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  • How remixes can revive old tracksSome songs just need a few tweaks and a new beat to top the charts again. Bobby Owsinski of Music 3.0 looks at the phenomenon and how to take advantage. Continue reading
    The post How remixes can revive old tracks appeared first on Hypebot.

    Some songs just need a few tweaks and a new beat to top the charts again. Bobby Owsinski of Music 3.0 looks at the phenomenon and how to take advantage. Continue reading

  • Social platforms are becoming one-stop-shop for all entertainment [MIDiA]Social platforms are working to cover all the bases for all forms of entertainment. What does that mean for music and the music industry? by Hanna Kahlert of MIDiA Research Social. Continue reading
    The post Social platforms are becoming one-stop-shop for all entertainment [MIDiA] appeared first on Hypebot.

    Social platforms are working to cover all the bases for all forms of entertainment. What does that mean for music and the music industry? by Hanna Kahlert of MIDiA Research Social. Continue reading

  • Chartmetric relaunches free OneSheet EPKs for musiciansChartmetric has relaunched OneSheet, a simple-to-create, graphically pleasing, data-driven electronic promotional one-sheet for musicians. Chartmetric acquired the EPK startup last year. How One Sheet Works OneSheet automatically pulls stats from. Continue reading
    The post Chartmetric relaunches free OneSheet EPKs for musicians appeared first on Hypebot.

    Chartmetric has relaunched OneSheet, a simple-to-create, graphically pleasing, data-driven electronic promotional one-sheet for musicians. Chartmetric acquired the EPK startup last year. How One Sheet Works OneSheet automatically pulls stats from. Continue reading

  • ‘Irresponsible and offensive’: NMPA’s David Israelite does not like IMPALA’s new report on the ‘music streaming pie’. At all.Publishers' association chief calls report questioning slices of revenue pie "irresponsible and offensive"
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  • The global dance music industry grew by 34% in 2022Last week I was the International Music Summit in Ibiza, the annual music industry business event. This year MIDiA compiled the annual IMS Music Business Report and I presented the findings at the opening of the event. The full report is available here for download and you can view a video of the presentation here. Here are some of the key findings of the report.

    The dance music industry has long been among the first music genres to be shaped by emerging technologies, not least because technology plays such an integral role in the production and performance of dance music. This has helped ensure that dance music has ridden the waves of music industry change. But it has also always been a genre built around performance, DJing especially. So when the pandemic came, dance music felt the impact particularly keenly, with festivals, clubs and bars all being hard hit. 2020 and 2021 were thus fallow years for dance music revenues, years in which DJs struggled to perform and the global industry looked much more towards its other revenue streams. With the global opening up of 2022, the dance music industry not only grew, but ended up bigger than pre-pandemic, pointing to the growing cultural reach and impact that dance music has in today’s global music business.

    All of the key elements of the dance music business were up in 2022:

    Recorded music up 11% to $1.5 billion

    Publishing up 22% to $0.4 billion

    Music hardware, software, sounds and services up 4% to $2.8 billion

    Live up 78% to $4.5 billion

    The result was that the total revenue of the global dance music industry rose 34% in 2022 to hit $10.2 billion. 

    Hardware and software

    Music hardware, software, sounds and services represents one of dance music’s super powers. Dance music producers have always relied on these tools, but now they are becoming the mainstay of the wider music creator economy. With music software used more across all genres, dance music sounds and techniques will influence all genres

    Skills sharing and learning grew fastest, and it was worth $108 million in 2022. Plus, demand will increase still, due to fast evolving production techniques and new software

    This will be a long-term growth area for dance music, with producers constantly seeking to upskill to the fast changing world of music production tech and techniques

    Live

    In live, Ibiza club ticketing revenue reached €124 million in 2022, up 55% from the €80 million registered in 2019. This was underpinned by increases in the number of events per venue, average ticket prices, and the total number of tickets sold going from 2 million in 2019 to 2.5 million in 2022

    Globally, the top 100 DJs saw their 2022 bookings grow by around threefold on the pandemic hit 2021, though male DJs grew bookings more than half faster than their female counterparts. Female DJs represented 15% of all top 100 DJ bookings in 2022. Building popularity and getting bookings is a virtuous circle, but if female DJs are losing share of bookings to male counterparts, then the virtuous circle becomes a vicious circle.

