Shazam will now give users gig recommendations based on their historyApple-owned music discovery app Shazam has rolled out a new feature that’ll recommend gigs in your area that you might be interested in.

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Currently only available in the iOS version of the Shazam app, this new “Concerts” section makes use of your Shazam history to provide concert recommendations. Users can narrow down their search using one of the two filters provided – Popular and For You – and save the event to their app or add it to their calendars.
Aside from helping users discover upcoming concerts in their area, Shazam also facilitates setting reminders for upcoming shows and provides notifications for when an artist shares exclusive content like their setlists and tour photos.
Under the new Concerts section, users can access a link allowing them to purchase tickets directly. You can also check out music from the artist playing the show, and listen to his/ her music inside Shazam, Apple Music or Spotify.
According to Shazam, the new feature uses concert information from event recommendation platform Bandsintown, which licensed its data to Apple back in 2022. Spotlight Search will also now display concert data following the new iOS 17 update.
Earlier this year, the Cupertino giant introduced new concert discovery features for Apple Music and Apple Maps. The latter now offers over 40 Music Guides curated by Apple Music editors, showcasing music venues in some of the world’s most vibrant cultural centres.
Last year, Shazam celebrated its 20th anniversary, having originally launched in 2002 as a text message-based service. The platform revealed that Drake topped its most-searched artist list.
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Korg launches its first ever MIDI 2.0 keyboard controller, KeystageKorg has unveiled Keystage, its first ever MIDI 2.0 keyboard controller designed for both on stage and in-studio use.
Described as the “ultimate MIDI keyboard for producers and performers”, Keystage comes in two variations — 49 or 61 keys — and is equipped with a semi-weighted keybed that supports both channel and polyphonic Aftertouch, and MPE (MIDI Polyphonic Expression).

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As Korg explains, Keystage is the first of its peers to adopt the MIDI 2.0 Property Exchange. Unlike MIDI 1.0, MIDI 2.0 allows for two-way communication between devices, ensuring seamless auto-configuration for optimal compatibility.
When connected to compatible software, Keystage simplifies parameter assignments, displaying them on its OLED screens, which can be controlled in real-time using the dedicated knobs. The controller also provides official integration with most DAWs including Ableton Live and Korg Gadget, allowing you to enjoy immediate “plug-and-play connectivity”.
In terms of playback options, Keystage’s arpeggiator offers a vast selection of patterns that can be customised with aftertouch, triggered ratchets, randomisation, and gating, while chord mode comes with 32 preset chord sets as well as an extra 32 slots for you to customise and save your own.

Users will also receive a powerful software package with each purchase. This includes the Korg Gadget Producer Bundle which features over 40 small synthesizers and drum machines called “Gadgets”, WaveState Native LE, and Ableton Live 11 Lite, which is officially compatible with Keystage.
Connections wise, Korg has included a USB-B port, MIDI (IN, OUT connectors), expression and damper jacks, two unbalanced 1/4″ TS outputs and a stereo headphone output on the Keystage.
The 49-key version will set you back $599 while the 61-key variant is priced at $699.

Learn more at Korg.
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IK Multimedia Pianoverse takes classic pianos to the next levelPiano models €99.99 each
All Access monthly plan €14.99 / month
All Access yearly plan €149.99 / year
ikmultimedia.com

IK Multimedia has created a number of sample-based pianos that use the Sampletank architecture but, until now, the Italy-based developer has never made a dedicated standalone piano instrument. Pianoverse changes that; an application and plugin that is designed not only to replicate the sound of classic piano models in fine detail but also let you go far beyond the sound of a conventional piano with an all-new sound engine. But what could it bring to the table that we haven’t already seen and heard?

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The application requires you to download at least one piano model – four are available at the time of review, with several more in development. These weigh in at 30-35 GB each and the four we tested totalled 128GB, which is a significant chunk of even a modern SSD. Luckily the libraries can easily be offloaded to a second drive – even a thumb drive, though you’ll want it to be of adequate speed. We used a 1TB OWC USB-C drive with a read speed of 530 megabytes per second which was plenty fast enough. You can tweak the application’s buffer settings to tailor performance for a slower or faster drive depending on what you are using.
The pianos are sampled – each note captured at many velocity levels – but IK has taken an unusual approach, building its own sampling robot and bespoke software to perform the recordings. The argument is that this enables the capturing of perfectly consistent strikes at all manner of velocities. At the same time, multiple microphones were used to record the nuance of each element of each piano.
As you’d expect, this provides a great deal of control over the behaviour of each piano. After choosing from the many presets in the browser, with various tags available, you can access the Model menu where you’ll find precise controls for note level, hammer, note release and pedal noise, lid position, a large selection of available filters and more. IK says its sampling techniques make available parameters usually only available in modelled pianos (like Pianoteq) and it’s true that there’s a wealth of customisation available here that goes beyond what you normally see in a sampled instrument.

