now a number of small labels have pledged to offer songwriter points, or a royalty derived from the master streaming revenue."
#MusicBusiness #MusicIndustry #Musicians #artists #royalties

ADDAC System launch ADDAC309 module ADDAC System's latest Eurorack module makes it possible to control effects units equipped with expression pedal inputs from a modular synth setup.

ADDAC309 Eurorack module launched ADDAC System's latest Eurorack module makes it possible to control effects units equipped with expression pedal inputs from a modular synth setup.

Harvard’s robotic exoskeleton can improve walking, decrease falls in people with Parkinson’sIf you follow the world of robotic exoskeletons with any frequency, you’re no doubt aware of the two primary categories. The first is aimed firmly at workers with strenuous or repetitive jobs such as lifting and transporting packages. The second is assistive, largely focused at individuals with mobility impairments. The latter category is often the […]
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Getting It Done: The Week in D.I.Y. & Indie MusicLast week, our tips and advice for the independent, do-it-yourselfers out there covered how to get better at social media, how musicians can utilize AI, and more…
The post Getting It Done: The Week in D.I.Y. & Indie Music appeared first on Hypebot.

REWIND: The new music industry’s week in reviewA busy week by any definition, the music industry was no exception, with expert 2024 predictions, Queen guitarist standing up for fans, and more…
The post REWIND: The new music industry’s week in review appeared first on Hypebot.

MixWave’s new CA-70S plug-in MixWave's first dedicated mixing plug-in emulates the sought-after sound of Coil Audio's CA-70S valve preamp. 

DWe Drums - Craftsmanship Electrified

Every aspect of the DWe playing experience was designed to be familiar to drummers. DWe drums offer natural playability with intuitive features like pressure sensing, pitch bend capabilities, and more.

Each DWe acoustic shell is handcrafted in America from 100% North American Pure Maple in our most-popular shell type, the 333. Played acoustically or electronically, every drum shell is precision-crafted with five decades of expertise to deliver the feel, tone, and resonance you’re accustomed to with DW Drums.

More info here: dwdrums.com/dwe/craftsmanship

The Sound of A.I. in HollywoodActors and writers reached their agreement with A.I. What about sound designers?

After some long and painful fights, the issue of A.I. — at least for actors and writers — has been resolved. For the rest of us in Hollywood, however, the unpacking of A.I. has only just begun. Navigating the future of the sound design industry will depend on engineers and editors understanding how to maximize the capability and productivity of A.I. tools. 

While filmmaking and production were shut down for most of the year by the long and painful strike, the industry of Hollywood has continued to churn. Though the “Barbenheimer” craze over the summer cushioned the economic blow for some studios, the last six months have seen major Hollywood studios bend over backward to improve profitability. 

Studios direct-to-consumer offerings — streamers — have borne the brunt of these efforts; in this grand experimentation, everything from storytelling structure to pricing models have been on the table. Streamers have merged, shifted, and cut entire projects in an attempt to impress investors with their bottom line. 

It’s a reasonable concern, then, that having failed with the actors and writers, other, less powerful and more technical groups — such as sound engineering — may be on the line for A.I. replacement and the presumed associated cost savings. And it’s not necessarily a wild leap: it’s inevitable that A.I. will, as with other industries, dramatically shift what the workflow for sound engineers will look like.

Sound engineers looking to forge their future not only during these tumultuous times in Hollywood, but also in the “civilian” sector, need to be smart about how they deploy A.I. There are already tools available that can help us speed up our processes and projects. Two good examples:

Sound cataloging and library management: Finding a specific sound in a sound library can be an incredibly time intensive process. I know that my own library is made up of over two terabytes of various sounds, and digging through it to find a specific one can take hours. There are A.I. tools on the market that can not only uncover a sound, but also generate timestamps inside each audio clip.

