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  • Songwriter Profile: Mama BLegacy Work

    With over 20 years as an artist and music executive, Jacq Becker—under her moniker Mama B—is releasing a second children’s album, following the success of 2021’s collaboration, Zoology (which amassed 50+ million digital and 14+ million YouTube streams). Having performed as a pop artist at Los Angeles’ Hotel Café, The Mint, Harvelle’s, Room 5, etc., and shows in Sweden, Nashville, and the Caribbean, Becker has placements in major TV and film (including Top 5, Pretty Little Liars and Seven Days in Utopia), and leads prominent songwriter and publishing teams, helping artists develop their creative vision and monetize their work. 

    First studying classical music before switching to jazz, then pop, Becker holds a deep love of lyrics and melody, emphasizing her affinity for ‘’timeless songs and energy,” and was drawn to Norah Jones and the idea of audiences sitting quietly and truly listening. First writing as a teen, her focus expanded to business in her 20’s, and she is passionate about helping women improve their music business and publishing education, and exploring options. Says Becker, “I get the pleasure of helping expand their business and shining light on songwriters and producers. I feel very lucky to be doing it.” To have a sustainable career in music, Becker advises a focus on learning about publishing, rights management, monetization, and exploring the organizations that manage it all.

    Leading with melody, then tone of voice and production, Becker says that what resonates most in music for her is the collaboration, emphasizing the dramatic difference between the sound that comes out of a collaborative project versus the energy felt from constant ‘session-churning.’ “You can hear that trust in each other,” she says. “I listen for musicianship of the whole song (not just melody and lyrics) [and] how it came together.” In repeat collaborations, she says, “I trust their instincts. It’s [about] bringing the right people together with different skill sets that meld together.” See differences as an enhancement, not a threat, and when entering first-time collaborations, Becker says to be as prepared as possible by bringing a few concepts or lyrical ideas.

    Struggling to find children’s music she could listen to when she became a mom, Becker felt she could add something and, inspired by the musings of her children and their friends, worked to make music from their perspective while adding contemporary production. Says Becker, “We’re trying to take everything we know about song composition and structure and not do anything different because it’s for kids and families. Why would the formula change?”

    Starting organically with guitar and piano melodies, using live instruments and no corner-cutting, Becker wanted to deliver purpose and meaning. Taking two years to complete, some sessions had starting points (“Princess In A Castle” was a request of her son’s classmate), or incorporated elements she heard her children jamming out to (Harry Nilsson’s “Coconut” inspired “Puffer Fish”). Finding a lightness and joy that was missing in the pursuit of pop affirmation, children’s music reignited her songwriting passion. “There were no restrictions on creativity. The fact that we took so much time with it speaks to the integrity of the project,” says Becker. “Everything about it was pure, honest, and no pressure, which is a good place to be when you're releasing music.” 

    Imaginology feels like Reading Rainbow-meets-The Spice Girls: fun, catchy, and equal parts soothing and enjoyable for all ages. Set for release on Mother’s Day.

    Contact Jon Bleicher, Prospect PR - jon@prospectpr.com

    Experience Mama B at instagram.com/mamabsongs

    Legacy Work With over 20 years as an artist and music executive, Jacq Becker—under her moniker Mama B—is releasing a second children’s album, following the success of 2021’s collaboration, Zoology …

  • Taylor Swift’s return to TikTok includes an in-app experience for ‘The Tortured Poets Department’ with ‘first-of-its-kind’ featuresIn-app experience follows the return of the superstar's music to TikTok, amid its licensing dispute with Universal Music Group
    Source

    In-app experience follows the return of the superstar’s music to TikTok, amid its licensing dispute with Universal Music Group…

  • Music Industry is moving from middle-men to ‘disintermediation’New technology suggests that current music business models should be more artist-centric instead of including unnecessary middlemen. from ArtistVerified via Medium Disintermediation is a really long word for a really. Continue reading
    The post Music Industry is moving from middle-men to ‘disintermediation’ appeared first on Hypebot.

    New technology suggests that current music business models should be more artist-centric instead of including unnecessary middlemen. from ArtistVerified via Medium Disintermediation is a really long word for a really. Continue reading

  • Your Livestream Strategy Sucks! K-Pop’s lessons on reaching a global audience Haven't had much success with live streaming lately or given up altogether? If you're going to learn from anyone, look at how live-streaming contributed to K-Pop artist's global success.....
    The post Your Livestream Strategy Sucks! K-Pop’s lessons on reaching a global audience  appeared first on Hypebot.

    Haven't had much success with live streaming lately or given up altogether? If you're going to learn from anyone, look at how live-streaming contributed to K-Pop artist's global success.....

  • Taylor Swift’s music is back on TikTok, despite no resolution in its dispute with UMGIt’s likely no coincidence that Swift’s music has reappeared on TikTok little more than week before the April 19 release of her new albu
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    It’s likely no coincidence that Swift’s music has reappeared on TikTok little more than week before the April 19 release of her new album.