In the Master section is master tuning and transpose, space, tone and compression and width as well as velocity curves. In these sections as throughout the instrument, right clicking on controls brings up MIDI learn assignment options should you wish to automate things like pedals, filters and the like.
Before going too much further we should mention the sound of the pianos in their natural state – before too many effects are added – which is sublime. The four models we tested – Black Diamond B280, Concert Grand YF3, NY Grand S274 and Royal Upright Y5 – are simply gorgeous, their meticulous creation rewarding skilled playing with responsive, nuanced and dynamic results. You will of course get the best experience when using a serious MIDI keyboard with weighted keys as well as a sustain pedal or combined pedals. Three are available in software, including continuous values for the points between pedal states.
The next section in the interface is called Spae. This allows you to place your piano into one of several virtual spaces, from conventional ones like studios, cathedrals and concert halls to more esoteric locations like a desert, iceberg or vault. This it does using its new generative reverb engine, and some of the stranger spaces also have extra parameters like the amount of foliage in a forest environment, or the depth of water on the ocean floor. Clearly the more extreme spaces lend themselves to sound design or score-style piano tones, but they’re nice to have alongside the more conventionally useful ‘real’ spaces like stages and studios.
IK Multimedia Pianoverse
Moving along to the Mix section, you’ll find a choice of close or coincident microphones on one channel and the Spaces signal on another, each with level and pan controls, and a graphic or parametric EQ for each channel as well as a choice of four compressor models with dedicated controls. A Master channel has a further set of effects slots as well as master compression and width to shape the whole output. There’s an extensive 3-slot effects section with 12 effects and alongside things like reverb, EQ and chorus are models like Particles (a specialised delay), Reelab (a space echo-style effect) and Convomorph, which morphs between convolution responses. There’s also a modulation section with four sources – two envelopes and two LFOs – that can be assigned to parameters within the effects section.
The presets make extensive use of this wide array of effects and also pre-programmed modulations to animate them. After all, there’s only so far you can go with the sound of a specific ‘real’ piano. And this is where Pianoverse really differentiates itself from other models like Native Instruments’ or Spitfire Audio’s many sample-based pianos which tend to stick more closely to spatial effect variations. IK has leveraged its extensive background in synthesis to bring a wider range of effects to Pianoverse and thus open up a new world of possibilities. True, these may be largely in the arena of sound design or scoring once you’ve gone beyond a straight piano-plus-reverb sound, but there’s a lot of call for that sort of thing.

It’s commendable that IK hasn’t gone down a subscription-only route, since some users dislike the idea of never truly owning their software. There’s no demo unfortunately, but you can subscribe to everything for €15 for a single month, then decide whether to buy any specific piano outright, or continue subscribing. The economics of this will depend on your needs, but it’s nice to have a few options.
Pianoverse is a beautifully sampled instrument and the work the team put into its creation really shines through when you play it. The application is friendly and well laid-out, and the Spaces and effects features add extra dimensions to what you can do with it. It’s an excellent piano (whichever model you choose) but also capable of more weird and wonderful sonic results, making it an easy recommendation for players and sound designers alike.
Key features

Standalone and plugin operation
Purchase or subscription model
All-new sound engine
Detailed libraries sampled by robot
Generative reverb engine powers Spaces
12 effects over 3 slots plus modulation
Powerful mixer section
2 sets of mics per piano
Multiple compressor models
Advanced pedalling options

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Korean Investment Partners is the latest Korean VC firm to launch a Southeast Asia fundMore South Korean investors are putting money into Southeast Korea startups, creating an “investment corridor” between the two regions. The latest one is KIPSEA. Short for Korean Investment Partners Southeast Asia, KIPSEA has a Singapore-based team and just announced its first fund close of $60 million. Limited partners come from South Korea, Hong Kong and […]
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Bitcoin price hovers near $35K as ETH, APT, QNT and RUNE turn bullishBTC price advances toward $35,000, potentially opening the door for ETH, APT, QNT and RUNE to move higher.

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Cruise ceases robotaxi operations, the Apple Watch gets a new feature and Carta tries to head off bad pressHello, ghouls and goblins, and welcome to this Halloween Weekend edition of Week in Review (WiR), TechCrunch’s weekly tech recap in newsletter form. For our U.S.-based readers (and this reporter), ’tis the time for mid-autumn merrymaking — time-tested traditions like jack-o’-lantern carving, costuming and apple picking. May we all make the most of it. In […]
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BMG, following ‘more efficient and more effective’ strategy under new CEO Thomas Coesfeld, reorganizes structure; around 40 staff cutMBW obtains internal note that confirms a range of changes at Bertelsmann-owned company
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