Audio description mixing: Mixing for audio description can be a rote process. Clients have specifications they want met, and save for a bit of artistry, the process is fairly straightforward. A program’s audio needs to drop at a certain point before the narratives begin, and resume shortly after it ends. A.I. can automate the process, doing an effective first draft of the work, creating time for the engineer to check and fix any mixing issues after the first rendering. 

As in other industries, these tools offer methods of speeding up delivery and service, and will eventually become the standard practice. As cost savings continue to be a major priority for studios, expect to see A.I. technologies implemented to a greater and greater extent. 

But will sound engineers face an existential crisis as a result of A.I.? 

Yes — and no. 

As the more basic tasks of sound design — such as sound effects cataloging and audio description mixing — are outsourced to A.I. tools, other novice positions, like interns and PA roles, will likely dry up. If companies can find cost savings by using technology, they will, and the impact will likely be fewer roles for individuals just getting started and learning the business. 

At the same time, sound design — like many other post-production positions — is both an art and a science. The best among us have the technical skills needed to create a cohesive soundscape, while also having the artful ear that can create a character out of the audio. Part of being a sound designer is having the ability to translate a director’s vision into a rich and immersive sound experience. 

In an industry that runs on connections and creativity, removing the position of sound engineer likely won’t happen, especially at the highest levels. Certainly, the lower tier and newer streaming services — those who are just creating content for content’s sake — may turn to some emerging A.I. tools to churn out fast, good enough sound designs that simply gets the job done. As TikTok and TikTok-like mini productions grow in popularity, rapid turnaround will be prioritized over quality. 

But there will continue to be a happy medium for sound design and engineering. Work in this industry long enough, and you know that relationships are everything. Directors are on the lookout for partners who have the emotional sensibility and creativity to translate their vision, add to it, and produce something even better. 

The Oscar-winning directors of the world aren’t likely to give up that relationship soon, attached as they are to the individuals who help to drive the creative process alongside them. Similarly, independent artists and filmmakers, who are driven by creativity and passion, aren’t likely to pursue ease over art. 

Soft skills will still win the day for sound designers, but smart studios can, and will, start bracing themselves for an A.I.-driven future. 

DAVID ZANG is the owner of AsparTateSounds in Los Angeles. He is an award-winning re-recording mixer, a sound editor, and a location sound mixer. Feel free to reach out to David on his website, www.aspartaterecords.com

A timeline of Sam Altman’s firing from OpenAI — and the falloutIn a dramatic turn of events late Friday, ex-Y Combinator president Sam Altman was fired as CEO of AI startup OpenAI, the company behind viral AI hits like ChatGPT, GPT-4 and DALL-E 3, by OpenAI’s board of directors. Then, the company’s longtime president and co-founder, Greg Brockman, resigned — as did three senior OpenAI researchers. […]
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Audiomovers launches New Year Collection with six new bundles focusing on immersive content production Audiomovers has launched six new bundles as part of a New Year Collection to celebrate the beginning of 2024.
The collection offers three bundles aimed at “The Pros” and three branded as “The Essentials”.  Each covers different audio production workflows with a focus on immersive content production, according to the brand.

READ MORE: Audiomovers launches Binaural Renderer plugin providing ability to hear how audio will sound on Apple Music while still in any DAW

The “Pro” bundles include The Studio Suite, The Audiomovers Suite, and The Immersive Suite. For those seeking the “Essentials”, you can get your hands on the Immersive Essentials, Production Essentials, or the LISTENTO + Renderer bundle.
Let’s take a closer look at each:
For The Pros

The Studio Suite – 6x seats (licences) of The Audiomovers Suite: Three years of LISTENTO Pro, Binaural Renderer and OMNIBUS (both perpetual), plus one free year of product upgrades. $3749.99 (total value of $4979.94).
The Audiomovers Suite – Three-year LISTENTO Pro licence, Binaural Renderer and OMNIBUS (both perpetual), and one free year of product upgrades. $649.99 (total value of $829.99).
The Immersive Suite – Stream, route, review and share your immersive audio in 7.1.4 and Binaural. Includes annual LISTENTO Pro subscription, Binaural Renderer and Omnibus (both perpetual). $329.99 (total value of $429.99).