  • Record labels have some bad news for radio [Bobby Owsinski]Radio is still an important medium, but it is not as popular - particularly with music fans - as it once was. So many record labels are cutting their radio promotion teams.....
    The post Record labels have some bad news for radio [Bobby Owsinski] appeared first on Hypebot.

    Radio is still an important medium, but it is not as popular - particularly with music fans - as it once was. So many record labels are cutting their radio promotion teams.....

  • 62M tracks are now paid No Royalties, and millions more are being deletedNew rules demanded by the major labels to devalue or delete so-called "junk tracks" are now in full force at Spotify, Amazon Music, Deezer, and several other music streaming services, according to multiple sources.....
    The post 62M tracks are now paid No Royalties, and millions more are being deleted appeared first on Hypebot.

    New rules demanded by the major labels to devalue or delete so-called "junk tracks" are now in full force at Spotify, Amazon Music, Deezer, and several other music streaming services, according to multiple sources.....

  • This ‘secret’ composer is behind 650 fake artists on Spotify. His music has been streamed 15bn times on the platform (report)Revealed in a Dagens Nyheter expose: the musician 'behind the world's most listened to network of fake artists on Spotify'
    Source

    Revealed in a Dagens Nyheter expose: the musician ‘behind the world’s most listened to network of fake artists on Spotify’…

  • #majors trying to catch the #social #Music wave using the existing community built around the company. #Tidal #MusicBusiness

  • How to maximize a music release’s potential for success [VIDEO]The right planning and preparation can make or break how well a music release does. This guide breaks down the steps needed to put out a successful song.....
    The post How to maximize a music release’s potential for success [VIDEO] appeared first on Hypebot.

    The right planning and preparation can make or break how well a music release does. This guide breaks down the steps needed to put out a successful song.....

  • Independents accounted for 50% of Spotify industry revenue last yearIndependent artists generated $4.5 billion on Spotify in 2023. This is the first year ever that Indies accounted for about 50% of what the entire industry generated on the streamer, which totaled $9 billion....
    The post Independents accounted for 50% of Spotify industry revenue last year appeared first on Hypebot.

    Independent artists generated $4.5 billion on Spotify in 2023. This is the first year ever that Indies accounted for about 50% of what the entire industry generated on the streamer, which totaled $9 billion....

  • Attorney Chooses Music Over Law & Invests In Audient ASP4816-SEMusic producer, Thomas Shea favours a ‘scattered workstation approach’ to his home studio. “I like to work in different places. I just like the variety,” he says. With the ASP4816-SE a significant part of his music production arsenal, he acknowledges that his way of doing things “is unusual.”

    Not as unusual as his back story, however. Tom originally trained as an attorney and practised law, until one day 16 years ago he had an epiphany! He decided he was going to become a music producer. “Lightning struck me. I closed down my law practice,” he says. He went about finding local musicians, taught himself songwriting, made connections and bought himself some recording gear - he was well and truly hooked!

    The Audient brand first came to his attention when looking for a replacement audio interface. His first purchase was the latest iD44. “I liked the quality, the test measurements, the form factor and the metal construction.”  Now he uses that as a headphones amplifier with his ASP4816-SE, and has since picked up an iD4 as well.

    Shea shares what he particularly likes about the console. “First, the sound.  I am one of those producers who likes a very clean sound and the ASP4816-SE really delivers on this.  Second, the build and finish quality is excellent.  I am very fussy about things like that.  The quality of the faders and knobs, the beautiful aesthetic redesign and the flawless finish are very satisfying to me.  It is a pleasure each time I see it.“

    He continues, “Third is the functionality.  I am constantly pleased with the way the console functions are designed.  The layout and functions make sense and are easy, relative to its many capabilities.  It seems to me other consoles are overly complex and confusing to use.  Not the ASP4816-SE!”

    Tom Shea can be found on many global music services. He’s currently working on a new album, with a few songs already in final production stages. 

    Read more here: audient.com/news/2024/02/26/tom-shea/

    Visit audient.com

    Music producer, Thomas Shea favours a ‘scattered workstation approach’ to his home studio. “I like to work in different places. I just like the variety,” he says. With the ASP4816-SE a si…

  • Sales from K-Pop stars including Jungkook and Seventeen pushed HYBE’s revenues to over $1.6bn in 2023South Korea-based entertainment giant HYBE has published its earnings for Q4 and FY 2023
    Source

    South Korea-based entertainment giant HYBE has published its earnings for Q4 and FY 2023…

  • Music Subscriber Market Share Report 2023 shows global growth [MIDiA]Mark Mulligan and the team at MIDiA have released their latest music subscriber market share report, and it shows continued global streaming growth...
    The post Music Subscriber Market Share Report 2023 shows global growth [MIDiA] appeared first on Hypebot.

    Mark Mulligan and the team at MIDiA have released their latest music subscriber market share report, and it shows continued global streaming growth...

  • The music industry is changing. Thomas Coesfeld is busy preparing BMG for what’s next.The BMG boss discusses the sweeping changes he's made at the Bertelsmann-owned company – and the future of music
    Source

    The BMG boss discusses the sweeping changes he’s made at the Bertelsmann-owned company – and the future of…