Listen to the full Work Hard Playlist Hard marketing audiobook FREEWith his book “Work Hard Playlist Hard,” author Mike Warner provides proven actionable advice, time-tested through more than 20 years in the music industry. Now, he’s made an updated audio. Continue reading
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“People are having big songs, but big artists are not coming through”: Former Columbia Records UK head says not enough acts are breaking into the mainstreamEx-Columbia Records UK President Ferdy Unger-Hamilton has commented on the lack of artists breaking into the mainstream, saying things are “harder than it ever was”.

READ MORE: MSG withdraws plans for Vegas-style London Sphere

On the latest episode of Cambridge Audio’s Made By Music podcast, Unger-Hamilton admits that “We’re not breaking as many acts as we should be at Columbia, but no one is at the moment.”
“Acts aren’t breaking – big acts that matter. People are having big songs, but big artists are not coming through,” he explains [via Music Radar]. “Central Cee is an exception, you know, Dave is, but he came a long time ago. PinkPantheress has done really well [and] Sam Fender. But it’s harder than it ever was.”
Having worked with some of the biggest names in the industry like The 1975, Ellie Goulding, Foo Fighters, Portishead, Harry Styles, Ozzy Osbourne and Adele, the former Columbia exec and A&R maestro says: “What you want someone like me for is to find you great new acts, and when I’m not doing that it’s like a footballer that’s not scoring goals.”
“That’s what it is and I think it’s a happy thing for everyone because I started to build my own world – I had a publishing company and the other act that’s done really well is on my publishing company… Fred again.., who I signed about seven years ago really as a writer, before he was Fred again..”
Despite the challenges, Unger-Hamilton concedes that there’s still “a lot that’s good about now”.
“As an independent artist or label, you’re not held back by distribution,” he says. “You don’t need a truck, you don’t need to press any records or CDs. You can release music pretty easily — but it’s very hard for anyone who’s not established to get space.”
Asked for his advice to young musicians looking to succeed in the industry, Unger-Hamilton has this to say: “Artist, I just think be really good. Play an instrument – really learn your craft because the people that I’ve known who are amazing, are amazing because they’ve really given their time to it.”

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12 challenges to level up your music production skills
Discover 12 music production challenges that can help you learn a new skill, try something different, and push yourself in ways you haven’t before.

152 million tracks had 1,000 plays or fewer on music streaming services last year. 45 million had no plays at all.The number of tracks with no plays on audio streaming platforms jumped by 7.7 million over the past year, according to a new Luminate report
Source

Audacity #Music #AI #Tools

Sophie Ellis-Bextor’s Murder On The Dancefloor to return to top 10 after use in SaltburnSophie Ellis-Bextor’s hit Murder On The Dancefloor is expected to return to the Top 10 of the UK’s Official Singles Chart today (January 5) after it appeared in the final scene of the recent film Saltburn.
The film had already been a success in cinemas but its addition to Amazon Prime over the Christmas period helped it to surge in popularity, and with it, the Ellis-Bextor song that was first released in 2001.

READ MORE: Fred again.. to release more of his live recordings on vinyl with unique artwork for first pressings

Before Saltburn‘s release, Official Charts Company data confirms that Murder On The Dancefloor was being streamed an average of 292,000 times every week. Now, it’s clocked up 1.5 million streams since the beginning of the week, meaning it stands a solid chance of returning to the Top 10. The song peaked at Number 2 when it was first released 22 years ago.
Saltburn stars Barry Keoghan, Jacob Elordi and Rosamund Pike and follows Oxford student Oliver Quick (Keoghan) who becomes enamoured with popular boy Felix Catton (Elordi). The two bond and Felix invites Oliver to stay at his family’s ancestral home, Saltburn, over the summer.
Murder On The Dancefloor appears in the film’s final scene, where Oliver is shown dancing naked around the Saltburn house to the song.