For The Essentials

Immersive Essentials – Features the Binaural Renderer and OMNIBUS (perpetual licences) for a one-off payment. $184.99 (total value of $229.99).
Production Essentials – An annual LISTENTO Pro subscription plus INJECT (perpetual licence). $199.99 (total value of $249.99).
LISTENTO + Renderer – Exactly what it says on the tin – an annual LISTENTO Pro subscription and the Binaural Renderer (perpetual licence) paired together. $224.99 (total value of $279.99).

Dominika Dronska, Ops Director of Audiomovers, says “After a successful 2023 where we delivered a portfolio of ground-breaking immersive production tools, we wanted to present packs designed around particular working scenarios; multi-room studios, mixing for Apple Music, monitoring, routing and sharing Dolby Atmos content, as well as recording and production workflows.
“We are focused on serving the needs of our loyal base, and continuing to innovate to super-charge audio professionals,” Dronska concludes.
Visit Audiomovers to find out more.
The post Audiomovers launches New Year Collection with six new bundles focusing on immersive content production  appeared first on MusicTech.

Universal Audio cuts bundle prices by up to 96% for a limited timeThe Christmas holiday and Black Friday sale season may be over, but deals on music tech keep coming, with Universal Audio now offering 96 per cent off on its Guitar FX bundle and up to 90 per cent off on a number of its UAD producer bundles

READ MORE: Producers: these songs are now in the public domain and free to sample

The biggest discount is on the Guitar FX bundle. It’s a selection of sought-after studio effects meticulously crafted to emulate iconic vintage hardware units. In it, there’s the Brigade Chorus Pedavl, the Galaxy Tape Echo, the Lexicon 224 Digital Reverb, the Studio D Chorus, the Teletronix LA-3A Compressor and the Waterfall Rotary Speaker.
In the bundle, users gain access to a range of plugins such as Brigade Chorus Pedal, offering lush analogue chorus and vibrant vibrato effects ideal for guitars, vocals, and synths.
Alongside this, the Galaxy Tape Echo replicates the versatile tape delay and spring reverb effects of the Roland RE-201 Space Echo.

The Lexicon 224 Digital Reverb plugin recreates the tactile slider-based controls and lush reverb tails of the iconic Lexicon 224 Digital Reverb unit, known for its use on classic albums such as Talking Heads’ 1980 LP, //Remain in Light//.
Studio D Chorus emulates the analogue widening effects used by legendary artists, providing spatial enhancement for guitars, drums, synths, and vocals.
Additionally, the Teletronix LA-3A Audio Leveler plugin replicates the character and dynamics of the rare hardware LA-3A compressor.

Finally, the Waterfall Rotary Speaker plugin recreates the immersive modulation effects of the Leslie 147 rotary speaker cabinet, offering three-dimensional textures that go beyond traditional chorus and flange effects.
Universal Audio is also slashing prices on a number of its other effects bundles. Over on Plugin Boutique, you can grab the LA-2A Leveller Collection Crossgrade Bundle for 90 per cent off its original price, making it just $36.  The Producer Edition Crossgrade bundle, the Signature Edition Crossgrade bundle and the Studio Editon Crossgrade bundle are all now 50 per cent off. If you buy any of these bundles, you also receive a free LA-2A tube compressor – an exclusive offer to Plugin Boutique. These offers run until 17 January and are available at Plugin Boutique.
Universal Audio isn’t the only brand to be slashing the price of a plugin bundle at the moment. UVI, a brand owned by Native Instruments, is now offering its own UVI Select bundle for just £179, down by 89 per cent from £1619. This suite consists of 10 soft synths and a cool filter effect.
Universal Audio’s Guitar FX Bundle is now just $49, down from $1,586. This offer ends on 7 January.
Take advantage of this deal at Plugin Boutique.
The post Universal Audio cuts bundle prices by up to 96% for a limited time appeared first on MusicTech.