    A bright, diversified future

    Finally, the dance music industry has shaken off the effects of the pandemic, coming out the other side, bigger, better, stronger and more relevant than ever. The pandemic shone a harsh light on the industry’s heavy-reliance on live. Now, that reliance is even higher because of live’s huge growth. There are two key differences from 2019: 1) a resurgent creator tools sector; and 2) a music publishing business that is finally beginning to find its share. The future is bright, with the rise of creator culture, bringing ever more people into dance music, both as fans and creators, with the creator-fan set to be at the centre of tomorrow’s dance music world.

  • Music, AI & the Metaverse ‘offer limitless possibilities’The potential for AI to disrupt music is the topic de jour, but add the Metaverse to the mix, and the possibilities become even more mind-boggling. Guest post by Eric. Continue reading
    The post Music, AI & the Metaverse ‘offer limitless possibilities’ appeared first on Hypebot.

    The potential for AI to disrupt music is the topic de jour, but add the Metaverse to the mix, and the possibilities become even more mind-boggling. Guest post by Eric. Continue reading

  • Music Investing Goes Mainstream: Why opportunities for Artists and Investors are set to explodeFounder and CEO of Marination Music, Justin Longo, shines light on a new way to add stability to musician incomes as well as build a closer bond between artists and. Continue reading
    The post Music Investing Goes Mainstream: Why opportunities for Artists and Investors are set to explode appeared first on Hypebot.

    Founder and CEO of Marination Music, Justin Longo, shines light on a new way to add stability to musician incomes as well as build a closer bond between artists and. Continue reading

  • QUICK HITS: Duetti • Gibson • PIXELYNX • Blackbird StudioDuetti, the new music financing platform founded by ex-TIDAL and Apple Music execs Lior Tibon and Chris Nolte has launched with $32M in funding. The Fin-tech platform gives artists at. Continue reading
    The post QUICK HITS: Duetti • Gibson • PIXELYNX • Blackbird Studio appeared first on Hypebot.

    Duetti, the new music financing platform founded by ex-TIDAL and Apple Music execs Lior Tibon and Chris Nolte has launched with $32M in funding. The Fin-tech platform gives artists at. Continue reading

  • 5 tips to get more engagement on social media for musiciansThe music might be great, but you need people to listen to it! Here are some sage tips on how you can get the word out (successfully) with social media.. Continue reading
    The post 5 tips to get more engagement on social media for musicians appeared first on Hypebot.

    The music might be great, but you need people to listen to it! Here are some sage tips on how you can get the word out (successfully) with social media.. Continue reading

  • Recent Classical Highlights for April 2023There are some interesting concertos among this month's new reviews. Conductor Marin Alsop is a champion of composer Kevin Puts, with a new recording featuring his latest concertos for marimba and for oboe, the latter featuring Katherine Needleman (pictured).

    There are some interesting concertos among this month's new reviews. Mahan Esfahani is the soloist in 20th century works for a 16th century instrument, the harpsichord. Also making…

  • 6 Essentials for Playlist PitchingWith these six important steps, learn how to expand your fanbase and make your playlist pitch stand out. Randi Zimmerman of Symphonic Blog Playlist curators get tons of pitches from. Continue reading
    The post 6 Essentials for Playlist Pitching appeared first on Hypebot.

    With these six important steps, learn how to expand your fanbase and make your playlist pitch stand out. Randi Zimmerman of Symphonic Blog Playlist curators get tons of pitches from. Continue reading

  • Grimes offers AI creators a 50% royalty split for using her voiceGrimes is embracing AI music at a time when most other major artists and their labels are pushing the panic button with an offer to split royalties with any AI. Continue reading
    The post Grimes offers AI creators a 50% royalty split for using her voice appeared first on Hypebot.

    Grimes is embracing AI music at a time when most other major artists and their labels are pushing the panic button with an offer to split royalties with any AI. Continue reading

  • Snap, which now has 750m monthly users, expands augmented reality partnership with Live NationPlatform will offer custom-built, immersive AR tools at 16 festivals
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  • Country music fans shift from streaming skeptics to most active usersCountry music fans were slow to adopt streaming, but now they are catching up fast., according to a new Digital Media Association (DiMA) study. “Streaming Country Music Forward” looks at the. Continue reading
    The post Country music fans shift from streaming skeptics to most active users appeared first on Hypebot.

    Country music fans were slow to adopt streaming, but now they are catching up fast., according to a new Digital Media Association (DiMA) study. “Streaming Country Music Forward” looks at the. Continue reading