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Songwriter Profile: Mama BLegacy Work
With over 20 years as an artist and music executive, Jacq Becker—under her moniker Mama B—is releasing a second children’s album, following the success of 2021’s collaboration, Zoology (which amassed 50+ million digital and 14+ million YouTube streams). Having performed as a pop artist at Los Angeles’ Hotel Café, The Mint, Harvelle’s, Room 5, etc., and shows in Sweden, Nashville, and the Caribbean, Becker has placements in major TV and film (including Top 5, Pretty Little Liars and Seven Days in Utopia), and leads prominent songwriter and publishing teams, helping artists develop their creative vision and monetize their work.
First studying classical music before switching to jazz, then pop, Becker holds a deep love of lyrics and melody, emphasizing her affinity for ‘’timeless songs and energy,” and was drawn to Norah Jones and the idea of audiences sitting quietly and truly listening. First writing as a teen, her focus expanded to business in her 20’s, and she is passionate about helping women improve their music business and publishing education, and exploring options. Says Becker, “I get the pleasure of helping expand their business and shining light on songwriters and producers. I feel very lucky to be doing it.” To have a sustainable career in music, Becker advises a focus on learning about publishing, rights management, monetization, and exploring the organizations that manage it all.
Leading with melody, then tone of voice and production, Becker says that what resonates most in music for her is the collaboration, emphasizing the dramatic difference between the sound that comes out of a collaborative project versus the energy felt from constant ‘session-churning.’ “You can hear that trust in each other,” she says. “I listen for musicianship of the whole song (not just melody and lyrics) [and] how it came together.” In repeat collaborations, she says, “I trust their instincts. It’s [about] bringing the right people together with different skill sets that meld together.” See differences as an enhancement, not a threat, and when entering first-time collaborations, Becker says to be as prepared as possible by bringing a few concepts or lyrical ideas.
Struggling to find children’s music she could listen to when she became a mom, Becker felt she could add something and, inspired by the musings of her children and their friends, worked to make music from their perspective while adding contemporary production. Says Becker, “We’re trying to take everything we know about song composition and structure and not do anything different because it’s for kids and families. Why would the formula change?”
Starting organically with guitar and piano melodies, using live instruments and no corner-cutting, Becker wanted to deliver purpose and meaning. Taking two years to complete, some sessions had starting points (“Princess In A Castle” was a request of her son’s classmate), or incorporated elements she heard her children jamming out to (Harry Nilsson’s “Coconut” inspired “Puffer Fish”). Finding a lightness and joy that was missing in the pursuit of pop affirmation, children’s music reignited her songwriting passion. “There were no restrictions on creativity. The fact that we took so much time with it speaks to the integrity of the project,” says Becker. “Everything about it was pure, honest, and no pressure, which is a good place to be when you're releasing music.”
Imaginology feels like Reading Rainbow-meets-The Spice Girls: fun, catchy, and equal parts soothing and enjoyable for all ages. Set for release on Mother’s Day.
Contact Jon Bleicher, Prospect PR - jon@prospectpr.com;
Experience Mama B at instagram.com/mamabsongs
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Not as unusual as his back story, however. Tom originally trained as an attorney and practised law, until one day 16 years ago he had an epiphany! He decided he was going to become a music producer. “Lightning struck me. I closed down my law practice,” he says. He went about finding local musicians, taught himself songwriting, made connections and bought himself some recording gear - he was well and truly hooked!
The Audient brand first came to his attention when looking for a replacement audio interface. His first purchase was the latest iD44. “I liked the quality, the test measurements, the form factor and the metal construction.” Now he uses that as a headphones amplifier with his ASP4816-SE, and has since picked up an iD4 as well.
Shea shares what he particularly likes about the console. “First, the sound. I am one of those producers who likes a very clean sound and the ASP4816-SE really delivers on this. Second, the build and finish quality is excellent. I am very fussy about things like that. The quality of the faders and knobs, the beautiful aesthetic redesign and the flawless finish are very satisfying to me. It is a pleasure each time I see it.“
He continues, “Third is the functionality. I am constantly pleased with the way the console functions are designed. The layout and functions make sense and are easy, relative to its many capabilities. It seems to me other consoles are overly complex and confusing to use. Not the ASP4816-SE!”
Tom Shea can be found on many global music services. He’s currently working on a new album, with a few songs already in final production stages.
Read more here: audient.com/news/2024/02/26/tom-shea/
Visit audient.com
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