“Emerald [Fennell] is a director who uses music like another character [in her scripts]. Obviously, it takes people back to a certain era,” Ellis-Bextor tells Official Charts. “There’s a nostalgia and a mood. But there’s layers [to the song] and what it evokes in you. Some people have come up to me and said ‘Oh my God, I didn’t realise the song was literal! It’s about a murder!’
“I don’t think I would quite take it that far, but it’s a got a little twist. It’s not wholly pure [like the characters in Saltburn].”
She also describes the song’s renewed success as “magical” in an interview with BBC Newsbeat.
“If I’m honest, I don’t think I’ve completely processed it really,” she says. “It’s extraordinary. It’s a song I’ve been singing for over 20 years, I still love singing it. I love the way people react when I do it live.
“But for new people to be discovering it, for it to be making new memories with people is kind of beautiful.”
Meanwhile, Lauren Kreisler, director of Brand & Digital at Official Charts adds: “We love to see the British public rediscovering chart classics, or young audiences discovering them for the first time, even, as happened with Kate Bush topping the Official Chart thanks to Stranger Things.
“The Official Chart has always reflected British popular culture, 10 years ago we introduced streaming data into the Official Singles Chart, and in the streaming era we’ve seen that a memorable song paired with a ‘memorable’ scene can be dynamite for chart success.”
The song has also proved popular on TikTok, with over 38.5 million views of its hashtag and the song being included in a quarter of a million videos. Ellis-Bextor herself also joined the trend, recreating Keoghan’s dance in a TikTok video.

@sophieebtiktok
Heading into 2024 like… Happy Saltburn New Year! Xx #murderonthedancefloor #sophieellisbextor #saltburnmovie
♬ sophs awful edit thats gone viral – sophie

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A look at Stimming’s hardware-driven production setup in 2024
We’re back with How I Play two-time veteran and German musician Stimming (check out his original episode, as well as his most recent How I Play featuring his Instant Mastering Chain). This time we’re taking a look at his intricate production process for his newest album Elderberry, released this fall on Awesome Soundwave. We sat […]
The post A look at Stimming’s hardware-driven production setup in 2024 appeared first on DJ TechTools.

Can the point system help get Songwriters out of poverty?As the number of middle-class musicians decreases, a handful of pioneering record labels offer songwriters a better royalty deal in the form of points that may give them a livable. Continue reading
The post Can the point system help get Songwriters out of poverty? appeared first on Hypebot.

Acustica Audio Offers FREE Grey Compressor Plugin Until January 7th
Acustica Audio offers the new Grey compressor plugin as a free download until January 7th, 2024. Grey is an audio compression plugin that uses Acustica Audio’s Hyper 3 technology to replicate the sound of a classic VCA compressor. Acustica Audio uses a unique type of dynamic impulse response technology to capture the sound of analog [...]
View post: Acustica Audio Offers FREE Grey Compressor Plugin Until January 7th

🎄 New Year GIVEAWAY! 20 Winners, $2,000 Worth Of Prizes!
Bedroom Producers Blog launches the New Year Giveaway with over $2,000 in music production prizes for 20 winners. A huge THANK YOU to the sponsors who made this giveaway possible: Image-Line, UJAM, Cableguys, Techivation, Polyverse, Karanyi Sound, A Sound Effect, AudioThing, and Flame Sound. And another big THANK YOU goes to you, dear BPB readers, [...]
View post: 🎄 New Year GIVEAWAY! 20 Winners, $2,000 Worth Of Prizes!

France plans to tax music streaming & other countries are taking noteMusic streaming platforms, especially Spotify and Deezer, are in an uproar over France’s proposal for a new music streaming tax. This could be a precursor for other countries to do the same, but it. Continue reading
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Neural DSP Launches Morgan Amps Suite Guitar PluginNeural DSP announced the launch of the Morgan Amps Suite guitar plugin, which combines the tonal sophistication and feature-laden functionality of Morgan Amplification with the virtual mastery of Neural DSP’s plugin technology. Morgan amps can be heard beneath the fingers of guitar legends, including the searing riffs of Josh Smith (Joe Bonamassa, Raphael Saadiq), the soulful melodies of Michael Landau (James Taylor and many more), and the genre-defying riffs of Tosin Abasi (Animals As Leaders).

In the world of guitar amplification, few brands shine as brightly as Morgan Amplification. Founded by the visionary amplifier builder and guitarist Joe Morgan in 2009, Morgan Amplification emerged as a beacon of craftsmanship and innovation for a new generation of guitarists. Drawing inspiration from era-defining vintage tones, Joe set out to create amplifiers that not only paid homage to the classics but also pushed the modern boundaries of sonic possibilities.

“What we share with guitarists is a deep and abiding respect for legacy sound,” observes Neural CPO Francisco Cresp. “Our modeling technology has been able to precisely capture the nuances and features of the Morgan amps, and bring them to life in a plugin version for anyone to access to their fullest extent.”

The Amplifiers

Inspired by classic designs, modernized and made more reliable, these amps were born out of a desire to provide the most touch-sensitive and responsive sound possible while also providing an unparalleled pedal platform.

AC20 — The Morgan AC20 is a single-channel, 20-watt amplifier based on a vintage Vox AC30. It provides very rich, thick tones at high gain settings. 

PR12 — The Morgan PR12 is a single-channel, 12-watt amplifier based on a classic Fender Princeton Reverb. It offers bright, super-clean tones to robust overdrives. The PR12 also features a distinctive spring reverb that has become a hallmark of this compact but powerful amp type.

SW50R — The Morgan SW50R is a single-channel, 50-watt amplifier based on a Dumble clean channel with the addition of a tube-driven reverb tank. Entirely hand wired and built to order, this amp encapsulates everything Morgan Amplifiers does best. At full volume, the amp breaks up dramatically, producing killer tones for grunge and stoner rock.

To learn more and purchase the Morgan Amps Suite, click here.

For more information on Neural DSP, click here.

Spitfire Audio launch MG Soft Acoustic Guitar Spitfire's new guitar library promises to deliver a remarkably authentic sound whilst helping to demystify the workings of the instrument for non-guitarists.

Taped Vibes: free HALion instrument from Steinberg Steinberg's latest HALion instrument offers a classic electric piano captured with a DI, vintage preamp and thorugh a Space Echo.

Bitwig and Orchestral Tools launch free sound package with “high-quality brass samples”Bitwig and Orchestral Tools have released a free sound package packed with “high-quality brass samples”.
With its diverse, dynamic palette of rich brass tones, timbres and articulation, the package is set to change the game in terms of digital brass digital sampling.

READ MORE: “There’s nothing I can do in Dolby Atmos to make the song ‘better’”: Music engineers weigh in on the Atmos boom

The broad range will include a wide range of solitary samples to dense ensemble sonics, as well as allowing users to freely combine the diverse selection of sounds; musicians will have the ability to toy with distinctive trumpet and horn sections, layer up trombone and tuba combos, or go all-out with the full force of the entire brass section.
Brass, Trumpet and Horn, and Trombone Ensemble and Tuba recordings will all offer sustained, staccato and marcato samples, with Brass also allowing for sustained soft, muted-sustained and muted-staccato options. The package comes with 18 presents, and eight remix presents for easy manipulation.
Every effort was made to replicate the true colour of each instrument, capturing each instrumental nuance, with natural volume balancing across all instruments to allow ultimate flexibility.
The Orchestral Brass package comes as the third release in the Orchestral Tools Collection specifically optimised for the Bitwig’s Sampler tool, following on from the Orchestral Strings and Orchestral Woodwinds packages respectively.
Orchestral Brass is available to download via the Packages tab within the DAW’s Dashboard, and is free for anyone with an active Bitwig Studio Upgrade plan. It requires 3.7GB of disk space.
For more information, head to Bitwig.
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